National Gallery of Art · Open Data

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Explore only works whose published-image record is explicitly marked open access by the National Gallery of Art. Every result includes eligible imagery and connects back to the museum.

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63,855 open-access works

63,855 NGA-open-access works
Dataset refreshed September 19, 2026

The image shows a large brown metal chain with a hook in the center. The color palette is muted with earthy tones of brown and beige. The chain consists of two large oval links connected by a curved hook. One link is attached to the hook at the top, and the other link extends below the hook. The background is a plain, light beige color, emphasizing the chain and hook in the foreground.

Index of American Design1943.8.8181

Anchor Trip Hook

William Frank

c. 1942 · watercolor and graphite on paperboard

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This is a photograph of a courtyard. The image shows a small courtyard with cobblestone paving. In the center, there is a decorative stone archway with baroque architectural detailing and a potted plant inside. On either side of the archway are doors, one of which is partially open. Above the courtyard, there are wrought-iron balconies attached to the building facade, with windows covered by curtains. Two wooden barrels are located on the ground. The structure has an aged elegance with textures of stone and iron indicating its historical character.

Photograph2015.19.4651

Ancien Hôtel des Parlementaires, 3 Rue des Lions

Eugène Atget

c. 1910 · gelatin silver print

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The image depicts a street scene with an old building featuring a steep, thatched roof running diagonally across. The horizon is not visible, but chimneys and rooftops provide upward movement. The style uses fine, precise lines typical of etching capturing architectural details and textures. The color palette is sepia tones. Barrels and goods are displayed in the foreground with a seated shopkeeper. Figures are engaged in conversation further down the street, leading the eye toward rooftops and smoke rising from a chimney under a sky with dispersed cloud patterns.

Print1943.3.6212

Ancienne habitation à Bourges, dite "La Maison du Musicien" (An Old House at Bourges, Sometimes Called the "Musician's House")

Charles Meryon

1860 · etching with graphite additions on wove Japanese paper

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The image shows an angled perspective of a street scene with rustic, half-timbered buildings stretching into the distance on the right. The horizon line is not distinctly visible, as the focus is on the detailed architecture and lively atmosphere. The etching technique creates fine, linear brushstrokes that convey texture and depth. The color palette is monochromatic, in varying shades of sepia. Figures are seen conversing near scattered barrels, while rooftops and chimneys lead the eye toward the background.

Print1949.1.31

Ancienne habitation à Bourges, dite "La Maison du Musicien" (An Old House at Bourges, Sometimes Called the "Musician's House")

Charles Meryon

1860 · etching with drypoint on green laid paper

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The image shows a large fortress-like structure with three conical towers. The horizon line is obscured by the building. In the distance on the left and right, a cityscape with spires and rooftops is visible. The scene is depicted using fine etching or engraving lines, giving it a detailed appearance. The color palette is mainly monochromatic, with shades of sepia or dark brown. Above the central tower, a creature with wings holds a ribbon with the word "PARIS" inscribed.

Print1943.3.6157

Ancienne porte du Palais de Justice, Paris (Old Gate of the Palace of Justice, Paris)

Charles Meryon

1854 · etching and drypoint on Jan Kool laid paper

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The image shows a medieval castle with three towers and pointed spires. One tower has an emblem with a dragon-like creature holding a banner with the word "PARIS." The drawing is detailed with fine lines and cross-hatching to depict the stonework and banners. In the background are more towers and architectural details suggesting a historical cityscape.

Print1968.9.1

Ancienne porte du Palais de Justice, Paris (Old Gate of the Palace of Justice, Paris)

Charles Meryon

1854 · etching on laid paper

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The image shows an architectural scene framed by a large stone archway. Classical structures with columns and relief sculptures fill the background, with detailed stonework in the foreground. A grand structure with carved columns and intricate detailing is prominently featured. The etching uses cross-hatching for texture, light, and shadow. The color palette is monochrome, and architectural elements and statues are visible in the distance, suggesting an urban setting. The scene emphasizes the grandeur and complexity of classical architecture through detailed perspective.

Print2012.68.11

Ancient Forum Seen Beneath an Arch

Pierre Moreau

c. 1750 · etching

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The image shows a forest scene with a prominent tree in the center. The horizon is low with smaller trees and bushes in the distance. The brushstrokes are detailed, capturing the tree's texture and foliage. The color palette is monochromatic with shades of brown and beige. Two figures are depicted near the base of the tree. In the background, smaller trees and undergrowth are clustered, creating a serene natural setting.

