National Gallery of Art · Open Data

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63,855 open-access works

63,855 NGA-open-access works
Dataset refreshed September 19, 2026

The image is an engraving of a man's upper torso. He is turned slightly to the left, holding a long paddle-like object in his right hand. The man has a long, full beard and mustache, wavy hair, and a furrowed brow. He is dressed in a draped garment, possibly a toga, fastened with a brooch. The oval-framed image includes two cherubic figures above the man and illustrations of sea creatures at the bottom corners. The background is densely hatched, with a Latin inscription circling the oval border and a passage of text at the bottom.

Print1950.14.359

Andrea Doria

Crispijn de Passe I

published 1598 · engraving

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The sculpture depicts figures associated with the sea engaged in various activities. One figure holds a trident and commands an aquatic chariot drawn by sea creatures through churning waters. Other figures are present in the scene. The relief panel is made of bronze, with dark metallic color and lighter highlights. The design presents a vivid depiction of movement and chaos related to the power of the sea, with human-like figures intertwined with mythical elements.

Sculpture1957.14.526

Andrea Doria Guided by Neptune

Leone Leoni

c. 1541 · bronze//Dark brown patina

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Sculpture1957.14.1023.a

Andrea Doria, 1466-1560, Genoese Admiral [obverse]

Leone Leoni

1541 · bronze

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Sculpture1957.14.1024.a

Andrea Doria, 1466-1560, Genoese Admiral [obverse]

Leone Leoni

1541 · bronze

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The sculpture is a circular medallion featuring a relief scene. Two figures are depicted - one on horseback and the other standing, potentially gesturing. The background shows architectural elements like towers and arches. The medallion is crafted from metal with a brown hue, likely bronze. Detailed engravings show the figures and the structures. Text is inscribed along the upper and lower edges. There is a small hole at the top for hanging or wearing.

Sculpture1957.14.749.b

Andrea Gritti on Horseback before a Breached City Wall [reverse]

Giovanni Falier

1512/1516 · bronze

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Sculpture1957.14.746.a

Andrea Gritti, 1455-1538, Doge of Venice 1523 [obverse]

Follower of Vettor Gambello, called Camelio

probably 1533 · bronze

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Sculpture1957.14.1006.a

Andrea Gritti, 1455-1538, Doge of Venice 1523 [obverse]

Andrea Spinelli

1534 · bronze

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Sculpture1957.14.749.a

Andrea Gritti, Procurator of St. Mark's, later Doge of Venice [obverse]

Giovanni Falier

1512/1516 · bronze

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Sculpture1957.14.696.a

Andrea Matteo III d'Acquaviva, 1457-1528, Duke of Atri and Teramo 1481 [obverse]

Neapolitan 15th Century

c. 1500 · bronze//Broken at edge

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In the image, a man is depicted from the waist up, seated in a slightly reclined position, with his gaze directed outward toward the viewer. He has a full beard and long hair that falls to his shoulders, framing his face. His clothing consists of a textured robe with a fur collar and cuffs. He holds a small sculpted figure in his right hand while his left hand rests on his torso, partially beneath the robe. In front of him, on the table, are several coins scattered alongside what appears to be a closed book or document. Surrounding him are various sculptural artworks, including classical nude figures and busts, set against a plain background that highlights the fine details of both the man and the art pieces around him.

Print1988.18.3

Andrea Odoni

Cornelis Visscher after Lorenzo Lotto

c. 1660 · engraving on laid paper

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Painting1951.15.1

Andrea Renier and His Son Daniele

Follower of Jacopo Tintoretto

c. 1560/1566 · oil on canvas

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The image is an engraving of a man's bust. The man is facing slightly to his left but looking directly at the viewer, with a composed expression. His facial features are detailed, including a strong nose, prominent brow, neatly trimmed mustache and beard, and short, curly hair. He is dressed in a buttoned doublet with a high, pleated ruff collar. An oval frame surrounds him with an inscription "ANDREAS ATHEMSTET" and a laurel wreath pattern. Latin text surrounds the frame, and the background is textured with a cross-hatch pattern.

Print1950.14.64

Andreas Athemstet

Dominicus Custos, after Hans von Aachen

1592 · engraving

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The image is an engraving of a man from just below the shoulders up. He is facing slightly to the right, has a long beard, straight hair, and a serious expression. He is dressed in a robe with a high collar. The background has horizontal lines, and there is a block of text at the bottom of the image.

