National Gallery of Art · Open Data

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63,855 open-access works

63,855 NGA-open-access works
Dataset refreshed September 19, 2026

Four individuals are sitting on the ground in a semi-circle. The first individual on the left is wrapped in a light-colored cloth and holding a staff. The second person has long hair with a feather, and is wearing decorative clothing. The third person has a feathered headdress and long hair, and the fourth person has a headdress with white and red elements. They are all wearing clothing with fringes and decorative details. The background shows a natural outdoor setting with green trees in the distance.

Painting1965.16.91

An Aged Ojibbeway Chief and Three Warriors

George Catlin

1861/1869 · oil on card mounted on paperboard

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Volume2016.121.66.1-54

An Album of Prints of the Roman Festival of the Chinea

Various Artists

1723-1782 · bound album containing fifty-three etchings on laid paper

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Volume2016.121.67.1-38

An Album of Prints of the Roman Festival of the Chinea

Various Artists

1722-1749 · Disbound album of etchings containing 38 prints on 37 pages

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This is a drawing of a figure with wings. The figure is floating or flying, with arms extended upwards holding objects. The figure is dressed in flowing robes. The wings have a feathered texture. The drawing uses soft lines and shading to create depth in the figure, who has a serene or determined expression.

Drawing1991.150.40

An Allegorical Female Figure

Follower of Charles Le Brun

Date not recorded · black and red chalks, heightened with white, on tan laid paper

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The image shows a cherubic figure in a suspended position amidst swirling clouds. The cherub has curly hair, a round face, and a serene expression. It is portrayed in classical art style without clothing, draped in flowing fabric. The cherub holds a leafy branch overhead. The background includes detailed clouds and fabric to imply motion and wind. Below the scene is a cartouche with scrollwork, a bearded face, and the words "NON SINE LABORE" inscribed. The artwork is an engraving with detailed line work and classical design elements.

Print1972.65.2

An Allegorical Figure: Non sine labore

Cherubino Alberti

1628 · etching

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The image features a winged figure descending from the sky, surrounded by clouds. The figure faces forward with one arm raised and the other holding a trumpet-like instrument against his chest. The figure has curly hair, a serene expression, and is partially draped in flowing fabric. The robust, feathered wings spread widely behind the figure. In the background are clouds, lines, and the text "VIRTUTIS PRAEMIUM," with additional text and an artist's monogram in the lower left corner.

Print1972.65.3

An Allegorical Figure: Virtutis Praemium

Cherubino Alberti

1628 · etching

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The sculpture is a circular relief depicting a reclining female figure with two small winged cherubs, one holding an open book. The scene includes a palm tree and foliage. The sculpture is primarily composed of a dark, bronze material with a patinated finish. The figures are crafted in a classical, realistic style. The inscription at the bottom suggests a classical origin. The piece has a hole at the top for hanging or suspension.

Sculpture1957.14.345

An Allegorical Scene

Andrea Briosco, called Riccio

Date not recorded · bronze

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The sculpture is a roundel featuring the engraved relief of a seated older man with curly hair, draped in fabric, gently interacting with a cherubic figure. The cherub, depicted with wings, stands in front of the man extending its hands towards him. Behind them is a tree with detailed foliage growing beside a large urn-like container, adding depth to the scene. The material of the roundel appears to be a dark bronze or copper with a patina. The roundel displays an intimate and serene scene crafted with attention to detailing and realism in the figures' postures and expressions.

Sculpture1957.14.346

An Allegorical Scene

Workshop of Andrea Briosco, called Riccio

Date not recorded · bronze

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The sculpture is a circular bronze medallion featuring a detailed relief. The subject depicts a winged figure seated to the right, holding a staff and wearing a wreath on their head. In contrast, a smaller creature with a human-like appearance and wings crouches on the left side, balancing a staff or branch on their back. The setting is completed with plants surrounding the figures. The material is bronze, giving it a rich, dark brown color with lighter highlights, emphasizing the depth and texture of the carved images. The medallion has a hole near the top center, possibly for hanging or attachment. The figures are portrayed with fine attention to detail, showcasing intricate hairstyles, clothing, and posture, giving the scene a lively and dynamic feel within the confines of the circular form.

