National Gallery of Art · Open Data

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Explore only works whose published-image record is explicitly marked open access by the National Gallery of Art. Every result includes eligible imagery and connects back to the museum.

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63,855 open-access works

63,855 NGA-open-access works
Dataset refreshed September 19, 2026

The sculpture depicts a carved relief showing the upper body of a figure with curly hair emerging from an ornate structure resembling a podium or urn, adorned with beads. Intricate leaf and scroll motifs decorate the background, with draped fabric elements on each side. Inscribed at the top are the letters 'SAC'. Crafted from a dark material, possibly bronze or iron, it is set in a square wooden frame with a reddish-brown hue. The relief combines classical and decorative elements, featuring detailed textures and intricate designs.

Sculpture1984.73.3

Altar with a Female Bust

Andrea Briosco, called Riccio

Date not recorded · bronze

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The sculpture is a candle holder with intricate details, including figures resembling cherubs or putti near the base, floral and scroll motifs, and three decorated legs. It is made of metal with a dark patina, giving it an aged appearance. The candle holder has a flat platform supporting a plain white pillar candle, reflecting a baroque or rococo style with elaborate craftsmanship.

Sculpture1957.14.70

Altar-Candlestick with Shield of Arms of the Garzoni of Venice

Venetian 16th Century

third quarter 16th century · bronze//Dark brown bronze

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The sculpture is a decorative stand with a large white candle placed on top. It has an intricate ornate design that includes human or cherubic figures, floral motifs, and decorative scrolls. The material appears to be dark metal, likely bronze, with a dark, slightly weathered patina. The stand's detailing and the figures stand on pedestals. The sculpture has a playful and spirited quality highlighted by the figures representing mythological or classical themes.

Sculpture1957.14.71

Altar-Candlestick with Shield of Arms of the Garzoni of Venice

Venetian 16th Century

third quarter 16th century · bronze//Dark brown bronze

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The image shows a sketch of a seated figure at the center, potentially on a throne, with two other standing figures close by. The central figure is holding a smaller figure on their lap. The sketch does not show detailed facial features or hair, but instead the figures from head to toe. The figures are wearing robes or draped garments, with flowing lines in the sketch to represent this. No jewelry or objects other than the smaller figure are included in the sketch. Around the scene is an architectural structure with columns and an arch, decorated with ornamental elements above, suggesting a religious or ceremonial setting. The background consists of the architectural features, without any additional scenery depicted.

Drawing1988.34.1

Altarpiece of the Madonna and Child with Saints, in Its Architectural Setting

Perino del Vaga

1528/1537 · pen and brown ink on laid paper

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This is a drawing of an ornate religious altar. The drawing features a central figure that appears to be of religious significance, surrounded by smaller angelic figures. This central character is framed within a grand, architecturally detailed altar structure complete with arches, columns, and intricate decorative elements including floral motifs and geometric patterns. On either side of the central figure, at different levels, are additional figures that seem to be seated or standing within niches, each of them surrounded by distinctive arch designs. The architectural design is highly symmetrical, showcasing classical elements such as pediments and detailed cornices along with elaborate ornamentation.

Print1948.11.1

Altarpiece with the Beautiful Virgin of Regensburg and Saints Christopher, Mary Magdalene, Florian, and Catherine Standing in Niches, with God the Father Above

Albrecht Altdorfer

c. 1520 · woodcut on laid paper

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The image shows a cobblestone street with tall buildings on either side. The viewpoint is from a slightly downward angle. The street extends into the distance, flanked by detailed buildings on the left and a modern staircase and street lamp on the right. The painting features precise brushstrokes highlighting architectural details and cobblestone texture. The color scheme is primarily sepia and black, creating a vintage atmosphere. High contrast enhances light and shadow effects. Additional figures can be seen in the distance, adding depth to the scene.

Portfolio1977.69.20

Alte Strasse

Fritz Stoltenberg

1893 · watercolor

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The image shows a landscape of dense vegetation viewed from a slightly elevated point. There is a forested area with trees dominating the scene. Soft hills are visible in the distance, merging with the sky. The painting is detailed, with precise brushstrokes depicting the trees. The color palette is deep blue, possibly suggesting twilight or moonlight. The sky has light clouds, enhancing the atmospheric depth of the scene.

Drawing2003.130.1

Altenhausen bei Freysing

Max Joseph Wagenbauer

1821 · black and chalk with white heightening and gray wash on blue paper

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Drawing1943.3.9039

Alter Dampfer (Old Steamboat)

Paul Klee

1922 · oil transfer drawing and watercolor on laid paper, on Klee's original mount

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Print1991.210.79

Alter Mann (Old Man)

Lovis Corinth

1916 · drypoint in black on Van Gelder Zonen laid paper

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The image shows a canal lined with boats on both sides. Buildings with steeply pitched roofs and narrow facades are in the background. The color palette is monochromatic, with varying shades of black, gray, and white. Several boats are moored to wooden posts on the right, reflecting in the water. A boat is navigating down the canal. In the distance, a bridge supports more buildings.

