National Gallery of Art · Open Data

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Explore only works whose published-image record is explicitly marked open access by the National Gallery of Art. Every result includes eligible imagery and connects back to the museum.

Collection results

63,836 open-access works

63,836 NGA-open-access works
Dataset refreshed September 12, 2026

Painting1956.13.13

"We Go for the Union"

American 19th Century

c. 1840/1850 · oil on canvas

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The image shows a detailed drawing of a transparent glassware piece. It consists of a lid and a bowl with a stem. The glass bowl has intricate engraved details, and above it is the matching lid with a sculptural form on top. The color palette includes shades of light beige and soft browns. The glassware is placed centrally on the canvas, with the bowl's stem at the bottom, the bowl in the middle, and the lid above it.

Index of American Design1943.8.11550

"Westward Ho" Compote

Paul Kelly

1935/1942 · watercolor and graphite on paperboard

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Painting2014.136.19

"Who Is Sylvia? What Is She, That All the Swains Commend Her?"

Edwin Austin Abbey

1896-1899; reworked 1900 · oil on canvas

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This is a drawing of a large, robed figure and a skeleton wearing a top hat. The drawing depicts an encounter between a large seated figure with flowing hair, who appears to be holding the shoulders of a skeletal figure in a top hat standing before them. The background shows clouds surrounding the two figures. The style conveys a sense of whimsy and dark humor, emphasized by the title "Why Did I Do It?" inscribed below. The linework is detailed yet minimal, focusing attention on the characters and their interaction.

Print1943.3.3712

"Why Did I Do It?"

Will Dyson

Date not recorded · drypoint

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The sculpture in the image is a bust of a man, featuring a pronounced brow, a stern gaze, and detailed hair styled back. It appears to be made from a material resembling stone or marble, with a weathered texture in varying tones of gray and brown. The bust wears formal attire with a broad collar and a tucked cravat or scarf. It is presented at a slightly upward angle, giving the subject a prominent stance. The sculpture's realistic details and positioning convey a lifelike quality and sense of dignity and presence.

Index of American Design1943.8.9889

"William Wirt" Figurehead

Molly Bodenstein

c. 1938 · watercolor and graphite on paper

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This is a drawing featuring abstract figures and objects depicted with dense, dark lines. The background consists of diagonal lines and scribbles. The composition shows a contrast between dark and light areas, creating a dynamic atmosphere.

Print1991.244.13

"Wohl auf, kameraden, aufs pferd, aufs pferd! Ins feld, in die freiheit gezogen!" ("Come On, Comrades, to Horse, to Horse! To Battle, Bound for Liberty!")

Lovis Corinth

1923 · etching in black on laid paper

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This print shows a nighttime scene on a large river. In the center is a steamboat named "PRINCESS" that is being loaded with wood by several people gathered around a fire. Smokestacks on the ship emit orange smoke into the dark sky. In the distance on the left, another steamboat is visible under a full moon, and clouds drift across the night sky. A bright moon lines the edges of the clouds in white. The color scheme includes deep blues and blacks with bright whites and warm oranges from the steamboat's lights and smoke. There is a line of text below the print.

Print2011.30.1

"Wooding Up" on the Mississippi

Frances Flora Bond Palmer

1863 · color lithograph with hand-coloring on wove paper

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This is a photograph of a parade scene. The photograph shows a line of uniformed individuals marching down a street, as onlookers are gathered on both sides. The onlookers are dressed in attire typical of the early 20th century, including hats and long dresses. The photograph is in sepia tone. Signs indicating "W.O.W. Drill Team" and "Labor Day 1910" are visible. The background shows structures with spectators watching from steps and sidewalks, adding to the impression of a public ceremony or festive occasion. The cobblestone street adds a historical context to the setting.

