National Gallery of Art · Open Data

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Explore only works whose published-image record is explicitly marked open access by the National Gallery of Art. Every result includes eligible imagery and connects back to the museum.

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63,855 open-access works

63,855 NGA-open-access works
Dataset refreshed September 19, 2026

Photograph2026.1.35

Alexandria Yard, Looking West, Virginia

Andrew Joseph Russell

March 1863 · albumen silver print

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The portrait depicts a man seated, with his upper half visible, down to his hips. He is facing the viewer directly with a composed expression. His facial features include a prominent nose, an angular jawline, and a slight, closed-lip smile. His hair is neatly styled, with a wave across his forehead and voluminous sides. The man is dressed in a high-collared coat with detailed buttons. The clothing is drawn with fine lines to indicate texture and layering. He is sitting on a chair with a simple design and his hands rest in his lap. The background is plain. The top left of the portrait includes the text "ASSEMBLEE NATIONALE," and below the image, his name "Alexis Charles Henry de Tocqueville" and titles are elegantly inscribed.

Print1952.8.215

Alexis Charles Henry de Tocqueville

Théodore Chassériau

1848 · lithograph

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The sculpture is a round, bronze-colored relief featuring a figure of a child-like human reclining within a circular boundary. The figure has one arm raised, holding three looped ribbons. The child is integrated into the circle, creating a cohesive depiction. The material gives it a metallic, aged appearance. Around the border is an intricate pattern, resembling an inscription or decorative motif. The sculpture has a slight patina.

Sculpture1957.14.633.b

Alfonso as Infant Hercules [reverse]

Ferrarese 15th Century

1477 · bronze

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This is a photograph of a sculpted medallion. The medallion features an embossed design showcasing a seated figure in the center, flanked by other figures participating in a ceremonial crowning. The design has intricate details such as clothing folds and texture of the figures. Around the medallion's edge, inscriptions can be seen. It appears to be made of metal with traces of wear and patina. The craftsmanship shows classical influences, possibly from the Renaissance period.

Sculpture1957.14.804.b

Alfonso Crowned by Mars and Bellona [reverse]

Cristoforo di Geremia

c. 1458 · bronze

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Sculpture1957.14.633.a

Alfonso I d'Este, 1476-1534 [obverse]

Ferrarese 15th Century

1477 · bronze

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Sculpture1957.14.850.a

Alfonso I d'Este, 1476-1534, 3rd Duke of Ferrara, Modena and Reggio 1505 [obverse]

Niccolò Fiorentino

1492 · bronze

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Sculpture1957.14.1254.a

Alfonso I d'Este, 1476-1534, 3rd Duke of Ferrara, Modena and Reggio 1505 [obverse]

Ferrarese 16th Century

16th century · cast of a silver testoon

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Sculpture1957.14.911

Alfonso II d'Avalos, 1502-1546, Marquess of Vasto

Cesare da Bagno

c. 1560-1563 · lead//Four times pierced

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Sculpture1957.14.981.a

Alfonso II d'Avalos, 1502-1546, Marquess of Vasto [obverse]

Giovanni da Cavino

c. 1535/1538 · bronze//Cast

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Sculpture1957.14.933.a

Alfonso II d'Este, 1533-1597, 5th Duke of Ferrara 1559 [obverse]

Domenico Poggini

c. 1558 · bronze//Late cast

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Sculpture1957.14.1326.a

Alfonso II of Aragon, 1448-1495, Duke of Calabria 1458, afterwards King of Naples 1494 [obverse]

Andrea Guacialoti

1481 · bronze

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The sculpture is a round medallion featuring a bas-relief of a person's head and upper chest, identified by the inscription around the border as "ALFONSVS FERD DVX CALABRIE." The sculpture is made of bronze, evident from its brownish-orange hue and metallic sheen. The figure carved on the medallion has long, wavy hair and is adorned with a cap and a detailed garment with a high collar. The intricate details of the hair, facial features, and clothing are prominently raised against the flat background of the medallion.

