National Gallery of Art · Open Data

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Explore only works whose published-image record is explicitly marked open access by the National Gallery of Art. Every result includes eligible imagery and connects back to the museum.

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63,836 open-access works

63,836 NGA-open-access works
Dataset refreshed September 12, 2026

The image shows a sketch of a group of people surrounding a central figure. The central figure and others are depicted in dynamic poses, suggesting movement or gesture. The central figure appears to hold a significant position within the scene. The figures are dressed in flowing robes or tunics, with some standing and others kneeling. There are no distinct facial features due to the sketch's level of detail. The setting features large columns and an archway, suggesting an architectural space. The sketch conveys a sense of a gathered assembly or a dramatic scene without providing explicit narrative details.

Drawing2009.70.97

A Bishop Blessing a King

Sebastiano Conca

Date not recorded · black and white chalk on blue laid paper

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The sculpture depicts a man wearing ornate ecclesiastical attire. He is shown with his right hand bent and two fingers extended upward, while his left hand clutches what appears to be a folded cloth. He is wearing draping robes with a high collar, and on his head is a tall hat embellished with swirling patterns. He has a long nose, high cheekbones, and slightly downturned lips. The sculpture is a pale, off-white color with some light brown areas.

Sculpture1961.1.1

A Bishop Saint (Burchard of Würzburg?)

Tilman Riemenschneider

c. 1515/1520 · linden wood with traces of polychromy

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This is a detailed drawing of an ornate staff or crozier. The top part of the staff features a circular frame with a seated figure holding a smaller figure in their lap within an elaborate archway. The frame is decorated with swirling, ornamental patterns. The handle of the staff has delicate vertical lines and is crowned with a complex structure with carved figures. The drawing demonstrates the artist's skill in detailed, linear drawing typical of the Gothic art style.

Print1943.3.88

A Bishop's Crosier

Martin Schongauer

c. 1475/1480 · engraving on laid paper

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The image shows a coastal scene with a low horizon line, emphasizing the sky. In the background, there are cliffs meeting the ocean with small waves. In the foreground, sheep are grazing on rocky terrain. The artwork is created using fine lines to depict textures, with a monochromatic palette of brown shades creating contrast between landforms, animals, and the sky.

Print2002.98.190

A Bit on Marblehead Neck

James David Smillie

1883 · etching in black on wove paper

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The image depicts a pastoral landscape. There are grazing sheep, rocks, and low trees in the foreground. Rolling hills lead to a body of water in the distance, with a landmass beyond. The sky is filled with textured clouds. The landscape is created using fine, detailed linework and a monochromatic sepia color palette.

Print2015.19.1395

A Bit on Marblehead Neck

James David Smillie

1883 · etching in black on laid paper

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The image shows a large, abstract rocky formation in dark charcoal against a light background. The texture is rough with shades of black and gray. The rock is on the right side with a faint outline on the left. The darker areas and lighter patches suggest depth and contours. In the bottom left corner, there is a signature with two initials.

Drawing2000.32.1

A Bizarre Rock Formation

Alphonse Nicolas-Michel Mandevare

Date not recorded · black chalk on wove paper

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The image depicts a person seated on a horse. The person is in a sitting position on the horse, with their torso turned slightly to the side and their head looking forward. The individual has short, curly hair and is wearing a headpiece or bandana-style covering. Their attire consists of a flowing garment with a cloth draped over one shoulder. The horse has a headpiece with feathers. The person holds a small, round object that resembles a musical instrument. In the background, there are two figures on horseback and a standing person wearing a fur-style garment near a fort-like structure. The background shows a cloudy sky and a partially visible landscape.

Print1972.66.9

A Black Horseman

Stefano Della Bella

Date not recorded · etching on laid paper

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The image depicts a person riding a horse. The person is holding a spear and wearing a headpiece adorned with feathers. They are wearing a textured cloak or garment and pants. The horse is in motion and has a decorative plume on its head. In the background, there are distant figures, a pyramid-like structure, and a landscape with hills under a partially clouded sky.

