National Gallery of Art · Open Data

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Explore only works whose published-image record is explicitly marked open access by the National Gallery of Art. Every result includes eligible imagery and connects back to the museum.

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63,855 open-access works

63,855 NGA-open-access works
Dataset refreshed September 19, 2026

The image shows a countryside or garden setting. There is a small building or shed with a tiled roof on the right. Rows of vegetables or plants are hanging from the structure. A pathway is on the left, with stone pillars marking the entrance. Bare tree branches overhead suggest the season might be winter or early spring. In the background, there is dense foliage, shrubbery, and a mountain against the sky. The photograph is in sepia tone, emphasizing the natural elements and the structure.

Photograph2006.169.14

Agricultural Scene with Mountains

Louis Crette

1850s · silver print

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Painting1963.8.1

Agrippina and Germanicus

Sir Peter Paul Rubens

c. 1614 · oil on panel

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This is a drawing of a grand assembly of spectral figures departing from the underworld. The scene is intricately detailed, showcasing a procession of robed figures lined up in an orderly manner. To the right, there are ships manned by pointing oarsmen. The background reveals detailed architecture and a mountainous landscape, highlighting the classical setting. The use of light and shadow creates a dramatic and somber atmosphere, enhancing the sense of a solemn procession moving towards an unknown destination.

Print2001.96.4

Agrippina Landing at Brindisi with the Ashes of Germanicus

Richard Earlom after Benjamin West

1776 · mezzotint

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Sculpture1957.14.994.a

Agrippina Senior, 14 B.C.-A.D. 33, Daughter of Marcus Agrippa, Wife of Germanicus [obverse]

Giovanni da Cavino

mid 16th century · bronze//Struck

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The image depicts a landscape with a rustic building to the right, surrounded by grass. In the background, mountains rise with sharp peaks, and there are tall trees. The sky is lightly clouded with a muted color palette of earthy tones and light greys, creating a tranquil ambiance.

Print2015.19.929

Aguirre House (Santa Barbara)

Henry Chapman Ford

c. 1880 · etching in black on laid paper

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The image depicts three hummingbirds interacting with pinkish-orange flowers. The birds have iridescent blue and green plumage. The background is soft and muted, highlighting the vibrant colors of the birds and flowers. The style of the painting resembles ornithological illustrations.

Print1972.77.16

Agyrtria bartletti (Bartlett's Emerald)

W. Hart

Date not recorded · hand-colored lithograph

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There are two individuals interacting. The person on the left is in a three-quarter view, bending slightly at the waist and gesturing with their right hand. They wear a loose-fitting coat, trousers, and a cap. The person on the right is visible from the knees up, leaning against a wall with their right hand near their chest. They have a round face with an animated expression and wear a hat, a dark jacket, a shirt, and light pants. The background shows sketch-like architectural elements and French text on the wall behind them.

Print2002.57.33

Ah Ben!...

Edmé Jean Pigal

1841 · lithograph

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The image shows two women in full length. The woman on the left is bending forward, holding her dress with one hand, looking upwards, with short curly hair and wearing a long striped dress. The woman on the right is leaning against a tall piece of furniture with closed eyes, neutral expression, short curly hair, and wearing a long-sleeved dark dress and a choker necklace. The room is simple with an empty frame on the wall.

Print1950.16.20

Ah vous trouvez que mon dernier roman n'est pas tout a fait...

Honoré Daumier

1844 · lithograph

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Print2015.143.785

Ah! ... Comme cette cheminé fume ...

Honoré Daumier

1865 · lithograph

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This is a drawing of a man in a suit with a dog, looking up at birds flying above them. The background depicts a rural setting with fields and a distant horizon. Text in French is present at the top and bottom of the image.

Print2015.143.379

Ah! ... Je crois que ce sont des oiseaux de proie ...

Honoré Daumier

1847 · lithograph

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Two men are separated by a wooden fence. The man on the left is wearing a dark suit with a long coat and a top hat. He is leaning over the fence and looking at the man on the right. The man on the right is kneeling on one knee, holding a stick or thin object and wearing a loose-fitting outfit with stripes on the lower leg. He has a full beard and a broad-brimmed hat with the letters "M.L.B." The background shows a sketched, rocky landscape or large hill beyond the fence.

Print1943.3.2995

Ah! ben... le convoi... peut se flatter de l'échapper...

Honoré Daumier

1843 · lithograph

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This is a drawing depicting two individuals in a dramatic scene with animals in the background. One person is shown with wide-open eyes and arms raised, seemingly elevated by an animal. The other person appears to have fallen to the ground, with arms outstretched. In the background, another person is riding a donkey while observing the scene. The background includes trees or bushes. The caption in French reads "Ah! Ciel maman maman! ah! Dieu ma fille, ma fille!" which translates to "Oh! Heaven mom mom! oh! God my daughter, my daughter!" The drawing employs strong contrasts and dynamic lines, characteristic of a satirical or caricature style, emphasizing exaggerated expressions and poses to convey emotions and humor.

Print2015.143.991

Ah! Ciel maman maman ... Ah! Dieu ma fille ...

Honoré Daumier

1845 · lithograph

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This is a drawing of an interior scene involving three figures interacting. The room contains furniture, two small vases on a couch and a table. The figures include two men and a woman who appears to be gesturing. The setting features detailed etching, with patterned wallpaper, framed pictures, and crockery on a side table. The scene suggests a moment of surprise or exclamation, with one vase displayed on the floor. The drawing is in black and white with detailed line work.

Print2015.143.1180

Ah! Ciel, ma plus belle potiche! ...

