Adoration of the Magi
Ercole Graziani the Younger
1688–1765 · Black chalk, stumped, highlighted with white, on beige paper
Open full recordThe Metropolitan Museum of Art · Open Access
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Dataset refreshed August 16, 2026
Ercole Graziani the Younger
1688–1765 · Black chalk, stumped, highlighted with white, on beige paper
Open full recordCesare Pollino (Cesare dal Francia or Franchi)
1560–1630 · Red and white chalk on paper
Open full recordAnonymous, Italian, 16th century
16th century · Pen and brown ink, brush and brown wash
Open full recordAnonymous, Italian, Genoese, 16th century
16th century · Pen and brown ink, washed
Open full recordFrans Francken II
n.d. · Pen and brown ink, brush and red-brown wash
Open full recordAnonymous, German, 15th century
1922 · Woodcut; Dershau restrike, 1922
Open full recordRaphael Sadeler I|Jacopo Bassano (Jacopo da Ponte)
1598 · Engraving
Open full recordImitator of Netherlandish (Antwerp Mannerist) Painter
probably seventeenth century · Oil on oak panel
Open full recordFlemish
first quarter 16th century · Pen and light brown and grayish brown ink over traces of black chalk; original borderline all around.
Open full recordSouthern Germany or Austria
ca. 1235–50 · Tempera and gold and silver leaf on parchment
Open full recordHans Reinhart the Elder
ca. 1580–1600 · Silver, partially mercury-gilded.
Open full recordSchool of Nottingham
15th century · Alabaster with paint and gilding
Open full recordSouth Netherlandish
ca. 1500 · Wool warp, wool silk, and linen wefts
Open full recordCircle of Peter Hemmel von Andlau (Strassburger Werkstattgemeinschaft)
1507 · Pot metal and colorless glass, vitreous paint, and silver stain
Open full recordBritish
second half 15th century · Alabaster with paint and gilding
Open full recordAndrea Andreani|Aurelio Luini
1580–1610 · Chiaroscuro woodcut from three blocks in pale brown
Open full recordNiccolò Vicentino|Parmigianino (Girolamo Francesco Maria Mazzola)
1540–50 · Chiaroscuro woodcut from three blocks in blue
Open full record