National Gallery of Art · Open Data

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Explore only works whose published-image record is explicitly marked open access by the National Gallery of Art. Every result includes eligible imagery and connects back to the museum.

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63,836 open-access works

63,836 NGA-open-access works
Dataset refreshed September 12, 2026

This is a drawing of draft horses walking under a stone archway. The scene shows a team of horses moving through a tunnel, illuminated by light creating shadows on the cobblestone path beneath them. The horses are depicted in detail, showing their harnesses and muscular build. The archway is composed of roughly-hewn stones. The composition highlights the movement and texture of the horses and the stone structure above them.

Print1994.60.20

Adelphi Wharf

Théodore Gericault

1821 · lithograph in black on wove paper

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This is a drawing of a historical or allegorical scene featuring two figures standing in the center shaking hands. The scene includes various characters, some of whom appear to be soldiers, as indicated by their swords and helmets. The setting appears to be outside, with stone towers on either side and a detailed sky above. The drawing is intricate, with traditional line work conveying texture and depth.

Print1979.59.1

Adewold and Emma

Daniel Nikolaus Chodowiecki

1798 · etching

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The image features swirling, dynamic lines and shapes forming an abstract scene. Thick lines converge at the top to outline a human-like figure with outstretched arms. Below, curved lines and shading create an image of a horse, with a dark circular form possibly representing an eye, and legs bent as if in motion. The bottom area is filled with dense hatching suggesting movement or texture, evoking a sense of galloping or spinning.

Print1991.243.5

Adhba die Kamelin (Adhba the Camel)

Lovis Corinth

1919 · drypoint in black on wove paper

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The image displays two large spiraling plant stems with curled ends, positioned horizontally in the frame. The color palette is monochromatic, consisting mainly of grayscale tones. In the top image, the three stems extend from the left and curl towards the center, each showing a tightly coiled end resembling a fiddlehead. In the bottom image, two stems crisscross, starting from opposite corners and curving towards the center, each also ending in a tight spiral.

Print2006.133.34.54

Adiantum pedatum

Karl Blossfeldt

1928 · photogravure

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The image shows six large, spiraling fern fronds unfurling, with each curl forming a circular shape at the top. The color palette is a monochrome grayscale with various shades of black, white, and gray. The fronds are positioned vertically, with their stems rising from the bottom and curving upwards to form the spirals, creating an organic pattern. The background is a muted off-white or light gray, emphasizing the darker fronds.

Print2006.133.34.55

Adiantum pedatum

Karl Blossfeldt

1928 · photogravure

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The image is a sketch of a person facing a body of water. The person is shown from behind, holding a thin object in one hand. They are wearing a high-collared dress with long sleeves and a long skirt, along with a hat adorned with a feather or embellishment. The person's hair is neatly styled under the hat, and no facial features are visible. A dog is depicted standing next to the person, looking towards the water. In the background, there are outlines of sailboats on the water, a crescent moon in the sky, and buildings that resemble docks or industrial structures. The sketch is done in soft, grayscale tones.

Print1952.8.388

Adieu

Henri de Toulouse-Lautrec

1895 · lithograph in black on velin paper

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The image shows three people. In the center, a man is seated behind a rectangular surface, with a surprised or singing expression. He wears a tall hat and a layered outfit. To his left is a young girl with an open mouth and wide eyes, wearing a bonnet and a dark dress. To his right, an elderly woman holds a sheet of paper. Behind them, a man is visible through a window with opened shutters, looking angry. The background is a simple wall with the window. The image has a sketched, monochromatic style.

Print2015.143.283

Adieu! ... A la grâce de dieu ...

Honoré Daumier

1841 · lithograph

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Print1943.3.3013

Adieu, mon cher, je vais chez mes éditeurs...

Honoré Daumier

1844 · lithograph

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The image displays a tall, slender iron stand designed to hold two candles, with remnants of candles still in place. The color palette consists of muted tones of gray for the stand against a beige background, with scattered small rust or brownish-orange marks. The stand is centrally positioned, with a branching base into three curved legs at the bottom, supporting an upright pole leading to a cross-shaped holder for the candles at the top.

Index of American Design1943.8.12195

Adjustable Candle Holder

Howard Lumbard

c. 1939 · graphite on paperboard

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The image shows a tall, metal candle holder with a white burned down candle. The color palette consists of shades of gray, beige, and off-white. The candle holder has a three-legged base and the candle is positioned at the top left. The background is plain and neutral.

Index of American Design1943.8.12196

Adjustable Candle Holder

Howard Lumbard

c. 1937 · watercolor and graphite on paperboard

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The image displays a large metal horse bit with two elongated teardrop-shaped ends and a straight connecting part in the center. The color palette consists mainly of muted tones, with the metal appearing to be a dark, burnished brown or bronze. The horse bit is positioned centrally within the image against a plain, light-colored background. The object appears to be laying flat, with the handles extending outward horizontally across the image. There is text beneath the object, but it is subdued, blending softly with the background.

Index of American Design1943.8.9708

Adjustable Drawshave

Albert Geuppert

1938 · watercolor and graphite on paperboard

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The image shows a man standing and facing the viewer, with his left elbow propped on a table. He has wavy, shoulder-length hair and a tidy mustache. His attire includes a dark garment with elaborate embroidery along the edges and wide sleeves, as well as a large decorative chain draped around his shoulders. His hand rests on the table, which holds a helmet and other maritime symbols. The background displays an intricate carving above the man's head, as well as a maritime scene with ships sailing in the ocean under a cloudy sky. The lower part of the image contains textual inscriptions detailing the person's identity and accomplishments.

