"His son, who looked like him in every way ..." from Scenes from the Private and Public Life of Animals
Honoré de Balzac|Louis-Henri Brevière|J. J. Grandville
ca. 1837–47 · Wood engraving
Open full recordThe Metropolitan Museum of Art · Open Access
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247,518 open-access works
247,518 public-domain works with images
Dataset refreshed August 16, 2026
"Hold on to me, I am telling my witness..." from Scenes from the Private and Public Life of Animals
J. J. Grandville|Honoré de Balzac|Louis-Henri Brevière
ca. 1837–47 · Wood engraving
Open full record"Honest Iago, my Desdemona must I leave to thee": plate 4 from Othello (Act 1, Scene 3)
Théodore Chassériau|William Shakespeare
etched 1844, reprinted 1900 · Etching, engraving, roulette, and drypoint on chine collé; second edition (Gazette des Beaux-Arts)
Open full record"Hors de mon soleil, canailles!" (Panurge sortant de chez Raminagrobis)
Félix Bracquemond|François Rabelais
1854–1855 · Etching; first state of three
Open full record"Horseman and Fragment of Text", Folio from a Shahnama (Book of Kings)
Abu'l Qasim Firdausi
ca. 1330–40 · Ink, opaque watercolor, and gold on paper
Open full record"How a Braggart was Drowned in a Well", Folio 33v from a Haft Paikar (Seven Portraits) of the Khamsa (Quintet) of Nizami of Ganja
Maulana Azhar|Nizami
ca. 1430 · Ink, opaque watercolor, and gold on paper
Open full record"How Rustam Found a Spring", Folio from a Shahnama (Book of Kings) of Firdausi
Abu'l Qasim Firdausi
ca. 1300–30 · Ink, opaque watercolor, silver, and gold on paper
Open full record"Hunting Scene", Folio from a Divan (Collected Works) of Mir 'Ali Shir Nava'i
Mir 'Ali Shir Nava'i|Qasim 'Ali of Shiraz
1580 · Ink, opaque watercolor, and gold on paper
Open full record"Hurmuzd I's Last Testament to Prince Bahram I", Folio 535r from the Shahnama (Book of Kings) of Shah Tahmasp
Aqa Mirak|Abu'l Qasim Firdausi
ca. 1525–30 · Opaque watercolor, ink, silver, and gold on paper
Open full record"Husayn at the Bedside of the Dying Hasan", Folio from a Hadiqat al-Su'ada of Fuzuli (Garden of the Blessed)
Fuzuli
late 16th century · Ink, opaque watercolor, and gold on paper
Open full record"I Call Them My Children" – To Myself, Susan (The Galaxy, An Illustrated Magazine of Entertaining Reading, Vol. VIII)
Winslow Homer
October 1869 · Wood engraving
Open full record"I Cannot! It Would Be a Sin! A Fearful Sin!" (The Galaxy, An Illustrated Magazine of Entertaining Reading, Vol. VI)
Winslow Homer
September 1868 · Wood engraving
Open full record"I didn't steal no apples, Mister," from the Terrors of America set (N136) issued by Duke Sons & Co. to promote Honest Long Cut Tobacco
W. Duke, Sons & Co.|Knapp & Company
1888–89 · Commercial color lithograph
Open full record"I didn't steal no apples, Mister," from the Terrors of America set (N136) issued by Duke Sons & Co. to promote Honest Long Cut Tobacco
Knapp & Company|W. Duke, Sons & Co.
1888–89 · Commercial color lithograph
Open full record"I had come to London to see a royal, but I only saw the back of another person's head." from the Little Miseries of Human Life
J. J. Grandville|Henri Fournier|Paul-Emile-Daurand Forgues
1843 · Wood engraving
Open full record"I hope to prove one day that in the hands of a magpie, a feather is no less valuable than in the claws of a wolf or the legs of a fox " from Scenes from the Private and Public Life of Animals
Honoré de Balzac|Andrew Best Leloir|J. J. Grandville
ca. 1837–47 · Wood engraving
Open full record"I left as the Attorney-General of Moinraux in Paris" from Scenes from the Private and Public Life of Animals
Honoré de Balzac|Joseph Hippolyte Jules Caqué|J. J. Grandville
ca. 1837–47 · Wood engraving
Open full record"I ordinarily opened the ball with the prettiest villager" from Scenes from the Private and Public Life of Animals
Joseph Hippolyte Jules Caqué|Honoré de Balzac|J. J. Grandville
ca. 1837–47 · Wood engraving
Open full record"I save yer the core," from the Terrors of America set (N136) issued by Duke Sons & Co. to promote Honest Long Cut Tobacco
Knapp & Company|W. Duke, Sons & Co.
1888–89 · Commercial color lithograph
Open full record"I saw a smith stand with his hammer thus..." (Shakespeare, King John, Act 4, Scene 4)
Richard Houston|Edward Penny|Robert Sayer|William Shakespeare
January 1771 · Mezzotint
Open full record"I saw a wolf standing guard" from Scenes from the Private and Public Life of Animals
Honoré de Balzac|J. J. Grandville|Andrew Best Leloir
ca. 1837–47 · Wood engraving
Open full record"I tried to escape from this philological discussion." from the Little Miseries of Human Life
Paul-Emile-Daurand Forgues|Henri Fournier|J. J. Grandville
1843 · Wood engraving
Open full record"I tried to escape from this philological discussion." from the Little Miseries of Human Life
Paul-Emile-Daurand Forgues|Henri Fournier|J. J. Grandville
1843 · Wood engraving
Open full record