National Gallery of Art · Open Data

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Explore only works whose published-image record is explicitly marked open access by the National Gallery of Art. Every result includes eligible imagery and connects back to the museum.

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63,836 open-access works

63,836 NGA-open-access works
Dataset refreshed September 12, 2026

The image depicts a person kneeling with their torso slightly bent backwards, looking up. The person has detailed facial features, shoulder-length hair, and is dressed in flowing robes. The background is plain in sepia tone with multiple borders framing the figure.

Print2011.86.1

A Crouching Apostle (Saint Peter)

Adam von Bartsch, after a drawing formerly attributed to Albrecht Dürer

1785 · etching and aquatint printed in brown on laid paper

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This is a drawing of an abstract form containing sweeping lines and organic shapes. The drawing consists of pencil lines on a textured paper. The central feature is elongated and looped, with curved lines. There is a sense of movement and the figure is surrounded by additional rounded shapes. The drawing occupies most of the paper with a few vertical and horizontal lines framing the figure. The overall composition appears to capture a dynamic pose.

Drawing1947.12.4.b

A Crouching Figure Holding a Shield [verso]

William Blake

probably c. 1793 · graphite

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The sculpture depicts a bird perched with its wings partially spread. It is crafted from dark metal, possibly bronze, and has a smooth, polished surface. The eyes are distinctly depicted with a contrasting color or reflective material. The sculpture is mounted on a square base made of marble-like stone with green, brown, and cream colors. The bird is perched on a cylindrical pedestal rising from the base, with detailed carving of feathers and claws. The sculpture appears life-like due to intricate detailing and materials used.

Sculpture1957.14.84

A Crow

Italian 16th Century

16th century · bronze with gilding//Dark patina, eyes gilded

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The image shows a tipi in a grassy field, with Native American figures nearby engaging in daily activities. The scene includes horses grazing in the background and a serene sky with wispy clouds. The color palette consists of earthy tones and gentle blues.

Painting1965.16.22

A Crow Chief at His Toilette

George Catlin

1861/1869 · oil on card mounted on paperboard

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The image shows three individuals standing in a row. The person on the left holds a spear upright in their right hand, has long dark hair adorned with feathers, and wears a decorated garment. The central figure wears a headdress with feathers, a fringed tunic with circular decorations, and moccasins while holding a bow and arrows. The person on the right stands with their body slightly turned to the side, hands folded in front, dressed in a lengthy garment with a patterned shawl and their hair tied back. The background features a soft, cloudy sky with faint imagery of distant mountains and grassy ground. The painting is framed with an oval shape set within a larger green frame.

Painting1965.16.21

A Crow Chief, a Warrior, and His Wife

George Catlin

1855/1869 · oil on card mounted on paperboard

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The image shows a landscape with a settlement surrounded by lush greenery and mountains in the distance. The mountains are partly covered by clouds. The painting technique is smooth and gentle, giving the scene a serene atmosphere. The color palette consists mainly of greens, browns, and blues. A row of traditional structures and small figures can be seen close to the viewer, while dense foliage transitions into hills and leads to the mountains in the background.

Painting1965.16.25

A Crow Village and the Salmon River Mountains

George Catlin

1855/1869 · oil on card mounted on paperboard

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The image shows a camp scene from an elevated viewpoint. There are several tipis scattered across the landscape with figures engaged in various activities. In the background, there are low hills and a softly glowing sky suggesting either sunrise or sunset. The land stretches into the distance with green vegetation and a partly obscured river or body of water on the right. The color palette consists of earthy browns and greens, contrasted by golden hues in the sky.

Painting1965.16.350

A Crow Village of Skin Tents on the Salmon River

George Catlin

1855/1869 · oil on card mounted on paperboard

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The image shows a village of teepees spread out on a plain. In the foreground, a cluster of large teepees is surrounded by people engaged in various activities. More tents are scattered across the landscape. In the background, hills are visible before the horizon, and the sky displays a blend of sunset colors transitioning into cooler tones.

Painting1965.16.24

A Crow Village on the Salmon River

George Catlin

1855/1869 · oil on card mounted on paperboard

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This is a drawing of a religious scene in an architectural setting. The composition shows a group surrounding a large crucifix within an interior featuring tall columns and an arched ceiling. Divided into distinct sections, the space includes decorative elements and drapery. Each figure wears a long robe. A table with an open book stands in the background, visible through beams of light. The drawing uses line work to convey depth and detail, reflecting attention to proportion and perspective.

Print2001.94.1

A Crucifix in a Church with Saints Thomas Aquinas, Mary Magdalene, Albertus Magnus, and Others

Johann Heinrich Schönfeld

1655 · etching on laid paper

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This is a painting of a scene inside a domestic setting. Two men and a woman are depicted in a dramatic moment. One man is grasping the lapels of another, while the woman sits slumped to the side. The room is detailed with diamond-paned windows and an open door. There is a large jug on the floor beside a hat, emphasizing the lived-in aspect of the room.

Print1945.5.221

A Cully Pillaged

Thomas Rowlandson

probably 1784/1785 · hand-colored etching

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The image features an ornate vase with intricate floral and anthropomorphic motifs in black and ivory colors. The vase is prominently displayed against a plain background.

Print1943.3.3735

A Cup with Rams' Heads at the Foot

Paul Flindt II

1594 · punch engraving on laid paper

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The image shows a street view scene of a narrow alleyway framed by rustic buildings. The horizon is high, nearly hidden by the rooftops. The structures on the left and right have weathered textures, including sloping roofs and facades. The etching strokes are dark and detailed, depicting depth and shading. The palette is monochromatic, with blacks and grays emphasizing architectural details and a cobblestone path leading to a distant horse. A figure stands on a balcony of the building on the right. Light lines hint at the sky above.

