National Gallery of Art · Open Data

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Explore only works whose published-image record is explicitly marked open access by the National Gallery of Art. Every result includes eligible imagery and connects back to the museum.

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63,858 open-access works

63,858 NGA-open-access works
Dataset refreshed September 26, 2026

The image shows a large ornate vase with detailed carvings in gray and orange hues. There are several human figures in relief around the upper portion of the vase. The vase is centrally positioned, with the figures just below the rounded lip. The base and stem of the vase are fluted, and the overall composition is symmetrical.

Print1946.21.53

Borghese Vase

Workshop of Johann Teyler, after Charles Errard

c. 1685-1697 · color engraving inked à la poupée on laid paper

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The image displays a large ornate vase with intricate carvings of figures in flowing robes and vine patterns around the rim. The color palette is monochromatic with shades of black, white, and gray. The vase is centrally positioned in the image, standing upright with a wide, shallow top, and the figures and patterns wrap around its upper half.

Print1946.21.54

Borghese Vase

Workshop of Johann Teyler, after Charles Errard

c. 1685-1697 · engraving inked à la poupée in brown and black on laid paper

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The sculpture is a circular medallion with a central design of a crowned emblem with two crossed keys. At the center is a shield containing the depiction of an animal. Surrounding the central imagery is an inscription in capital letters forming a circular border. The sculpture appears to be crafted from a brownish metal, likely bronze. The surface features detailed engravings creating intricate textures. The styling and iconography connect strongly with traditional heraldic and ecclesiastical motifs.

Sculpture1957.14.802.b

Borgia Arms with Tiara [reverse]

Andrea Guacialoti

1455/1458 · bronze

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This is a drawing of a classical building with intricate architectural details. The structure depicted has a grand façade with arches, columns, and decorative sculptures. In front of the building, there are figures in formal attire and top hats, suggesting a gathering or event. The scene includes a cobblestone street and detailed shading techniques, creating depth and realism. The artwork features a monochrome color palette, reminiscent of traditional architectural illustrations or historical event documentation.

Portfolio1977.69.9

Borsenzeit

Fritz Stoltenberg

1893 · watercolor

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Sculpture1957.14.620.a

Borso d'Este, 1413-1471, Marquess of Este [obverse]

Amadio da Milano

c. 1441 · bronze

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Sculpture1957.14.627.a

Borso d'Este, 1413-1471, Marquess of Ferrara 1450, Duke of Modena and Reggio 1452 [obverse]

Jacopo Lixignolo

1460 · lead

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Sculpture1957.14.628.a

Borso d'Este, 1413-1471, Marquess of Ferrara 1450, Duke of Modena and Reggio 1452 [obverse]

Petrecino

1460 · lead

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Sculpture1957.14.1268

Borso d'Este, 1413-1471, Marquess of Ferrara 1450, Duke of Modena and Reggio 1452, and 1st Duke of Ferrara 1471 [obverse]

Ferrarese 15th Century

c. 1475/1505 · bronze

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Sculpture1957.14.632.a

Borso d'Este, 1413-1471, Marquess of Ferrara 150, Duke of Modena and Reggio 1452 [obverse]

Ferrarese 15th Century

before 1471 · bronze

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Print2017.53.19

Borthwick Castle

John Clerk, of Eldin

c. 1770/1782 · etching on laid paper

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The image shows Borthwick Castle on a hill, with the horizon obscured by the castle and surrounding foliage. The style is fine etching lines creating intricate details and contrasts, particularly in the stone walls and foliage textures. The monochromatic color palette uses black on a cream background to emphasize light and shadow. Dark trees frame the lower corners, while the castle's towers dominate the center against a light sky with faint cloud indications.

Print2017.53.27

Borthwick Castle from the Southwest

John Clerk, of Eldin

c. 1770/1782 · etching and drypoint on laid paper

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The image shows a historic building from a slightly elevated perspective. The architecture is detailed, with stone walls, chimneys, and various roofs. People are active in the yard in front of the building. The scene is depicted with precise brushstrokes capturing textures and a color palette of earthy tones with greens, reds, and blues.

Print2015.19.2430

Borwick Hall, Lancashire

Joseph Nash

1849 · hand-colored lithograph on wove paper mounted to board

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The image features a dense forest with bare-branched trees dominating the composition. The treetops fill the upper part, leading the eye towards the center. The detailed etching technique creates a textured, shadowy ambiance. The monochromatic palette contrasts the carved lines of the trees, adding to the moody atmosphere.

