National Gallery of Art · Open Data

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Explore only works whose published-image record is explicitly marked open access by the National Gallery of Art. Every result includes eligible imagery and connects back to the museum.

Collection results

63,836 open-access works

63,836 NGA-open-access works
Dataset refreshed September 12, 2026

Sculpture1957.14.95

A Bowl

Paduan or Venetian 15th or 16th Century

late 15th - early 16th century · bronze//Dark brown patina

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The image displays a sculpted bowl with a circular form. The bowl is a dark metallic brown color, suggesting it is made of metal such as bronze or copper. It is adorned with intricate engraved patterns consisting of interwoven swirling lines and curves. The bowl appears slightly worn with variations in patina but maintains a polished sheen. The angled placement of the bowl in the image showcases both the inner and outer surfaces, emphasizing the craftsmanship of the patterns and the smooth contours of the bowl.

Sculpture1957.14.96

A Bowl

Veneto-Islamic 16th Century

mid 16th century · bronze//Medium brown patina

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The sculpture is a bronze box with raised relief images on its surface. The lid features two cherubic figures holding a ribbon-like object on each side of an ornate pedestal or vase. The bronze material gives the sculpture a dark metallic color with a slightly weathered patina, highlighting the intricate details of the design. The box is rectangular, showcasing elaborate patterns and motifs on its sides, emphasizing its artisan quality. The sculpture's size suggests it is designed to be viewed up close, perhaps intended for personal or decorative use.

Sculpture1957.14.64

A Box

Paduan 16th Century

c. 1500 · bronze//Black lacquer over medium brown bronze

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The image shows a drawing of a dog's head facing forward. The dog's features are detailed, including eyes, a snout, and ears. The sketch depicts the texture of the fur around the dog's face and neck. The background is plain. No additional elements are present in the image.

Drawing2003.136.1

A Boxer

Johann Heinrich Wilhelm Tischbein

c. 1795 · black chalk on laid paper mounted on 18th century album sheet

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Print2015.19.3617

A Boy

James Wells Champney

1882 · etching in black on wove paper

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The drawing depicts the upper half of a person's body facing slightly upward and to the right. The individual has arms extended outward with open hands. The facial features are outlined, with the head tilted upward, eyes looking at the sky, and lips slightly parted. The hair is short and closely cropped. The clothing is loose and flowing, resembling a robe or cloak. No jewelry or objects are visible in the person's hands. The background is a simple blue-gray color, contrasting with the reddish-brown chalk sketch of the figure.

Drawing1998.75.1

A Boy Gazing Upward in Adoration

Bartolomeo Cesi

c. 1594 · red chalk heightened with white chalk on blue laid paper

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The image depicts the upper body of a seated person leaning against a large animal, likely a dog. The person is wearing a striped cap and casual clothing. The surroundings are bare, and the sketch is characterized by bold, expressive lines with a sepia tone background.

Drawing2014.51.1

A Boy Holding His Dog

Anonymous artist after Edouard Manet

after 1922 · facsimile with graphite and pen and ink

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Drawing1998.73.1

A Boy in Florentine Costume

Thomas Couture

c. 1863 · black chalk heightened with white chalk on blue laid paper

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The image shows a person sitting in a small boat. The individual is in a seated position, leaning back slightly, with legs extended in front of them. Their facial features are softly outlined, with round cheeks and closed lips. The person wears a distinct, floppy hat and is dressed in a buttoned, long-sleeved tunic with a ruff collar, puffed sleeve cuffs, breeches, and stocking-like leggings. They hold a long pole in both hands, appearing to use it to propel the boat. The background is minimal and neutral, with soft lines indicating gentle waves or water, but no other distinct features or objects are present.

Drawing1986.45.1

A Boy on a Sled

Jost Amman

late 1560s · pen and black ink with brown, blue, and pink wash on laid paper

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Drawing1987.10.1

A Boy Smiling

Francesco Zuccarelli

c. 1750 · black chalk

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The image shows a dynamic scene with figures and horses from a straight-on perspective. The horizon line is in the middle of the composition, providing depth between the individuals and horses in the foreground and the figures in the background. The artwork is a detailed etching with fine lines defining forms and textures like the horses and clothing. It is in a monochromatic palette of black and white, using contrasts and shadows for vividness and depth. In the foreground, a man is tugging a horse's bridle while another man on horseback raises a whip. More figures on horseback can be seen in the distance against a cloudy sky.

Print2014.56.2

A Boy Taking a Horse to Drink

Dirck Stoop

1651 · etching on laid paper

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The image shows the head of a person facing the viewer directly. The facial features include a round face, rounded cheeks, a defined nose, and a neutral expression on their lips. The person's eyes are open and gazing directly forward. They wear a cap slightly slouched to the side, with hair peeking out showing gentle waves or curls. The individual has on a garment with a loose-fitting collar tied in the front with a bow. The background is a plain, textured paper. No jewelry or additional objects are visible.

Drawing1992.77.1

A Boy Wearing a Military Cap

French 18th Century

Date not recorded · black chalk heightened with white on blue laid paper

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The drawing depicts the upper body of a person facing the viewer. The person has soft eyes, a straight nose, and slightly parted lips, suggesting a relaxed expression. The individual's hair is wavy and appears to be tied back. They are dressed in a garment with light and dark stripes and a high collar or ruff. The figure holds a long object in their hand. The background is plain and textured, emphasizing the subject.

