National Gallery of Art · Open Data

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Explore only works whose published-image record is explicitly marked open access by the National Gallery of Art. Every result includes eligible imagery and connects back to the museum.

Collection results

63,858 open-access works

63,858 NGA-open-access works
Dataset refreshed September 26, 2026

Print2015.19.1584.55.9

Benjamin Harrison VII

Charles B. J. Févret de Saint-Mémin

c. 1808 · mezzotint and engraving in black on wove paper mounted to brown wove paper

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Print2015.19.1584.32.11

Benjamin Huger

Charles B. J. Févret de Saint-Mémin

1805 · mezzotint and engraving in black on wove paper mounted to brown wove paper

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Print2015.19.1584.19.12

Benjamin Ives Gilman

Charles B. J. Févret de Saint-Mémin

1801 · mezzotint and engraving in black on wove paper mounted to brown wove paper

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Print2015.19.1584.35.5

Benjamin King

Charles B. J. Févret de Saint-Mémin

1806 · mezzotint and engraving in black on wove paper mounted to brown wove paper

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Print2015.19.1584.30.11

Benjamin Ricketts

Charles B. J. Févret de Saint-Mémin

1805 · mezzotint and engraving in black on wove paper mounted to brown wove paper

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Print2015.19.1584.24.3

Benjamin Rush

Charles B. J. Févret de Saint-Mémin

1802 · mezzotint and engraving in black on wove paper mounted to brown wove paper

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Print2015.19.1584.45.9

Benjamin Smith

Charles B. J. Févret de Saint-Mémin

1809 · mezzotint and engraving in black on wove paper mounted to brown wove paper

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The image is a portrait of a man from the chest up. The man is turned to his left, facing sideways. He has curly hair styled backward with a queue tied at the nape. His expression is neutral with a prominent nose. He is wearing a dark, formal high-collared coat with a button and a white cravat around his neck, suggesting an 18th or early 19th-century style. The background is an oval-shaped grayscale. There is handwriting below the image that reads "Dr. Barton Benjamin Smith."

Print2015.19.1584.24.8

Benjamin Smith Barton

Charles B. J. Févret de Saint-Mémin

1802 · mezzotint and engraving in black on wove paper mounted to brown wove paper

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The image displays a man in a frontal seated position. He has a prominent nose, pronounced lips, and a small beard. His hair is shoulder-length, wavy, and parted in the center. He wears a dark garment with a white collar and extended cuffs. In his left hand, he holds a human skull on a table. His right hand is raised in a gesture. The background includes a curtain on the left and a cloud on the right with three descending light beams. The frame has inscriptions like "LIGNO CHRISTI FIXUS," "Sursum," and "Deorsum."

Print1951.11.585

Benjamin Spenser (?)

Thomas Cross

Date not recorded · engraving

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Painting1970.34.2

Benjamin Tappan

Gilbert Stuart

1814 · oil on wood

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Painting1942.8.39

Benjamin West

after Benjamin West

c. 1776 · oil on canvas

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The image shows a man from the waist up, seated in a formal position, with his body turned slightly to the right, looking directly at the viewer. He has a solemn expression, a strong jawline, prominent nose, and intense eyes. He has white, curly hair styled in an 18th-century fashion. He is dressed in formal attire, wearing a high-collared shirt with a cravat, and a dark, double-breasted coat with large buttons. There is a textured curtain behind him on one side, and an architectural structure resembling a classical building is faintly visible in the background.

Print1980.45.838

Benjamin West

Thomas Holloway

Date not recorded · etching and engraving

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The image shows an engraved portrait of a man from the shoulders up, facing to the right. The man has short, curly white hair, a prominent nose, and a strong chin. He is wearing a dark coat with a high collar and a white cravat around his neck. The background is a simple dark circle. There are no visible pieces of jewelry or objects. Writing under the portrait credits someone in Philadelphia for the engraving or drawing, signed "Ben West."

Print2015.19.1584.11.1

Benjamin West

Charles B. J. Févret de Saint-Mémin

1798 · mezzotint and engraving in black on wove paper mounted to brown wove paper

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The artwork depicts the upper bodies of two people, positioned closely together. The main figure is a man seated prominently in the center, looking forward with a calm expression. His hair is styled in soft curls, framing his face. He is wearing a coat with a fur collar over a high-collared shirt and holding an open book with one hand and a small quill in the other. Resting their head on the man's shoulder is a young boy, whose face is partially visible, his expression pensive and his hair swept to the side. The child is wearing a collared shirt and gazes intently at the book. This scene is set within a circular frame, giving an impression of a window or a portal, with a subtly textured background.

