National Gallery of Art · Open Data

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63,855 open-access works

63,855 NGA-open-access works
Dataset refreshed September 19, 2026

This is a drawing of a mythological scene with Apollo and the Python. The circular frame contains a wooded landscape. On the left, a figure with a decorated robe holds a bow, aiming towards a serpent or dragon on the right. The creature lies slain with its sinuous body and large head near a tree. In the background, a group of figures observes from a distance. The artwork is detailed, especially in the foliage and serpent's scales. The scene conveys tension, capturing a moment of triumph in a classical mythological context.

Portfolio2005.17.15

Apollo Killing the Python

Georg Andreas Wolfgang the Elder

1665 · etching on laid paper

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The image shows a circular medal featuring a man seated on a chariot, reading a book. A tree and a bird, likely a swan, are carved in the background. The medal includes inscriptions like "CELO.M.SA.RE.AT." and "OPVS.SPERANDI". It is made of a dark, metallic material with slight patinas. The details are finely worked, showcasing artistic craftsmanship.

Sculpture1957.14.727.b

Apollo on a Car Drawn by Swans [reverse]

Sperandio

probably 1496/1504 · bronze//Late cast

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This is a drawing of a group of mythical creatures gathered in a forest setting. The scene depicts figures, some playing musical instruments. There is a central figure seated on a rock playing a stringed instrument. Surrounding this central figure are other figures holding tambourines and books. A mystical animal is positioned in the background. The woodland surrounds the scene, implying a secluded location for this assembly. The style suggests it is a detailed work reflecting Renaissance influences, with intricate etching and cross-hatching techniques providing depth and texture.

Print1982.20.1

Apollo on Mount Parnassus

Etienne Delaune after Niccolò dell' Abate

1569 · engraving

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Printed with black lines on cream-white paper, twenty-four people gather on a hilltop that incongruously curves over a door and door jamb in this horizontal engraving. The men all wear voluminous robes and most have crowns of laurel leaves. The women wear gowns or togas that drape to their feet, and their wavy hair is rolled back, sometimes in a turban-like cloth. At the upper center, a muscular man, Apollo, sits on an earthen mound. His long curling hair falls around one bare shoulder. He strums a lyre with his right hand, on our left. In groups of four or five, men and women stand in conversation or lounge in repose around him. Faint cursive writing, added with pen, above most of their heads identify them. Around a spindly tree in the lower left are "Plato," "Plutrache," "Plinio," and "Cicero." A bareheaded man, "Luciano," writes as he looks up at "Danto," "Homero," and "Virgilio" to our left of Apollo. Immediately around Apollo are "Clio," "Euterpo," "Melpomene," "Erania," "Terpischore," "Polimia," and "Talia." Two women, reclining to each side of Apollo, are not labeled, and four tall trees grow up amid this group. To our right are "Marcobaro," "Seneca," and "Pitagora" around two more trees. Finally, "Socrates," "Ovidius," and "Aristitolus" gather along the right edge. The tops of the trees almost touch the top of the print. Five winged, baby-like cherubs, each holding leaf diadems in both hands, float between the tree canopies above. A piece of paper seems to be affixed to the doors below, at the bottom center of the composition. It reads, “RAPHAEL PINXIT IN VATICANO,” above a monogram with the conjoined initials “MAF.”

Print1972.31.1

Apollo on Parnassus

Marcantonio Raimondi after Raphael

1515/1520 · engraving

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This is a drawing featuring various figures and symbols in a classical theme. There is a central figure with curly hair playing a stringed instrument under a tree. The scene includes temples, rabbits, mythical entities, and Latin inscriptions. The style is detailed with expressive figures and elements, resembling woodcut prints.

Print1944.2.98

Apollo on Parnasus

Hans Süss von Kulmbach

published 1502 · woodcut

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The sculpture depicts a nude male figure standing in a classical contrapposto pose with an elongated object in his right hand and his left hand raised. His hair is curly, and his facial expression appears serene. There is an irregularly shaped column or plinth supporting his stance. The sculpture is in grayscale, suggesting a light-colored material like marble or plaster. It appears life-sized and is highly detailed, emphasizing the figure's anatomical features and muscle structure.