Print2021.113.16

A Cusset (Allier)

Maxime Lalanne

1869 · etching on laid paper

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The image shows a seascape from a low vantage point, with a high horizon separating the sea and the sky. Two sailing ships are depicted in the rough waters: a larger vessel to the right and a smaller ship to the left. The etching technique is used for detailed line work and bold strokes. The monochrome palette enhances the contrast between the sea and the sky. Other distant sails are faintly visible against the cloudy skies.

Print2016.89.11

A Damschuit and a "Smalschip"

Reinier Nooms, called Zeeman

c. 1652 /1654 · etching with drypoint on laid paper

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The image depicts three children. Two children are standing to the left and center, interacting. They have curly hair with floral wreaths, delicate facial features, and wear flowing dresses. The third child is leaning over a ledge to the right, also with curly hair and subtle expression. The background is minimal with a horizon line and lightly sketched flowers. No prominent jewelry or objects are featured.

Drawing1995.52.2

A Dance in Spring

Sir Lawrence Alma-Tadema

c. 1910 · graphite on wove paper

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The image shows a woman in an elegant pose, balanced on one leg with arms extended. She has a detailed outfit with a hat and ribbon accessories. The background is a simple textured surface.

Drawing1942.9.1202

A Dancer

Jean-Michel Moreau

1777 · black, red, and white chalk on brown laid paper, with a faint border line by the artist in red chalk

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The sculpture depicts a man standing on one leg with the other leg slightly bent at the knee and upraised. He is holding what appears to be a horn or musical instrument close to his mouth. His short hair is styled in loose waves. The sculpture is made of dark brown material, and it is placed on a multi-tiered rectangular base that is also dark in color.

Sculpture1942.9.120

A Dancing Faun

German 17th Century

c. 1600 · bronze

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The sculpture represents a male figure in a dynamic walking pose with one arm raised slightly and the other hand placed on the hip. The figure is unclothed except for a flowing drape that partially covers the torso and hips. The material appears to be bronze, displaying a dark brown and slightly metallic sheen, with areas that catch light hinting at its smooth surface. The sculpture is set upon a round, dark plinth, elevating the figure. The figure's muscular definition and poise are depicted with detailed precision.

Sculpture1957.14.15

A Dancing Faun

Giovanni Francesco Rustici

model c. 1515, cast possibly mid-16th century · bronze

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The sculpture depicts a nude male figure engaged in an athletic pose, holding a disk by his shoulder with one hand. The subject has curly hair and is slightly bent at the knees, poised as if to throw the disk. This figure is intricately carved onto a circular metallic surface that appears to be made of a patinated bronze material, giving it a predominantly dark brown appearance with patches of lighter wear that reveal a metallic sheen. The sculpture is a relief, meaning the figure is raised from the background surface. The textured surface and detailed anatomy reflect a realistic approach, whereas the compact size fits into the round shape.

Sculpture1957.14.457

A Dancing Faun

Master A.L.

1507 · bronze//Dark brown patina

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The image is an intricately detailed etching viewed from a slightly elevated perspective. The horizon is at the upper third of the image, with mountains and a sky full of horizontal lines. A rocky outcrop is on the right, and tall trees are on the left. The scene shows figures in a pastoral setting, with individuals sitting on a patch of earth surrounded by nature. The etching style includes cross-hatching and line techniques for texture and depth, with a black and white color palette. Some birds are etched above the mountain tops in the distance.

Print1973.32.46

A Dancing Satyr

Herman van Swanevelt

Date not recorded · etching

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The image shows the upper body and face of a person facing the camera. The person is wearing an ornate hat with large feathers and fabric details, and a dark, textured fabric that covers their shoulders and chest. Their facial features include a subtle smile, dark eyes, and eyebrows. The background is a plain, blurred space, giving the photograph an aged, sepia-toned appearance.

Photograph2013.55.1.14

A Daughter of the Marshland

Peter Henry Emerson

1890-1891, printed 1893 · photogravure

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The image shows a gnarled tree with twisted branches and a textured trunk. The horizon is low in the frame, with more trees visible in the distance. The brushstrokes are precise and detailed, capturing the texture of the tree. The color palette is monochromatic with sepia tones. The ground is scattered with plants and leaves, and there is a figure sitting by the tree.

Print2012.92.325

A Dead Oak Tree

Carl Wilhelm Kolbe

c. 1830 · etching on laid paper

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Drawn with red chalk on cream-white paper, a person lies back in a bed surrounded by nearly twenty people in this horizontal scene. The bed is just to left of center, and the person leans or is propped against the headboard, which is across from us. Curtains are pulled up over the bed. Others kneel, sit, or stand around the bed. They wear long gowns or garments.

Drawing1991.9.1.a

A Deathbed Scene [recto]

Polidoro da Caravaggio

c. 1521/1522 · red chalk on laid paper

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Drawing2008.28.1

A Deception

Samuel Lewis

c. 1780 · pen and black, iron gall, and colored inks with watercolor over graphite on laid paper

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This is a photograph of an ornately carved antique lock plate. The lock plate features intricate designs and figures sculpted into a metallic surface. The central section contains a circular hole, possibly meant for a key to fit through. Surrounding the hole are various detailed reliefs, including human-like figures sitting in decorative niches and elaborate scrolling patterns.

Sculpture1957.14.555

A Decorative Plaque

Probably French 16th Century

16th century · gilded bronze

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