National Gallery of Art · Open Data

Search the collection.

Explore only works whose published-image record is explicitly marked open access by the National Gallery of Art. Every result includes eligible imagery and connects back to the museum.

Collection results

63,836 open-access works

63,836 NGA-open-access works
Dataset refreshed September 12, 2026

The image depicts a rural landscape with buildings, hills, and distant mountains or hills. The viewpoint seems slightly elevated, indicating a perspective looking from a small hill or distance. The drawing showcases detailed structures like houses and medieval-style buildings against rocky terrain. The landscape expands into rolling hills and peaks on the right, with fine lines and cross-hatching used for texture and depth. The color scheme is monochrome, mainly brown and sepia. The foreground contains rocky outcrops, trees, hills, and foliage, creating depth and continuity in the scenery.

Drawing2006.11.25.a

A Village Nestled at the Foot of a Hill (recto)

Circle of Giorgione (Giulio Campagnola?)

1509/1515 · pen and brown ink over leadpoint on laid paper

Open full record

The image shows a landscape with a low horizon line. The area is gently rolling with vegetation, a windmill on the horizon, a large detailed tree on the right, and a building with steep roofs and chimneys partially hidden by the tree. The style is precise etching with attention to texture and contour. The color palette is black and white with strong contrast for depth and detail.

Print2011.139.47

A Village on a Hill

Anthonie Waterloo

Date not recorded · etching on laid paper

Open full record

The image shows a rural scene with a low eye-level perspective. A simple brick structure is in the middle distance, with a background suggesting a horizon. It is rendered in black ink with detailed brushstrokes for texture. Two figures and livestock are in the foreground, with foliage and makeshift structures on the right side.

Drawing1995.52.20.b

A Village Scene in India [verso]

George Chinnery

1814/1824 · pen and black ink over graphite on wove paper

Open full record

The image shows a narrow alleyway with weathered wooden structures on each side. The stone path leads to a passage between the structures. The scene features bright foliage in green and yellow hues, creating dappled sunlight. Brushstrokes depict the texture of wood and stone. The composition is vertically oriented with no distinct horizon. The color palette includes warm earth tones, vibrant greens, and bright blue. A figure in a red skirt and dark shawl carries a bundle in the distance, adding scale to the scene.

Drawing2017.82.2

A Village Street in Northern Italy

Eugenio Gignous

1874 · watercolor with gouache over traces of graphite on wove paper

Open full record

The image shows a view from a shaded area beneath a thick canopy of branches extending towards the center. A high horizon line showcases an expansive body of water. Vague silhouettes of distant structures are visible on the horizon. The artwork features intricate dark lines for dense foliage and contrasting highlights indicating sunlight. The color scheme is monochromatic, with primarily black and brown shades creating a dramatic effect. A figure stands on a path close to the water, partially obscured by shadow.

Print1985.53.1

A Villefranche-sur-Mer

Adolphe Appian

1882 · etching with monoprint inking on Japan paper

Open full record

“This painting shows a pathway lined with short pillars and steps adorned with red flags on the left side and a tree-filled area on the right. The leaves overhead cast dappled shadows on the tan ground. The sky behind the brown tree branches is light blue. The brushstrokes in the painting are loose and impressionistic.”

Drawing2010.93.9

A War Memorial

John Singer Sargent

1918 · watercolor and gouache over graphite on wove paper mounted on board

Open full record

The image shows a medieval scene with an aerial perspective looking down on a castle landscape. The horizon is in the middle with fortified walls, towers, and structures across rolling hills. Buildings, walls, a windmill, and more structures are depicted in the distance. The hills slope upwards towards more architectural elements on elevated terrain. The style resembles engravings or woodcuts with bold, thick lines and a monochrome color palette of black and white. Two riders on horses appear engaged in an activity, with detailed costumes and armor. Curved lines add texture to the horses and figures, while wavy lines suggest foliage.

Print1943.3.646

A Warning Against Playing Dice

French 15th Century

c. 1500 · woodcut [fragment]

Open full record

This is a drawing of a winged figure extending one arm forward and holding a rod in the other hand. The sketch presents a figure in a dynamic pose with defined musculature. The figure is drawn in an anatomical style, with visible muscle definition and slight shading to indicate form. The wings are partially sketched. The drawing uses fine lines to outline the figure against the blank background.