Drawing2016.54.3

Apollo or Adonis

Henri-Guillaume Chatillon

c. 1818 · charcoal and black chalk on thin wove paper, mounted on heavy laid paper

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This is a photograph of an ancient coin. The coin is circular with a worn, orange-brown patina. The central image on the coin depicts a seated figure interacting with an animal. The coin has an inscription along its circumference. The craftsmanship reflects the artistic style of ancient coinage. The black markings on the surface appear to be post-production additions or alterations.

Sculpture1957.14.1095.b

Apollo Placing a Wreath on a Lion [reverse]

Alessandro Vittoria

c. 1556/1558 · bronze

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Sculpture2022.185.1

Apollo Playing the Lyre

Jean-Joseph Vinache

possibly 1730s · terracotta

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The sculpture at the center of the image depicts a nude male figure standing in a classical contrapposto pose. The figure is robust and muscular, holding a bow in his left hand and an arrow in his right hand. The sculpture is made of a light-colored material, likely marble or a similar stone, detailed to show the contours of his body. The figure stands atop a decorative base adorned with intricate designs and motifs. Surrounding the sculpture are various figures dressed in elaborate historical European garments. The scene is rendered in a monochromatic palette.

Print2022.31.4

Apollo Presiding Over the Arts of Government

Jan Pietersz Saenredam, after Hendrick Goltzius

1596 · engraving on laid paper

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The image features a circular composition showcasing a pastoral landscape. Two figures are shown in the foreground, one holding a bow, while the other is engaged in a different activity. In the background, a town with various buildings and a tall tree is depicted. Rolling hills with additional structures lead up to the horizon. The sky is filled with clouds, adding movement to the scene. The artwork is monochromatic, focusing on line work and detail. The style is intricate and detailed, with precise lines and shading highlighting the architecture and landscape.

Print1948.11.137

Apollo Pursuing Daphne

Jonas Silber (formerly by Master IS.)

1572-1589 · punch engraving on laid paper

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Painting1952.5.78

Apollo Pursuing Daphne

Giovanni Battista Tiepolo

c. 1755/1760 · oil on canvas

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The sculpture depicted is on a coin-like medallion showing two human figures. The figure on the left appears to be a male, partially clothed with a visible bare chest, reaching out towards the other figure. The figure on the right seems to be a female, draped in a flowing garment, with her arms raised overhead. The entire sculpture on the medallion is monochromatic, made of a dark metal material. The characters are in relief with intricate details of their garments and features finely crafted. Surrounding the figures is a border with inscriptions. The medallion has a patina and texture giving it an antiquated appearance.

Sculpture1957.14.940.b

Apollo Pursuing Daphne [reverse]

Medalist R.C.

1556 · bronze//Late cast

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The image shows a full-body illustration of a nude male figure standing in a contrapposto position, leaning his left arm on a ornately carved wooden pedestal. His right arm hangs loosely by his side and his left leg is slightly bent, supporting much of his weight on his right leg. The man's facial features include a strong jawline, a straight nose, and distinct, forward-looking eyes, with a head of curly hair that is styled in a voluminous, classical manner. He appears to be gazing slightly upwards with a calm expression. Wrapped around the pedestal is a draped fabric that adds texture and contrast to the smooth, muscular physique of the figure. The background is plain, with subtle shading to suggest a sense of depth and dimension.

Print2021.112.4

Apollo Sauroctonos

Jan de Bisschop, after the Antique

1668/1669 · etching on laid paper

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The image shows a landscape scene featuring a nude figure holding a draped cloth. In the background, there is a cityscape with domed and spired buildings, and an arched bridge. The sky has textured clouds, while the trees on the left and right are finely detailed. The color palette is warm and mainly sepia tones. Another figure on horseback is also visible, adding scale and narrative to the scene.

Drawing1987.24.1

Apollo Standing in a River Landscape

Donato Creti

1720/1730 · pen and brown and black ink on laid paper; laid down

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The image depicts a person standing in a forest. The person is holding a bow, with one hand on their hip. Their face has defined features, their eyes looking to the side, with a neutral expression on their lips. The person has curly, close-cropped hair, and is wearing draped clothing across one shoulder, revealing most of their torso and legs. There is a quiver of arrows on their back. The background shows dense foliage, and behind the person is a large, coiled dragon or mythical creature with a reptilian skull visible.

