National Gallery of Art · Open Data

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Explore only works whose published-image record is explicitly marked open access by the National Gallery of Art. Every result includes eligible imagery and connects back to the museum.

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63,855 open-access works

63,855 NGA-open-access works
Dataset refreshed September 19, 2026

The image shows a woman standing upright. She is wearing a long dress with a fitted bodice and a pleated skirt, covered by a large cloak that drapes over her head and shoulders. Her facial features include a straight nose and downturned lips, and her hair is not visible beneath the hood of her cloak. She wears a ruffled collar peeking from under the cloak. In her right hand, she is holding a small basket with a patterned handle. The background is plain and devoid of any distinct features.

Print1943.3.4994

Ancilla Coloniensis

Wenceslaus Hollar

1643 · etching

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This is a drawing of a group of figures engaged in a dynamic scene. The drawing depicts an intense and dramatic moment where individuals are interacting in what appears to be a conflict or struggle. There is a sense of movement conveyed by the positions and actions of the figures. Various implements are held by the figures, suggesting a scene of battle or some form of confrontation. A heightened sense of tension and urgency is present, enhanced by the detailed line work that outlines the figures' expressions and gestures. The background is sparsely illustrated with outlines of structures, adding context to the setting.

Print2015.19.3575

And from the Tree, We With Her Child Unbound

Ferdinand Joubert, after George Elgar Hicks

1846 · engraving in black on wove paper

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The image shows a group of figures inside a tent-like structure. The figures are seated or kneeling, with some adorned with feathers and simple clothing. They are gathered around a central figure covered by a cloth on the ground. Two figures seem to be engaged in a ritual over the central figure, with one holding a bowl and the other performing an act of touching or blessing. The setting includes plants and symbolic items, creating a contemplative and ceremonial atmosphere.

Print2015.19.3571

And Take, She Said, This Token Far Away...

H. W. Collard, after George Elgar Hicks

1846 · engraving in black on wove paper

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This is a drawing of an interior scene with a two-level narrative. The upper portion shows a group of figures on a balcony under a wooden ceiling, illuminated by a sun-like light. Some figures are seated while others stand, with dynamic clothing suggesting movement.

In the lower part, there is a room with a table, two figures, an open book, and other objects. One figure leads another by the hand. An architectural feature, possibly an altar, and a classical statue are also present. The scene is detailed with cross-hatching and line work, creating depth and texture without showing any conjecture.

Print1974.33.14

And They were All Filled with the Holy Ghost

Philip Galle after Maerten van Heemskerck

Date not recorded · engraving

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Print2015.19.1584.44.5

Anderson

Charles B. J. Févret de Saint-Mémin

1808 · mezzotint and engraving in black on wove paper mounted to brown wove paper

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Index of American Design1943.8.7922

Andiron

Max Schwartz

c. 1953 · watercolor, graphite, and colored pencil on paper

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The image contains a monochrome metal object with a tall, straight bar attached to a curved base and a square-headed top positioned centrally. The object is oriented slightly diagonally from left to right, with the curved section of the base extending down toward the bottom right corner of the image. The name "ALEXANDER BORTH" is visible in small letters along the bottom edge.

Index of American Design1943.8.7923

Andiron

Alexander Berth

c. 1953 · graphite on paperboard

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Index of American Design1943.8.7927

Andiron

Hans Korsch

c. 1953 · watercolor and graphite on paperboard

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Index of American Design1943.8.7929

Andiron

Hans Korsch, after Paul Revere

c. 1953 · watercolor and graphite on paperboard

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This is a drawing of ornate metalwork. The image features a detailed drawing of an intricate brass or metallic structure. It showcases a large finial on top, with a central structure, and ornate legs. The main design includes curves, filigree, and lattice work. There is also a smaller technical drawing in the upper left corner that gives additional perspective and dimension details. The drawing is signed by the artist, Hans Korsch.

Index of American Design1943.8.7930

Andiron

Hans Korsch

c. 1953 · watercolor and graphite on paperboard

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Index of American Design1943.8.7931

Andiron

Hans Korsch

c. 1953 · watercolor, graphite, and pen and ink on paperboard

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The sculpture is an abstract form resembling a tripod or a three-legged structure with an additional extension. It is crafted from a material that has a stone-like appearance, giving it a textured and solid look. The sculpture is predominantly a gray tone, indicating a natural stone or metal finish. The main part of the sculpture is composed of three curved legs that support an upright column with a circular loop at the top. The structure is slightly elevated and has a robust form, with the circular loop at the top providing a point of interest in the design. The overall shape is unique and asymmetrical, drawing attention to its abstract qualities and capturing the viewer's eye with its balance and form.

