National Gallery of Art · Open Data

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Explore only works whose published-image record is explicitly marked open access by the National Gallery of Art. Every result includes eligible imagery and connects back to the museum.

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63,855 open-access works

63,855 NGA-open-access works
Dataset refreshed September 19, 2026

The image shows a portrait of a person's upper body facing slightly to the right with a composed expression. The individual has a mustache and a small pointed beard, wavy hair styled back and slightly upward from the face. They wear an elaborate ruffled collar and a detailed garment. An earring is visible on the left ear. In the background, there is a circular frame with text along the border, as well as more words etched outside the circle in a classical script. The tone of the portrait is formal.

Print2011.139.3

Anne, duc de Joyeuse

Thomas de Leu

Date not recorded · engraving on laid paper

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The image shows a portrait of a woman from the chest up. She is positioned facing slightly to the side but looking directly at the viewer. Her facial features are detailed with expressive eyes, a prominent nose, and a subtle smile. Her hair is styled in loose curls that fall over her shoulders, partly covering her ears. She is wearing a dress with voluminous sleeves, adorned with intricate designs, and has a pearl necklace around her neck. The portrait is enclosed within an ornate circular frame that resembles a wreath tied with ribbons. The background features finely engraved lines that highlight the depth of the image. An inscription at the bottom reads, "Anne Duchesses of Allemarle."

Print1951.11.751

Anne, Duchess of Albemarle

William Faithorne

Date not recorded · engraving

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The image shows a portrait of a person with the focus on the head and torso. The individual is facing slightly to the left, looking towards the viewer. The person has delicate facial features and curly hair styled with a ribbon or headband. They are wearing a garment with an intricate design, featuring a V-neck and a buckle detail at the waist. The portrait is enclosed in a circular frame on a plain background.

Print2012.71.3

Anne-Dorothée, Duchesse de Courlande

Vivant Denon

1790s · etching on laid paper

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Sculpture1995.49.10

Anne-Geneviève de Bourbon-Condé, 1619-1679, Duchess of Longueville 1642

Jean Warin

c. 1642 · lead

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The image shows a portrait of a man, facing right. The man has curly white hair and distinctive facial features. He is wearing a formal military uniform with high collars, decorated with a shoulder epaulette, and large buttons. The background is a dark circular halo, with the name "Capt. Danl Carmick" on a card below the image.

Print2015.19.1584.52.8

Anne-Louis de Tousard

Charles B. J. Févret de Saint-Mémin

1798-1801 · mezzotint and engraving in black on wove paper mounted to brown wove paper

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The image shows an artistic sketch of a seated person with folded hands. The person has pronounced eyebrows, a serious expression, and loosely styled hair. They wear a garment with a broad collar and decorative elements. The surroundings include fluid lines and shading hinting at a chair. The background is a light color with subtle shading and sketch lines.

Print2004.103.1

Anneliese Halbe

Lovis Corinth

1918 · lithograph in black on wove paper

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This painting depicts a seated woman looking off to the left, resting her head on her right hand, our left, with her elbow on an abstract green surface. She has a fair complexion, a long nose, pale eyebrows, pale lips in a neutral expression, and reddish-brown hair styled up with a blue clip. She is wearing a pale mauve dress and shawl with a deep neckline, blue-green ribbon details, and puffed sleeves. A thin black belt is tied around her waist and there is a silver bracelet on her forearm. The background is painted in soft shades of blue and green, with a few highlights of pale yellow. An inscription in gold lettering in the top left corner identifies her as "Annetta D. of Edward Coke, wife of Lewis Cage of Milgate Kent."

Painting2015.19.45

Annetta Coke

Sir Joshua Reynolds

1758 · oil on canvas

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The image shows a pastoral scene with a shepherdess and sheep in a grassy terrain. The landscape includes rolling hills, trees, and a cloudy sky. The color palette is monochromatic in grayscale.

Print1942.9.2298

Annette a l'age de quinze ans (Annette at the Age of Fifteen Years)

François Godefroy, after Jean-Honoré Fragonard

1772 · etching

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The image shows a pastoral scene with grazing sheep in the foreground, a man and a woman sitting among boulders in the middle ground, and distant trees and hills under a cloudy sky in the background. The etching technique creates detailed texture using fine lines and cross-hatching. The color palette is monochromatic in varying shades of sepia.

Print1942.9.2299

Annette a l'age de vingt ans (Annette at the Age of Twenty Years)

François Godefroy, after Jean-Honoré Fragonard

1772 · etching

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The image depicts four individuals outdoors in a pastoral setting.

Print1942.9.2252

Annette et Lubin

Philibert-Louis Debucourt

1789 · color etching and wash manner on laid paper

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The image features a stylized depiction of a person's head and upper torso. The subject faces forward with their head slightly turned to the right. The facial features are abstract, with linear patterns defining the contours of the face. The eyes are wide, the nose is elongated, and the lips are emphasized with dark lines. The person wears a dark hat and a garment with a large white collar. The background is plain, with no distracting elements. No jewelry or objects are visible.

Print2012.92.696

Annette Kolb

Ernst Ludwig Kirchner

1926 · woodcut printed in black

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The image is a portrait sketch of a man with a distinctive facial structure. His features include deep-set eyes, a prominent nose, and slightly pursed lips. He has short, wavy dark hair and wears a dark coat with a white collar. The portrait features textured shading. The background has horizontal line patterns and the inscription "ANIBAL CARAS PICTOR" at the top.