Print1999.100.12

Apollo with a Bow and Dragon

Salomon Gessner

1771 · etching on laid paper

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Sculpture2022.181.62

Apollo with His Lyre

Tiziano Aspetti

c. 1595 · bronze

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The image shows a classical male figure standing in a relaxed pose. He leans on a fluted column with his left arm and holds a laurel wreath in his right hand. The figure has a stern expression, curly hair tied in a bun, and defined musculature. He stands barefoot, with his right leg slightly bent. The column has a decorative top design, and simple hatched lines in the background provide depth.

Print2021.112.5

Apollo with the Omphalos

Jan de Bisschop, after the Antique

1668/1669 · etching on laid paper

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This is a drawing featuring mythological figures and a large central sphere. The central round object resembles a globe or celestial body, surrounded by detailed figures personifying celestial beings or deities with ornate headpieces and garments. The figures display dynamic poses and gestures, suggesting movement and interaction. Various symbolic items like a sickle and sceptre are included. The background has cloudy textures, enhancing the mythical atmosphere.

Drawing1996.73.2

Apollo, Diana, and Time with the Cyclic Vicissitudes of Human Life

Maarten de Vos

c. 1561 · pen and brown ink with gray wash over traces of graphite, incised for transfer on laid paper; laid down

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The sculpture is a round medallion or coin-shaped object featuring a relief scene with two people. The person on the left appears to be an elderly male, slightly hunched and with a bearded face, sitting on something indistinct and facing the left. The person on the right also appears to be male and holds an object that resembles a lyre. He faces away from the older man but turns his head towards him. Both men are nude but partially draped with fabric around their thighs. Between the two large men, there is a smaller figure, but it is hard to determine if it is a smaller human or an animal. Behind the people, there is a background element that looks like a tree with a few branches extending upward. The color of the sculpture is dark brown with a patina that obscures many details of the carving. The top of the medallion has a small circular hole.

Sculpture1942.9.201

Apollo, Marsyas, and Olympus

Florentine 15th Century

15th century · bronze

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This is a drawing depicting a gathering with mythical elements and figures, set in a classical or mythological framework. In the center, a nude figure with a lyre stands on a rock, surrounded by elegantly dressed individuals engaged in music and the arts. Some figures are playing musical instruments, while others are in discussion or contemplation. In the upper right, angelic beings with wings hover, one holding a trumpet. To the right, a winged horse akin to Pegasus stands on its hind legs. The background includes trees and a rolling landscape. The drawing showcases precise and delicate lines, indicative of classical or neoclassical draftsmanship.

Drawing1981.65.1

Apollo, the Muses, and Mars: In Praise of Tasso

Giovanni Battista Piazzetta

1740/1745 · black chalk on laid paper

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The sculpture is a detailed relief on a circular medallion, depicting three figures and a central statue. The figures appear to be interacting with the statue, which is placed on a pedestal. One figure is standing and holding a small child, another is seated, and the third figure stands with a musical instrument, possibly a lyre. The sculpture is primarily bronze in color. The detailed craftsmanship shows the figures in motion, with intricate drapery and musculature. The medallion has a single small hole at the top.

Sculpture1957.14.191

Apollo, Venus, Mars and Vulcan

Master M.C.

Date not recorded · bronze//Medium brown patina

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The image shows two individuals in a natural setting. One person is standing, nude, with one arm raised, and the other is kneeling beside them. The standing person has long hair and a serene expression. The kneeling person has wavy hair, wears a robe, and holds onto the waist of the standing person. The kneeling person carries a stringed musical instrument on their back. The background consists of tall trees with dense foliage.

Print1943.3.2785

Apollon et Daphne

Théodore Chassériau

1844 · lithograph

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The image shows two individuals engaged in an exchange. The person on the left is standing and holding a lyre, presenting it to the person on the right. This individual appears to have curly hair and a classical visage. They are dressed in a tunic with detailed draping and sandals. The person on the right is facing the first individual, holding a stringed instrument and dressed differently. This individual has unkempt hair and a beard, wearing a tall hat and a long coat with visible patches. They appear to have additional clothing items slung over their arm. The background features classical architecture, including a large domed building and columns. The ground appears textured, with lines indicating a paved street setting.

Print2002.57.8

Apollon vendant sa lyre

Amédée Charles Henri Cham

Date not recorded · lithograph

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Drawing2014.137.11

Apollonius

Odilon Redon

1896-1900 · brush and black ink on buff wove paper

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