National Gallery of Art · Open Data

Search the collection.

Explore only works whose published-image record is explicitly marked open access by the National Gallery of Art. Every result includes eligible imagery and connects back to the museum.

Collection results

63,855 open-access works

63,855 NGA-open-access works
Dataset refreshed September 19, 2026

Sculpture1961.1.5

Apollo and Marsyas

Follower of Michelangelo, after the Antique

c. 1495/1535 · marble

Open full record

The image shows two figures in an outdoor setting. The first figure is standing and leaning slightly forward, gripping the arm of the second figure, who is seated against a tree with their arms bound above their head. The standing figure has short, curly hair and defined facial features, wearing a draped garment and sandals. The second figure is mostly nude, with wavy hair and a beard, bound to a tree. A stringed musical instrument, resembling a viola, is at the feet of the seated figure. The background features trees, hilly formations, and structures in the distance, all in muted, sepia tones.

Drawing1973.48.2

Apollo and Marsyas

Attributed to Veronese

c. 1600 · pen and brown ink with brown wash over black chalk, heightened with white gouache, on blue laid paper

Open full record

This is a drawing of a mythological scene in nature. The image depicts a detailed arrangement of figures within a wooded landscape. On the left, there is a person tied to a tree. In the center, a kneeling figure appears to be interacting with a seated character holding a large lyre. The seated figure is crowned with foliage. Next to them, another character is seated and leaning on their arm. The background features trees, cloudy skies, and classical architectural elements. The drawing includes intricate line work and shading to render depth and form.

Print1978.104.6

Apollo and Marsyas

Master of the Die after Raphael

1530s · engraving

Open full record

This is a drawing of several figures in a mythological or historical scene. The central figure is a muscular, nude male with a cloak over one shoulder, holding a knife and a draped skin. Other figures surround him, some in distressed poses. One figure hangs upside-down from a tree. The characters are dressed in armor and classical attire, showing a historical or mythological context. The drawing features intricate line work, highlighting textures of skin, fabric, and foliage, with a landscape in the background.

Print2006.93.1

Apollo and Marsyas

Melchior Meier

1581 · engraving on laid paper

Open full record

This is a drawing featuring multiple figures in a pastoral setting. One figure lies in the foreground, nude, on drapery or soft natural ground cover. In the midground to the right, a standing figure carries an amphora and gestures to the side. Behind, another person holds a child. To the left, an additional duo seems engaged or turning towards the central setting. The background is detailed with foliage and trees, creating a serene and naturalistic environment. The use of line work and shading provides depth and texture to the scene. The style reflects influences from classicism.

Print1994.58.8

Apollo and Nymphs in a Landscape with a Bust of Pan

Francesco Fontebasso

1744 · etching on laid paper

Open full record

The image shows a sketch of a nude male figure on the left, posed in a contrapposto stance. The figure has detailed muscular structure, one arm extended and the other holding a draped cloth. A face with short, curly hair is slightly turned. On the right, there are sketches of hands in different positions and angles, as well as a small sketch of a face with curly hair. The background is textured sketch paper with ink and pencil markings.

Drawing1990.33.1.a

Apollo and Studies of the Artist's Own Hand [recto]

Francesco Fontebasso

1730/1732 · pen and brown ink, black chalk, on tan oatmeal paper

Open full record

This is a drawing of a woman and another figure with a lyre in a natural setting. The woman stands reaching out towards the seated figure who holds a lyre. The scene is set amidst lush foliage and a dramatic, cloud-filled sky. The drawing exhibits fine lines and meticulous detailing typical of classical style.

Print1995.10.3

Apollo and the Cumaean Sibyl

Salvator Rosa

c. 1661 · etching and drypoint on laid paper

Open full record

This is a drawing of classical figures surrounded by symbolic elements. The image features a central grouping of three primary figures, one of whom is marked as "Phebus," flanked by various other figures, each labeled with names such as "Urania," "Calliope," and "Melpomene." These figures are enclosed within circular frames that are integrated into an ornate border filled with floral motifs and scrolls. The figures appear to represent the classical muses and other mythological characters, with specific attributes or symbols they are often associated with, suggesting their roles and domains in mythology.

