National Gallery of Art · Open Data

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Explore only works whose published-image record is explicitly marked open access by the National Gallery of Art. Every result includes eligible imagery and connects back to the museum.

Collection results

63,836 open-access works

63,836 NGA-open-access works
Dataset refreshed September 12, 2026

Print2005.69.1

Abraham Entertaining the Angels

Rembrandt van Rijn

1656 · etching and drypoint on Japanese paper

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Technical Material1997.85.1.a

Abraham Entertaining the Angels [recto]

Rembrandt van Rijn

1656 · etched copper plate with drypoint

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This is a painting of a rural scene with multiple figures and animals. The composition features a group of individuals engaged in interaction in the foreground near a structure, while in the background, there is a pastoral landscape of hills, trees, and several shepherds tending to flocks of sheep by a stream or road. The figures are depicted in traditional garments with one kneeling. The artwork uses a monochromatic palette with shades of grey to create contrasts and highlights. This is in the style of a Renaissance artist, reminiscent of detailed narrative compositions seen in works by Pieter Bruegel the Elder or other artists of the time who focused on human activity and landscapes.

Drawing1943.3.5719.b

Abraham Entertaining the Angels [verso]

German 16th Century

c. 1600 · pen and brush and black ink with brush and gray ink and gray wash heightened with white on gray prepared paper

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The image shows a seated man holding a large open book or document, with a decorated artwork depicting a religious scene in the background. Various objects are visible around the room, and a window on the right side sheds light into the dimly lit space.

Print1943.3.7157

Abraham Francen

Rembrandt van Rijn

c. 1657 · etching, drypoint and burin on Japan paper

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Print1943.3.7158

Abraham Francen

Rembrandt van Rijn

c. 1657 · etching, drypoint and burin

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The image shows a man seated on the right side. He is positioned in a chair, holding a large sheet of paper or canvas with one hand, while the other hand supports part of it. The man has a thoughtful expression, an elongated face, prominent eyes, and a mustache. He has shoulder-length, slightly wavy hair and wears a detailed, patterned garment with a collar and string ties. In the room, there is a small statue on the table next to an open book, and a skull is visible at the edge of the table. The background features an illuminated painting or religious icon on the wall, and a window on the right side reveals foliage outside. The space is dimly lit, with shadows cast by the objects on the tabletop.

Print1956.8.4

Abraham Francen

Rembrandt van Rijn

c. 1657 · etching, drypoint and burin

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The image is a woodcut print depicting two figures and a donkey. One figure is an older man holding a book or a scroll, while the other is a younger person carrying a bundle of sticks. The woodcut technique uses bold, dark lines to show texture and depth. The setting includes a detailed tree to the left, a rocky landscape, and a low horizon line. The color palette is monochrome, with black ink on a lighter background. In the distance, there are more figures, a building, and a sky with clouds and birds.

Print1943.3.5704

Abraham Going to Sacrifice Isaac

Lucas van Leyden

1517/1519 · woodcut

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The image shows an engraving of a man seated and looking directly at the viewer. He has short, curly hair, a mustache, and a contemplative expression. The man wears formal attire with a ruffled collar and his hands rest on a table with coins and tools. A coat of arms is on the wall to his right. The background features intricate woodwork or stonework, bookshelves, architectural elements, and a partially visible female statue.

Print1950.14.560

Abraham Gorlaeus

Jacques de Gheyn II

1601 · engraving on laid paper

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Print2015.19.1584.1.8

Abraham Hart

Charles B. J. Févret de Saint-Mémin

1796 · mezzotint and engraving in black on wove paper mounted to brown wove paper

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This is a drawing of a group of animals and people in a pastoral setting. The scene features several sheep in the foreground, some stopping to graze while others appear to be in motion, all beneath the watch of a group on horseback and on foot. The central focus is a rider on a horse, adorned in draped clothing, who seems to be addressing or guiding the other figures. The background portrays a varied landscape with lush trees and distant hills under a sky filled with textured clouds. The style and techniques suggest detailed line work and shading, creating a rich tapestry of textures and forms. The composition balances movement and stillness, providing a dynamic yet tranquil depiction of pastoral life.

Print2018.113.34

Abraham in Aegyptum (Abraham in Egypt)

Claude Macé, after Giovanni Benedetto Castiglione

c. 1650/1670 · etching on laid paper

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This painting is a portrait of a man from the waist up. He is facing us, with pale skin, thin lips, rosy cheeks, light green eyes, and gray hair styled into curls around his ears. He has a neutral expression. The man is wearing a dark coat with gold buttons on the front, with a pale-yellow shirt underneath and a white cravat around his neck. The background is a dark and indistinct brown color.

Painting1942.8.35

Abraham Kintzing

Thomas Sully

1815 · oil on canvas

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This is a drawing of divine messengers appearing in a rustic setting. The scene features several angelic figures interacting with a person kneeling before them. Elements such as trees, a rural house, flowing garments, and delicate lines create a sense of movement and ethereality. Fine details like the texture of leaves and architectural features add depth. The border of the image is embellished with ornate flourishes.