Print1950.14.904

Admiral Jan Cornelius Meppel of Holland

Reinier van Persyn after Christoffel Pierson

1668 · engraving

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The image depicts a sketch of a person standing and facing slightly to the side. They are in a pose with one arm extended forwards. The person's facial features are subtly drawn, and they have hair styled with some detail drawn around the head. The clothing appears to be a loosely fitting jacket and trousers that taper around the ankles. There is no discernible jewelry or objects. The background is blank, showing only the sketched lines. There are some faint writings above the sketch.

Drawing1995.52.21

Admiral Sir Edward Pellew

George Chinnery

first quarter 19th century · graphite on wove paper

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The scene is captured from a low viewpoint, showing a rustic setting with mountains in the background. A hut with a textured roof and ladder is prominently featured in the center right. Sparse foliage leads to the mountains. Fine brushstrokes and sepia tones create a vintage feel. A figure stands in the middle of the landscape.

Print2015.19.926

Adobe House

Henry Chapman Ford

1888 · etching in black on laid paper

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This is a drawing of a classical garden scene with figures and a fountain. The image features an ornate style, typical of detailed baroque or renaissance illustrations. The drawing depicts a formal garden setting with a fountain on the right side, featuring a cherub statue pouring water. On the left side, trees and foliage add depth to the setting. In the central portion, two figures stand in elaborate attire, accompanied by a smaller figure resembling a young cherub holding a bow. The architecture is classical with columns and decorative elements. A border with intricate patterns frames the illustration.

Print1943.3.2094

Adolescence

Abraham Bosse

1636 · etching and engraving on laid paper

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The image shows a person with short, light-colored hair wearing a coat and a cap. The person is facing forward with a calm expression. The background is plain. There is an inscription to the left of the person with the date "1828" and the word "Rome."

Drawing2007.111.136

Adolf Zimmermann

Carl Oesterley

1828 · pen and brown ink with brown wash over graphite on wove paper

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The image shows the upper half of a man's body, including his torso and part of his right arm leaning on the back of a chair. He is seated in a three-quarter pose, facing slightly to his left. The man has curly, voluminous dark brown hair. His facial features include light blue eyes, arched eyebrows, and a half-smile. He is dressed in a formal, dark-colored coat with a high collar and is wearing a white shirt with a ruffled front. The man is holding a book in his right hand, which rests against the chair. The background is a neutral, soft gradient of darker tones.

Drawing1992.87.32

Adolph Friedrich Theodor Gritzner

Friedrich Christian Krieger

1809 · pastel on blue laid paper

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Drawing2007.111.41

Adolph Menzel

Karl Stauffer-Bern

1885 · charcoal and graphite with stumping and scraped corrections, touched with yellow pastel, on tan wove paper, indented for transfer

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Print2009.138.1

Adolph Menzel

Karl Stauffer-Bern

1885 · etching and drypoint on chine collé

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The image features a man shown from the shoulders up, facing partly left with a stern expression. He has deep-set eyes, a prominent nose, a strong jawline, and thick mutton chops as well as a mustache framing his face. The man wears a tall black top hat, a dark formal coat with wide lapels, and is set against a dark, cross-hatched background. The portrait is detailed and rendered in a monochrome palette.

Print2020.167.14

Adolph Menzel Wearing a Top Hat

Karl Stauffer-Bern

c. 1885 · etching with drypoint on chine collé

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The image depicts a caricature of a person with exaggerated features, including a large head, wild hair, heavy-lidded eyes, a pronounced nose, and a downturned mouth. The person is leaning forward with a bent posture, dressed in a suit with a bowtie, pants, and shoes. A piece of paper or book is tucked under one arm. Surrounding text at the top reads "Les Représentans Représentés," and below the figure, it mentions "Crémieux (Ministre en expectative)." The background has a light, newsprint-like texture, with a shadow cast by the person on the ground.

Print2015.143.441

Adolphe Crémieux

Honoré Daumier

1848 · lithograph

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The image shows a full-body sketch of a man standing with a slight lean in his posture. His head is tilted forward, giving a subtle slouch to his stance. The man's facial features are lightly drawn, with prominent cheekbones and a focused expression. He has short dark hair styled to the side. The man is dressed in a formal suit with a waistcoat and cravat, typical of 19th-century fashion. It appears he may be holding a cape or coat over his arm. There are no visible accessories or objects. The background is minimalistic, with faint sketch lines hinting at an indistinct setting, possibly outdoors. The paper is speckled with small, faint marks.

Print1952.8.360

Adolphe or the Sad Young Man (Adolphe ou le jeune homme triste)

Henri de Toulouse-Lautrec

1894 · lithograph in black on laid paper

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The man in this print is standing upright, partially turned to the left, with his hands behind his back. He has pale skin, a long nose, round cheeks, and a hint of a smile on his thin lips. He has short, neatly combed white hair and arched dark eyebrows, and he wears small round spectacles. The man is dressed in formal attire, including a long light-colored coat, a white waistcoat, trousers, and dark boots, with a high-collared shirt. He is holding a rolled object behind his back, like a rolled piece of paper. The background is plain, and the man casts a dark shadow on the blank ground.

Print1943.3.3146

Adolphe Thiers

Honoré Daumier

1848 · lithograph

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The image shows a portrait of a person with a partial view of their upper body. The person's head is slightly turned to the side, with their gaze directed slightly downward and to the right of the frame. They have light-colored skin, a softer jawline with visible facial hair concentrated along the jaw and sideburns, and a solemn expression. Their hair is short and dark, mostly covered by a dark hat adorned with a white feather. They are dressed in dark clothing, likely a cloak or robe, as no visible shirt collar or detail is evident. There is no visible jewelry or objects held in their hand. The background is plain and dark.

Photograph2007.29.8

Adolphus Liddell, Junior

Julia Margaret Cameron

1867 · albumen silver print

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