National Gallery of Art · Open Data

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Explore only works whose published-image record is explicitly marked open access by the National Gallery of Art. Every result includes eligible imagery and connects back to the museum.

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63,855 open-access works

63,855 NGA-open-access works
Dataset refreshed September 19, 2026

The sculpture is a blue vase with a tall, slender neck that widens into a bulbous body before tapering towards the bottom. The vase is made from smooth ceramic material and stands upright with a symmetrical shape, reflecting light.

Decorative Art1942.9.492

Amphora Vase

Chinese Qing Dynasty

Kangxi period, 1662/1722 · porcelain with pale blue glaze

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The image displays a single large vase in a pale blue color against a dark background. The vase has a slightly flared mouth, a rounded body, and tapers towards the base.

Decorative Art1942.9.493

Amphora Vase

Chinese Qing Dynasty

Kangxi period, 1662/1722 · porcelain with pale blue glaze

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The image depicts a tall, elegant vase with a wide, rounded body that tapers into a narrow neck and flares out at the lip. The vase is a pale blue-white color with a matte finish. It is positioned against a dark, neutral background.

Decorative Art1942.9.494

Amphora Vase

Chinese Qing Dynasty

Kangxi period, 1662/1722 · porcelain with pale blue glaze

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The image shows a slender red vase with an elongated neck and pronounced lip at the top. The vase has a glossy finish and black spots on its red ceramic surface. The base is wider and left unglazed, revealing a natural ceramic color.

Decorative Art1942.9.516

Amphora Vase

Chinese Qing Dynasty

Kangxi period, 1662/1722 · porcelain with peachbloom glaze

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The image shows a tall vase with a smooth, rounded body that tapers towards an elongated neck, culminating in a flared rim. The vase has a soft pinkish-red color with speckles and a white accent at the rim and base. It is placed against a gray background.

Decorative Art1942.9.517

Amphora Vase

Chinese Qing Dynasty

Kangxi period, 1662/1722 · porcelain with peachbloom glaze

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The sculpture is a vase with a long, slender neck and a rounded body that tapers towards the base. The vase is predominantly rose pink in color, with some slight variation on the neck, where there are patches of a peachy shade. There are also small dots of a light greenish color. The rim and base are both white.

Decorative Art1942.9.518

Amphora Vase

Chinese Qing Dynasty

Kangxi period, 1662/1722 · porcelain with peachbloom glaze

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The sculpture is a vase with an elongated neck and a flared rim. It is primarily deep red in color with subtle variations in shade, transitioning to a more muted pink and cream-like hue near the top, with small specks of green scattered on the neck area. The material appears to be ceramic or porcelain due to its smooth, glossy surface and delicate appearance. The vase stands upright, with a classic, elegant silhouette that is broad at the base and tapers towards the neck, then flares out into a wide rim.

Decorative Art1942.9.519

Amphora Vase

Chinese Qing Dynasty

Kangxi period, 1662/1722 · porcelain with peachbloom glaze

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This is a tall ceramic vase with a narrow neck and a flared rim at the top, curving into a rounder body that tapers down towards a narrow bottom. The vase has a mottled mix of deep red, pale yellow, and light green hues. The rim is white, and the interior appears light green.

Decorative Art1942.9.520

Amphora Vase

Chinese Qing Dynasty

Kangxi period, 1662/1722 · porcelain with peachbloom glaze

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The image shows a harbor scene with buildings and ships outlined against the horizon line. The etching technique uses fine lines and cross-hatching for shading in the sky and water, creating texture. The color palette is monochromatic, with dark ink lines on a light background. Boats with figures are anchored near the shore, while more ships are seen in the distance, suggesting a busy port.

Print1943.3.8456

Amsterdam from the Tolhuis

James McNeill Whistler

1863 · etching and drypoint on laid paper

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The image displays a view from the water looking toward a city's harbor. Various ships create a dense silhouette against the sky. The etching technique is evident through cross-hatched lines defining clouds and waves. Several sailboats with figures on board are depicted with detailed rigging and sails. The color palette ranges from light beige to dark sepia, giving the scene a classic appearance.

