National Gallery of Art · Open Data

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Explore only works whose published-image record is explicitly marked open access by the National Gallery of Art. Every result includes eligible imagery and connects back to the museum.

Collection results

63,836 open-access works

63,836 NGA-open-access works
Dataset refreshed September 12, 2026

This is a drawing depicting a crowded and dramatic scene with various figures interacting around a central figure. The composition shows a chaotic atmosphere with animated gestures and interactions. The central figure is standing barefooted and slightly leaning to one side, with exaggerated expressions on other figures suggesting satire or critique. In the background, there are architectural elements and statues. The drawing has a satirical tone reminiscent of 19th-century visual satire.

Print2002.57.19

...alors, il s'approcha d'elle: Parody of van Dyck's Betrayal of Christ

French 19th Century

1832 · lithograph

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This is an image featuring elaborately dressed figures in a scene set in a wooded area. The central focus is on two individuals engaged in conversation or confrontation, one in ornate clothing and the other in armor. The scene conveys a sense of historical or theatrical narrative through detailed clothing, expressions, and setting.

Print2004.128.58

...detened Señor caballero el paso...

Célestin Nanteuil

c. 1855 · color lithograph on wove paper

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The image shows a ground-level perspective with figures in the foreground and a low horizon in the background. Near the top of the image is a distant landscape with mountains. To the right, there is a horse lying on its side in rocky terrain. The style is reminiscent of classic engravings with textured brushstrokes that convey depth and movement. The color palette is monochromatic, using shades of gray, black, and white to create a dramatic and somber visual impact.

Print2004.128.55

...dieron con Sancho en el suelo y lo mismo le avinó d D. Quixote...

Célestin Nanteuil

c. 1855 · color lithograph on wove paper

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The image features a woman standing on a platform in an elegant gown, facing left. Four seated older individuals are attentively listening to her. The room is decorated with large framed artworks and has a refined interior.

Print1979.49.81

...dussent-ils me maudire. Ces barbares parens...

Honoré Daumier

1844 · lithograph on newsprint

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This is a drawing of a group of people inside a rustic and dimly-lit interior setting. The scene is centered around a figure in armor standing near a bubbling cauldron, with various individuals seated and engaged in different activities around the room. The environment is packed with rustic details such as wooden beams, shelves filled with objects, and earthy textures dominating the space. The light source appears to be the cauldron, casting shadows that emphasize the expressions and posture of the characters. The composition leads the viewer's eye in a circular motion around the central figure, revealed in detail through shading and texture.

Print2004.128.54

...il tomo sus simples...

Célestin Nanteuil

c. 1855 · color lithograph on wove paper

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This is a drawing illustrating a scene from "Don Quixote de la Mancha." The image shows a group of people interacting with a caged figure on a cart, surrounded by various animals like donkeys and horses. In the foreground, two women stand near the wooden wheels of the cart, which carries a figure locked inside a makeshift cage made of sticks. Next to them, a man sits on a donkey, while another person carries a bundle. Figures on horseback are visible behind the cart, adding depth to the scene. In the background, hazy mountainous terrain enhances the rustic quality of the drawing. Intricate detailing, such as shading and expressions, adds a dynamic element to the narrative.

Print2004.128.57

...y vio que à sus espaldas venian hasta seis ó siete hombres...

Célestin Nanteuil

c. 1855 · color lithograph on wove paper

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The image depicts an elderly man holding a pair of gloves, standing in front of a mirror. He has a monocle and sparse hair combed back under a top hat. His outfit includes a dark coat, light waistcoat, and fitted trousers. A small dog stands beside him. Behind him is a chair draped with a coat or cape, and a curtain hangs in the background. The mirror reflects his image and shows an umbrella leaning against a wall cabinet. The setting suggests a domestic room with wood-paneled walls and ornate details.

Print1995.68.4

10 heures du matin

Honoré Daumier

1839 · crayon lithograph in black on wove paper

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This is a drawing of an older man walking with a dog in a windy landscape. The drawing depicts an older man with exaggerated, caricature-like features, wearing a tall hat and clutching an umbrella and his coat against a gusty wind. The landscape around him is gently sketched, with hills and a path on which he walks alongside a small dog. The title at the top reads "LA JOURNÉE DU CÉLIBATAIRE" (The Day of the Bachelor), and below states "11 HEURES DU MATIN" (11 in the morning). The drawing is done in a style typical of satirical illustrations from 19th-century France.

