National Gallery of Art · Open Data

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Explore only works whose published-image record is explicitly marked open access by the National Gallery of Art. Every result includes eligible imagery and connects back to the museum.

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63,836 open-access works

63,836 NGA-open-access works
Dataset refreshed September 12, 2026

This is a painting of a marionette. The image shows a detailed marionette with a wooden face and limbs, hanging by strings. It wears colorful clothing—a yellow and blue blouse, red pants, and brown shoes, along with a red and white headpiece. The marionette is posed with one hand raised to its head and the other on its hip. The background is plain to highlight the marionette and its attire. The style resembles puppetry or theatre art, possibly with a touch of realism to mimic real marionettes.

Index of American Design1943.8.15642

"Sinbad" Marionette

George File

c. 1938 · watercolor, graphite, and pen and ink on paper

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Print1952.10.51

"Since Then" ("Depuis ce temps-la")

Alphonse Legros

Date not recorded · drypoint on light green paper

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This is a photograph of a corridor with barred doors and rough, unfinished floors. The image shows a series of cells or holding areas along a narrow passageway constructed with brick walls and wooden beams. The rough floor appears to be made of dirt or irregular paving stones, and there are visible shadows suggesting the natural light entering the space. The photograph is bordered in orange, with text indicating it is related to the Civil War period, specifically mentioning "THE WAR FOR THE UNION" and referencing a "SLAVE PEN, ALEXANDRIA VA" at the bottom.

Photograph2023.39.1

"Slave Pen, Alexandria, Virginia"

Brady's National Photographic Portrait Galleries, E. & H.T. Anthony

c. 1862 · stereoscopic albumen silver print

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The image is of a brick building with a sign that reads "PRICE, BIRCH & CO. DEALERS IN SLAVES." A tree and horse-drawn carriage are in front of the building. The scene shows a winter setting with sparse surroundings. The photograph is presented in a 19th-century stereographic format with an orange border.

Photograph2023.39.2

"Slave Pen, Alexandria, Virginia"

Brady's National Photographic Portrait Galleries, Taylor & Huntington

1862 · stereoscopic albumen silver prints

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This drawing depicts a large metal ladle-like object with a deep, shoeprint-shaped bowl and a long handle ending in a loop. It is illustrated in grayscale against a light beige background, positioned in the center of the painting. The ladle is angled horizontally, with the handle extending towards the top right corner.

Index of American Design1943.8.12302

"Slut" Lamp

Jacob Lipkin

c. 1941 · graphite on paperboard

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In the image, there is a glass inkwell with a swirl pattern, featuring a round handle and a metal lid. The color palette consists of muted beige and gray tones with the glass inkwell at the center against a beige textured background. The inkwell is positioned centrally, emphasizing its intricate glasswork details. The background provides subtle texture with no other prominent objects around the inkwell.

Index of American Design1943.8.12535

"Sparking" Lamp

John Dana

c. 1938 · watercolor and graphite on paperboard

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Drawing2006.11.54

"Speak Not Against the Sun" and "Do Not Make Water Facing the Sun" [fol. 39 recto]

French early 16th Century

c. 1512/1515 · pen and brown ink with watercolor and stylus on laid paper

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This is a painting of a scene depicting the crucifixion. The center of the image features a figure laid out on a wooden cross, appearing to be in the process of being crucified. The figure has wounds on the body and is surrounded by a group of onlookers and individuals who appear to be helping with the execution. The figures are dressed in various garments and the setting appears to be outdoors, possibly on a hill, indicated by earthy tones beneath the figures.

Index of American Design1943.8.6759

"Stations of the Cross" No. 11. "Jesus is Nailed to the Cross

Cornelius Christoffels

1941 · watercolor, colored pencil, graphite, and heightening on paperboard

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The image shows two metallic objects. The left object is rusty brown with a scalloped edge, while the right object is silver with detailed engravings, including a bird and circular patterns. The color palette consists of earthy browns, metallic silvers, and subtle grayscale shading. The objects are positioned centrally on a light background, with the brown object slightly overlapping the silver one.