Print1944.2.96

Apollo and the Muses

Hans Süss von Kulmbach

published 1502 · woodcut

Open full record

This drawing depicts mythological figures within clouds. The scene shows ethereal figures with wings and flowing drapery interacting in the clouds. The central figure emits light, surrounded by other figures in admiration or worship. Cherub-like figures are present, some holding objects or instruments, while others gesture around the central figure. Cloud formations below feature dynamic figures in dramatic poses, enhancing the celestial ambiance. The drawing uses monochromatic tones and intricate linework for a classical and harmonious quality.

Drawing1991.150.84

Apollo and the Muses

Giuseppe Valeriani

Date not recorded · pen and black ink with gray wash over graphite on laid paper

Open full record

The sculpture depicts two adult female figures and a small child-like figure with wings. The adult figures are dressed in flowing garments, arranged in a manner that suggests movement, while the child figure stands between them. The wings on the child figure indicate a mythological representation. The color of the sculpture is a muted, monochromatic shade resembling a light stone or plaster. The sculpture is engraved with the names "TERPSICHORE" and "ERATO" at the base. The figures could represent Greek Muses. The sculpture is intricately detailed with an emphasis on the soft texture and graceful outlines of the figures.

Print2011.139.54

Apollo and the Muses

Jules Boilly after Pierre Paul Prud'hon

1851 · lithograph

Open full record

This drawing features a group of figures in a dynamic and mythological setting. The central focus shows figures engaged in a scene with musical instruments present. One figure wears a radiant headpiece. The lower part of the composition includes a pool of water with a reclining figure and a horse leaning down towards them. The artwork uses rich brown tones and white highlights on toned paper creating depth and movement. The swirling lines and soft sketches give an ethereal quality to the figures and setting.

Drawing2003.45.2

Apollo and the Muses on Mount Parnassus

Johann Christoph Storer

c. 1640 · pen and brown ink and brown wash, heightened with white, over black chalk on laid paper

Open full record

The sculpture depicts two figures engaged in distinct activities. On the left, there is a figure playing a lyre. The figure is bent slightly towards the musical instrument. To the right, another figure holds a tool, seemingly chiseling or working on a structure at a small table. Both figures have detailed facial expressions and clothing, and they are set against a backdrop that includes a stylized plant design. The sculpture is a bas-relief with a rectangular shape and is crafted from a material that resembles bronze or a similar metal with a darkened patina and highlights. The texture and color of the sculpture suggest aged and weathered metal, giving it an antique appearance. The figures appear in a naturalistic style, though simplified and captured in mid-action.

Sculpture1957.14.353

Apollo and Vulcan

Master I.S.A.

Date not recorded · silvered bronze

Open full record

This is a drawing of a mythical warrior figure. The image depicts a muscular figure with Greek or Roman attributes, such as a helmet and sandals, soaring through an array of stylized clouds. The figure is poised with a spear in an action stance, and is adorned with intricately detailed armor and a billowing cape. The background, composed of swirling lines, adds dynamic energy. The line work is fine and precise.

Print1947.7.117

Apollo as a Warrior

Charles Heath

1804 · pen-and-tusche lithograph

Open full record

Print2012.92.541

Apollo as Sol

Jacob Matham, after Cornelis Cornelisz van Haarlem

c.1591 · engraving on laid paper

Open full record

The sculpture on the coin depicts a male figure in a contrapposto pose. He appears mostly nude with a draped cloth over one shoulder, holding one arm outstretched while resting the other on a short pillar entwined with a snake. The sculpture is in silver, indicative of the material of the coin. The classical features and pose are typical of ancient mythology or heroic tales. Surrounding the edge of the coin is Latin text in a circular format. The sculpture is in high relief against the flatter surface of the coin.

Sculpture2000.158.14.b

Apollo Belvedere [reverse]

Stefano Passamonti

1816 · lead

Open full record

The image shows nine full-body figures arranged in a circle, holding hands or touching shoulders. The figures are upright and wearing flowing garments. They have classical facial features and styled hair. The clothing consists of draped robes, togas, or tunics. The background is textured, emphasizing the figures' lines and attire. No jewelry or objects are visible.