Sculpture1957.14.348

An Allegorical Scene

Andrea Briosco, called Riccio

Date not recorded · bronze

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The sculpture is a round medallion with a relief sculpture depicting a cherubic child holding a small animal. To the right is an urn on a pedestal, and the background features branches and a bird in flight. The sculpture is dark brown, possibly bronze, with intricate details and a patina, giving it an aged appearance. The composition is vibrant and dynamic, capturing a moment with detailed artistry.

Sculpture1957.14.350

An Allegorical Scene

Andrea Briosco, called Riccio

Date not recorded · bronze

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The sculpture is a round relief medallion with a male figure in a dynamic scene. The figure has one arm raised, holding a small object, while a reclining figure is below. The background has stylized trees or branches. The medallion is dark metal, possibly bronze, with a tarnished finish. The details are well-defined, and there is a small hole at the top.

Sculpture1957.14.351

An Allegorical Scene

Master I.S.A.

Date not recorded · bronze//Medium brown patina

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The sculpture features a relief of multiple figures. There is a central bearded figure with wings seated upon a lion’s head. To the left, a figure in flowing garments is seen with a round shield. To the right of the central figure, there are additional figures, with one appearing to hold a goblet. The figures are intricately detailed and appear to be in motion. The material of the sculpture is a dark, metallic bronze, capturing light on its raised surfaces to accentuate details. Overall, the sculpture presents historical or mythological figures in a narrative arrangement.

Sculpture1957.14.383

An Allegorical Scene

Paduan 16th Century

16th century · bronze//Dark brown patina

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The sculpture features three human figures and a lion in a dynamic interaction. One figure is pulling at the lion's mane while the other two are nearby. The sculpture has a bronze-like appearance with a dark brown patina and light reflections on raised surfaces. In the background, there are architectural features like arches and a round tower. The composition is detailed and in a bas-relief style, giving it a three-dimensional look despite being on a flat surface.

Sculpture1957.14.570

An Allegorical Scene

German 16th Century

16th century · bronze//Dark brown patina

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The sculpture is a roundel relief featuring two nude figures in the center. The pair is embraced, with the left figure placing an arm around the shoulder of the right figure. The sculpture is rendered in a dark brown material, possibly bronze, providing a metallic sheen and a sense of depth in the relief. Surrounding the central figures are intricate patterns and perhaps miniature figures or elements that add complexity to the scene, framed by a circular border. The relief carvings provide a detailed and textured appearance, emphasizing the contours and musculature of the figures in the foreground, creating a contrast with the more chaotic and densely packed background.

Sculpture1957.14.575

An Allegorical Scene

German 16th Century

16th century · bronze//Very dark patina

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The image shows a round medal featuring two main figures. On the left, there is a larger winged female figure seated, while on the right, there is a smaller winged male child. The female figure is draped in flowing garments and appears to be holding a skull, while the male child is interacting with her. Surrounding them are various symbolic items, including a staff and a tree or branch. The scene is contained within a circular boundary, and there is a small hole at the top of the medal. The sculpture is made from a dark material, resembling bronze, with a patina.

Sculpture1957.14.347

An Allegorical Scene (Fame & Eros)

Andrea Briosco, called Riccio

Date not recorded · bronze

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The sculpture depicts two figures. On the right side, there is a seated figure adorned with flowing attire and an ornate hairstyle. She extends one arm towards the figure on the left, a small winged cherub reaching up. Between them stands a tall palm tree. The circular sculpture has four small holes around the perimeter. It is dark bronze with golden-brown highlights, suggesting a metal like bronze. The surface appears slightly worn and aged. There are detailed engravings and relief of the figures.

Sculpture1957.14.349

An Allegorical Scene (Fame Crowning Eros)

Andrea Briosco, called Riccio

Date not recorded · bronze

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This is a drawing of a complex allegorical scene. The image is crowded with numerous figures and symbolic elements. At the top left, there is a celestial figure amongst clouds within a semi-circular frame. Below, figures are engaged in various activities, surrounded by elements such as an angel, animals, and circular medallions and structures. The figures display a range of expressions and poses. The scene is balanced by architectural elements and depictions of nature including trees and flowing water.