Print1994.3.2

Annibale Carracci

Italian 18th Century

Date not recorded · etching and engraving on laid paper, laid down

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The image depicts a young girl seated. She has a youthful face with soft, rounded features and a contemplative expression. Her long, dark, wavy hair cascades over her shoulders. She wears a dark, long-sleeved dress with a high neckline. Her hands rest in her lap as she sits on an indistinct surface. The background is plain with faint shading and sketch lines. The lower left bears the signature "Whistler."

Print1943.3.8399

Annie

James McNeill Whistler

c. 1857/1858 · etching printed chine collé on wove paper

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Drawing2015.19.544

Annie

William Sidney Mount

1868 · graphite on wove paper

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The image shows a young girl standing. She is facing forward with her body slightly turned to the left. She has delicate facial features, a rounded face, and large eyes. Her hair is shoulder-length and wavy. She is wearing a long-sleeved dress with a high collar. Her hands are visible, with the right hand hanging down alongside her body. In the background, there is a simple and minimalistic texture. The artwork has a sketch-like appearance with fine lines and shading. There is text at the bottom and left side of the image, including the name "Annie" prominently featured.

Print2015.19.609

Annie

James McNeill Whistler

c. 1857 · etching in black on wove paper

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Painting1957.2.2

Annie C. Lochrey Husson (Mrs. Louis Husson)

Thomas Eakins

c. 1905 · oil on canvas

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The image shows a full-length view of a person depicted in a sketch. The person stands upright, facing slightly towards the viewer's left. They have long hair flowing down over their shoulders and wear a round, flat hat. The person's clothing consists of a long cape that drapes down from their shoulders and a full, long skirt. There are no visible pieces of jewelry or objects being held by the person. The background features primarily vertical lines, suggesting drapery or a curtain-like setting, giving an impression of a neutral or minimalistic indoor environment.

Print1943.3.8440

Annie Haden

James McNeill Whistler

1860 · drypoint in dark brown on Asian laid paper

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The image is a sketch of a person sitting, captured from head to toe in a seated position. The person is facing slightly to the right, with hands resting in their lap. The facial features are not highly detailed, and the person has long hair falling down their back and shoulders. They are wearing a long-sleeved gown and seated on a chair. The background is blank with faint, minimalistic lines outlining the chair and surroundings. There are no visible objects or jewelry in the drawing.

Print1949.5.526

Annie Seated

James McNeill Whistler

1858 · etching and drypoint in dark brown on laid paper

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The image shows a person sitting in a chair, with a slight lean to one side. The person has long hair that is gently parted in the middle and falls over their shoulders. Their face is downcast. They are dressed in a simple, long-sleeved dress. Their hands are resting on their lap. The background is plain, possibly a textured surface.

Print1956.8.7

Annie Seated

James McNeill Whistler

1858 · etching and drypoint in dark brown on laid paper

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The image shows a girl seated with her hands folded in her lap, in a chair slightly turned to the left. She has long hair, is wearing a long-sleeved dress and has her eyes closed or lowered. The background is minimal.

Print2006.125.16

Annie Seated

James McNeill Whistler

1858 · etching and drypoint in black on laid paper

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The image depicts a young girl seated with her full upper body visible and slightly more than half of her lower body, down to the knees. Her head is tilted downwards, and her hands are folded in her lap. The girl's facial features are delicately rendered with soft lines portraying her eyes, nose, and mouth. Her mid-length, slightly wavy hair falls around her shoulders. She is wearing a long garment, likely a dress, with ample fabric creating folds and a voluminous shape around her legs. The chair she sits on is lightly outlined in the background, which is plain and unadorned with subtle shading suggesting the ground beneath the chair. Crosshatching details add depth and dimension to the scene.

Print2015.19.413

Annie, Seated

James McNeill Whistler

1858/1859 · etching and drypoint in black on laid paper

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The image is an etching of a young girl sitting on a chair. She is seen from the waist up, in a relaxed posture with her hands in her lap. The girl's facial features are depicted with minimal detail, and she has long, wavy hair. She wears a long-sleeved dress. The background is simple, showing faint outlines of the chair and ground. The artist's signature and the name “Annie” are at the bottom of the etching.

Print2015.19.1493

Annie, Seated

James McNeill Whistler

1858/1859 · etching and drypoint in black on laid paper

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The image shows two men embracing. The man on the left stands slightly behind the man on the right, with a hand on the other's shoulder. Both men have beards and are dressed in flowing robes. In the background, there are three crosses on a hill.

Print1951.10.240

Anno Domini MCMXVI Post Christum Natum

Ernst Barlach

1916 · lithograph

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The image is a black and white illustration showing the upper body of a man in a seated position. The man has distinctive facial features, with deep-set eyes, prominent cheekbones, and a broad forehead. He has a serious expression and an elongated face, and his hair is shoulder-length, slightly wavy, and tucked under a cap. He wears a robe with a wide, turned-down collar and a cap on his head. There is a hint of detail in the robe, suggesting a soft, flowing texture. His hands are partially visible, resting at the lower part of the image. The background shows an arch, suggesting he might be seated near or within an architectural structure. The border of the page is plain, with some decorative text at the top and a round stamp at the bottom.

Volume2014.139.3

Annotationes Othonis Brunfelsii...in quatuor Euangelia & Acta Apostolorum...

Hans Baldung Grien, Otto Brunfels (author)

1535 · bound volume with 1 woodcut portrait of the author by Hans Baldung Grien on the verso of the titlepage

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