Sculpture1988.30.4.a

Alfonso II of Aragon, 1448-1495, Duke of Calabria 1458, afterwards King of Naples 1494-1495 [obverse]

Andrea Guacialoti

1481 · bronze

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Sculpture1957.14.615.a

Alfonso V of Aragon, 1394-1458, King of Naples and Sicily 1442 [obverse]

Paolo da Ragusa

c. 1450 · bronze

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Sculpture1957.14.612

Alfonso V of Aragon, 1394-1458, King of Naples and Sicily 1443

Pisanello

c. 1449 · bronze

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Sculpture1957.14.611.a

Alfonso V of Aragon, 1394-1458, King of Naples and Sicily 1443 [obverse]

Pisanello

1449 · lead

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The image shows a circular medallion with a relief sculpture of a man's bust facing left. The man appears to be older, wearing a high-collared garment. The medallion, made of a metallic material, likely silver, features an inscription in a serif typeface along the perimeter, with a crown relief at the bottom. The craftsmanship emphasizes the facial features and clothing.

Sculpture1957.14.613.a

Alfonso V of Aragon, 1394-1458, King of Naples and Sicily 1443 [obverse]

Pisanello

c. 1449 · bronze//Late cast

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Sculpture1957.14.804.a

Alfonso V of Aragon, 1396-1458, King of Naples and Sicily 1443 [obverse]

Cristoforo di Geremia

c. 1458 · bronze

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The image shows a man standing confidently. He is dressed in medieval armor and holds a spear. His facial features include a beard and a determined expression, partially concealed by a hat. The background features an archway and rolling hills with medieval structures.

Print2012.92.544

Alfonso X, King of Castile

William Rogers

17th century · engraving on laid paper

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This is a photograph of a bronze medallion depicting a historical scene. The medallion is intricately engraved with architectural elements and a group of armor-clad figures. The upper portion shows a fortified building, while the central section features figures gathered, some carrying flags and banners. To the right, a horse is being ridden by a person holding an object high. The figures are artistically rendered in high relief. Along the perimeter are inscriptions in Latin.

Sculpture1957.14.1326.b

Alfonso's Triumphal Entry into Naples [reverse]

Andrea Guacialoti

1481 · bronze

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The sculpture depicted on this coin shows a historical or battle scene with multiple human figures, possibly soldiers, along with structures resembling buildings or fortifications in the background. There are also figures on horseback and what might be flags or standards raised above the crowd. The composition is busy and dynamic, filled with detailed and compact forms. The color of the sculpture is a mix of browns and bronzy tones, indicating it is made of metal, likely bronze or a similar alloy, giving it an antiqued appearance. The sculpture is on a circular coin with intricate designed features showcasing a scene from a historical context. The border of the coin features some text.

Sculpture1988.30.4.b

Alfonso's Triumphal Entry into Naples [reverse]

Andrea Guacialoti

1481 · bronze

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The image displays bold, angular lines and shapes in a rectangular composition on a blank background. The lines and shapes create a stylized figure draped in cloth, resembling a seated person. Thick, expressive text intertwines with abstract imagery, blending words and art seamlessly. The bold black lines against the light background give the appearance of an intricate woodcut or print design.

Volume2012.92.39.1-5

Alfred Döblin: Das Stiftsfräulein und der Tod (Alfred Döblin: The Canoness and Death)

Ernst Ludwig Kirchner and Alfred Döblin (author)

1913 · bound volume with 5 woodcut illustrations on wove paper

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Painting1963.10.220

Alfred la Guigne

Henri de Toulouse-Lautrec

1894 · oil on cardboard

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Photograph2002.120.5

Alfred Stieglitz

Frank Eugene

c. 1901 · photogravure

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Photograph2005.123.1

Alfred Stieglitz

Gertrude Käsebier

1902 · platinum print

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