Index of American Design1943.8.8152

Andiron

Jacob Lipkin

c. 1940 · graphite on paperboard

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The image shows a three-legged stand or tool with a circular element at the top, resembling a tripod or metal support. The color palette is monochrome, primarily shades of grey against a light beige background. The object is centrally positioned in the image, with each leg stretching out from a central circular point. The top circular part and the diagonal arm extend upward and to the left within the frame.

Index of American Design1943.8.8153

Andiron

Jack Staloff

c. 1937 · graphite on paperboard

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Index of American Design1943.8.8156

Andiron

Salvatore Borrazzo

1935/1942 · graphite on paper

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Index of American Design1943.8.8183

Andiron

Hans Korsch, after Paul Revere

1935/1942 · watercolor and graphite on paperboard

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Index of American Design1943.8.8185

Andiron

Janet Riza

1935/1942 · watercolor and graphite on paper

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This is a drawing of a decorative stand or candlestick holder. The design includes intricate details such as a bulbous shape with a pointed finial at the top, a tripod base with claw feet, and a symmetrical layout. A smaller frontal view of the base is also depicted, emphasizing symmetry and craftsmanship. The drawing reflects a traditional design with historical decorative elements.

Index of American Design1943.8.8200

Andiron

Hans Korsch, after Paul Revere

c. 1937 · graphite on paperboard

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The image shows a large, ornate metal object with a tall central column adorned with multiple geometric shapes and small decorative elements. The color palette consists mainly of muted gold tones, with subtle shadows enhancing the depth of the structure. Positioned in the foreground, the central column connects to similar, shorter shapes on either side, creating a symmetrical design that occupies the majority of the visual space. The background is a plain, soft beige, providing contrast to the intricate details of the object.

Index of American Design1943.8.8208

Andiron

Hans Korsch

1935/1942 · watercolor and graphite on paperboard

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The image shows a metallic object that resembles a rustic iron tool with three prongs, placed on an off-white background. The color palette includes muted browns and dark grays, reflecting the weathered texture of the metal. The tool has a circular loop at the top, with the three prongs extending downward. A supporting arm extends from the right side.

Index of American Design1943.8.8230

Andiron

Eugene Bartz

c. 1938 · watercolor and graphite on paperboard

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The image shows a sketch of a metal tool or structure with a long horizontal bar supported by a perpendicular vertical frame with two legs, one extending vertically and the other angled downwards. The color palette consists mainly of shades of gray against an off-white background. Positioned in the center of the image, the horizontal bar dominates the composition, with the vertical frame extending upwards and the angled leg reaching slightly towards the right. A scale is noted below the horizontal bar at the bottom left of the image.

Index of American Design1943.8.8790

Andiron

Donald Streeter

1935/1942 · graphite on paperboard

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The image shows two large metallic objects against a pale background. The object on the left has a hook-like top and a protruding center piece, while the object on the right is more upright with a diamond-shaped top and pointed extensions at the base. The objects are positioned side by side in the center of the image, with labels indicating "Front" next to the right object and "Mildred Ford" at the bottom.

Index of American Design1943.8.8819

Andiron

Mildred Ford

c. 1936 · graphite on paper

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Index of American Design1943.8.8820

Andiron

E.N. Dunne

1935/1942 · graphite, watercolor, pen and ink on paper

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Index of American Design1943.8.8821

Andiron

Hans Korsch

1935/1942 · watercolor and graphite on paper

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The image shows a drawing of an ornate object resembling part of a fireplace tool on the right side. It has a spherical center, a decorative finial on top, and is supported by a base with three curved legs. The object is colored in gold and brass tones with shading to suggest a metallic surface. A smaller line drawing of the same object is at the top left, with a more detailed black and white illustration underneath it, showing a clock face and intricate patterns. The color palette includes gold, brass, and neutral shades against an off-white background.

Index of American Design1943.8.8822

Andiron

Hans Korsch

1935/1942 · watercolor and graphite on paper

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