National Gallery of Art · Open Data

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Explore only works whose published-image record is explicitly marked open access by the National Gallery of Art. Every result includes eligible imagery and connects back to the museum.

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63,855 open-access works

63,855 NGA-open-access works
Dataset refreshed September 19, 2026

The image shows a large wooden tool with a flat metal base and a curved wooden handle. The color palette features natural hues of brown for the wood and grayish tones for the metal, set against a plain, light background. The wooden handle is centrally positioned, curving upwards from the metal blade, which is slightly tilted.

Index of American Design1943.8.3894

Amana Baker's Hoe

Arthur Stewart

c. 1938 · watercolor, graphite, and colored pencil on paper

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This is a drawing of a device used inside an oven. The image includes an illustration of a metal cooking pot suspended from an arched hanger. The pot has a lid with a handle and a raised central element. Surrounding this illustration are technical drawings and annotations. These show a cross-section of the pot and a smaller scale image indicating how the product hangs. The annotations include phrases like "HANGING" and "READY FOR USE INSIDE OVEN." The style of the drawing suggests a technical or instructional guide for kitchenware.

Index of American Design1943.8.3895

Amana Baker's Oven Lamp

Frank Eiseman

c. 1937 · watercolor and pen and ink on paper

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The image shows a large, round woven straw basket on an off-white background.

Index of American Design1943.8.3891

Amana Bread-raising Basket

Frank Eiseman

c. 1938 · watercolor, graphite, and colored pencil on paper

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The image shows two large metal tools with curved blades attached to handles. The tool on the left has a more exaggerated curve than the one on the right. The color palette is muted with shades of gray against a light beige background. The tools are centrally positioned, with the left tool higher and rotated counterclockwise, and the right tool more upright but tilted to the left.

Index of American Design1943.8.3896

Amana Dough Trough Scrapers

Harley Kempter

c. 1939 · watercolor and graphite on paperboard

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This is a painting of a wooden brace with ornate scroll designs. The painting features a three-dimensional depiction of the brace with a focus on its curved and scrolled edges. The colors are muted browns and greens, suggesting the natural hues of aged wood. In the upper left corner, a technical drawing illustrates the brace’s application or position in a structural setting.

Index of American Design1943.8.3893

Amana Shoe Scraper

Arthur Stewart

c. 1937 · watercolor, graphite, and pen and ink on paper

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The image shows a large, ornate metal stove with intricate detailing, including decorative elements like patterns and emblems on the body and lid. The color palette is composed of shades of black and gray. The stove is positioned centrally in the image, with its rounded body on four sturdy legs, a visible flue extending upward, and elaborate designs that emphasize its height and craftsmanship.

Index of American Design1943.8.3897

Amana Stove

Raymond Neumann

c. 1940 · watercolor, graphite, and pen and ink on paperboard

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The image depicts a botanical illustration of a branch with multiple large green almond-like fruits, accompanied by slender, elongated green leaves. The color palette includes soft greens, with hints of pink and cream in the flower blossoms, against a beige, speckled background. The branch with the fruits and leaves is centrally located, while the cross-section of a fruit is shown towards the bottom left. A cluster of small pink flowers is visible on the right side of the image.

Print1970.19.14

Amandier - Pecher

after A. Poiteau

Date not recorded · color stipple etching, hand-touched

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The image showcases a branch with green almond fruits, elongated leaves, almond flowers in bloom and bud, and a cross-section of an almond shell showing the kernel inside. The colors are soft greens, blues, browns, and beige.

Print1970.19.16

Amandier a feuilles de saulle

after A. Poiteau

Date not recorded · color stipple etching, hand-touched

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The image shows a branch with elongated green leaves and three large green almonds. A white almond flower with greenery is shown below the main branch, to the left. To the lower right is a cross-sectional view of an almond, displaying its green shell and nut inside. The background is a light, neutral color.

Print1970.19.17

Amandier d'Italie

after A. Poiteau

Date not recorded · color stipple etching, hand-touched

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The image displays a botanical illustration of an almond branch with green, elongated leaves and green almonds attached to it. The color palette includes shades of green for the leaves and almonds, brown for the stem, and a light beige background. The main branch is centered, with a cut almond to the lower left. A smaller branch with pink flowers and buds is depicted on the bottom right.

Print1970.19.12

Amandier de la Georgie

after A. Poiteau

Date not recorded · color stipple etching, hand-touched

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The image shows a branch from an almond tree with green almond fruits and elongated green leaves. The color palette includes primarily greens for the leaves and almonds, with a beige background. One section displays a cut almond, revealing its interior, while another area shows a smaller branch with pink blossoms. The text "Amandier de la Georgie" is written near the bottom of the image.

Print1970.19.13

Amandier de la Georgie

after A. Poiteau

Date not recorded · color stipple etching, hand-touched

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The image shows a branch with green leaves and green almond-shaped fruits. It also includes a detailed illustration of almond flowers to the bottom left and a cut section of an almond to the bottom right. The color palette is mainly green with hints of white, pink, and yellow in the flowers against a beige background. The branch with leaves and fruits is central, with the flower cluster at the bottom left and the almond section at the bottom right.

