National Gallery of Art · Open Data

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Explore only works whose published-image record is explicitly marked open access by the National Gallery of Art. Every result includes eligible imagery and connects back to the museum.

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63,855 open-access works

63,855 NGA-open-access works
Dataset refreshed September 19, 2026

The image shows a detailed viewpoint of a grand architectural structure, a domed building, at the center. The horizon line is low, where the building's base meets the water. The sky has a mix of light and darker clouds. The etching features fine brushstrokes capturing intricate details of the building's ornate façade, people, and vessels. The color palette is monochromatic with shades of gray, black, and white to emphasize lines and contrasts. Figures and boats in the foreground create a sense of activity while the building stands majestically in the distance. Additional buildings line the waterfront in the background, enhancing the scene's sense of busyness.

Print1985.61.458

Annual Visit of the Doge to Santa Maria della Salute

Giovanni Battista Brustolon after Canaletto

1763/1766 · etching and engraving on laid paper

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This is a drawing of a person receiving something from a cloud-like figure in the sky. The drawing features a bearded figure with flowing robes, reaching upwards with arms extended towards a figure descending from above on a cloud. The celestial figure appears to be lowering or dropping something. The scene is set outdoors, with a flock of sheep visible in the background. The artwork displays intricate cross-hatching and line work typical of early printmaking styles.

Print1941.1.112

Annunciation to Joachim

Albrecht Altdorfer

c. 1513 · woodcut on laid paper

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This image depicts a figure reaching towards a larger figure resting on a cloud, with a pastoral landscape and sheep in the background. The artwork is rendered in a monochromatic, illustrative style with strong, defined line work. The central figure has outstretched arms towards another figure on a cloud above, depicted in a reclining position. The scene is set in a rural landscape with distant hills or mountains and a flock of sheep. The artwork suggests storytelling themes, resembling works by early Renaissance or Northern European artists.

Print1943.3.329

Annunciation to Joachim

Albrecht Altdorfer

c. 1513 · woodcut on laid paper

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This is a drawing of several animals and celestial figures in a pastoral setting. The drawing shows a group of animals, including a goat and a sheep, with an angelic figure on a cloud above emitting rays of light. To the right, a person in flowing garments is gesturing upwards, while another human face is seen behind them. The scene is detailed, with linework creating textures on the animals' fur and the figures' clothing. The composition indicates a dynamic interaction between the earthly and the celestial.

Print1980.45.1735

Annunciation to the Shepherds

Probably Netherlandish 17th Century

after 1611 · engraving

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This is a drawing of an angelic figure appearing to shepherds. The angel descends from the clouds above, holding a scroll and surrounded by heavenly beings. Below the angel, a group of shepherds react to the divine apparition. One of the shepherds is pointing upwards toward the heavenly figure. The background includes a pastoral setting with sheep scattered around and an outline of buildings in the distance.

Drawing1984.3.62

Annunciation to the Shepherds

Gerrit Pietersz Sweelinck

Date not recorded · pen and brown ink with brown wash, heightened with white

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This is a drawing of a pastoral scene with celestial figures. The image depicts a tranquil rural setting where animals, including a cow and a sheep, are present amidst a small community. Above, there are cherubs and celestial beings in the clouds. The composition includes details such as rustic structures and forested landscapes. The line work and shading create depth, highlighting the interactions between the earthly and heavenly realms.

Print2012.92.595

Annunciation to the Shepherds

Jan Pietersz Saenredam, after Abraham Bloemaert

1599 · engraving on laid paper

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The image is a portrait showing the upper body of a seated person with curly hair, pronounced eyebrows, and a straight gaze. They wear an elaborate coat with a high collar. The background consists of closely spaced parallel lines, and below the portrait, there is a block of text in French.

Print1950.14.51

Anonymous

Bernard Picart

1719 · engraving

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The image shows a man standing in a straight posture. He has fair skin, dark brown hair styled neatly, and a neutral expression. He wears a high-collared white shirt, a dark suit with a black coat, a black waistcoat, and brown trousers. The background is a smooth gradient of light to dark blue.

Painting1953.5.84

Anonymous Man

American 19th Century

c. 1830 · oil on wood

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The image shows a woman standing upright with a small red book in her right hand. She has a fair complexion, neutral expression, slightly arched eyebrows, and small, rounded lips. Her dark brown hair is styled in an updo with a black accessory. She wears a high-necked dark dress with puffed sleeves and a white collar. The background is plain blue. The woman is not wearing any visible jewelry, and the setting is minimalistic with only the book present.

Painting1953.5.85

Anonymous Woman

American 19th Century

c. 1830 · oil on wood

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The image shows a landscape sketch with a detailed view from a slightly elevated perspective. The horizon is placed above the middle of the image, with ruins of a castle on a cliff surrounded by trees. The style features precise linework typical of etching techniques, capturing details of cliffs, foliage, and buildings. The monochromatic scheme emphasizes textures. In the foreground, there are cows grazing near water and a figure tending to them, with a winding path. In the distance, there are rolling hills and a small village with a spired building.

Print1999.14.1

Ansicht von St. Helena und des Schlosses Rauhenstein bey Baden

Johann Adam Klein

1817 · etching on wove paper

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The image displays a sculpture of a reclining figure in armor with a helmet, next to an ornate clock. The color scheme includes earthy tones and some white and gold. The figure is on the left, seated on a base, while the clock is on the right, both on an elaborate base.