Portfolio1977.69.21

Altes Fleet

Fritz Stoltenberg

1893 · watercolor

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Sculpture1957.14.754.a

Altobello Averoldo of Brescia, died 1531, Bishop of Pola, Apostolic Legate [obverse]

Maffeo Olivieri

1517/1521 · bronze

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Sculpture1957.14.1064.a

Altobello Averoldo, c. 1468-1531, Bishop of Pola, Thrice Governor of Bologna [obverse]

Antonio Vicentino

1523/1524 · bronze

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The image depicts a man seated and facing the viewer. He has a long, pointed beard and wears a tall headpiece. His head is slightly turned to his left. The man has deep-set eyes, a prominent nose, and a calm expression. He is wearing a long robe-like garment and a mantle or wide sash. The portrait is framed within an oval with a decorative border. In the top left corner, there is a crest with a coat of arms containing three symbols. The background features diagonal hatched lines, creating texture. The image appears to be engraved.

Print1991.208.65

Aluaso Semedo

Balthasar Moncornet

1657 · engraving on laid paper

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The image shows a man and a woman from the waist up. The man is positioned slightly behind the woman, resting his chin on one hand while holding a large board with the other. He has short, neatly combed dark hair, a well-groomed mustache, and a short beard. The woman is seated in front of him, wearing a large hat adorned with large flowers and a patterned band. She has light-colored hair styled underneath the hat and a relaxed expression. Her clothing appears dark with a light scarf draped around her neck. The man wears a dark suit with a high-collared shirt, and a ring is visible on his finger. The background is plain and featureless.

Photograph2010.76.17

Alvin Langdon Coburn and His Mother

Clarence H. White

c. 1909 · photogravure

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Sculpture1957.14.764.a

Alvise da Noale, active 1509-1533, Jurist [obverse]

Venetian 16th Century

c. 1512/1520 · bronze

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Sculpture1957.14.1092.b

Alvise Diedo, 1539-1603, Scholar and Poet, Primicerius of Saint Mark's 1563 [reverse]

Italian 16th Century

1566 · bronze

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The image depicts an ancient architectural scene with various structures and activities. In the center, a large obelisk is being erected with wooden beams and ropes. To the left are engraved stone blocks. In the background, there is a building with open windows. On the right, a crowd is gathered, observing the scene. The artwork is detailed, showing texture and age through intricate lines. The monochromatic palette emphasizes form and texture. The composition is structured yet dynamic, showcasing both the static structures and construction activity.

Print2016.198.1

Alzata dell'Obelisco di Campo Marzio (Excavation of the Obelisk from the Campo Marzio)

Jean Barbault

after 1748 · etching on laid paper

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The image depicts a rural scene with a structure that could be a barn or house. The perspective leads to the building located in the upper third of the composition. A line suggests the horizon, sloping away from the building. The painting shows dynamic brushstrokes indicating foliage, possibly trees, on the right side. The style is impressionistic with an emphasis on spontaneity over detail. The color scheme is monochromatic, using shades of black on off-white paper. In the distance, there is a minimalistic representation of a roof and open land, enhancing the rural atmosphere.

Print2000.105.2

Am see (On a Lake)

Lovis Corinth

1917 · drypoint in black on laid paper

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The image shows a landscape viewed from an elevated perspective, looking over a body of water. The horizon is located in the upper third of the composition, with a range of mountains or hills stretching across the image. The foreground includes sketchy lines representing rooftops and vegetation on the left side. The middle ground features a water expanse depicted with horizontal strokes suggesting gentle waves or ripples. In the background, there are mountains sketched with dynamic lines forming jagged peaks against the sky. Soft, swirling lines indicate clouds above, adding movement to the scene. The color palette is monochromatic, in shades of black and gray. The brushstrokes are loose and expressive, giving the artwork a casual, sketch-like quality.

Print1997.118.3

Am Walchensee (On Walchen Lake)

Lovis Corinth

1923 · drypoint in black on laid paper

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The image contains swirling and looping lines that flow across the canvas. In the center, the lines morph into a form resembling a gnarled tree trunk with branch-like extensions. Nearby, a shape resembling a human face or mask appears, adding a sense of familiarity. The curves and shapes suggest natural forms such as rivers or roots, enhancing the abstract composition.

Portfolio2006.24.12

Am Wegende (End of the Road)

Heinrich Hoerle

1920 · lithograph on pale brown paper

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Sculpture1996.42.1

Amable-Charles Franquet, 1840-1919, Comte de Franqueville

Jules-Clément Chaplain

1893 · bronze

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The image depicts a man from the waist up, seated with a distinguished pose. He has neatly styled hair, a goatee, and is wearing a high-collared garment with a star emblem, and a lace or ruffled collar. In his right hand, he holds a pole or staff. He is framed by a circular border, with ships and a coastal city scene in the background, showing buildings, trees, and sea lines.

Print1991.208.58

Amador de la Porte

Balthasar Moncornet

Date not recorded · engraving on laid paper

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The image shows a narrow alleyway surrounded by old stone buildings. The viewpoint is from inside the alley, looking through a series of archways creating a tunnel effect. The scene features intricate architectural details and textures depicted in an etching style with fine lines and hatch marks. The color scheme is monochromatic, using sepia tones and black for contrast. In the distance, there is hanging laundry and sparse vegetation on the buildings.

Print1943.3.4730

Amalfi

Francis Seymour Haden

in or before 1858 · etching and drypoint

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The image shows a woman standing, gazing at the viewer with a composed expression. She has intricate feathered hair and prominent facial features. She is wearing an elaborate dress typical of the early modern period, with a lace collar. She holds a closed book and a fan with feathers. The background shows a rural landscape with windmills. Decorative text above and below the figure suggests the woman's name and titles.

Print1950.14.23

Amalia, Wife of Fredierick Henry, Prince of Orange

Frederik de Wit

Date not recorded · engraving

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