Print1970.19.15

Amandier pistache

after A. Poiteau

Date not recorded · color stipple etching, hand-touched

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Print2002.65.7

Amanthis

John Raphael Smith

1797 · mezzotint touched with black and white chalk on laid paper [proof]

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Print2002.65.6

Amanthis

John Raphael Smith

1797 · mezzotint touched with black ink and white chalk on laid paper [proof]

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This is a drawing of a room interior with figures and architectural elements. The scene depicts a gathering of figures on the left side, some seated and others standing. There is a large column in the center, a vaulted ceiling, and a canopy bed with a couple on the right. Ornate details like a candle holder and a decorative urn are visible, adding richness to the room. The style appears influenced by Baroque or Renaissance architectural renderings.

Drawing1952.8.49

Amarilli and Mirtillo

Johann Wilhelm Baur

1640 · pen and brown ink with brown wash on laid paper

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The image shows a group of people gathered closely together, mostly seen from the waist up. Their body orientation suggests they are standing. Each person has varying facial features and expressions. Most individuals are men with exaggerated, caricature-like features. The central person has prominent eyebrows and a surprised or bewildered expression. Another man at the front has an elongated face with glasses. They are all dressed in period-appropriate dark hats and formal suits, ranging from bow ties to cravats, typical of 19th-century fashion. The background features walls filled with framed artwork, indicating a busy gallery or salon setting. The textual heading reads "Le Public Du Salon" with a line below.

Print2015.143.1460

Amateurs classiques ... convaincus ...

Honoré Daumier

1852 · lithograph

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The image shows a group of people in formal attire standing near a wall adorned with framed artworks in what seems to be an art gallery. The individuals have various facial features and expressions, wear different hats, and exhibit different facial hair styles. One person holds a folded document. The crowd is depicted in a line facing forward or slightly turned to the side. Text at the top reads "LE PUBLIC DU SALON," and there are additional textual and artistic details at the bottom.

Print2015.143.569

Amateurs classiques convaincus

Honoré Daumier

1852 · lithograph

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This is a drawing of a musical scene with an audience. The artwork depicts various energetic figures gathered around a central musical theme. In the foreground, two animated figures are engaged, characterized by exaggerated facial features. In the background, there are additional figures with softer outlines, potentially comprising an audience or additional participants. The drawing uses heavy lines for details and shading for depth, with a humorous or satirical tone reminiscent of caricature style.

Print2015.143.1084

Amateurs du grand monde

Honoré Daumier

1852 · lithograph

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The image features three individuals engaged in musical activity. In the center, a woman sits at a piano with her hands on the keys. To her left is a man looking towards her, and to her right is another man. The individuals are dressed in formal attire and appear to be singing. The background is nondescript, with a music score on the piano.

Print2015.143.558

Amateurs parisiens profitant du séjour de Rossini

Honoré Daumier

1852 · lithograph

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The sculpture depicts a female warrior figure in a dynamic pose. She wears a helmet with a tall crest in the shape of waves and two large flaps by her ears that give the impression of large, pointed ears. She is seated with one knee slightly raised and is shown stringing a large bow that goes from her shoulders all the way down to her feet. Her body faces us, but her face is turned to the left, looking down at the bow. She has a straight nose, arched eyebrows, and high cheekbones. She is wearing a draped dress and sandals. The sculpture is a dark brown color with some areas of slightly lighter brown, and it reflects the light. It is positioned on a low, flat base of the same material.

Sculpture1987.25.1

Amazon Preparing for Battle (Queen Antiope or Hippolyta?), or Armed Venus

Pierre-Eugène-Emile Hébert

model c. 1860/1872, cast by 1882 · bronze

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The image shows a sketch of a person in a dynamic stance. The person is standing on a curved surface with one arm outstretched and the other holding onto something. The person has curly or wavy hair and loosely fitting clothing. The background includes abstract elements like architecture and human figures. Broad strokes give a sense of movement and abstraction.

Print1991.210.71

Amazonenstatue auf der Freitreppe des Alten Museums (Statue of an Amazon at the Alte Museum)

Lovis Corinth

1916 · lithograph in black on laid paper

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This is a photograph of an ornate room with a large fireplace mirror reflecting the elegant interior. The room is luxurious with intricate details, including richly patterned carpets and upholstered furniture. The focal point is a grandiose fireplace with a large, elaborately carved mirror above it, reflecting the opulent decor. The room features sumptuous fabrics, ornate wall paneling, decorative motifs on the ceiling, and a crystal chandelier. The photograph conveys historical grandeur and architectural splendor.

Photograph2002.73.8

Ambassade d'Autriche, 57 rue de Varenne

Eugène Atget

1905 · albumen silver print

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This is a drawing of an elaborate decorative panel featuring allegorical figures and a central scene. The drawing portrays an ornately framed composition with two male figures standing on either side of an oval inset depicting a scene. Above the central scene is a bust-like face enclosed in a decorative frame surmounted by a basket of flowers and flanked by cherubs holding garlands. The entire piece carries a sense of opulence and grandeur, typical of Baroque architectural decorations and theme-based allegories.

Print2015.142.1.19

Ambassades envoyées des extrêmités de la Terre (Embassies Sent from the Extremities of the Globe) [pl. 15]

Jean-Baptiste Massé (designer) and Pierre Soubeyran (engraver) after Charles Le Brun

published 1752 · engraving on laid paper

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A cylindrical glass is positioned in the center of the image. It has a transparent brownish hue. The background is predominantly light beige and off-white. The glass is positioned slightly above the bottom of an outlined rectangle in the middle of the page. The artist's signature "R. Manupelli" is located at the bottom right corner of the image.

Index of American Design1943.8.10764

Amber Glass

Raymond Manupelli

1935/1942 · watercolor and graphite on paper

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