Print1972.66.10

A Black Horseman

Stefano Della Bella

Date not recorded · etching on laid paper

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The image shows an individual mounted on a horse, facing right. The person is sitting upright on the horse, head turned slightly to the left. They have distinct facial features and wear a headdress with long feathers. The clothing is elaborate with draped fabric and visible patterns. Around them are other riders on the left and a standing figure on the right, dressed in layered garments. The horse is decorated with ornamental features around its head. The background includes architectural structures and open sky, suggesting an outdoor environment.

Print1986.50.40

A Black Horseman

Stefano Della Bella

Date not recorded · etching on laid paper [restrike]

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The image shows a person riding a horse. The person holds a spear and looks to the left. They wear a turban with a feather, a fur-trimmed cloak, patterned garments, and a belt with attached items. The horse is in mid-step, with a bridle and a feather in its mane. The background features multiple figures on horseback and foot, a caravan of wagons, and a large tent-like structure under a cloudy sky.

Print1986.50.45

A Black Horseman

Stefano Della Bella

Date not recorded · etching on laid paper [restrike]

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The image shows two men and two horses in a sketch. The larger man in the foreground is visible from head to waist, facing slightly away from the viewer, gazing toward the right side of the image. His facial features appear detailed yet undefined due to the sketch style, and his hair is covered by a wrapped turban. He wears a garment with fur or heavy fabric draped over one shoulder, alongside a clothing piece gathered and secured at the waist. He is accompanied by a horse with detailed eyes and an elaborate headdress featuring plumes and decorative chain-like elements. In the background, a smaller figure on horseback is positioned to the right, gesturing with one hand and wearing similarly styled clothing. The background is minimal, primarily consisting of a textured, stippled area.

Print1973.34.2

A Black Man Feeding a Horse

Stefano Della Bella

probably 1662 · etching

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The image shows a person standing next to a horse. The individual looks towards the same direction as the horse. The person has short curly hair and wears a loose garment, possibly a robe. The horse has ornate decorative elements on its bridle. In the background, there is another figure on horseback wearing a hat with a feather and a thick coat or cloak. The background is a simple line-drawn texture.

Print1986.50.82

A Black Man Feeding a Horse

Stefano Della Bella

probably 1662 · etching on laid paper [restrike]

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The image shows four individuals in traditional clothing and accessories. Two adults are seated in the center, one adult is standing to the left holding a spear and shield, and one child is standing to the right holding a bow and quiver. The setting includes an open landscape and clouds in the background. The image is framed within an oval on a beige border.

Painting1965.16.28

A Blackfoot Chief, His Wife, and a Medicine Man

George Catlin

1861/1869 · oil on card mounted on paperboard

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The image shows an illustration of two figures. One figure is in the foreground, standing upright with a muscular build, curly hair, and wearing an open-collared shirt with rolled-up sleeves. This figure's face is obscured by shadow. One arm is extended sideways, and the other rests on an open book. In the background, another figure is partially visible leaning over a table. The scene is dark, with no discernible details other than the figures, some architectural outlines, and a decorative border with etched patterns and a small bird-like creature at the bottom left.

Print1958.8.14

A Blacksmith (Un Forgeron)

Eugène Delacroix

1833 · aquatint and drypoint on laid paper

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In the image, a man is standing in a slightly turned position, leaning over a book on a table or surface. He has short, dark hair and distinctive facial features, although details are obscured by shadows. The man is wearing a shirt with rolled-up sleeves and an open neckline, showing his muscular build. The room is dimly lit with another figure's shadow in the background, implying the presence of someone else. The background is minimal, with predominating shadows, creating contrast with the dimly lit space around the man.