Index of American Design1943.8.14637

"Sultan's" Bit

Eva Fox and Harry Mann Waddell

c. 1937 · watercolor, graphite, and pen and ink on paper

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There are two separate oval portraits placed side by side within a rectangular frame. Each portrait shows the head and shoulders of an elderly person. In the left portrait, the person is slightly turned towards the right with deep-set eyes and wears a hood covering the head and neck. In the right portrait, the individual faces more to the left with distinct facial features, a focused expression, short curly hair under a brimmed hat, and both are dressed conservatively up to the neck. The background consists of horizontal lines, and there are no other intricate patterns or elements besides the frame and ovals.

Print1975.112.1

"Susanna Smuls" and "Leuye Joost"

Johannes and Lucas van Doetechum after Pieter Bruegel the Elder

c. 1564/1565 · etching

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The sculpture depicts two main figures on a dual-faced structure. One figure reaches out a hand while the other wields an axe. Two large faces on each side look in opposite directions. The material resembles wood with a rich brown color. The sculpture has a relief-like quality with a rounded base that elevates the scene. The details are finely rendered, giving the figures a lifelike appearance in terms of anatomy and expressions.

Index of American Design1943.8.16895

"Symbolic" Figure Carvings

Joseph L. Boyd

c. 1938 · watercolor and pen and ink on paper

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The image features two individuals depicted in oval frames, showing their upper bodies including their heads, shoulders, and part of their chests. The left individual is positioned facing slightly to the right with short, curly hair. Their facial features are well-defined with prominent eyes and lips. The person wears a garment with a visible collar. The right individual faces slightly to the left, with an open mouth. They have short, curly hair and a beard. Their garment appears similar in style to the first person, with a collar visible. Both frames are set against a lined background. The background outside the frames is plain.

Print1975.112.35

"t Moye Molletje" and "Melis Bocke-baert"

Johannes and Lucas van Doetechum after Pieter Bruegel the Elder

c. 1564/1565 · etching

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The image shows a lively outdoor scene with elegantly dressed individuals. The drawing depicts an outdoor gathering where numerous figures are dressed in 19th-century fashion. The central focus is on the elaborate costumes with voluminous skirts and fine details. In the middle ground, a woman is suspended in mid-air, adding a sense of motion. The background features trees and gentle shading.

Drawing1996.5.1.b

"Taking the Air" in Hyde Park [verso]

George Cruikshank

1865 · pen and brown ink with brown wash over graphite on wove paper

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The sculpture is a bust of a male figure adorned in elaborate attire. The subject is wearing a ruffled garment with a distinct brooch in the center and intricate folds and designs on the shoulders and chest. There is a quiver with arrows on his back. The sculpture is primarily monochromatic gray and showcases detailed carving of facial features, hair, and clothing textures. The bust is positioned to highlight the strong features of the subject's face and the detailed workmanship of the attire.

Index of American Design1943.8.9973

"Tamanend" Figurehead

Douglas Campbell

c. 1939 · watercolor, graphite, and heightening on paper

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The image depicts two men standing on a boat. The man on the left is holding up a large fish, wearing a light-colored shirt with long sleeves, dark pants, and gloves. The man on the right has his arms crossed, facing the fish, and is dressed in dark clothing with a straw boater hat. Both men have facial features visible, and there are various ropes and fishing gear on the boat. The background shows a simple horizon line, suggesting an open water scene. The image is in a vintage blue tint.

Photograph2018.177.231

"Tarpon or Silver King"

American 19th Century

October 29, 1887 · cyanotype

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The image shows a landscape with a lake surrounded by mountains. Rocky terrain with a figure and a dog is in the foreground, leading to the blue lake reflecting the sky. Trees line the slopes down to the lake. The painting features precise brushstrokes, delicate textures, and a color palette of earth tones and soft blues.

