National Gallery of Art · Open Data

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Explore only works whose published-image record is explicitly marked open access by the National Gallery of Art. Every result includes eligible imagery and connects back to the museum.

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63,855 open-access works

63,855 NGA-open-access works
Dataset refreshed September 19, 2026

This is a portrait showing the upper half of a man's body. The man is positioned facing slightly to the left, with his head turned to look at the viewer. He has an oval face with a prominent mustache, a high forehead, and his hair is short and slicked back, appearing dark in color. The man is dressed in armor with a prominent, wide collar typical of the 17th-century style, and he wears a decorative sash over one shoulder. His right hand is holding a baton or staff, which extends across the lower section of the image. The background is plain with a lined texture, and the portrait is set within an oval frame that contains inscribed text. The outer area of the image also contains additional text beneath the portrait.

Print1950.14.1203

Albrecht Wenzel Euscbius von Wallenstein

Wolfgang Philipp Kilian

Date not recorded · engraving

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This is a painting of a promotional cover with black silhouettes and text. It features the name "Yvette Guilbert" and "texte de Gustave Geffroy orné par H. de Toulouse-Lautrec." The cover includes a bold silhouette of an extended arm, hand, and lower body, with sharp, angular lines and diagonal lines for a dynamic composition. The artwork is rendered in stark black ink against a light background, resembling the style of Henri de Toulouse-Lautrec.

Portfolio2000.1.1

Album Cover

Henri de Toulouse-Lautrec

1894 · lithograph in olive green

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The image shows a line of individuals with different appearances. The first person is wearing a coat and a top hat while holding a cane. Next to them is a woman wearing a dark cloak with feathers on her hat. Beside her is a child in dark clothing and a hat with a pom-pom, holding hands with a man in a casual shirt and a tilted hat. Following them are two women smiling and embracing each other. The last individual is wearing a tailed coat, a hat, and a bow tie. In the background, there is a textured wall with signs that say "PARIS INTENSE" and "par F. Vallotton," and a person in shadows on the left side.

Print1952.8.479

Album Cover for "Paris Intense"

Félix Vallotton

1894 · lithograph (zinc) on green wove paper

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This is a richly textured reddish-brown book cover with gold embossed text. The title "DANTE" is displayed prominently in the center, with "FLAXMAN" below it. The border of the cover includes a simple gold outline. The spine of the book, visible on the left edge, has ornate ridges and shows signs of wear. The other edges appear similarly worn.

Volume1943.3.3734

Album of Drawings for Dante's "Divine Comedy"

John Flaxman

c. 1793 · bound volume with 78 drawings in pen and ink and graphite

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This is a photograph of the cover of a red leather-bound book. The image captures a close-up view of the book's exterior, showcasing its red leather cover. The cover appears worn and slightly scuffed, with visible creases and imperfections. The spine of the book, visible on the left, shows wear at the edges where it meets the cover's surface. The texture of the leather is noticeable, and the stitching around the edges is subtly highlighted.

Volume1996.78.1-77

Album of Engravings after Sir Peter Paul Rubens

Various Artists after Sir Peter Paul Rubens

1613/1646, album compiled c. 1770 · bound volume with 77 engravings on laid paper

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The image shows a swirling array of circular and oval shapes interspersed with wavy lines, creating an abstract pattern across the surface. The design features a mixture of dark greys, blacks, and warm brown tones, resembling marble or intricate stone and mineral designs. The ovoid shapes vary in size and are densely packed, resembling bubbles or craters, adding complexity and depth to the composition.

Volume2025.20.1

Album of Engravings for Interactive Use

Various Artists

c. 1725-1750 · bound volume with 115 etching and engravings on laid paper

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The image contains six circular designs with intricate and swirling abstract patterns inside them. These patterns resemble elaborate floral motifs. The lines and shapes create a design reminiscent of stained glass windows or rosettes in Gothic architecture. Each circle has a unique arrangement of curves and points, giving the impression of delicate metalwork or intricately carved woodwork. The patterns convey a sense of symmetry and balance, connecting the abstract forms to common decorative elements in historical art.