Print1991.83.1

An Allegory in Honor of Innocent X

Pietro Testa

1644 · etching on laid paper

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This is a drawing of an allegorical scene. It features multiple figures and symbolic elements that suggest a mythological or allegorical narrative. In the foreground, a seated figure draped in classical attire holds a shield with a flag motif and is accompanied by a reclining lion. To the right, standing figures dressed in flowing garments hold symbolic items. Above them, a winged figure with a trumpet hovers amidst clouds. In the background, there are softly sketched ships on water, and a dome-like structure on the horizon. The lines and shading convey an elegant composition consistent with classical themes.

Drawing1995.52.165

An Allegory of Britain's Mercantile Power

Robert Smirke

Date not recorded · pen and black and brown inks with gray wash over graphite, squared in graphite, on laid paper

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This is a drawing depicting a classical mythological scene. On the left, a seated figure is observing the central scene, where a standing figure in robes and a helmet points to the right. Another similarly clad character observes nearby, and a lion stands boldly next to them. To the right, a floating figure extends an arm towards a background showing a fleet of ships at sea. Sea creatures or nymphs are visible in the foreground, adding movement to the scene. The composition is in delicate lines with subtle shadings.

Drawing1995.52.166

An Allegory of Britain's Naval Might

Robert Smirke

Date not recorded · pen and black and brown inks with gray wash over graphite, squared in graphite, on laid paper

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The sculpture is a circular medallion featuring a relief of a human figure surrounded by two lions. The lions have realistic details, with their manes and features clearly etched into the surface. The human figure is portrayed nude and contorting, with one arm raised and the other arm and legs engaged with the lions. The medallion is gold in color, with inscribed text decorating its perimeter. It features a circular motif and a scroll with Latin text at the top.

Sculpture1957.14.446.a

An Allegory of Faith: Lions Devouring a Nude Youth [obverse]

Attributed to Master IO.F.F.

Date not recorded · bronze//Yellow-brown patina

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The image features a seated woman with long hair, wearing an elaborate dress and a flower and leaf crown. She holds a mirror in her right hand and her left hand rests on her lap. She wears a necklace with a pendant and sits on a creature with a coiled shell and a dragon-like head. The background has a patterned cross-hatching texture.

Print2007.126.1

An Allegory of Pride

Albrecht Altdorfer

1506 · engraving on laid paper

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This is a drawing of a group of figures gathered around a mountain with a temple built into it. The image depicts multiple figures clustered in groups, some in motion or engaged in activity. In the background, a large mountain rises with a temple-like structure at its base. At the mountain's peak, a figure is depicted in a seated position, gesturing or addressing the assembly below. The drawing utilizes a monochromatic palette of browns and blacks, creating a somber and dramatic effect. The lines are loose and sketchy, conveying movement and energy. The figures appear to be interacting with each other, some bending or kneeling, while others are standing.

Drawing2007.111.71.b

An Allegory of Truth and Falsehood (verso)

Fortunato Duranti

1835/1845 · pen and brown ink with brown wash (verso)

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This is a drawing of a mythical and architectural scene. Figures are arranged around a large architectural structure. Atop the structure is a column capped with a statue or bust, and a group of figures, including some engaged in activities related to celestial objects, such as manipulating an armillary sphere or holding tools like compasses. Above them, more figures appear to hover in or descend from the sky, with clouds surrounding them. The drawing is detailed with a remarkable use of shade and line, giving a sense of movement and interaction among the figures.

Drawing2007.111.138

An Allegory of Wisdom and the Arts

Franz Karl Palko

1750/1755 · pen and brown ink with gray wash and touches of black chalk over graphite on laid paper, adhered to an historic mount

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Painting1965.16.293

An Alligator's Nest

George Catlin

1854/1869 · oil on card mounted on paperboard

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