Print2006.85.1

Ancient Oak in the Bois de Boulougne

Eugène Bléry

1855 · etching on chine collé

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The image shows a sepia-toned landscape print. It features a detailed and gnarled old oak tree dominating the left side of the print. Large leafy plants are visible at the tree's base. In the background to the right, there is a wooden fence, fields, and a softly rendered mountain. Faint outlines of buildings and trees are seen along the horizon. The brushstroke technique captures detailed tree bark, foliage, and clouds realistically. The color palette is predominantly brown, giving the image a warm and aged appearance.

Print2011.91.3

Ancient Oaks in a Landscape

Wilhelm von Kobell, after Jan Wijnants

1792 · etching and aquatint printed in brown on laid paper

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The image depicts a landscape with rocky terrain and dense foliage. The viewpoint is from the bottom of a valley looking upward towards natural rock formations. The horizon is not clearly visible, with the rocky cliffs serving as a boundary against the sky. The painting style appears to be watercolor, showing soft brushstrokes indicating movement in the foliage. The color scheme includes muted greens, browns, and light yellows for highlights. The sky is depicted in blue and pale tones, contrasting with the earthy hues of the cliffs and trees. There are cave-like openings in the rock formations, surrounded by lush vegetation.

Drawing2016.84.1

Ancient Roman Ruins Overgrown with Trees and Bushes

Johann Gottfried Klinsky

1793/1795 · watercolor and gouache over graphite on laid paper

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This is a drawing of a battle scene with figures on horseback. The monochromatic drawing depicts dynamic movement and intense action. The foreground shows figures riding horses carrying staffs or standards. The background shows more riders and possibly foot soldiers engaged in combat. The scene conveys chaos and motion, capturing the energy of a battlefield. White highlights on brown-toned paper add depth and emphasize the figures and their steeds.

Drawing1990.10.1

Ancient Roman Warriors Riding into Battle

Antoine Caron

c. 1597 · black chalk with brown wash, heightened with white gouache on light brown laid paper, with later framing line in brown ink

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This painting depicts a coastal city viewed from an elevated perspective. Closest to us is the top of a hill; on the left side there are large green cacti and succulents on sandy, rocky ground, near the ruins of a sand-colored structure. A person in a red hat rests against the ruins. In the background on the right side of the painting, a cityscape at the bottom of the hill extends towards a blue body of water. The white and tan buildings below are packed closely together. In the distance there are more low mountains underneath a cloudy sky colored with light blue and muted peach tones.

Painting2004.166.32

Ancient Ruins near Messina, Sicily

Jean-Charles-Joseph Rémond

1842 · oil on paper on canvas

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The image shows a sketch of an architectural scene with structures lining a road or pathway. The horizon is not clearly defined, and the sketch focuses on architectural details. The drawing features loose, freehand lines outlining buildings and trees, with classical elements like columns and entablatures. The color palette is monochromatic, with light parchment and dark ink strokes creating contrast. Close-up details are lightly shaded for depth, while distant details are less defined. The composition is open and airy, emphasizing architectural features over precision.

Drawing1999.75.5.b

Ancient Ruins on the Bank of the Tiber

Augustin Pajou

1752/1756 · pen and brown ink over black chalk on laid paper

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This is a drawing of a sacrificial scene and a sculptural face. The scene depicted includes several robed figures standing in front of a temple-like structure with columns. A muscular figure is handling a bull by its horns, portraying a sacrificial offering. An altar with burning incense is shown, and on the right side, there is a prominent sculpted face with exaggerated features. The drawing is done with precise lines and shading.

Drawing2009.70.127.b

Ancient Sacrifice and Head of a Satyr

Felice Giani

Date not recorded · pen and brown ink with brown and violet-brown wash on wove paper

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The image shows a large urn on a pedestal surrounded by a tree. The colors are monochrome in various shades of grey and black, as it is a pencil drawing. A rooster stands in the foreground next to broken architectural fragments. In the middle ground, a person holds a vase above their head amidst tree branches, and smaller architectural elements are visible behind them.

