National Gallery of Art · Open Data

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Explore only works whose published-image record is explicitly marked open access by the National Gallery of Art. Every result includes eligible imagery and connects back to the museum.

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63,855 open-access works

63,855 NGA-open-access works
Dataset refreshed September 19, 2026

The sculpture seen on the circular medallion depicts multiple human figures, some holding staffs, with the central focus on a seated figure. The figures are nude or partially draped and stand in dynamic poses. The material of the medallion appears to be bronze, giving it a brownish color with a shiny, polished surface. The scene is intricately detailed, showcasing the artist's skill in rendering the human form in a small scale, with the figures in relief against the flat background of the medallion. A small hole at the top suggests it may be for hanging or mounting. The letters "I.O.F.F" are inscribed at the bottom of the medallion.

Sculpture1957.14.472

Ariadne at Naxos

Master IO.F.F.

second half 15th century · bronze//Medium brown patina (slightly rubbed)

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This circular relief depicts a group of people engaging in various poses and interactions. The people are nude and are depicted with detailed musculature. Several people hold long poles; the pole held by the central person appears to be topped with the head of a bull. The relief is a brownish-gold color, with darker areas of patina obscuring many of the details of the carving. There is a small hole near the top of the sculpture.

Sculpture1942.9.209

Ariadne on Naxos

Master IO.F.F.

second half 15th century · gilded bronze

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The image shows an aerial view of a hillside town. The town's buildings are depicted with soft brushstrokes, displaying classical architectural elements. The horizon is placed higher in the image, allowing a view of the town's ridgeline. In the foreground, there are outlines of trees and bushes in tan and soft brown shades. A viaduct with arches stretches across the landscape in the distance. The sky is a muted gray-blue tone, possibly indicating a calm or overcast atmosphere. The use of neutral tones and fine lines gives the drawing a contemplative quality.

Drawing2011.129.1

Ariccia Seen from across a Valley

August Christian Geist

1866 · watercolor over graphite heightened with white, on brown laid paper

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The image shows an elevated view over a landscape with rolling hills and lush vegetation. The horizon line is in the upper third, with distant landforms and a cloudy sky above it. A faint rainbow is arching in the distance. The brushstrokes show fine detail in the trees and clouds. The color palette is monochromatic, using black and white shades to emphasize texture and contrast. In the foreground, two large trees frame the left side, and figures are seen engaging in a dance or celebration.

Portfolio2003.86.25

Aricia

Johann Christian Reinhart

1793 · etching on laid paper [proof]

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This is a drawing of mythological figures with marine creatures. The image depicts two figures often seen in mythology, appearing to be a merman and mermaid, interacting with large sea creatures which resemble fantastical fish. The merman is shown with a muscular build, holding a trident-like object, while the mermaid is reaching out with a vine or ribbon-like object. The water around them is suggested by a series of swirling lines. In the background, there is a small landmass. The figures and creatures are rendered in a detailed, textural manner, consistent with traditional engravings or woodcuts.

Print1943.3.428

Arion and a Nereid

Albrecht Altdorfer

c. 1520/1525 · engraving on laid paper

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The sculpture depicts three human figures in an ancient or historical setting. The central figure is a nude male wearing a helmet and draped with a cloth that covers one shoulder, while the two figures flanking him are dressed in armor and helms. They appear to be in a mildly aggressive stance, with one holding what looks like a dagger or short sword. The sculpture is circular and appears to be a relief on a circular medallion or plaque. The material of the sculpture seems to be a bronze or similar metal, giving it a brownish-golden color with some variation due to lighting and texture. In the background, there is a depiction of ships and possibly a coastal setting. The figures have realistic proportions and detailing, indicating fine craftsmanship.

Sculpture1957.14.328

Arion Captured by Pirates

Moderno

late 15th - early 16th century · bronze//Medium brown patina

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This is a drawing depicting a figure seated on a large fish with a harp, surrounded by a turbulent sea. The central figure is detailed, with muscular features and a billowing cloak. The figure holds a harp in their left arm and gazes upwards. The waves around them are vigorous, conveying a stormy sea. In the background, a ship battles the waves. The artwork showcases detailed lines and crosshatching techniques, creating texture and depth.

Print2012.92.570

Arion on a Dolphin

Jan Muller, after Cornelis Cornelisz van Haarlem

c.1590 · engraving on laid paper

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The sculpture is a circular relief depicting a scene involving two subjects: a ship with visible ropes and masts positioned on the left, and a human figure sitting on the right. The person appears to be holding on to a large fish, resting one arm across its back, as they sit on what looks like a rock amidst swirling, wave-like patterns. The image is surrounded by a raised border framing the circular scene. The sculpture itself is crafted in a monochromatic material, giving it a uniform, metallic brown color that highlights the sculptural details and textures against the flat background. The overall appearance is one of high-relief detail, where the subjects stand out prominently against the background plane.

Sculpture1957.14.329

Arion Rescued by the Dolphin

Attributed to Moderno

late 15th - early 16th century · bronze//Medium brown patina

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The sculpture depicted in the image is a round, medallion-like relief. The subject of the sculpture is a human figure kneeling on a sea creature resembling a dolphin. The figure is partially draped in flowing garments, with one hand resting on the dolphin's head. The sculpture is primarily brown in color. It features intricate details such as the textures of the figure's clothing and a dynamic pose. Surrounding the central image is a raised border with inscribed text. The surface of the sculpture shows signs of aging.