Print1950.1.6

Apollo Dancing with the Nine Muses

German 16th Century

Date not recorded · engraving

Open full record

The sculpture is a round, flat piece resembling a coin or medallion, featuring an intricately detailed relief. The central subject is a charioteer controlling a team of four horses in motion across a terrain. The charioteer is positioned on the left, sitting in a chariot with reins in hand. The relief details include fine engraving and a decorative border. The sculpture is colored in rich bronze, indicating a metal material. Latin inscriptions around the edge read "ACTIVS IN ORBEM LABOR."

Sculpture1957.14.1158.b

Apollo Driving the Sun's Car [reverse]

Guillaume Dupré

1613 · bronze

Open full record

This is a drawing of mythological creatures and structures. The scene depicts two figures in the foreground, one of which appears as a centaur, with the lower body of a horse. The other figure, standing upright, is handing over a child. In the background, there are rustic structures with thatched roofs, trees, and hills in the far distance. The composition includes details such as clouds in the sky. The line work and shading provide depth and texture to the figures and landscape.

Portfolio2003.143.8

Apollo Entrusting Chiron with the Education of Asclepius

Workshop of Hendrick Goltzius, after Hendrick Goltzius

Date not recorded · engraving on laid paper

Open full record

The image shows two central figures prominently in the foreground. The figure on the left is a centaur, with a muscular upper human body and a horse's lower body, standing upright and facing the right. The centaur's facial features include a pronounced nose, a beard, and curly hair. The centaur wears a draped cloth over one shoulder. The figure on the right is a male human, also muscular, standing with one leg forward and holding a small child in his arms. This man has curly hair and an expressionless face, with a drapery covering his lower body in a classical style. In terms of background, the scene presents a rustic setting with a wooden structure resembling a house or stable, trees, a hillside, and distant mountains. Other figures can be seen in the background, including another centaur and a human child near the wooden structure.

Print2008.55.4

Apollo Entrusting Chiron with the Education of Asclepius

Workshop of Hendrick Goltzius, after Hendrick Goltzius

1590 · engraving on laid paper

Open full record

This is a drawing of a centaur presenting a child to a standing figure. The image depicts a mythical scene with the centaur extending an arm towards the human figure who is holding the child. The scene is set in a natural environment with trees in the background and a building to the side. The composition shows rich texture and detailed anatomy of the figures, created through cross-hatching.

Print2011.139.133

Apollo Entrusting Chiron with the Education of Asclepius

Workshop of Hendrick Goltzius, after Hendrick Goltzius

1589 · engraving on laid paper

Open full record

This is a photograph of an ancient coin. The coin features a standing figure draped in a robe, holding a bow and a small lyre. In front of the figure is an altar with flames. Inscriptions and raised dots are visible along the edge of the coin. The surface of the coin shows a natural patina with varying tones.

Sculpture1957.14.1034.b

Apollo Holding a Bow and Lyre [reverse]

Jacopo Nizzola da Trezzo

1577 · bronze

Open full record

This is a drawing of a scene featuring a reclining figure with an arrow through their chest, and an athletic figure standing with a bow. Above them, a bird is flying amidst swirling clouds. In the background, there are smaller figures observing the scene. The drawing is detailed with intricate line work and various textures, set in a natural landscape with trees and hills.

Portfolio2003.143.7

Apollo Killing Coronis

Workshop of Hendrick Goltzius, after Hendrick Goltzius

Date not recorded · engraving on laid paper

Open full record

This is a drawing of a mythological scene. The artwork features a partially draped female figure reclining amidst a natural landscape of trees and shrubs. To the right, a figure is posed with an archer’s stance, a bowstring drawn. Above, a bird soars through the sky, which is rendered with swirling clouds. The background is detailed with an undulating line of trees and rolling hills, populated by smaller figures who appear to be observing or participating in an event. The scene is executed in a classical style with fine lines and hatching for shading.

Print2011.139.149

Apollo Killing Coronis

Workshop of Hendrick Goltzius, after Hendrick Goltzius

c. 1600 · engraving on laid paper

Open full record

This is a painting of a battle scene. The image depicts a confrontation between a winged serpent-like creature and an archer at the center. Surrounding them are onlookers with various emotional reactions. In the sky above, three figures are seated on clouds. The background includes architectural structures and natural elements.

Print1964.8.607

Apollo Killing Python

Etienne Delaune

Date not recorded · engraving

Open full record