Drawing1979.40.1

A Boy with a Lute

Giovanni Battista Piazzetta

c. 1740 · black chalk and charcoal, heightened with white chalk on (faded) blue laid paper

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This painting shows a thorny branch with round berries and small green leaves. The berries range from pale green to yellow to rich reddish-brown, with thin pale veins running through them. A butterfly, a caterpillar, and a dragonfly are also present, resting on the leaves. The butterfly's wings are pale orange and the dragonfly is blue, while the caterpillar is covered in thin white fibers. The background is solid black.

Drawing2008.53.2

A Branch of Gooseberries with a Dragonfly, an Orange-Tip Butterfly, and a Caterpillar

Barbara Dietzsch

mid-18th century · gouache over graphite on prepared paper

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Drawing1991.217.52.b

A Breton Boy with a Jug; Five Animal Forms [verso]

Paul Gauguin

1884-1888 · crayon and graphite on wove paper

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The image captures a person from above, seated or crouching. The figure is bending forward, with their head bowed down and turned towards the ground on the left side of the frame. The facial features are not visible due to the angle, and the head is covered by what appears to be a cap or cloth. The person's hair is partially visible, likely dark and matching the outfit. They wear a long sleeve garment in shades of green and blue, with parts of it extending around them. One hand is reaching towards the ground. The background is plain, drawing focus to the figure.

Drawing2006.128.21

A Breton Gleaner

Paul Gauguin

1886 · pastel on laid paper, squared in blue pastel

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Drawing1991.217.57.a

A Breton Woman and a Standing Man; Head and Hand of a Monkey [recto]

Paul Gauguin

1884-1888 · crayon and graphite on wove paper

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This is a drawing of two distinct sketches. The left panel features a rapidly drawn, sketch-like depiction of the back of a figure in motion or leaning forward. The right panel showcases a more abstract collection of lines and shapes, with a focus on horizontal and vertical lines, cloud-like forms, and other abstract shapes. The drawing is minimalistic, with fast, gestural strokes as the primary technique.

Drawing1991.217.44.b

A Breton Woman Walking; Sketch with Stairs [verso]

Paul Gauguin

1884-1888 · crayon on wove paper

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This painting depicts a scene of a bridge over a canal. The perspective is close to the water, with buildings on the left side and in the background behind the pale blue bridge. The buildings include a tall tan belltower in the center of the painting. On the left, a long brown boat floats in the water by the buildings. The buildings are in shades of cream, teal, dark blue, brown, pink, and peach. The canal is mostly gray and white, but it reflects some shades of blue and peach from the buildings. The sky above is cream. The painting uses soft pastel colors and fluid, visible brushstrokes, causing some of the colors to blend together.

Drawing1970.17.169

A Bridge and Campanile, Venice

John Singer Sargent

1902/1904 · watercolor over black chalk on thick wove paper

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The image shows a stone bridge over a river, with water cascading over rocks in the foreground. Lush trees line both sides of the bridge, extending into the background. The etching technique creates detailed foliage and river movement. The monochromatic color palette of black and white highlights light and shadow, resulting in a dramatic yet tranquil scene.

Print1987.51.1

A Bridge in Auvergne (Un pont en Auvergne)

Paul Huet

1834 · etching and roulette on chine applique

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The image portrays a young boy standing with a slightly angled posture. He has a youthful face with large eyes and a subtle smile. He has short, wavy hair, partially covered by a cap, and is wearing a long-sleeved shirt with rolled-up sleeves, suspenders, knee-length, tattered pants, and worn-out, mismatched shoes. He is holding a small box or case associated with shoe-shining. The background is a textured, plain surface.

Print2008.115.4362

A Bright Outlook

Henry Pruett Share

1887 · etching

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Drawing2015.206.2

A Broad Valley at Sunset

Hippolyte Petitjean

c. 1897 · watercolor on wove paper

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The image shows a waterside scene captured from a low angle, slightly elevated above the water. The horizon consists of a grassy and reed-filled bank with trees and a thatched-roof cottage in the background. The style is realistic in black and white, with detailed textures in the water, reeds, and trees. A person is seen in a small boat near the water's edge, navigating with a wooden pole. A larger sailboat is docked nearby, contributing to the tranquility of the setting. The color palette is monochrome with shades of gray and black and soft contrasts to highlight details in reflections on the water and sky. The sky is partly cloudy, diffusing light across the scene.

Photograph1995.63.1.c

A Broadman's Cottage

Peter Henry Emerson and T.F. Goodall

1886 · platinum print

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This is a drawing of a scene with various figures. One figure is seated on a box labeled "BUREAU" and "CAISSE," smoking a pipe and gesturing towards an entering figure accompanied by others. The features of the individuals are exaggerated, enhancing the satirical nature of the piece. The mood is humorous and critical, possibly related to socio-political commentary. It is labeled "ACTUALITÉS" at the top, suggesting it may be part of a series or publication dedicated to current events or social issues.

Print2015.143.594

A Bucharest

Honoré Daumier

1854 · lithograph

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