Print1950.14.761

Andreas Laurent, Doctor of Henry IV of France

Unknown Artist

1577 · engraving

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The image is a three-quarters view of a man's upper body in an oval frame. The man is facing slightly to his left but gazes directly at the viewer. He has a prominent nose, full lips, and a well-defined chin with a closely trimmed goatee. His eyebrows are arched and his expression is serious. His hair is curly and reaches just above his ears, and he wears a dark skullcap on his head. The man is dressed in traditional attire with a dark robe featuring an ornate button panel and wide, white collar. There are no visible objects or jewelry. The background of the oval frame contains text in Latin. Around the oval, there is a heavy border with decorative text. Below the image, there is additional neatly inscribed text. The overall aesthetic suggests a formal, historical portrait engraving.

Print1943.3.8060

Andreas Rivetus

Jonas Suyderhoff after Pieter Dubordieu

1647 · engraving

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The image shows a man's upper body positioned in a three-quarter view. He has a full face, prominent cheekbones, and a somewhat pointed chin. He has a goatee and a narrow mustache, and dark, wavy hair that is combed back. He is wearing a large, stiff white ruff collar, a dark garment with intricate patterns on the shoulders, and faint buttons on his vest. There is no visible jewelry or objects. The background features an ornate frame with decorative border lines surrounding an arch, with Greek text above his head. At the bottom is text identifying the man as "Andreas Rivetus SS. Theolog. Doct. & Professor," with additional information and the artist's signature.

Print1950.14.1038

Andreas Rivetus

Simon de Passe

Date not recorded · engraving

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The image features an engraved portrait of a man, depicted from the chest up. He is facing slightly to the right with his head turned towards the viewer. The man has aged facial features, including lines around his eyes and forehead, along with a neatly trimmed mustache and goatee. His hair is styled back, revealing a high forehead and receding hairline. He is dressed in a dark, buttoned-up garment with a broad, white pleated collar. The engraving is set within an oval frame, with an ornate band containing text below the image. The background features fine crosshatching.

Print1950.14.1039

Andreas Rivetus, Doctor of Divinity and Professor

Hendrik Hondius I

Date not recorded · engraving

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Print2006.102.1

Andreas Velleius (Anders Sorensen Vedel)

Johan Wierix

Date not recorded · engraving on laid paper

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The image is an engraved portrait of a man known as Andreas, Cardinal of Austria. He is depicted facing slightly to the right, wearing a distinctive hat and elaborate clothing with a textured pattern. The man has facial hair that merges into his mustache, closely cropped hair, and a calm expression with eyes averted. The ornate frame around the portrait includes cherubic figures, helmets, spears, a battle scene medallion at the top, and a panel with ships at sea below.

Print1950.14.27

Andreas, Cardinal of the Holy Roman Empire

anonymous German, after Johan Wierix

1600 - 1699 · engraving

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The image shows two men standing and holding a chair horizontally between them. The man on the left wears a dark coat, light trousers, and boots, with a beard and mustache. The man on the right wears a light-colored shirt with suspenders and a cap, with light-colored hair. They are both holding a wooden slat-back chair, and the background is a plain studio wall with a wooden floor.

Photograph2023.146.105

Andrew and Billie, Furniture Movers

Augustus E. Alden

1868 · albumen silver print (carte-de-visite)

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Print2015.19.1584.4.6

Andrew D. Barclay

Charles B. J. Févret de Saint-Mémin

1796-1797 · mezzotint and engraving in black on wove paper mounted to brown wove paper

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Print1943.3.7420

Andrew D. White

Jacques Reich

Date not recorded · etching

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Print2015.19.1584.12.14

Andrew Hamilton

Charles B. J. Févret de Saint-Mémin

1799 · mezzotint and engraving in black on wove paper mounted to brown wove paper

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The head and shoulders of a man with light skin and gray hair nearly fills this vertical portrait painting. Shown against a peanut-brown background, the man’s shoulders are angled to our left, and he looks off to our right with blue eyes. His gray hair curls around his forehead and over his ears. His bushy gray eyebrows gather over a furrowed brow, and sideburns grow down past his earlobes. His long, straight, slightly hooked nose and high cheekbones are set into his long, oval-shaped face. His pink lips are closed over a rounded chin, which is framed by vertical wrinkles. The white edge of a collar peeks above the high neck of a velvety black garment with wide lapels. The area beneath the man’s shoulders is a dark ivory color, perhaps indicating that this painting is unfinished.

Painting1942.8.34

Andrew Jackson

Thomas Sully

1845 · oil on canvas

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Print2015.19.1584.17.3

Andrew Purviance Hazlehurst

Charles B. J. Févret de Saint-Mémin

1800 · mezzotint and engraving in black on wove paper mounted to brown wove paper

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