National Gallery of Art · Open Data

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Explore only works whose published-image record is explicitly marked open access by the National Gallery of Art. Every result includes eligible imagery and connects back to the museum.

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63,855 open-access works

63,855 NGA-open-access works
Dataset refreshed September 19, 2026

The image displays a round sculpture resembling a medallion or coin with a mythological scene. The sculpture features a winged creature with the body of a horse being ridden by a muscular male figure holding a club or similar object. The sculpture is cast in a warm, bronze-brown metal, giving it an antique appearance. The outer edge of the sculpture is inscribed with Greek letters, and the details of the winged creature and rider show a high level of detail with a focus on muscle definition and wing feathers. The circular form and the raised figures create a dynamic relief against the smooth background.

Sculpture1957.14.1111.b

Antinous on a Griffin [reverse]

Italian 16th Century

probably 1500/1599 · bronze

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Sculpture1957.14.998.a

Antinous, died A.D. 130, Favorite of the Emperor Hadrian [obverse]

Giovanni da Cavino

mid 16th century · bronze//Cast

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Sculpture1957.14.1322.a

Antinous, died A.D.130, Favorite of the Emperor Hadrian [obverse]

Giovanni da Cavino

mid 16th century · bronze and copper//Struck

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This is a drawing of abstract, loosely sketched forms that suggest energetic, dynamic human figures engaged in movement or dance. The drawing is composed of lightly penciled lines on a plain, off-white background, indicating a raw and unfinished sketch. The lines create an interplay of shapes that hint at a collection of figures, some with raised arms, suggesting a scene of action or interaction among the forms. The sketch captures a sense of flow and motion while remaining abstract and open to interpretation.

Drawing1980.45.514

Antique Battle Scene (?)

John Flaxman

Date not recorded · graphite on laid paper

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This is a drawing of a classical sculpture's head. The drawing features the head of a bearded figure rendered in grayscale, conveying three-dimensional depth through shading and highlights. The hair and beard are intricately detailed with curling strands. The face carries a serene and noble expression with prominent brow ridges and a straight nose. The eyes are hollow, characteristic of sculptural representations, enhancing the classical aesthetic of the piece. The attention to detail and smooth transitions in shading suggest it might be a study of an ancient statue.

Drawing1980.45.515

Antique Bearded Head

John Flaxman

Date not recorded · brush and gray ink with gray wash

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A frontal view of an action-packed hunting scene. The landscape includes two figures on horseback chasing a large boar with hunting dogs and an archer on foot. Trees in the background and foreground add detail to the scenery. The color palette is monochromatic with shades of gray, black, and white, creating contrast and drama.

Print2016.103.1

Antique Boar Hunt

Gerhard Janssen

1716 · etching and open-bite on laid paper

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Print1953.12.19

Antique Dealer B...

Alphonse Legros

Date not recorded · etching and drypoint

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The image shows a person standing and looking up. The individual is in a kneeling or slightly crouched position with their hands clasped in front of their chest. They have long hair, wearing a flowing garment. The background is blank. A monogram "T.R." is in the bottom left corner.

Drawing1988.20.37

Antique Figure

Thomas Rowlandson

1821 · pen and black ink with brown watercolor and gray wash over graphite on wove paper

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The image depicts a close-up of a statue's head showcasing its facial features and helmet. The frontal view reveals symmetrical features including straight eyebrows, a nose, full lips, and a prominent chin. The hair is styled in wavy locks and the statue wears an ornate helmet with intricate detailing. The background is a plain, light-colored surface.

Drawing1980.45.516

Antique Head with a Helmet

John Flaxman

Date not recorded · brush and gray ink with gray wash

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The image shows a cylindrical wooden bucket with metal bands and a small metal handle on one side. The colors include natural wood tones like light and dark brown, as well as dark metal colors for the bands and handle. The bucket is centered and oriented with the open end facing forward, revealing its interior, and the handle is positioned on the left side near the top.

Index of American Design1943.8.11962

Antique Liquor Keg

Rose Campbell-Gerke

c. 1941 · watercolor, graphite, and colored pencil on paperboard

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The oval-shaped bronze medallion features a scene with human figures and a winged figure above. In the background, there is a structure resembling a classical building or temple with a triangular pediment. The material appears to be dark and tarnished, likely bronze, with a reddish-brown hue. The surface has a textured appearance, indicative of age and wear. The sculpted figures are in relief, protruding from the background, and appear to be partaking in a procession or gathering. There is a small hole at the top of the medallion, suggesting it may have been designed to be hung or worn. The figures are in classical attire, reminiscent of draped robes in ancient Greco-Roman depictions.

Sculpture1942.9.177

Antique Marriage Scene

Valerio Belli

Date not recorded · bronze

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The image features a landscape with ancient ruins depicted in detailed drawings. A classical structure with carvings and columns is on the left, surrounded by trees. In the distance, there are crumbling towers and buildings blending into hillsides. The horizon is not distinct, merging with the cloudy sky. The artwork has fine, detailed brushstrokes, resembling an etching. It uses varying shades of sepia and charcoal, creating an antiqued effect.

Drawing2012.69.1

Antique Ruins along a Mountain Coast

Johann Franciscus Ermels

1670s · pen and brown ink with gray wash, edged with pen and black ink

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The image shows a landscape with architectural ruins and lush vegetation. The perspective is slightly elevated, displaying ancient structures with columns and arches meeting the sky. The intricate brushstrokes and etching technique create a detailed and textured appearance. The color palette is predominantly sepia. A path bordered by trees and figures near the ruins is in the foreground, while more ruins and trees fill the background.