Print2020.83.3

A Blacksmith (Un Forgeron)

Eugène Delacroix

1833 · aquatint on laid paper

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Print1972.65.4

A Blessed Spirit

Cherubino Alberti after Michelangelo

1591 · etching

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The image depicts three individuals in full-length view, each with distinct poses. The person on the left has curly hair, a winged helmet, and holds a torch. The central figure wears elaborate armor, a plumed helmet, and a detailed cape. The third individual on the right wears a crown of flowers and puffed clothing. The characters are dressed in historical or allegorical apparel with intricate designs. The background is plain, highlighting the detailed attire and symbolic elements.

Portfolio2004.21.7

A Blindfolded Cupid Holding a Torch Before a Couple

Attributed to Zacharias Dolendo after Jacques de Gheyn II

1595/1596 · engraving on laid paper

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The sculpture depicts a scene carved into a round medallion. The subject includes human figures engaged in a battle or hunt. The figures are shown in dynamic poses, some on foot and others on horseback. The texture of the sculpture indicates that the figures are in relief. The piece is made of bronze with a reddish-brown patina. The figures and their arrangement suggest attention to detail and composition.

Sculpture1957.14.525.a

A Boar Hunt [obverse]

Giovanni Bernardi

c. 1544 · bronze//Medium brown patina (thin casting); Blunt cast

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The image shows a maritime scene featuring two sailing ships on a choppy sea. The horizon is at the top third of the composition, with wispy clouds in the sky. Brushstrokes indicate movement in the sails and waves. The color palette includes shades of gray and black. Two large ships are detailed with rigging and sails, and a smaller vessel is seen in the distance. Flags on the masts suggest wind filling the sails.

Print2016.89.6

A Boeier and a Galliot

Reinier Nooms, called Zeeman

c. 1652 /1654 · etching with drypoint on laid paper

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The image shows a sketch of two individuals engaged in a dynamic fight. The person on the left appears to be attacking, with their body leaning forward and their arm extended, while the person on the right is bent backward. Both individuals have exaggerated expressions and dramatic hair movement. They are wearing long, loose-fitting garments. The background is minimal, with a plain surface. There is a border around the sketch, with text above and below indicating it is part of a series titled "Proverbes et Maximes" and the caption "A bon chat, bon rat."

Print2015.143.260

A bon chat bon rat

Honoré Daumier

1840 · lithograph

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This is a drawing of architectural designs for a building. The image showcases two elevations and two floor plans of a structure. One elevation depicts a building with columns supporting a triangular pediment. The other elevation shows an entrance with an arched doorway flanked by windows, topped with a pediment. The floor plans reveal the spatial arrangement and construction details. The drawing suggests an emphasis on balance, symmetry, and classical proportions.

Volume1985.61.582

A Book of Architecture containing Designs for Buildings and Ornaments

James Gibbs (author)

published 1728 · 1 vol: ill:

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The image shows a person standing in a field. The person is in a slight lean forward, holding a tray with their right hand that contains brushes and a long stick with their left hand. They have facial hair and an open mouth. The person is wearing a wide-brimmed hat and a long, tattered coat with a cross patch on the left arm. The coat and sleeves have tears, and the lower part of the coat is frayed. The person's legs are covered with ragged material, and they are wearing pointed shoes. In the background, there is a house and a cluster of bushes or trees.

Print1999.100.4

A Book Peddler

H. Numan

Date not recorded · woodcut on laid paper

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Print2020.137.1

A Bouquet of Flowers in a Wicker Basket

Jean-Baptiste Monnoyer

c. 1680 · etching and engraving on laid paper

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This painting shows a bouquet of flowers with tall white and light-blue blossoms at the top, accompanied by wide green leaves and darker purple and blue flowers towards the bottom. A small orange and white butterfly rests on one of the large green leaves towards the bottom left, and a few other small brown bugs rest on leaves and stems. The background is plain, off-white paper, with a dark brown rectangular border.

Drawing1988.12.1

A Bouquet of Flowers with Insects

Pierre Joseph Redouté

Date not recorded · watercolor over traces of graphite with gold on vellum; laid down

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