"Haji Husain Bukhari", Folio from the Shah Jahan Album
Maker not identified
recto: early 19th century; verso: later copy of 16th century original · Ink, opaque watercolor, and gold on paper
Open full recordThe Metropolitan Museum of Art · Open Access
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Collection results
247,518 open-access works
247,518 public-domain works with images
Dataset refreshed August 16, 2026
"Hamid Bhakari Punished by Akbar", Folio from a Manuscript of the Akbarnama. Folio from the Davis Album
Manohar|Abu'l Fazl
ca. 1604 · Ink, opaque watercolor, and gold on paper
Open full record"Hamza's Heroes Fight in Support of Qasim and Badi'uzzaman", Folio from a Hamzanama (The Adventures of Hamza)
Shravana|Dasavanta|Tara
ca. 1564–69 · Ink, opaque watercolor, and gold on cloth; mounted on paper
Open full record"Happy Thought" (for Punch, December 16, 1876)
Charles Samuel Keene
1876 · Pen and brown ink, brush and wash, touches of white gouache (bodycolor)
Open full record"Hare", Folio from the Mantiq al-wahsh (Speech of the Wild Animal) of Ka'b al-Ahbar
Ka'b al-Ahbar
11th–12th century · Opaque watercolor on paper
Open full record"Have You Been to the Pump, Simpson?"
John Leech
1837–64 · Watercolor, pen and brown ink, over graphite
Open full record"Have you pray'd tonight, Dedesmona?": plate 12 from Othello (Act 5, Scene 2)
Théodore Chassériau|William Shakespeare
etched 1844, reprinted 1900 · Etching, engraving, and roulette on chine collé; second edition (Gazette des Beaux-Arts, 1900)
Open full record"Having said that, this poor invalid gives us a curtsy, and goes hobbling off" from Scenes from the Private and Public Life of Animals
Honoré de Balzac|J. J. Grandville|Andrew Best Leloir
ca. 1837–47 · Wood engraving
Open full record"Hawk on Perch", Folio from a Bestiary and Herbal
Maker not identified
ca. 1600 · Opaque watercolor and gold on paper
Open full record"He buys the right to defeat me at his ease with a successful shot." from the Little Miseries of Human Life
Paul-Emile-Daurand Forgues|Henri Fournier|Brugnot|J. J. Grandville
1843 · Wood engraving
Open full record"He gets up, covered from head to toe in snow." from the Little Miseries of Human Life
Henri Fournier|Paul-Emile-Daurand Forgues|J. J. Grandville
1843 · Wood engraving
Open full record"He gets up, covered from head to toe in snow." from the Little Miseries of Human Life
Henri Fournier|Paul-Emile-Daurand Forgues|J. J. Grandville
1843 · Wood engraving
Open full record"He had only his beautiful colors..." from Scenes from the Private and Public Life of Animals
Andrew Best Leloir|Honoré de Balzac|J. J. Grandville
ca. 1837–47 · Wood engraving
Open full record"He has each of them, as they say in the journals devoted to the fine arts" from Scenes from the Private and Public Life of Animals
Honoré de Balzac|Charles Tamisier|J. J. Grandville
ca. 1837–47 · Wood engraving
Open full record"He rose like those small sea monsters that decorate the fountains." from the Little Miseries of Human Life
Paul-Emile-Daurand Forgues|Henri Fournier|J. J. Grandville|Quichon
1843 · Wood engraving
Open full record"He smothers her": plate 13 from Othello (Act 5, Scene 2)
Théodore Chassériau|William Shakespeare
etched 1844, reprinted 1900 · Etching and engraving on chine collé; second edition (Gazette des Beaux-Arts)
Open full record"He tells us: don't cry, Act!" from Scenes from the Private and Public Life of Animals
Andrew Best Leloir|Honoré de Balzac|J. J. Grandville
ca. 1837–47 · Wood engraving
Open full record"He was a regular on the front lines..." from Scenes from the Private and Public Life of Animals
J. J. Grandville|Honoré de Balzac|Joseph Hippolyte Jules Caqué
ca. 1837–47 · Wood engraving
Open full record"He was only waiting to make fun of the pursuer and the pursuit" from the Little Miseries of Human Life
Victor Laisné|J. J. Grandville|Paul-Emile-Daurand Forgues|Henri Fournier
1843 · Wood engraving
Open full record"Here is one who mends by nicely biting" from Scenes from the Private and Public Life of Animals
Honoré de Balzac|Andrew Best Leloir|J. J. Grandville
ca. 1837–47 · Wood engraving
Open full record"Here's my Maud S.," from the Terrors of America set (N136) issued by Duke Sons & Co. to promote Honest Long Cut Tobacco
Knapp & Company|W. Duke, Sons & Co.
1888–89 · Commercial color lithograph
Open full record"Here's my Maud S.," from the Terrors of America set (N136) issued by Duke Sons & Co. to promote Honest Long Cut Tobacco
Knapp & Company|W. Duke, Sons & Co.
1888–89 · Commercial color lithograph
Open full record"Here, the civet offers a hit of snuff to an old beaver" from Scenes from the Private and Public Life of Animals
Honoré de Balzac|J. J. Grandville|Andrew Best Leloir
ca. 1837–47 · Wood engraving
Open full record"Hi! Ho-o-o! He Done Come. Jumbolor Tell you Fust" (The Galaxy, An Illustrated Magazine of Entertaining Reading, Vol. VII)
Winslow Homer|John William De Forest
June 1869 · Wood engraving
Open full record