Print1943.3.8457

Amsterdam from the Tolhuis

James McNeill Whistler

1863 · etching and drypoint on laid paper

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A sage-green harbor teems with more than a dozen sailing ships and rowboats under a pale gray sky in this horizontal painting. The horizon comes about one-fifth of the way up the composition, and dark gray and white clouds tower above. Light filters onto the scene through the clouds from our left to fall across the ships while casting shadows on the water nearest us. Painted in tones of slate gray and warm brown, most of the ships closest to us have their sails furled so the masts and horizontal yard arms bristle against the sky. The larger ships have cannons poking out of square portholes. On our right, a war ship floats with its ornately carved and gilded stern facing us. A flag flying from the tallest of the three masts has red, white, and green stripes. The artist painted his name on that flag, “R. Zeeman.” The ship is tied to a buoy with a length of rope, and an empty rowboat is tethered to the right side of the ship. A similar ship but with the sails hanging loosely is tied to a buoy just beyond this one. A row of pickets, like a fence, extends into the water behind these two ships. To our left, a rowboat full of men has pulled up alongside a partially sunken ship, its masts tilting toward us. A few people stand on two more ships nearby. A black temporary dock floats next to the leftmost ship here. A person mixes something that smokes on the platform, and another person stands on a board lifted halfway up the ship’s side, presumably working on a repair. Two women in another rowboat next to the floating dock lean over the side, washing clothes. Another fence encloses the harbor to our left, and a hut in the middle of the harbor is surrounded by a similar structure. Two rowboats closer to us are filled with men wearing tall hats and black or brown coats, and women wearing black bonnets and white shawls. More sailing ships and rowboats move back or around beyond the harbor, out to sea. Visible cracks cover the surface of the painting.

Painting2011.3.1

Amsterdam Harbor Scene

Reinier Nooms, called Zeeman

c. 1654/1655 · oil on canvas

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The image shows a bustling port scene with a tall masted ship on the left and various figures engaging in activities. In the background, there is a intricate cityscape with tall buildings, spires, and towers. The buildings merge into each other through overlapping lines, conveying depth and complexity. The sky is light tan, contrasting with the bold strokes used for the structures and figures. The overall effect is that of a classic etching, with a rich play of light and shadow.

Print1943.3.5578

Amsterdam Seen from Victoria Hotel (Amsterdamvue de Victoria Hotel)

Auguste Lepère

1901 · etching with drypoint

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This painting shows a cobblestone street lined on both sides by buildings and tall green trees. A building with a red-tiled roof and stone walls is visible on the right, partly covered by tree branches. On the left are more buildings with red roofs and white walls, some shorter and some taller. People walk along the stone street. Closest to us, two women are visible carrying baskets, both wearing long dresses or skirts in shades of red and blue with white bonnets covering their hair. In the background, farther down the road, two men stand next to a cart, and two people on the left stand near the entrance to one of the buildings. The sky above is cool blue with a few clouds, and the scene is lit with a warm light. The buildings and trees on the right side of the street cast dark shadows.

Painting1970.26.1

Amsterdam Street Scene

Adrianus Eversen

Date not recorded · oil on wood

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This image depicts a harbor scene with sailing ships. The viewpoint is slightly elevated, showing a bustling harbor with ships sailing. The horizon is above the middle of the composition, with ships of various sizes and sails unfurled. The style features intricate brushstrokes capturing the sea, ships, and clouds. The color palette includes muted tones like blues and grays for the sky and sea, with hints of warm reds and browns on the ships. Waves in the foreground and textured clouds in the sky add to the dynamic scene.

Print2000.17.4

Amsterdam, Ships at the IJ on Choppy Water

Workshop of Johann Teyler after Johannes van den Aveele (formerly after Jan van Call)

c. 1685-1697 · color etching inked à la poupée on laid paper

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The image shows a bustling harbor filled with various ships. Small sailboats are seen navigating choppy waters, with their sails billowing. In the distance, a large ship with towering masts and a flag is visible. More ships can be seen along the horizon, with glimpses of city structures and a possible shoreline. The sky is overcast with swirling clouds. The sea is depicted with dynamic brushstrokes conveying movement and texture. The color palette consists of muted tones of brown, gray, and white, with splashes of color from the sails and flags.

Print1946.21.55

Amsterdam, Ships at the IJ on Choppy Waters

Workshop of Johann Teyler, after Johannes van den Aveele (formerly after Jan van Call)

c. 1685-1697 · color etching inked à la poupée with hand coloring on laid paper

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The image shows a group of eight full-body depictions of Native American men standing and walking together. They are positioned in a line with subtle variations in stance and direction, indicating movement. The men have distinct facial features with dark, straight hair adorned with red and black feathers. Their hair is styled into mohawks or pulled back. They are wearing traditional attire, including fringed skirts, beaded necklaces, and bracelets. One of the men is holding a spear, while another holds a circular shield decorated with patterns, and a smaller hand-held fan-like object. Some men have bows and arrows. The men are set against a light background with pastel tones. The scene is framed with a simple grey-green matte.