Drawing2007.72.2

Ancient Sculptures with a Cock Fighting a Snake

James 'Athenian' Stuart

Date not recorded · graphite on laid paper

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The image depicts a group of people in varying poses and outfits. A central figure, possibly a child, is being held up by a man. Those around them are positioned differently, some standing closely. The figures have detailed faces and wear garments resembling classical attire. Shields and banners decorated with symbols are present in the background. Armor and helmets are scattered on the ground. Trees and a group of people in the distance are part of the background.

Print1979.59.2

Ancient Teutons

Daniel Nikolaus Chodowiecki

1782 · etching

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The image shows a landscape with architectural structures and natural elements. In the center, there is a tall cylindrical structure surrounded by trees, with more trees in the background. The image is created using intricate lines to depict stone textures, foliage, and the sky. The color palette is primarily sepia tones. On the left, there is a figure with a walking stick and a goat, casting long shadows. On the right, there is a wheel near the building, possibly part of a watermill.

Print2011.139.69

Ancient Tower at a Water Mill

Jean-Jacques de Boissieu

1759 · etching and drypoint in sepia

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The image shows a rural scene with a river, a building with a water wheel, a man with a staff standing next to a goat, and trees in the background. The man's shadow is visible on the ground, creating texture. The building has a circular turret and detailed stone masonry. The artwork is characterized by fine etchings and a monochromatic color palette of black and cream tones. In the distance, trees create a serene atmosphere.

Print2000.150.8

Ancient Tower with a Water Mill

Jean-Jacques de Boissieu

1759 · etching on laid paper

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The image displays a landscape scene with large trees dominating the upper half. A body of water with ships and cliffs can be seen in the distant left. A water wheel is visible to the right among the trees. Near us, a group of people, including one on horseback, are gathered near a large tree. The engraving features fine line work creating texture and depth. The color palette is monochromatic, mainly in black and white. The scene harmoniously blends nature and human activity.

Print2013.87.3

Ancient Trees by a Mountain Watermill

Aegidius Sadeler II after Pieter Stevens

1600/1615 · engraving on laid paper

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The image depicts a landscape with large leaves and fallen wood in the foreground. Towards the middle ground, a figure is walking with cattle on a sloping hill. The horizon is at the top of the image. Detailed brushstrokes capture the textures of the foliage and ground, with a limited brown color palette. The sky is subtly rendered in the background.

Drawing1998.79.1

Ancient Trees in a Pastoral Landscape

Carl Philipp Schallhas

1790/1795 · red chalk over traces of black chalk on wove paper

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The image shows a large and gnarled tree with a man standing beside it on a small incline. There is no clear horizon line visible. The tree's trunk is captured with textured bark and dramatic curves using broad brushstrokes, conveying age and grandeur. The color palette consists of earthy browns, muted greens, and soft grays. The man is dressed in simple attire and blends into the scene, adding to the rustic atmosphere. The background is kept minimal, focusing on the tree and the figure.

Drawing2015.108.1

Ancient Trees in the Roman Campagna

Giovanni Costa

1850s · watercolor over graphite on wove paper

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The image shows a landscape viewed from a slightly elevated perspective. The terrain has a gentle incline, and the horizon is low with a grouping of trees partially obscuring it. The scene is detailed with intricate linework, mimicking natural textures of leaves and branches. In the distance are faint outlines of hills or mountains blending with the sky. The color palette is monochromatic with sepia and brown tones. A winding path leads towards the trees, bordered by grass and rocks.

Print2009.129.7

Ancient Trees on a Hillside

Alexandre Calame

1838 · etching on chine collé

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This is a drawing of a mythological procession with fantastical elements. The image features a scene filled with figures engaged in various activities, including individuals riding mythical creatures and conducting a procession with what appears to be a chariot or cart drawn by bovine figures. The figures are dynamically posed, with some figures atop the creatures, and others interacting with the surrounding elements. These mythological creatures add to the drawing's sense of fantasy and drama. The scene is imbued with intricate details, with flowing robes and drapery enhancing the movement within the composition. The figures appear to carry various implements, suggesting a ceremonial or celebratory theme.

Drawing1988.16.1

Ancient Triumphal Procession

Daniel Lindtmayer

Date not recorded · pen and black ink with gray wash on laid paper

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Print1943.3.5006

Ancilla Argentinensis

Wenceslaus Hollar

1643 · etching

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