Photograph2023.39.116

"Woodmen of the World Drill Team"

Lyons Studio

1910 · gelatin silver print (real photo postcard)

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The image shows a rustic scene with a wooden hotel among tall trees. The view is from a riverbank, capturing the flow of the water. Two individuals are rowing a boat across the river. Mountains are faintly visible in the background, partly covered by foliage. The color palette is primarily in sepia tones. The focus is on the natural setting, with the hotel blending into the landscape.

Photograph2015.19.5194

"Yosemite Hotel"

Eadweard Muybridge

1867 · stereoscopic albumen silver prints

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The image shows a landscape with a low horizon line, featuring a church, lush foliage, rolling hills, and a central figure of an archer with scattered arrows. The artwork has detailed linework in a monochromatic color palette of brown tones, resembling an ink or pen-and-ink drawing. The sky above the landscape includes stylized clouds, stars, a sun with rays, and a half-moon with a face.

Drawing2006.11.36

"You Are Shooting at Heaven" [fol. 9 recto]

French early 16th Century

c. 1512/1515 · pen and brown ink on laid paper

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This is a drawing of a kneeling figure with a fantastical creature emerging from water. The figure is dressed in a long, flowing garment with distinct, pointed headwear characteristic of a jester's cap. They are kneeling on a sloped ground, interacting with the creature. The creature resembles a mythical sea dragon with a sinuous body and ornate scales, emerging from a body of water that is subtly hinted at with a few undulating lines. The lines are delicate and the shading soft. The background is largely unadorned.

Drawing2006.11.35

"You Are Tying a Dolphin by the Tail" [fol. 17 recto]

French early 16th Century

c. 1512/1515 · pen and black ink on laid paper

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The image shows a young child's upper body and head. The child is seated, facing the camera. They have short, curly hair and expressive facial features. The child is wearing a plaid-patterned piece of clothing. The background is plain and neutral, with no discernible objects or scenery. The image is presented within a styled border with text at the bottom.

Photograph2023.39.50

"Young Africa"

Edward Anthony

1862 · albumen silver print (carte-de-visite)

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The image shows a Virginia Treasury Note at the top with a banner below it. The treasury note is beige and grey with red accents on the number "1" and the text. Below the note is a small scroll or banner with frayed edges that reads "Dixie 1861-1865 Philadelphia 07 B.P.O.E. 867 Winchester VA" in red lettering. The scroll is hanging from the note with metal hooks and a brown pipe. The colors used are beige, grey, red, and brown against a light background. The treasury note is at the top, with the banner suspended underneath, resulting in a vertical layout.

Index of American Design1943.8.8614

$1 Banknote from Virginia

Carl Buergerniss

c. 1936 · watercolor, graphite, and pen and ink on paperboard

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This is a drawing of a person pulling a large barrel or container across a path in front of a building. It is situated in the center of a larger beige-colored page. The drawing depicts an outdoor environment with a pathway bordered by a large building in the background, an older style with visible details such as windows and a door. A tree appears prominently on the right side of the frame, and the sky above is marked with lines suggesting a textured or sky-filled background. The drawing emphasizes strong contrasts between the dark ink and the lighter background.

Print1943.3.1859

'A rolling stone is ever bare of moss'

William Blake

1821 · wood engraving

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The image shows a black ink illustration on a beige backdrop. A landscape is depicted with a river meandering through the scene. The horizon is high, showing trees and the sky with horizontal lines. A cottage sits on the right among trees, defined by shadows and details created with strokes. The artwork is in black and white with bold, textured strokes.

Print1943.3.1857

'Sabrina's silvery flood'

William Blake

1821 · wood engraving

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The image is an engraving featuring a large castle-like building with tall towers and pointed roofs on the right side. Beside it is a body of water reflecting the structure. On the left side, people and animals gather near the water's edge. In the distance, a smaller building is visible through trees. The scene is depicted in monochromatic shades of sepia and black, with fine lines capturing details like stone textures, water ripples, and cloud movement.