Painting1965.16.130

Amusing Dance - Saukie

George Catlin

1861/1869 · oil on card mounted on paperboard

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This is a painting of a group of Indigenous people engaged in a dance ritual. The figures are adorned in traditional attire, including feathers and body paint, and are arranged in a circular formation. Some figures hold objects resembling musical instruments or ceremonial items. The ground is covered with a light green grass texture, and the sky above is depicted in serene shades of blue with light clouds. The style is reminiscent of George Catlin, known for his paintings of Native American life. The artwork is encased in a painted oval border.

Painting1965.16.17

Amusing Dance - Sioux

George Catlin

1861/1869 · oil on card mounted on paperboard

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The image shows a bust-length portrait of a seated woman, facing slightly left with her head turned towards the viewer. Her right hand rests on her chest. She has soft facial features, gentle eyes, a straight nose, and slightly pursed lips. She wears a dark garment with long sleeves, complemented by a light-colored lace shawl or collar. Her dark hair is covered by an ornately layered lace cap. The background is a simple, muted brown, likely wood-paneled.

Painting1947.17.77

Amy Taylor Dickson (Mrs. John Dickson)

John Neagle

c. 1835 · oil on canvas

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The image shows two sailboats moving through choppy waters. The perspective is slightly elevated, offering a broad view of the boats cutting through the waves. The horizon is low with a hint of structures or land visible in the far distance on the right. The scene is depicted using intricate linework and hatching to show the movement of the sea and texture of the sails. The color palette is monochromatic, with varying shades of black and gray. The sky is cloudy, giving a sense of a blustery day at sea, and birds are sketched in flight.

Print2016.89.12

An "Isere" Vessel and a Waterschip or Zuiderzee Fishing-Boat

Reinier Nooms, called Zeeman

c. 1652 /1654 · etching with drypoint on laid paper

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The image shows a serene body of water with an urban landscape in the distance. The skyline features tall, slender silhouettes of structures, and the horizon is not clearly visible. The brushstrokes are soft and blend smoothly. The color palette includes deep blues, rusts, browns, and pastel tones of blue and peach. Darkened trees frame the scene, highlighting the contrast between shadowed areas and distant structures.

Drawing2011.44.1

An Abbey by a Wooded Lake at Twilight

Paul Huet

c. 1831 · pastel on blue wove paper

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This is a painting of a group of people gathered around a sculpture in a dimly lit room. The scene depicts a neoclassical setting where individuals appear to be examining or discussing the central sculpture, a woman on a pedestal. The architecture features archways and columns with classical elements, creating a refined ambiance. The contrast between light and shadow enhances the focus on the sculpture and the expressions of the individuals.

Print2001.96.11

An Academy by Lamplight

William Pether after Joseph Wright

1772 · mezzotint on laid paper

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The image shows a male figure lying on the ground. He is reclining on his back with his head tilted backward. His left arm is extended by his side while his right hand rests near his thigh. The person's face is not visible, and their hair is styled or resting naturally. The individual is nude, displaying the musculature and anatomical details of the body. There are no visible accessories. The background is softly shaded, creating depth behind the figure.

Drawing2022.14.6

An Academy Study of a Reclining Male Nude

Antoine-Joseph Guibert

c. 1850 · red chalk on laid paper

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The image shows a man walking barefoot while carrying a child on his shoulders. The man is holding a staff in his left hand, stepping forward. He has wavy hair, defined facial features, and wears loose-fitting clothing. The child has curly hair and a halo, reaching towards the man's head. In the background, there is a partially visible architectural structure. The image is in monochrome with signs of aging on the paper.

Drawing2006.11.2

An Aedicule with Two Studies of Saint Christopher

Austrian 14th Century

c. 1340 · pen and black ink with black wash on vellum

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The image shows four individuals seated or reclining on the ground. On the left, an older man is seated, leaning back slightly, with patterned facial markings and long dark hair adorned with feathers. He wears a fur-trimmed shawl over his shoulders, elaborate leg coverings decorated with quillwork, and holds a long pipe with feathers attached. In the center, a younger man sits with a child on his lap; his hair is also long and decorated with feathers, and he has necklaces around his neck. To the right, a woman reclines, propped on one arm, with long hair and wearing a simple garment with necklaces. The background consists of a painted cloudy sky in pastel hues, suggesting an outdoor setting with sandy terrain, while a shield and spear decorated with feathers and fur stand in the ground behind them.

Painting1965.16.76

An Aged Minatarree Chief and His Family

George Catlin

1861/1869 · oil on card mounted on paperboard

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