Print2013.31.10

Bosco [Woods]

Mosè Bianchi

c.1895 · etching

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The image displays a landscape with dense woodland viewed from a low vantage point near the water. The horizon is obscured by trees and foliage. Tall, winding trees with intertwining branches dominate the scene. Detailed brushstrokes create texture in the trees and shrubbery. The color palette is muted and primarily green. Two birds are perched on a rock near us, reflected in the water. In the background, the forest continues with intricate details fading into the distance.

Print2016.157.4

Bosidylle (Woodland Idyll)

Theodoor van Hoijtema

1898 · lithograph printed in green on chine collé

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Print2015.19.1584.17.6

Bossée

Charles B. J. Févret de Saint-Mémin

1800 · mezzotint and engraving in black on wove paper mounted to brown wove paper

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The image depicts a winter scene from an elevated perspective. A snow-covered parkway is seen with barren trees lining it. Close to the viewer, there is an ornate snow-covered fence leading into the park area. A path through the snow directs the gaze towards the distance where trees fade into the horizon. Buildings on the left are partly hidden by trees, with faint architectural details visible. The monochromatic palette of sepia tones creates a serene atmosphere, highlighting the contrast between snow-laden branches and the muted background. The photo conveys a sense of stillness associated with snowfall.

Photograph2006.133.81

Boston Common Snow Scene

Josiah Johnson Hawes

1850s · salted paper print

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Painting1980.62.4

Boston Harbor

Thomas Chambers

mid 19th century · oil on canvas

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This painting shows a seascape with sailboats and ships on the water. On the left is a small boat with its sails tied and several people aboard. A larger ship with unfurled sails and an American flag is in the center. On the right is the tallest sailing ship, with billowing white sails and a red-and-white flag atop its masts. There are more boats visible in the distance to the left and right, and they all have people faintly visible on their decks. The horizon is low against the sky, revealing a distant shoreline with buildings and trees on the left. The color palette is warm and muted, with soft browns, creams, and grays dominating the scene. The ocean below is a gray-green color with small waves, and the sky above is cloudy and gray.

Painting2015.19.77

Boston Harbor

Robert Salmon

1843 · oil on wood

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The image shows a wooden rocking chair with ornate carvings on the backrest and scroll work on the arms. The chair is mainly dark and light brown in color, showcasing a rich wood finish. It is positioned centrally, slightly angled to the right, displaying its curved rocking rails and intricate backrest design.

Index of American Design1943.8.4349

Boston Rocker

Einar Heiberg

c. 1938 · watercolor, colored pencil, and some heightening on paper

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The image shows a large wooden rocking chair with a spindle back and seat, curved armrests, and rockers. It is placed in the center against a light beige background. The chair is made of dark wood and has a color palette of dark brown and black tones.

Index of American Design1943.8.4353

Boston Rocker

Genevieve Sherlock

1940 · watercolor, gouache, colored pencil and graphite on paper

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The image shows a rectangular, dark brown object with an intricate floral design in vibrant yellow hues at the center. The color palette is mainly brown and yellow. The floral design covers most of the surface, branching out symmetrically from the center. The background is a plain, light-colored surface.

Index of American Design1943.8.4356

Boston Rocker

Genevieve Sherlock

c. 1940 · watercolor, colored pencil, and graphite on paper

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The image depicts a set of curved lines and intricate shapes forming an abstract design resembling the outline of a chair or a stool with ornate detailing. The patterns etched into the surface appear reminiscent of floral or organic motifs, akin to carvings found on traditional furniture. The details suggest a connection to vintage or antique wooden furniture.

Index of American Design1943.8.4357

Boston Rocker

Einar Heiberg

c. 1938 · watercolor, colored pencil, and graphite on paper

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The image shows a large woven textile piece with two bird motifs facing each other, a vase or urn at the center, and intricate floral and leaf patterns. The color palette consists of dark blue, cream, reddish-brown, and light blue. At the bottom of the image, there are two buildings facing each other, separated by a central structure, all topped with a fringe in similar colors. To the right of the textile, rows of small buildings and trees extend vertically.

Index of American Design1943.8.2895

Boston Town Coverlet

Magnus S. Fossum

1935/1942 · watercolor, pen and ink, and graphite on paper

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The image depicts a harbor scene with people and boats on calm water. The cityscape and a windmill are visible in the background. The scene is painted with fine brushstrokes capturing details of sails, boats, and reflections. The color palette is soft with shades of blue, brown, and beige dominating. In the distance, a larger sailboat and city buildings are visible against swirling clouds. The atmosphere is tranquil and peaceful.

Print1985.64.121

Boston: From City Point near Sea Street

William James Bennett

Date not recorded · color aquatint with touches of etching, hand-colored, on wove paper; laid down on heavy wove paper

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