Drawing1943.3.9003.a

A Warring Angel [recto]

William Blake

c. 1780 · graphite on laid paper

Open full record

The sculpture depicts a muscular man in a crouched pose. He holds a short sword in one hand and a shield with a lion-like face on it in the other. He is nude, with a helmet on his head. His brows are furrowed and his mouth is open. The sculpture is made of a reflective dark material with some areas of tan patina. It is mounted on a solid, rectangular base made of dark stone with pale gray marbling.

Sculpture1942.9.137

A Warrior

Paduan 16th Century

c. 1500/1525 · bronze

Open full record

The sculpture features two human figures: a standing male warrior to the right and a seated male figure to the left. The warrior wears a helmet with a decorative crest, holds an ornate shield in one hand, and possibly a spear or staff in the other. The seated figure is adorned with a short cloak, and appears contemplative. To the far right is a small figure of a child standing atop a pillar. The sculpture is made of a brownish-gold or bronze-like metal, with a patina suggesting aged brass or bronze. It is a round, medallion-like shape with a raised rim, presenting the detailed scene in relief.

Sculpture1957.14.193

A Warrior and a Sleeping Youth

Pseudo Melioli

late 15th - early 16th century · bronze//Light brown patina

Open full record

The sculpture depicts a muscular, nude male figure engaged in combat with a bull. The man is shown in a dynamic pose, with one arm raised high as if to strike, while his legs are positioned over the bull, emphasizing the struggle and energy of the scene. The bull is on its back, seemingly subdued beneath the man. The material of the sculpture appears to be metal, with a patinated finish that gives it a predominantly dark brown color, with hints of greenish patina in some areas. The piece is rendered in relief on a rectangular plaque with rounded corners. The small-scale sculpture presents a scene of mythological or heroic accomplishment.

Sculpture1957.14.551

A Warrior Fighting a Centaur

Italian 18th Century

18th century · bronze//Medium brown patina

Open full record

The sculpture is an oval-shaped relief featuring a dynamic scene with two figures. On the left side of the relief, a centaur is depicted. The centaur is in motion, with horse legs shown mid-step, and the human torso slightly turned with one arm raised. On the right, a human figure, possibly a warrior, is walking briskly and pulling an object with a rope. The human is depicted in a muscular form with detail given to the musculature and limbs. The relief is made from a metal material, likely bronze, with a brown color and a patina finish that adds depth to the details. The material is a dark, burnished bronze, with some areas highlighting lighter shades that accentuate the outlines and contours of the figures.

Sculpture1957.14.164

A Warrior Fighting a Horseman

Roman 15th or 16th Century, after the Antique

15th century · bronze//Medium brown patina

Open full record

The sculpture is a relief carving on a rectangular panel depicting a warrior wearing a helmet, a short tunic, and boots, holding something in his right hand. The warrior is standing in a dynamic pose, slightly angled. Below the warrior are decorative elements resembling ornate scrollwork, which transitions into a carved depiction of a face surrounded by floral motifs at the panel's bottom. The sculpture is metallic and has a dark, weathered patina, giving it an antiquated, rustic appearance. The relief work is prominent, casting shadows that accentuate the detailed carvings against the flat surface of the panel.

Sculpture1995.27.6

A Warrior, with a Garlanded Mask below

Netherlandish 16th Century

c. 1530s · lead

Open full record

The image depicts a detailed landscape with a prominent tree in the foreground. In the background, there is a village nestled among hills and mountains with a waterfall. The artwork uses fine etching strokes, monochromatic tones, and intricate details to create a classic and timeless visual effect.

Print1985.3.12

A Waterfall

Crescenzio Onofri

1696 · etching

Open full record

Drawing2009.40.1

A Waterfall

Joseph Mallord William Turner

1795/1796 · graphite with blue and gray wash, laid down on old album sheet

Open full record

The image shows a black and white etching of an outdoor scene with rocky terrain and cascading water. The view is slightly elevated, showcasing the water flowing down detailed rock formations. The horizon is not clearly visible, and the composition emphasizes the vertical elements of the rocks and water. Large rock faces frame the scene on the left and right, with foliage growing from their crevices. The intricate lines in the etching create texture on the rocks and leaves. The color scheme consists of gradients of black and white to depict depth and shadow. In the distance, more rocky terrain is visible, with sparse branches and leaves adding to the natural setting.