Print1994.20.1

'T Huys te Zuylen

Geertruydt Roghman after Roelant Roghman

Date not recorded · etching and engraving on laid paper

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The image shows a landscape featuring a rustic wooden bridge over a waterway. The bridge leads to a path cutting through the terrain. A line of trees and structures, including a windmill, is visible on the horizon. The sky is cloudy, suggesting an impending storm or approaching dusk. The brushwork is intricate, creating texture in the scene and capturing reflections on the water. The color palette is dominated by sepia tones, with dark browns and earthy shades. The composition guides the eye from the water and bridge to the horizon.

Print2002.98.160

'Tween the Gloaming and the Mirk

Mary Nimmo Moran

1883 · etching and roulette on Japanese paper

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The image shows a rural landscape with a grassy area and an upturned boat in the foreground. A narrow waterway runs parallel to a dirt path leading towards a cluster of thatched-roof structures. A person is walking away down the path. In the background, there are desolate trees, sparse buildings, and the horizon is low. The image is in black and white, emphasizing textures and contrasts. The scene conveys simplicity and tranquility, focusing on natural elements like grass and trees.

Photograph1995.63.1.jj

'Twixt Land and Water

Peter Henry Emerson and T.F. Goodall

1886 · platinum print

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The image shows three people standing on a wooden floor. The person on the left has curly hair, wears glasses, a long gown, and a shawl. The individual in the middle has dark hair in a bun, wearing a light gown with exposed back. The person on the right wears a bonnet, a dark dress, and a light apron. In the background, there is a framed picture on the wall, paneling, and a door.

Print1943.3.3179

(1er Bas Bleu) - Profitons de l'occasion...

Honoré Daumier

1852 · lithograph

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The image shows a large, cylindrical, brown object with a tapered base and an open top. The color palette is warm brown with subtle variations in shading against a neutral background. The object is centered in the image with the words "Robert Cole" inscribed at the bottom center.

Index of American Design1943.8.6059

(Large) Fruit Jar

Robert Cole

c. 1940 · watercolor and colored pencil on paperboard

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The image shows two men from the knees up. The first man on the left is standing with a slight lean, facing towards the right, and holding a dark coat or cloak. He has short, dark hair and angular facial features. He wears a light-colored shirt and striped trousers. The second man, on the right, stands facing the first man with his body slightly turned towards the viewer. He has a fuller face with glasses perched on his nose, and his hair is tousled. He wears a light-colored shirt with a scarf around his neck and similarly striped trousers. The background is a shaded, monochromatic tone.

Print1943.3.3171

(Le Domestique) - Monsieur ferait bien...

Honoré Daumier

1852 · lithograph

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Two men are standing close to each other, engaged in a discussion. The man on the left is wearing a top hat and a long coat with its lower buttons fastened. He has long wavy hair and distinct facial features, including a prominent nose. The man on the right is slightly hunched forward, wearing a dark suit with a high collar. His hair is parted and combed back, exposing a high forehead and narrow face. The background shows a door with the word "CAISSE" and another door labeled "CABINET DU MR. DIRECTEUR."

Print1979.49.32

(Robert) Hé bien! mon cher directeur...

Honoré Daumier

1841 · lithograph on newsprint

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Drawing1943.3.4089

-Am Rhien? -Ya.

Jean-Louis Forain

c. 1918 · brush and black ink and black crayon on laid paper

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The image depicts two individuals shown from head to toe. On the left, a person standing upright with their body facing forward but the head turned to the right, and hands behind their back. This person is wearing a helmet, long coat, and boots. On the right, another person standing with a slightly hunched posture, looking intently towards the person on the left. This person has more pronounced facial features with an open mouth and squinted eyes, wearing a spiked headdress, long robe, and bare feet. The surroundings are minimal with indistinct shapes resembling stones or rubble at the ankles of the second person, and an undefined form to the right of them. The background is a blank, textured surface, and the entire scene is sketched with loose, expressive lines.

Drawing1943.3.4100

-Qu'est-ce vous voulez? -Les "louis" de 1871

Jean-Louis Forain

c. 1914/1919 · brush and black ink and black crayon on laid Van Gelder paper

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