Print1973.32.73

Antique Ruins of an Amphitheatre

Herman van Swanevelt

Date not recorded · etching

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The sculpture is a circular relief depicting two male figures engaged in a handshake over an altar-like structure. One figure is dressed in classical attire, wearing a tunic and a cloak, while the other is similarly robed. In the background, there is a smaller figure or statue on a pedestal. The sculpture is crafted from a material that appears to be silver or a silver-like metal, giving it a shiny and reflective surface. The details are intricately carved, showing the folds in their garments and the expressions on their faces. The sculpture is designed to be viewed from the front, and the deeply carved elements create shadows that highlight the figures' outlines against the circular background.

Sculpture1985.23.1

Antique Sacrifice

Tommaso di Calisto

c. 1470/1480 · bronze

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This is a drawing of a group of figures surrounding an altar inside a large tent. The scene is in monochrome, using shading and line work to create depth and texture. The figures, dressed in robes, seem to be engaged in a ritual. Some figures hold objects like a torch or vessels. The interior of the tent is draped and embellished with garlands, adding to the atmosphere. The drawing conveys a sense of worship, tradition, and perhaps an invocation of higher powers.

Print2018.113.59

Antique Sacrifice

Bernhard Rode

1752 · etching on laid paper

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The image shows a frontal view of an entrance to an open area, potentially a courtyard, surrounded by buildings. The architecture features large rectangular windows, giving a sense of height and structure. The horizon is obscured by the facades of the buildings in the background. The artwork showcases detailed etching with a focus on line work to depict texture and detail, particularly in the windows and rooftops. The color scheme is monochromatic, using only black and white tones to enhance the dramatic and historic atmosphere. The foreground includes an entrance with various objects, leading the viewer's gaze further into the scene to explore the architectural elements. In the distance, the alleyway and buildings are depicted with shading and fine lines, creating a visually rich composition.

Print1943.3.5084

Antique Shop

Earl Horter

c.1916 · etching

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The image shows a courtyard viewed from the street, surrounded by buildings. The horizon line is obscured by architectural elements. At the center is an entryway leading into the courtyard bordered by windows filled with assorted items, possibly from an antique shop. The architectural details are depicted with fine crosshatchings and strokes for texture. The color palette is monochromatic with shades of brown. In the distance, stone and woodwork details can be seen in the courtyard. The upper section shows windows on a taller building.

Print2008.115.2586

Antique Shop, New York

Earl Horter

c. 1916 · etching

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The sculpture depicts a candelabra that is made of dark-colored metal, likely bronze, with a patina giving it an aged appearance. It features a stand with candle holders at the top, ornamental figures resembling mythical creatures, intricate scrollwork, and chains draping from the holders. The design is sophisticated and detailed, showcasing a blend of artistic elements.

Sculpture2015.19.3880.1

Antique Style Three Light Candelabra with Chains

Antoine-Louis Barye

model n.d., cast c. 1845/1874 · bronze

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The sculpture is a candelabrum with a tall, slender column featuring intricate detailing. It is crafted from a dark-colored material, likely bronze or a similar metal, giving it a slightly greenish, patinated appearance. At the top, it has three ornate candle holders with chains draping from the tops down to the central shaft. The base is supported by three elaborate, curved legs resembling stylized animal figures or clawed feet, providing balance and stability. The candelabrum blends classical and ornate elements, showcasing meticulous craftsmanship for artistic and functional purposes.

Sculpture2015.19.3880.2

Antique Style Three Light Candelabra with Chains

Antoine-Louis Barye

model n.d., cast c. 1845/1874 · bronze

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This drawing depicts a pastoral scene with classical figures. In the center, a satyr is shown interacting with a goat. To the left, a figure is holding a garland, possibly a deity, accompanied by a putto or cherub-like being. On the right, a bust is mounted on a plinth next to a tree. The drawing is executed in fine lines and shading, typical of classical or neoclassical themes. The composition is enclosed in an oval frame.

Drawing1971.14.2

Antique Subject

Style of Angelica Kauffmann

Date not recorded · pen and brown ink with brown wash over graphite

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Volume1949.5.31

Antiquites de la Grande-Grece (volume I)

Francesco Piranesi after Giovanni Battista Piranesi

published 1804 · 1 vol: ill: etchings

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Drawing2007.111.98

Antiquities by a Balcony Overlooking the Gulf of Naples

Carl Wilhelm Götzloff

1826 · watercolor over graphite, with borderlines in brush and black ink, on wove paper

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The image displays a scene with delicate, sketch-like brushstrokes and lines. The perspective is slightly above eye level, focused on a large domed structure against the skyline. There is a hill hinting at the horizon with a rustic dwelling and animals in the foreground. The color palette consists of shades of brown ink, creating a monochromatic and antique feel.

Drawing1995.52.19

Antiquities of Dacca

George Chinnery

1814/1827 · pen and brown ink over graphite on laid paper

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The image depicts two individuals shown from head to toe. The person on the left is standing, with their side facing the viewer. They have chin-length hair and appear to be wearing glasses. They are dressed in a long dark coat and pants. Their hands are not visible. The person on the right is facing slightly towards the left and appears to be standing as well. Only the outline of their facial features and hair can be seen. Their jacket has a subtle point indicating that their hands might be behind their back. The background features faint lines that could depict a window or frame with a table or desk on the left side, on top of which rests a few indistinct objects. The overall setting appears sketched with minimal detail, and the background is light.

Print1952.8.355

Antoine and Gémier in "Une Faillite"

Henri de Toulouse-Lautrec

1894 · lithograph on velin paper

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