Print1995.68.5

11 heures du matin

Honoré Daumier

1839 · crayon lithograph in black on wove paper

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Photograph2026.1.3

11th Corps German Unit, Blenker's Division Officers

American 19th Century

c. 1862 · albumen silver print

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This is a drawing of a procession and a monumental statue. The image shows a scene of a public celebration or event around a grand stone statue with a figure holding a torch. The area is filled with a large crowd of people carrying lamps or lanterns. The monument has classical architectural details and decorative elements, including plaques and inscriptions reading 'GLOIRE A LA FRANCE.' Flags are held by the crowd, along with columns adorned with stars and circular motifs. The sky is darkened with stylized clouds, and there are strands of light symbolizing illumination or fireworks.

Print2007.12.21

14 Juillet. Illumination de la Place de la République

Auguste Lepère after Henri Louis Scott

1883 · wood engraving

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The image shows an architectural structure from a slightly elevated viewpoint. The focus is on a large building with intricate archways and towers. Flowing fountains and sculpted horse statues are visible below the building. The illustration features detailed strokes, resembling an engraving or etching, emphasizing architectural and decorative details. The color scheme is mainly monochrome, with shades of grey and black highlighting scattered lights against the night sky. A dense crowd gathers near us, while trees and additional architectural elements can be seen in the distance against a cloudy sky.

Print2007.12.22

14 Juillet. Illumination du Palais du Trocadéro

Auguste Lepère

1883 · wood engraving

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The image shows a collection of rectangular and square swatches displaying different textile patterns. There are nine larger swatches arranged in a grid with several smaller swatches aligned vertically on the right. The designs feature motifs such as abstract shapes, floral patterns, and geometric arrangements. Colors range from muted purples, browns, beige, to soft greens and blues. Each pattern is unique, with some incorporating small, repeating elements like dots or leaves, and others featuring more intricate floral or geometric details. The painting is a study in textile design, highlighting the diversity of decorative styles and color schemes used in fabric creation. This is in the style of a textile designer or pattern artist, emphasizing both aesthetic appeal and functional design.

Index of American Design1943.8.885

14 Textiles from Patchwork Quilt

Millia Davenport

c. 1936 · watercolor and pen and ink on paperboard

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This image displays a collection of fifteen square patterns, each containing distinctive shapes and lines. One square has small purple and red feather-like forms. The next square has cloud-like shapes. Another square has angular, zig-zag lines resembling mountain peaks. Other squares have floral patterns, branching lines, linear stitches, or abstract vines. The designs suggest elements like plant life, topographical features, and artistic stitching, providing visual texture across the array.

Index of American Design1943.8.879

15 Printed Cottons

Millia Davenport

c. 1936 · watercolor and pen and ink on paperboard

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This is a painting of a red brick building with a dark roof and multiple windows. The structure depicted is a symmetrical, three-story building with a red brick facade, numerous windows on each floor, green window frames, a dark roof with two dormer windows, and three arched doorways at the ground level. The architecture is highlighted by the uniform placement of the windows and doors. The style of the painting suggests an influence reminiscent of architectural illustrations, focusing on clarity and detail.

Index of American Design1943.8.9870

168 John Street

American 20th Century

c. 1936 · watercolor and graphite on paper

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The image shows a grid of twelve triangles, each divided diagonally to display various patterns and colors. The designs include lines, checks, waves, and organic motifs. The patterns are reminiscent of floral arrangements, woven textiles, and tiled surfaces. The intricate designs, framed by triangles, resemble decorative tiles or fabric swatches, each unique in its storytelling through color and pattern.

Index of American Design1943.8.911

18 Printed Delaines

Martha Reed

c. 1937 · watercolor, pen and ink, and graphite on paper

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The image shows a piece of fabric with intricate embroidery and cutwork design. The upper portion displays cross-stitched text stating "MAGDALEN CROSS" along with various motifs and the year "1829" in red, green, and pink thread. The lower section features a beige crocheted or cutwork panel with geometric patterns and floral elements. The top embroidered section is folded over, and the crocheted section hangs down with a fringed edge.