Index of American Design1943.8.4767

Ansonia Clock

Edith Magnette

c. 1936 · watercolor and graphite on paper

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The image features a caricature of a person standing upright with exaggerated large hair and a round face with a prominent mustache. They are wearing a long coat, high collar, and a bow tie. The person is holding two open publications titled "ALMANACH COMIQUE" and "SENTIMENTS PATRIOTIQUES." The surrounding area is cluttered with stacks of papers labeled with various titles such as "ALMANACH POPULAIRE" and "ALMANACH SÉRIEUX." The background shows only the stacks of papers and a plain wall.

Print2015.143.442

Ant. Laurent Pagnerre

Honoré Daumier

1849 · lithograph

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The painting depicts a landscape with a grassy terrain and a sky filled with soft brushstrokes blending hues of blue and grey. An individual is shown aiming a rifle at a herd of deer, with the deer appearing poised to flee. In the background, there are trees with foliage in various shades of green and subtle red highlights. The color palette consists of harmonious tones of greens, browns, blues, and greys.

Painting1965.16.35

Antelope Shooting - Assinneboine

George Catlin

1861/1869 · oil on canvas

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This is a drawing of a decorative floral frieze. The image features a horizontal composition with a repeating pattern of diamond shapes set against a background of vertical stripes. Each diamond contains a floral arrangement, alternating between bouquets of pink roses and lilac flowers with muted green leaves. The backgrounds within the diamonds swap between a soft orange and a cream color, providing contrast to the pastel-colored flowers. The vertical stripes are a soft grayish tone, offering a subtle texture that complements the floral design.

Index of American Design1943.8.6582

Antependium of Altar

Edward Jewett

1939 · watercolor, colored pencil, pen and ink, and graphite on paper

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This is a drawing of a decorative pattern design with floral motifs. The illustration features a horizontal band of diamond shapes, each enclosing baskets filled with colorful flowers and foliage. The background colors alternate between cream yellow and muted orange, and the area outside the diamonds has vertical red and white stripes. The design is bordered by a soft orange band.

Index of American Design1943.8.6583

Antependium of Altar

Edward Jewett

1937 · watercolor, colored pencil, pen and ink, and graphite on paper

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This is a painting of two individuals in a dimly lit room. One person on the left is seated; they are richly dressed in a gray hat and long gray coat, and they look directly toward us. They have pale skin, dark hair, and a dark mustache. They are being assisted by another person on the right who helps them take off their boots. The assistant also appears to have light skin and dark hair, and they wear simple brown clothes. They are in shadow, while the seated person’s face is brightly lit. The dark room features a table with an ornate cloth, a small dog under a chair, scattered shoes, fabric, and an archway showing a glimpse of an exterior scene with a fountain and obelisk against a twilight sky.

Painting2012.13.1

Anthonij de Bordes and His Valet

Michael Sweerts

c. 1648 · oil on canvas

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The image shows a man in a three-quarter-length portrait. He is slightly turned to his left with his left hand on his waist and his right hand on the hilt of a sword at his side. The man has distinct facial features including a mustache and goatee. His hair is curly and reaches his neck. He wears a richly adorned garment with a pattern, lace collar, and full sleeves with lace cuffs. The background features a detailed drapery on the right side. The bottom of the image likely contains descriptive text.

Print1950.14.201

Anthony Bourbon, Count Mouretan

Pieter de Bailliu after Sir Anthony van Dyck

Date not recorded · engraving

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Print2015.19.1584.7.3

Anthony Breck

Charles B. J. Févret de Saint-Mémin

1798 · mezzotint and engraving in black on wove paper mounted to brown wove paper

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Print2015.19.1584.15.15

Anthony Chardon

Charles B. J. Févret de Saint-Mémin

1800 · mezzotint and engraving in black on wove paper mounted to brown wove paper

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The image depicts a close-up drawing of a person's head and part of the shoulders, with a frontal view. The facial features are delicately rendered, including prominent eyes, a straight nose, and closed lips. The hair is styled in loose waves framing the face. The drawing is monochrome with shades of gray. There are no clothing details, jewelry, or objects. The background is plain, with a textured appearance similar to the drawing paper.

Drawing1981.95.1

Anthony Henley

Sir Godfrey Kneller

before 1694 · black chalk heightened with white chalk on brown laid paper

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Print2015.19.1584.22.7

Anthony Morris

Charles B. J. Févret de Saint-Mémin

1802 · mezzotint and engraving in black on wove paper mounted to brown wove paper

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Print2015.19.1584.10.2

Anthony Morris Buckley

Charles B. J. Févret de Saint-Mémin

1798 · mezzotint and engraving in black on wove paper mounted to brown wove paper

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This is a drawing of a satirical scene depicting men's fashion during a hypothetical tailors' strike. The illustration portrays men dressed in extravagant and outdated garments, with some outfits exaggerated to humorous proportions. In the background, there is a statue surrounded by trees and clouds. The drawing is filled with figures adorned in historical or comically enhanced clothing, featuring ruffs, cloaks, and oversized accessories. The setting seems to be in a park or garden. The text at the top of the drawing reads "Anticipated Effects of the Tailor's 'Strike' - or Gentlemens Fashions for - 1834".

Print1980.45.344

Anticipated Effects of the Tailors' "Strike"

George Cruikshank

1834 · etching (restrike)

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Sculpture1957.14.1111.a

Antinous [obverse]

Italian 16th Century

probably 1500/1599 · bronze

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