National Gallery of Art · Open Data

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Explore only works whose published-image record is explicitly marked open access by the National Gallery of Art. Every result includes eligible imagery and connects back to the museum.

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63,855 open-access works

63,855 NGA-open-access works
Dataset refreshed September 19, 2026

The image displays a detailed drawing of a person's upper three-quarters body. The figure is seated with their right arm raised, holding a large scroll or piece of cloth against their body. The face is turned slightly to the side with delicate features and a serene expression. The person has styled hair with soft curls around the face. The clothing is a draped garment, and there are wings behind the figure. The surroundings include a grid pattern and other sketches and shapes in the background.

Drawing1979.20.78

Angel - Trinity Church Mural

John La Farge

1876 · charcoal, graphite, and pen and brown ink, squared with graphite

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Drawing1999.75.1.a

Angel from the Assumption [recto]

Augustin Pajou after Charles Mellin

1752/1756 · black chalk on laid paper

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The image shows an angelic figure with wings and two accompanying figures. The central figure is standing on a cloud with wings spread wide, one arm raised with a leafy branch. The figures below the angel are seated on either side, each holding similar leafy branches, gazing upwards towards the angel. The scene is composed of detailed line work, with soft shading suggesting the texture of the figures and their surroundings. The background is filled with a stippling effect to convey a sense of depth and atmosphere, characteristic of classic etching techniques.

Print2014.131.11

Angel Holding a Palm and a Crown

Jean-Honoré Fragonard after Annibale Carracci

1763/1764 · etching on laid paper

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Sculpture1957.14.613.b

Angel in a Car Drawn by Horses [reverse]

Pisanello

c. 1449 · bronze//Late cast

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A freestanding, winged angel with a halo is carved from white marble streaked with gray. In this view, the angel’s body faces us, and the head turns slightly to our left. Curls frame a round face with delicate features in front of a flat, plate-like halo. The angel’s long robe is pinned at the chest, tied around the waist, and falls in thick folds into puddles around the feet. The angel holds one hand up with the first two fingers raised and holds a scroll down by the hip with the other hand. One pointed shoe peeks from under the robe, which almost covers the round base on which the angel stands. The sculpture is photographed against a pale gray background.

Sculpture1960.5.10

Angel of the Annunciation

Venetian 14th Century

c. 1340 · marble

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This is a drawing of a winged figure in a dynamic pose set amidst swirling lines. The figure portrays a human-like form with large wings, outstretched arms, and flowing garments. The background features textured patterns suggesting foliage and sky. At the bottom is the caption "He is not here: for he is risen."

Print1947.7.135

Angel of the Resurrection

Benjamin West

1801 · pen-and-tusche lithograph

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Drawing1942.9.661

Angel Standing

Workshop of Rembrandt van Rijn

c. 1637/1639 · pen and brown ink over traces of charcoal on laid paper

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Sculpture1960.5.14

Angel with Symphonia

Possibly Pisan 14th Century

c. 1360 · marble

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Sculpture1960.5.15

Angel with Tambourine

Possibly Pisan 14th Century

c. 1360 · marble

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The image shows a circular medallion featuring a relief sculpture of a winged figure with flowing garments, likely depicting an angel or allegorical figure. The figure is holding a staff or rod with one hand, partially draped over their extended arm. Surrounding the figure, there are elements including a rooster and an urn or vessel. The sculpture is crafted from a material that resembles bronze or aged metal, giving it a dark golden hue with signs of wear and patina. The outer edge of the medallion is inscribed with the words "NOSTRA MEDELA." The overall appearance evokes an antiquated, classical style.

Sculpture2007.150.8.b

Angel with the Instruments of the Passion [reverse]

Sebastian Dadler

1631 · sliver

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This is a drawing of two figures interacting in a serene setting. The figures are sketched using light and flowing lines. One figure appears to be reclining while the other leans over. The artist has employed a monochromatic palette, with variations in line weight and shading providing depth to the characters. Details such as clothing folds and the expression of the figures are marked with finesse. The position of the figures suggests a narrative interaction, with one seemingly supporting or aiding the other. The background is sketched with minimalistic lines.

Drawing1943.3.8112

Angelica and Medoro

Giovanni Battista Tiepolo

1740/1745 · pen and brown ink with brown wash over black chalk on laid paper

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Drawing1995.52.23

Angelica and Medoro

Giovanni Battista Cipriani

Date not recorded · graphite on laid paper

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The image shows two people, a man and a woman, depicted from head to toe. The man is on the left, kneeling slightly and leaning forward while supporting the woman with his arm. He has curly shoulder-length hair. The woman is seated on the ground, leaning against a rock with her head turned towards the man. Her hair is chin-length. Both individuals are semi-nude, covered by fabric. The man wears a cloth around his waist, and the woman is draped with a cloth across her lap and shoulder. There are no visible jewelry or objects in the scene. The background features foliage and rocks, creating a natural setting. The artwork is in monochromatic tones, suggesting a pen and ink technique with highlights in wash.