Drawing2005.73.1

A Waterfall between Rocky Cliffs

Jonas Umbach

Date not recorded · black chalk on a ledger paper lightly ruled with ink

Open full record

The image features a waterfall cascading down a rocky surface. The horizon is obscured by towering cliffs and the waterfall, emphasizing depth and grandeur. Detailed brushstrokes portray foliage and textured rocks. The color palette consists of earthy browns and sepias, creating a monochromatic look. Boulders and rock formations are in the foreground, with water flowing smoothly around them. In the background, dense vegetation and tree branches are silhouetted against a bright object in the sky.

Drawing2002.81.1

A Waterfall by Moonlight

Franz Innocenz Josef Kobell

Date not recorded · brown pen and ink with wash on laid paper

Open full record

The image is a pencil drawing of a landscape with boulders, rocky formations, trees, birds in the sky, and fishermen near a river or stream. The drawing features delicate branches, light brushstrokes, careful shading techniques, and a monochromatic color palette of varying shades of gray and black.

Drawing2012.69.2

A Waterfall by Rock Cliffs

Johann Christoph Dietzsch

1750s(?) · black chalk with gray wash on laid paper, with black ink border

Open full record

The image is a pencil sketch showcasing a landscape with both natural and architectural elements. The viewpoint is slightly elevated, offering a clear perspective. In the upper part of the image, there are various buildings with distinct rooftops, resembling a small town or village. The buildings fade into the background, and the sketch uses soft and varied pencil strokes to depict texture. Light and shadow create depth, and the style is loose with visible lines and shading. Trees and vegetation are depicted with overlapping lines to convey density, and there are suggestions of pathways or clearings. The color palette is monochromatic, mostly in shades of gray to highlight the pencil medium.

Drawing1983.49.199

A Waterfall near a Hilltown in Italy

Joseph-Marie Vien

1744/1750 · graphite on laid paper

Open full record

The image shows a waterfall flowing down a rocky landscape, surrounded by ancient ruins and overgrowth. The horizon is hidden by dense vegetation and tall structures on the sides. The brushstrokes are fluid, especially in the foliage and water. The color palette consists of muted earth tones, with shades of brown and green. In the background, faint ruins are seen blending into the scenery.

Drawing2007.111.50.b

A Waterfall with Ruins (verso)

Joachim Franz Beich

1704/1714 · gray wash heightened with white gouache on blue laid paper

Open full record

The image displays a rocky landscape with scattered trees and a path leading to a rock formation with a religious icon. Fine pencil strokes depict detailed textures of foliage and rocks, with a monochrome palette of varying shades of gray creating depth and realism.

Drawing2001.46.1

A Wayside Shrine Carved into a Rocky Tor

Friedrich Philipp Reinhold

1821 · graphite on cream laid paper

Open full record

This is a drawing of a group of people gathered around a table in an indoor setting. The scene depicts multiple figures standing and sitting around a large table which is set for a meal. The central figure is holding a cup. The room has a timber-framed ceiling and paneled walls. The individuals in the scene are wearing historical clothing, likely from the 18th century. A chair with a heart-shaped cutout in the backrest is visible. The figures have expressions of attentiveness on their faces.

Print1980.49.8

A Welcome Guest

Daniel Nikolaus Chodowiecki

1777/1791 · etching

Open full record

This is a drawing of a medical scene in a shared sleeping area. The image shows a group of individuals in period clothing standing and gesturing towards others lying in beds. The setting appears to be a rudimentary hospital or dormitory, as indicated by the bare walls and simple bedding. Clothing hangs along the walls, enhancing the spartan appearance of the room. The scene is detailed with fine lines and cross-hatching, giving depth and texture to the drawing. Various expressions and gestures suggest a consultation or discussion among the standing figures, while those in bed appear to be asleep or resting.

Print1980.49.9

A Welcome Guest

Daniel Nikolaus Chodowiecki

1777/1791 · etching

Open full record

The image shows a rocky coastal scene with a stone structure featuring a winch or pulley system. A blanket with intricate patterns is draped over the stone. Dense vegetation is on the left, and the beach stretches out to the distant shore. The color palette is monochromatic, with shades of black, gray, and sepia.

Photograph2018.23.30

A Well by the Seaside, Langland Bay, Swansea, Wales

Charles Henry Waring

c. 1854 · salted paper print

Open full record