Drawing2007.111.180

"The Blue Pool" in the Rein Valley near Garmisch

Max Joseph Wagenbauer

1806 · pen and gray ink with watercolor over graphite on wove paper

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The image shows an urban street from an eye-level perspective. Buildings line the street, with a street lamp in the center and a man standing by the curb. A large building with a brick facade is on the right, while trees line the street, adding a touch of greenery. The color palette is dominated by soft, muted sepia tones, typical of early photography.

Photograph2023.39.41

"The Cathedral, Baltimore, Maryland"

Frederick Langenheim, William Langenheim

1858 · stereoscopic albumen silver print

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This is a photograph of a group of children standing in front of a wooden church building. The children are dressed in a mix of light and dark colored clothing. The background includes the church, trees, and a white picket fence.

Photograph2023.39.130

"The Colored School, Vicksburg, Mississippi"

James M. Davis

1891 · stereoscopic albumen silver prints

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The image depicts a puppet-like figure of a person standing with one arm raised and the other lowered. The figure has exaggerated facial features, with red cheeks, wide eyes, and curly black hair styled close to the head. The puppet is dressed in elaborate clothing with a purple outfit, frilled cuffs, and trimming, along with matching pants. The background is plain, and there are no visible accessories or objects held by the figure. The artist's signature is present in the bottom right corner.

Index of American Design1943.8.15698

"The Doctor" Marionette

Ruth Abrams

c. 1937 · watercolor and graphite on paperboard

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This is a photograph of soldiers preparing equipment. Soldiers in uniforms and hats are gathered on a dirt surface next to railway tracks, laying out and inspecting large pieces of fabric. The soldiers are focused on organizing or folding the material. Additional individuals are seen in the background closer to the train tracks, observing the activity. The photograph is sepia-toned and provides a historical glimpse into a moment of logistics or preparation, possibly involving military operations. The scene shows the soldiers' coordinated effort with the materials, conveying discipline and readiness.

Photograph2023.39.108

"The Gallant 25th Preparing to Embark for Cuba"

Underwood & Underwood, Strohmeyer & Wyman

1898 · stereoscopic albumen silver prints

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The image shows two spherical objects with a metallic and rust-like texture, each on a tripod base. The object on the left has a circular emblem or lock labeled "THE GLOBE." The color palette includes shades of dark brown, black, and hints of metallic tones. The spheres are positioned on the left and right sides of the image, with the left sphere rotated to display the emblem, while the right sphere is viewed straight-on.

Index of American Design1943.8.8622

"The Globe" Coin Bank

William O. Fletcher

c. 1938 · watercolor, gouache, and pen and ink on paper

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Three women are depicted in the image, standing against a stone wall. The woman on the left is seated while the middle woman adjusts her neck scarf. The woman on the right is standing and holding a cloth. All three women have neatly arranged hair and wear headscarves, striped skirts, and blouses. The middle woman also wears a dark cloak. The seated woman wears shiny shoes. The background features a stone wall with visible textures and a cobblestone floor, suggesting an outdoor setting.

Photograph2018.7.28

"The Letter"

David Octavius Hill and Robert Adamson

1844-1845 · salted paper print

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This is a photograph of a crowd scene in front of an architectural structure. The image shows a large group of individuals gathered on a cobblestone street. Behind them is a metal fence and a building with arched windows. There are also a couple of horse-drawn carriages surrounding the group. The photograph has a sepia tone and is in a stereoscopic format, likely dating back to the late 19th century. Text on the card indicates that this captures a notable occasion.

Photograph2023.39.201

"The Merry Bootblacks, Inauguration, Washington, DC"

B. W. Kilburn

1889 · stereoscopic albumen silver prints

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This is a photograph of two lunar images in a stereoscopic format. The image features a pair of identical full moons against a black background, placed side by side. The surface of each moon shows visible craters and dark patches. The stereoscopic presentation involves two slightly offset images for a three-dimensional effect. The photograph is framed with a sepia tone, giving it an antique appearance, and has a thin yellow border around the outer edges.

Photograph2018.21.3

"The Moon"

Joseph L. Bates

1860 · stereoscopic albumen silver print

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