Drawing2009.70.95

Date not recorded · pen and black ink with brown and gray wash over graphite on laid paper; verso, design of four concentric circles surrounding laurel wreath drawn on verso in pen and black ink and graphite

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The image features an array of intertwined lines and shapes, creating an abstract composition. Swirling lines in the upper part of the image suggest cloud-like forms or waves. In the lower region, a structured form resembling a boat is visible, with rounded shapes inside. One form appears to be holding a trident or similar implement, adding a mythological or nautical theme to the scene.

Drawing1978.10.2

Angelica Is Exposed to the Orc

Jean-Honoré Fragonard

1780s · black chalk with brown and gray wash on laid paper

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Sculpture1957.14.873.a

Angelo Poliziano, 1454-1494, Humanist [obverse]

Style of Niccolò Fiorentino

c. 1494/1495 · bronze//Late cast

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This is a drawing of winged figures ascending into the sky. The drawing features multiple angelic figures sketched with fluid lines and pale washes of ink. The figures have outstretched wings and appear to be in motion. They are surrounded by flowing drapery and clouds, creating an ethereal and heavenly theme. Light and shadow are used to highlight the contours of the figures, adding dimension and depth. The style suggests inspiration from classical and baroque art traditions.

Drawing1989.77.1

Angels and Putti

Giovanni Battista Crosato

Date not recorded · pen and brown ink with gray wash over charcoal; laid down

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This is a drawing of cherubs and a garland. The image features a group of cherubs or putti carrying or playing with a garland of flowers. The drawing is done in a reddish-brown chalk, creating a soft look. The figures are depicted with movement and fluidity through the drapery and posture. The composition shows curved lines of the garland echoing the circular forms created by the bodies of the cherubs. The overall impression is one of liveliness and grace.

Drawing2022.40.23

Angels and Putti Flying with a Garland: Design for a Ceiling

Charles de La Fosse

c. 1675 · red and black chalk with touches of white chalk, squared in black chalk on light gray paper (formerly blue), with later framing line in brown ink

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This drawing features figures and cherubs among the clouds. It depicts multiple celestial beings interacting in an ethereal environment, surrounded by swirling clouds. The drawing uses soft, flowing lines in red and black chalk to convey movement and lightness. The figures wear garments and wings, adding to the dynamic flair of the scene. The composition creates depth through layered arrangements of figures.

Drawing1971.23.1

Angels and Putti in the Clouds

Federico Zuccaro

1566 · red and black chalk over graphite?, incised with stylus, on laid paper squared with red chalk

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The image shows abstract lines and shapes forming a pattern. Swirling lines blend into one another, occasionally resembling figures. On the right, geometric forms resembling cubes and polygonal shapes are visible, appearing like a three-dimensional structure. Faint outlines suggest groups of people standing or interacting within the composition.

Drawing1980.45.1639

Angels Descending to the Daughters of Men

John Flaxman

probably c. 1821 · graphite//compositionally unrelated ink and wash recto and verso

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Print2012.61.1

Angels in Glory

Guido Reni, after Luca Cambiaso

1607 · etching

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The drawing depicts celestial beings surrounded by clouds. The figures have wings and are playing various musical instruments or engaged in celestial activities. The scene exudes harmony and a divine presence, enhanced by intricate shading and flowing lines. The artwork is rendered in sepia tones with detailed pen work, giving it a classic and historical feel.

Drawing2013.107.1

Angels in Glory

Jan Muller

1590 · black chalk, pen and brown ink, and brown wash heightened with white on laid paper; laid down

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The image shows a person standing upright, holding a long staff in their left hand, which extends from the ground up beyond their shoulder. The person is gazing slightly to their left. Their hands suggest they are resting or possibly clasping something. The facial features are delicate and softly outlined; the person has wavy hair that is longer on the sides, secured with a headband or wrap, and flows down around the face. Their attire consists of a voluminous, draped garment that falls in multiple folds down to their feet, suggesting movement or depth. A tied sash at the waist gathers the garment. In the background, the scene has a dark, almost monochrome appearance, emphasizing the light and shaded contrast of the figure, which adds a dramatic element to the composition. The background lacks distinct elements, focusing attention on the figure itself.

Drawing1997.67.1

Angelus Ministrans

Sir Edward Coley Burne-Jones

c. 1896 · brush and gold paint on wove paper prepared with black watercolor

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The image shows a figure standing in a dynamic pose. The person is leaning slightly forward with their right arm extended upward, holding a sword. Their left arm is raised to the side, holding a circular shield. The individual's hair appears to be mid-length and is flowing. They have a sharp facial expression, with prominent features. The figure is dressed in a tunic or armor with detailed textures indicating fabric folds. A lion is positioned behind the figure, and a small winged creature is above them. The background is simple, with minimal details. The word "Ira" is written at the bottom. The entire illustration is created in a sketch or engraving style.

Print1943.3.2202

Anger

Jacques Callot

probably after 1621 · etching and engraving on laid paper

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Print1964.8.425

Anger

Pieter van der Heyden after Pieter Bruegel the Elder

published 1558 · engraving on laid paper

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