Volume1948.11.116

Album of Ornament Prints

After Peter Flötner and Jacques Androuet du Cerceau

1559 or later, album compiled before 1915 · bound album of 98 woodcuts mounted on laid Michallet paper

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This is a photograph of a book cover. The cover is designed with intricate gold embellishments on a dark brown leather background. It features a central oval design with a regal emblem of fleurs-de-lis and a crown. Surrounding the central motif are symmetrical patterns with scrollwork and floral elements in gold. The corners and borders are adorned with circular and linear motifs. The use of gold contrasts against the dark material, highlighting the detailed craftsmanship.

Volume1942.9.1665-1698

Album of Portraits of Queen Marie-Antoinette

Various Artists

volume assembled between 1815 and 1942 · bound volume with 32 late 18th- and early 19th-century prints, six printed on silk, and 2 drawings hinged on wove paper in a repurposed binding, plus a manuscript account of the contents by Edward Clayton

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Volume2015.19.3615.1-41

Album of Virginia

Edward Beyer

1857-1858 · volume of forty-one color lithographs

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This is a photograph of a book cover. The cover features a textured fabric material in a neutral brownish tone, with reinforced corners and spine made of a smooth, slightly darker brown material resembling leather. The stitching pattern on the fabric gives it a subtle crosshatch design. The book cover does not contain any visible text, illustrations, or embellishments.

Volume1943.3.9138

Album with engravings from John Leslie's "De Origine Scotorum"

British 17th Century

published 1675 · bound volume with 10 pages of engravings with text

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This is a photograph of a hardcover book with a decorative spine and cover. The book is bound in a rich, dark reddish-brown leather on the spine and corners, while the rest of the cover is a lighter, textured red. Two thin, parallel gold lines run along the leather trim where it meets the fabric of the cover. The spine shows signs of wear along its edges. The book's cover design is classic and elegant, with a focus on simple, geometric lines and the contrast between the different hues and textures of red.

Volume1943.3.9141

Album with Heads of Kings and Queens of England

British 17th Century and Wenceslaus Hollar

17th Century · bound volume with 25 engravings plus Hollar's engraved map of England

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This is a photograph of a closed book with a red cover. The book has a textured red surface, with darker red binding along the spine. The corners of the book have dark red patches forming a triangle shape at the top right. A thin gold border lines the edges where the dark and lighter reds meet. The texture of the cover and the sheen of the material suggest a durable and possibly high-quality binding.

Volume1943.3.9140

Album with Portraits of English Sovereigns, William I to James I

British 17th Century after Renold Elstrack

17th Century · bound volume with 25 engravings

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This is a detailed engraving viewed from a slightly elevated perspective. The horizon is towards the left side, marked by a line of trees and a church steeple labeled "Skire" in the distance, along with the word "bey Alburg" to the right. The engraving technique uses fine lines and hatching to create texture and depth. Close to us, there are several tall, trees with a small bench underneath. A walkway curves to the right, where a group of figures is gathered, each dressed in period attire. In the distance, rolling hills and clusters of trees extend towards the horizon, providing a sense of continuity and space. The image presents a monochromatic palette typical of engravings, relying on contrast and shading to convey form and detail.

Print1943.3.4930

Albury

Wenceslaus Hollar

1645 · etching

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The image shows a calm river or large pond with trees along the shore. A church steeple labeled "Shire" is in the distance. The black and white drawing features fine, detailed lines for the clouds, foliage, swans, and figures in a boat. The serene setting includes swans, their reflections, and a boat with two figures on the water. The monochromatic color palette highlights the contrasts between the sky, trees, and water. To the right, there are trees and a small building labeled "beg. Albury." The craftsmanship suggests a tranquil landscape.