Print1984.84.5

Abraham Kneeling before the Three Angels

Joseph Wagner (publisher) after Jacopo Amigoni

c. 1745 · etching and engraving on laid paper

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The image shows a man sitting on a chair with his body slightly turned to the right. His left arm rests on a table where a top hat is placed. The man has distinct facial features including a strong jawline, a prominent nose, and a beard. His hair is dark, wavy, and parted at the side. He is wearing a suit with a white shirt and a bow tie, and the suit jacket is buttoned up. The background is plain with a visible carpet pattern under the chair and table.

Print1943.3.2793

Abraham Lincoln

Timothy Cole

1919 · wood engraving

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The image shows a portrait of a person from the chest up. The person is sitting upright and facing slightly to the side, looking off to the left. The individual has distinct facial features characterized by high cheekbones, a long, narrow face, and a prominent jawline. Their hair is dark, styled in a short, slightly wavy manner, with a noticeable height at the front. They are dressed in formal attire, wearing a dark suit jacket, a white shirt, and a dark bow tie. The background is a simple, textured oval vignette that frames the figure. There are no visible jewelry or held objects.

Print1943.3.2794

Abraham Lincoln

Timothy Cole

1928 · wood engraving

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This painting shows a man facing the right. He has pale skin, a prominent nose, deep-set eyes, high cheekbones, a wrinkled brow, dark eyebrows, and a small mole near his mouth, which is set in a neutral expression. There is a hint of purple under his eye. The man has a thick beard and short, dark brown hair. He is dressed in formal attire, with a dark suit over a white collared shirt, and black bow tie. The background is black.

Painting1947.17.17

Abraham Lincoln

Douglas Volk

1908, reworked 1917 · oil on canvas

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This painting depicts the upper body of a man in a seated position, facing us. He has pale skin, a prominent nose, deep-set eyes, and a neutral expression. His dark hair is styled back, and his dark beard is neatly trimmed. He is dressed in a black suit with a white shirt and a black bow tie. The brown background is lighter near the center of the painting and darker near the edges.

Painting1947.17.67

Abraham Lincoln

American 19th Century

c. 1864 or after · oil on canvas

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Print2000.104.1

Abraham Lincoln

William Edgar Marshall

1866 · engraving on chine collé mounted to wove paper

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The head and shoulders of a cleanshaven, light-skinned man with black hair and a lined face is shown against a dark background in this vertical portrait. His body is angled to our right and he looks in that direction with blue-gray eyes under black brows. His hair is combed loosely back from his face but one lock falls onto his forehead, and it curls around the ear we can see. His prominent cheekbones are lightly flushed over hollow cheeks, which create noticeable shadows. He has a long nose, and his thin pink lips are closed. His forehead, the corners of his eyes, and the areas around his mouth and chin are lined with wrinkles. His black suit jacket has wide rounded lapels over a white buttoned shirt. The collar folds over a black bow tie and the two buttons visible on this shirt shine. Next to his left shoulder, on our right, the artist signed and dated the work with red paint: “G.P.A. Healy 1860.”

Painting2014.79.22

Abraham Lincoln

George Peter Alexander Healy

1860 · oil on canvas

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Photograph2019.12.1

Abraham Lincoln

Brady's National Photographic Portrait Galleries

1864 · albumen silver print (carte-de-visite)

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This is a drawing of a battle scene with armored horsemen and foot soldiers. The scene is packed with figures in combat, including two armored horsemen in the foreground leading a charge, and soldiers on foot engaged in battle. Additional figures on horseback are seen in the background, near a fortified city under a crescent moon. The landscape includes camels, set at nighttime. The drawing features intricate line work, capturing the tense and dynamic essence of a battle.

Print1974.55.19

Abraham makes the enemies flee who hold his nephew

Antonio Tempesta

1613 · etching

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Print2015.19.1584.7.13

Abraham Ogden, Jr.

Charles B. J. Févret de Saint-Mémin

1798 · mezzotint and engraving in black on wove paper mounted to brown wove paper

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Print1950.14.949

Abraham Ortelius (Wortels)

Philip Galle

Date not recorded · engraving

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The image shows a colored portrait of a man in a bust view, facing to the right. He has a bald head with gray hair around the sides, a beard, pointed nose, and high cheekbones. He wears an ornate outfit with a white ruffled collar, a black undergarment, and a red outer garment trimmed with brown fur. There are black embellishments on his sleeve. The portrait is in an elaborate frame with floral and scroll motifs in red, gold, blue, and green. The frame includes a round emblem with the letters "IHS" or a similar symbol at the top. A Latin inscription is below the oval frame. The background is off-white paper, slightly discolored with age at the corners.

Print1950.14.950

Abraham Ortelius (Wortels)

Philip Galle

Date not recorded · hand-colored engraving

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This is a drawing of a scene with various figures and animals engaged in different activities. Some figures are carrying objects, and there is a focus on an elephant and a lion on an elevated surface. In the foreground, a dog is seated, while the background shows trees. The artwork features intricate line work and shading, creating a dynamic atmosphere. The figures, animals, and objects are depicted in motion, capturing a frozen moment in time.

Print1975.65.8

Abraham Paying Tithes to Melchisedek

Battista Franco

Date not recorded · etching and engraving

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