Index of American Design1943.8.15345

1829 Show Towel

Frances Lichten

1935/1942 · watercolor and graphite on paperboard

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This is a drawing of a historical allegory focusing on themes of war and peace. The illustration encapsulates various scenes, likely depicting moments and figures significant to the period of the American Civil War and Reconstruction era. Central to the image is a large wheel labeled as the "WHEEL OF THE UNION" with years marked from 1860 to 1869. Around the wheel are scenes of battle, figures representing political or military leaders, naval imagery, and peaceful pastoral life. A prominent figure stands at the top of the wheel holding a scroll labeled "EMANCIPATION." Other elements include a group of soldiers, a naval battle, and a cannon in combat readiness. Below the wheel, peaceful scenes illustrate farming and domestic life, featuring figures working in fields and engaging in homely activities. This drawing encapsulates the transition and contrast between times of war and peace, with historical and allegorical significance reflecting the era's pivotal developments.

Print1986.31.267

1860-1870

after Winslow Homer

published 1870 · wood engraving on newsprint

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Sculpture2015.19.3970.b

1874 Salon Medal for Painting to Louis Priou [reverse]

Alphée Dubois

1874 · gilded copper

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This is a drawing of an ornate frame design. The image shows an intricately detailed frame with decorative foliage patterns both at the top and bottom. At the bottom, there is a ribbon-like embellishment with the text "W.W. Corcoran" inscribed on it. The frame appears to be designed for a portrait, as indicated by the handwritten note within the empty frame area. The design exhibits a meticulous linework style.

Drawing2015.19.3587

1892 Corcoran Gallery of Art Catalogue

James Henry Moser

1890-1891 · pen and black ink with graphite on paperboard

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The image features a circular sculpture with a winged figure at the center, likely an angel or cherub. The figure is seated and reclining with an extended arm holding onto a musical staff or baton. Below the figure is an inscription that reads "Claude Debussy 1er Prix." The sculpture is made of a bronze-colored metal with intricate details including a violin and sheet music. The craftsmanship reflects traditional methods and artistic aesthetics, giving the sculpture an elegant and timeless appearance.

Sculpture1992.55.24.b

1e Prix: Claude Debussy [reverse]

Marie-Alexandre-Lucien Coudray

c. 1893 · silver

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Print2020.63.1

1er Vue de Paris, Pris du Pont Royal

Jean-François Janinet, after Pierre-Antoine Demachy

1782 · color etching and wash-manner on laid paper

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Six men in dark military uniforms are depicted in the image. The front row shows three seated men holding swords. The back row displays three standing men with serious expressions. The men have varying facial hair and hairstyles. They are all dressed in dark military uniforms with white collars and shoulder epaulets, holding swords. Some wear belts, indicating military rank. The background shows a painted backdrop with trees and an American flag. The setting appears to be indoors based on the patterned rug.

Photograph2025.44.12

1st Louisiana Guards

American 19th Century

c. 1862 · albumen silver print

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The image depicts two men standing. The man on the right has wide eyes, a long face, and disheveled hair under a top hat. He wears a long coat, a vest, and trousers, holding an apple. The man on the left, bent slightly, wears similar clothing and leans on a cane. A small dog is next to the man on the right. In the background, there are sketchy architectural elements and what looks like a poster and produce. The style resembles a pencil or charcoal drawing.

Print1995.68.8

2 heures

Honoré Daumier

1839 · crayon lithograph in black on wove paper

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This is a drawing of an interaction outside a shop. Two individuals are standing on a stone path, with one holding a cane and the other holding a circular object in their hand, possibly food, while a small dog stands nearby on its hind legs, reaching towards the item. In the background, there is a window display with what appears to be baked goods and a hanging poultry item. The style of the drawing is detailed with shading and expressive character features. The setting gives the impression of a comical everyday scene from the 19th century.

Print1979.49.44

2 heures - Le gouter d'Azor

Honoré Daumier

1839 · lithograph on newsprint

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