Print1943.3.4931

Albury

Wenceslaus Hollar

1645 · etching

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The image features a landscape with a high horizon showing a hill with trees. A building is at the base of the hill near a body of water where birds are gliding. A tree trunk with leaves is on the left, and a wooden fence spans the scene. The etching technique is used to depict detailed elements like tree bark and the building. The color palette is monochromatic, emphasizing brown shades to highlight textures.

Print1943.3.4932

Albury

Wenceslaus Hollar

1645 · etching

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Print1943.3.4933

Albury

Wenceslaus Hollar

1645 · etching

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The image depicts a landscape viewed from an elevated point. The horizon is low, emphasizing the sky. Trees are present throughout the scene, with meticulous fine lines showing details. The color palette is monochromatic, focusing on contrast. There are figures along a path to the left.

Print1943.3.4934

Albury

Wenceslaus Hollar

1645 · etching

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The image shows a street scene from an elevated viewpoint, looking downhill towards a body of water and a distant landmass. The horizon divides the townscape below from the water and land further away. Sailing ships are seen anchored on the water, and elegant buildings line the street. A horse-drawn cart indicates activity in the area. The town extends towards the shore where the land meets the water. The color palette is sepia, creating a vintage atmosphere with warm tones highlighting architectural details and the calmness of the scene.

Photograph2006.133.134

Alcatraz Island and San Francisco Bay, Looking North

Carleton E. Watkins

1880s · albumen silver print

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The image shows a group of birds, possibly kingfishers, from an elevated vantage point. The horizon seems low, with dense grasses suggesting the distance. The piece features detailed etching, capturing the birds and vegetation with fine linework. The color palette is monochrome with dark ink on paper. The artwork depicts a pair of kingfishers on the ground and three more in flight above them. Grass and reeds are visible in the distance. Clouds lightly fill the sky.

Print1948.11.113

Alcedo, The Kingfisher

Albert Flamen

Date not recorded · etching on laid paper

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This drawing displays an ornate architectural structure featuring decorative elements and text. The symmetrical design includes fluted columns with intricate capitals, a decorative entablature, elegant script in Italian, an inscription by Giuseppe Antonio Landi, a sculpted bust within an arched niche, decorative scrollwork, urns with plant arrangements on top of the entablature, and detailed linework typical of classical architectural illustrations.

Print1982.24.1

Alcune Prospettive

Giuseppe Antonio Landi

before 1753 · etching and engraving on laid paper

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The image shows a churchyard, showcasing a stone building with a slanted roof leading to a square tower extending upwards. The horizon is partially obstructed by the structure and trees. Some gothic-style windows are visible on the building. There are gravestones scattered nearby. The brushstrokes provide texture to the stone walls and foliage. The color palette is subdued with shades of gray and sepia. In the distance to the right, a figure walks with a dog along a path.

Drawing1988.20.26

Aldenham Church, Hertfordshire

Henry Monro

1812 · pen and brown ink with black chalk and white heightening on blue wove paper

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The image shows a street scene with various buildings and urban activities. The viewpoint is slightly elevated, and many buildings and people are visible. The horizon is obscured by tall buildings in the background. The style is loose and sketchy, with fine lines indicating figures, buildings, and movement. The color palette is monochromatic, using sepia or pencil gray tones on an off-white background. Near the viewer, a person and a horse-drawn carriage are depicted. Further away, more figures and another carriage are shown, adding to the urban scene. The distant buildings are outlined with simple linear details.

Print1949.5.263

Alderney Street

James McNeill Whistler

c. 1880/1881 · etching on laid paper

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This is a drawing of a dog sitting upright, facing left. The dog wears a spiked collar and holds a leash in its mouth. The dog's short fur is drawn in detailed, dark lines, and it has long ears that hang down and a patch of white fur on its chest. The breed could be something similar to a retriever. The background is mostly plain, tan paper with some simple thin lines.

Drawing1979.20.32

Aldrich's Dog

Arthur B. Davies

late 1880s · pen and black ink touched with white on buff prepared laid paper

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Print1980.45.292

Aldus Pius Manutius

Attributed to Giulio Campagnola

Date not recorded · engraving on vellum

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