Sculpture1957.14.732.b

Arion Riding a Dolphin [reverse]

Giovanni Boldù

1457 · bronze

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The sculpture depicts a bearded male figure seated on a large shell. The man holds a musical instrument in front of him, resembling a harp or lyre. The sculpture is crafted from dark bronze, giving it an antique and metallic finish. The figure is nude, with detailed hair and beard. The dimensions of the sculpture suggest it is small in size, suitable for display on a tabletop or shelf. The bronze texture enhances the naturalistic and classical feel of the piece.

Sculpture1957.14.19

Arion Seated on a Shell

Attributed to Severo da Ravenna

first quarter 16th century · bronze

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Print2015.143.440

Ariste trouvé Chauvel

Honoré Daumier

1848 · lithograph

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The image depicts an illustration of a man from the chest up, leaning against a wall with his left arm raised and resting against it. He is positioned slightly angled to the right side of the frame. The man's facial features are sharply defined, with a strong jawline, a pronounced nose, and intense eyes partially shaded by the brim of his wide, dark hat. His hair is mostly hidden under the hat except for a few strands falling on his forehead. He is wearing a buttoned shirt with visible black suspenders and a light-colored scarf wrapped around his neck. The background is sketchy and abstract, with varying shades of gray suggesting a textured, shadowy environment.

Portfolio1947.7.169

Aristide Bruant

Henri de Toulouse-Lautrec

1893 · lithograph in black on velin paper

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The image features a plant stem with elongated and curved leaves or petals. The color palette is grayscale, highlighting shadows and texture. The stem is centered in the image with symmetrical leaves spreading out. The number 25 is visible in the bottom right corner.

Print2006.133.34.25

Aristolochia clematitis

Karl Blossfeldt

1928 · photogravure

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The sculpture depicts a stylized plant form. It resembles a budding flower or leaf growing from a stem. The sculpture is made of a dark material, possibly a dark metal or patinated material, lending to its monochrome presentation in the image. It features detailed textures resembling the veined surface of leaves. The sculpture appears smooth and polished, with intricate detailing. It gives a sense of organic movement as if the plant is dynamically growing. The scale in relation to the image suggests it may be a smaller decorative piece, emphasizing fine craftsmanship and attention to detail.

Print2006.133.34.58

Aristolochia clematitis

Karl Blossfeldt

1928 · photogravure

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Sculpture1957.14.892

Aristotle

Florentine 15th Century

c. 1500 · bronze

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Print2012.46.1.47

Aristotle

Italian 16th Century, after Enea Vico, published by Antonio Lafreri

1553 · engraving

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The sculpture depicts two male figures in a scene. The standing figure is wearing a turban and is holding a book, while the seated figure has a full beard and is wearing a hat, with one hand on the book and the other hand gesturing. The clothing of both figures is detailed with folds resembling flowing robes. The sculpture is cast in a brownish-gold material with a textured, aged appearance. Behind the figures are etched structures resembling buildings or castles and a tree to the right, adding depth to the scene. Text is visible along the top edge of the sculpture. The overall size of the sculpture suggests it is a relief meant to be viewed up close, with fine details highlighting the figures' expressions and attire.

Sculpture1957.14.284

Aristotle and Alexander of Aphrodisias

Ulocrino

early 16th century · bronze//Medium brown patina (rubbed on raised surfaces)

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Print1946.11.123

Arithmetic

Georg Pencz

Date not recorded · engraving

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The image shows two people from the waist up. The person on the left is seated and is slightly turned toward the person on the right. They have delicate facial features and are adorned with curled hair, partially covered by a flowing cloth that drapes over the head like a veil. This person wears a garment with loose fabric draped over one shoulder, adorned with a patterned band on the upper arm. The person's breast is partially exposed. The individual on the right is leaning in closely, peering at a tablet that the left person holds. This person wears a soft, rounded hat with a brim and has curly hair peeking out from underneath, along with a high-necked tunic. There is an inkstand with a quill on a table in the foreground. The background features a wall with shelves filled with books and papers.

Print2011.139.76

Arithmetic

Cornelis Jacobsz Drebbel, after Hendrik Goltzius

c. 1597 · engraving on laid paper

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The image shows a person standing with hands clasped in front of the waist. The person has soft facial features and is wearing a draped head covering and a long robe with pleats at the waist. The background has a decorative border and a plain floor.

Print1943.3.9518

Aritmetricha (Arithmetic)

Master of the E-Series Tarocchi

c. 1465 · engraving

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Print1986.60.21

Arizona Night

George Elbert Burr

1930 · drypoint and aquatint in green on wove paper

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Painting1956.13.3

Ark of the Covenant

Erastus Salisbury Field

c. 1865/1880 · oil on canvas

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This is a painting of various colorful birds perched on branches along with butterflies. The image depicts a collection of birds and butterflies. Each bird exhibits distinct markings, such as vivid reds, yellows, and subtle browns. The background is a plain, neutral hue.

Print1945.8.359

Arkansaw Flycatcher, Swallow-tailed Flycatcher and Says Flycatcher

Robert Havell after John James Audubon

1837 · hand-colored engraving and aquatint on Whatman wove paper

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This is a painting depicting five birds perched on branches and grass. The birds are uniquely colored and posed, sitting on various levels of a thin, winding branch and on the ground among grass. The topmost bird has pinkish hues and a red cap. A bird below it has bright yellow plumage with black wings. Another bird is grayish and rests on the branch's end, while the bird on the right has warm orange and black feathers. The painting emphasizes precise lines and delicate coloring to detail the birds' feathers and markings. The background subtly gives an impression of distance, evoking an open natural space. This piece is stylistically reminiscent of John James Audubon.

Print1945.8.400

Arkansaw Siskin, Mealy Red-poll, Louisiana Tanager, Townsend's Finch and Buff-breasted Finch

Robert Havell after John James Audubon

1837 · hand-colored engraving and aquatint on Whatman wove paper

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