Print2001.96.7

Benjamin West and His Son Raphael Lamar West

Valentine Green after Benjamin West

1775 · mezzotint with engraving on laid paper

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Sculpture2015.19.3891.a

Benjamin West Medal Commemorating Those Who Subscribed to Purchase the Painting "Christ Healing the Sick in the Temple" [obverse]

George Mills

1815 · bronze

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The image shows a portrait of a man facing slightly to the right. He has shoulder-length grayish wavy hair and a high forehead. The man is wearing a dark robe with a white collar. The portrait is in an ornate oval frame with decorative scrollwork. Below the frame is a coat of arms with a crest featuring a horse-like figure and floral elements. The background has a textured pattern.

Print1951.11.861

Benjamin Woodroffe, R.R.S., Canon of Christ Church, Oxford

Robert White

Date not recorded · engraving

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Print2015.19.1584.4.2

Benjamin Woolsey Rogers

Charles B. J. Févret de Saint-Mémin

1796-1797 · mezzotint and engraving in black on wove paper mounted to brown wove paper

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The image shows a large, ornate jug with a handle and a wavy, fluted design along its body. The jug has coppery browns, yellows, and hints of turquoise-blue colors. It is centered in the image, with the handle on the right side, against a light background.

Index of American Design1943.8.6206

Bennington Pitcher

Margaret Stottlemeyer

c. 1936 · watercolor, graphite, and colored pencil on paper

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A large dark green ceramic pitcher with a textured surface and a handle on the right side is featured in the image. The color palette consists of mainly green hues with a neutral beige background. The pitcher is positioned in the center, showing textured patterns and leaf motifs on its surface.

Index of American Design1943.8.6213

Bennington Pitcher

Howard H. Sherman

c. 1937 · watercolor, graphite, gouache, and heightening on paper

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The image shows a rusted agricultural tool resembling a pickaxe with one pointed end and a curved hook on the opposite side. The color palette is mainly brown and rust tones against an off-white background. The tool is positioned vertically, slightly angled to the right, with the pointed end facing upwards and the curved hook extending to the right. A small round object is nestled inside the tool's base at the bottom.

Index of American Design1943.8.11852

Bent Raider or Pike

Orison Daeda

1939 · watercolor, graphite, and pen and ink on paper

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The image depicts a landscape with water, a sailboat, and Benton Castle in the distance. There are clouds in the sky. The brushwork is neat, different elements are clearly separated, and the color palette is dominated by sepia and earthy tones with lighter highlights.

Print2004.119.1.22

Benton Castle, Looking down the Reach to Milford Haven

Paul Sandby

1775 · Etching and aquatint with roulette and mezzotint printed in brown on laid paper

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The image depicts a valley with mountains in the background. A village with buildings and trees is visible in the foreground, leading into the natural landscape. The painting style incorporates light brushstrokes with a watercolor effect. The color scheme includes soft blues and greens, with white areas suggesting unpainted sections. The chiaroscuro creates a serene atmosphere, with deeper hues in the mountains and lighter sketched areas in the foreground.

Drawing2011.52.1

Berchtesgaden with the Watzmann Peak in the Distance

Ernst Fries

1822 · watercolor over graphite on wove paper

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The image shows two individuals. One is a man standing beside a bed, partially concealed by a curtain, looking towards a person lying down. He has a beard and receding hairline, wearing a loose-fitting garment. The other person lies on the bed with eyes closed and mouth slightly open, short textured hair. There are objects on a bedside table, including a vase and a container. The setting appears to be indoors with curtains and a wall with vertical lines.

Print1943.3.5367

Berenice, 2nd plate

Alphonse Legros

Date not recorded · etching

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The image shows a seal press with a handle, a red wax seal with an embossed bird image and the text "BERLIN ACADEMY SEAL," and a color palette of brown, red, blue, and yellow. The stamp handle is centered at the top, slightly angled to the left, with ribbons attached to it. The red wax seal is positioned below the handle towards the bottom of the image. In the top right corner, there is a circular mark and the words "ACTUAL SIZE."

Index of American Design1943.8.13391

Bergen Academy Seal

Albert Camilli

c. 1936 · watercolor, graphite, and gouache on paper

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