Honoré Daumier

1855 · lithograph

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The image shows two men. One is seated, appearing relaxed, wearing a nightcap, a loose nightgown with vertical stripes, and is seated comfortably in a chair. The other man stands, leaning slightly forward with one hand on the chair's back. He wears a dark suit, fitted pants, a white shirt, and a high collar, and has short, dark hair. Next to them is a table with a pitcher and cup, while the background features a textured wall.

Print1943.3.3163

Ah! docteur... je crois... que j'suis poitrinaire!

Honoré Daumier

1847 · lithograph

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The image shows a group of people standing on a train platform facing the right side. They appear to be looking at an approaching train. Their positions convey anticipation, standing upright and leaning slightly forward. Three individuals in the foreground are noticeable: a woman wearing a bonnet and a long coat, and two men - one with distinctive facial features and a hat, the other also wearing a hat. They are among other people in period-appropriate attire. The platform has a visible roof, and the background shows rail tracks extending to a steam train in the distance, with steam creating a sense of movement.

Print2015.143.1321

Ah! Enfin voila le train! ...

Honoré Daumier

1865 · lithograph

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This is an image showing two figures in a humorous and exaggerated scenario with a large wooden plank. One figure steps backward with a startled expression as they are hit in the face by the plank being carried by the other figure. The person's face is mostly obscured by the plank. The setting seems to be an interior space with a wood-paneled or stage-like environment. The artwork features exaggerated expressions and postures, typical of caricature art styles.

Print1979.49.141

Ah! Excusez

Honoré Daumier

1840 · lithograph on newsprint

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This is a drawing of two figures in conversation in a setting with wooden barrels and a basket. One figure is a man in ragged clothing with a cap, standing near a woman wearing a full-length dress and a bonnet. The background includes a stack of wooden barrels and a basket. The style is reminiscent of Honoré Daumier, known for caricatures and social commentaries. The lines and shadows in the drawing convey a sense of movement and texture.

Print2015.143.932

Ah! Fouchtrra! ... Ma femme ...

Honoré Daumier

1841 · lithograph

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This image shows a group of elegantly dressed people in a public setting. The individuals are wearing 19th-century attire, including top hats, long coats, bonnets, and dresses. Some are engaged in conversations. In the background, there is a podium with two figures; one is playing a flute, while the other is writing or sketching. The scene appears to be outdoors, possibly in a park or street, with a tree visible on the left. The drawing technique uses various shades to depict details and depth, with a focus on facial expressions and clothing textures. The lack of vibrant colors accentuates the contrasts and social interaction theme.

Print1943.3.3036

Ah! Gringalet d'Paris... tu viendras faire danser...

Honoré Daumier

1845 · lithograph

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This is a drawing of a formal dining scene. The image depicts a group seated around a table outdoors, where a waiter or server is presenting a dish under a canopy of trees. The figures at the table appear to be engaging in conversation while the server is positioned in a manner suggesting they are serving the main course. The shading and lines give depth to the image, especially the foliage overhead and the detailed attire of the participants. This composition captures a moment of interaction and serves as a vignette of a dining experience.

Print1943.3.3038

Ah! il est frais... mais t'nez donc garçon...

Honoré Daumier

1846 · lithograph

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The image shows three individuals. One person on the left is removing wallpaper from a wall using both hands. He has a focused expression, dark disheveled hair, and is wearing a knee-length dark robe with striped pants. Two others on the right are moving a large piece of furniture, with visible legs. They are wearing short-sleeved shirts and tight-fitting pants. The background features a room with walls showing torn, patterned wallpaper and a floor with scattered ripped wallpaper pieces.

Print1979.49.137

Ah! il m'a donné congé...

Honoré Daumier

1847 · lithograph on newsprint

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The image depicts three adult figures and an infant. Two women stand on the left, facing a man holding the baby on the right. The woman on the far left raises her arm, the central figure gazes intensely at the man, and the woman on the left has her back partially towards the viewer. The man has short, curled hair and an alarmed expression, and is dressed in a patterned outfit. The women have different hairstyles and wear dark dresses. The backdrop shows simple wall lines, likely representing an interior room.

Print1991.150.91

Ah! il prétend m'empêcher d'aller...

Honoré Daumier

1849 · lithograph in black on newsprint

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Two men are depicted in a room. One man is seated, while the other is standing and reaching out towards him. The seated man has a serene expression, styled hair, and is wearing indoor attire typical of the 18th century. The standing man wears a tricorn hat and period clothing. The room is adorned with a draped canopy, a wooden table with candlesticks, and decorative wall molding.

Print1942.9.2488

Ah! Jeune homme à ton bienfaiteur

Nicolas Delaunay after Jean-Michel Moreau

1774 · etching and engraving

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This is a drawing of a dimly lit interior scene with two figures interacting. One figure is seated at a table, looking surprised, while the other figure is standing and leaning forward towards them with one arm extended. The table holds a pair of candlesticks, casting shadows in the room. The seated figure is draped in robes and positioned to the left, with a curtain in the background. The standing figure on the right is dressed in cloaked attire reminiscent of 18th-century fashion. The room is richly furnished with a curtain, chair, and wooden table.

Print1949.5.506

Ah! Jeune homme à ton bienfaiteur

Nicolas Delaunay after Jean-Michel Moreau

1774 · etching and engraving

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The image shows a man and a woman standing close together. The man holds a hat and gestures towards a statue behind him, while the woman also gestures towards the same direction. The man has short, curly light brown hair and wears a dark coat, white shirt, light cravat, and yellow pants. The woman has long, light brown hair with a blue ribbon and flowers, and wears a white gown, yellow gloves, and holds a bouquet of flowers. In the background is a garden with a statue of a bearded figure surrounded by greenery and red flowers.

Print1942.9.2362

Ah! Laisse-moi donc voir

Jean-François Janinet after Nicolas Lavreince

Date not recorded · color aquatint

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