Adoration of the Magi
Niccolò Vicentino|Parmigianino (Girolamo Francesco Maria Mazzola)
1540–50 · Chiaroscuro woodcut from three blocks in green
Open full recordThe Metropolitan Museum of Art · Open Access
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Niccolò Vicentino|Parmigianino (Girolamo Francesco Maria Mazzola)
1540–50 · Chiaroscuro woodcut from three blocks in green
Open full recordNiccolò Vicentino|Parmigianino (Girolamo Francesco Maria Mazzola)
1540–50 · Chiaroscuro woodcut from three blocks in green
Open full recordGerman
1470–1480 · Cartapesta (papier maché) with polychromy and gilding
Open full recordAnonymous|Bonifacio de' Pitati (Bonifacio Veronese)
1700–1800 · Engraving
Open full recordAustrian
ca. 1390 · Pot-metal and colorless glass, vitreous paint and silver stain
Open full recordAustrian
ca. 1390 · Pot-metal and colorless glass, vitreous paint and silver stain
Open full recordGerman
16th century · relief: wood, polychromed and gilt, wings: tempera on panels
Open full recordEugène Delacroix|Peter Paul Rubens
ca. 1830 · Graphite
Open full recordAlbrecht Altdorfer
Date not recorded · Woodcut
Open full recordJohann Daniel Preissler
late 17th–mid-18th century · Pen and black ink, brown wash and white heightening over red chalk
Open full recordItalian, Lombardy, probably Milan
late 15th century · Basse-taille and painted enamel on silver; gilt-silver frame mounted with silver and partly enameled gold, and set with emeralds and pearls
Open full recordMaster K.I.P.|Valerio Belli (Il Vicentino)
mid-16th century · Painted enamel on copper, partly gilt
Open full recordAdam Friedrich von Löwenfinck
1741–44 · Tin-glazed earthenware
Open full recordJoachim Beuckelaer|Pieter Aertsen
1560 · pen and brown ink, gray wash on brown paper, squared in red chalk
Open full recordJacob Jordaens
17th century · Pen and brown ink, brush and brown wash, over black chalk. Framing lines in pen and black ink.
Open full recordJusepe de Ribera (called Lo Spagnoletto)
1645–50 · Pen and brown ink, brush and brown wash
Open full recordFrancisco Vieira de Mattos (Il Lusitano)
1699–1783 · Red chalk on off-white paper. Composition outlined in ruled red chalk lines.
Open full record