National Gallery of Art · Open Data

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Explore only works whose published-image record is explicitly marked open access by the National Gallery of Art. Every result includes eligible imagery and connects back to the museum.

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63,855 open-access works

63,855 NGA-open-access works
Dataset refreshed September 19, 2026

The image shows a person wearing a Harlequin costume sitting on a drum. They are holding a pointed object to their chest with one hand and gesturing towards their neck with the other hand. The person's face is obscured by a mask with a prominent nose and round eyes, with a large hat on top. They are wearing a patterned costume with long sleeves and pants, along with close-fitting shoes. The background features a natural landscape with clouds and foliage.

Print1985.61.590

Arlequin Glouton

François Joullain after Claude Gillot

c. 1730 · etching on laid paper

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The image shows an individual posing as a harlequin character. The person is standing with one leg slightly forward, the right arm bent upwards and hand touching the nose. They wear a mask with exaggerated eyebrows and a large mustache, a soft hat, a fitted jacket, baggy pants with a sash at the waist, and slipper-like shoes. A bat or wooden paddle is tucked into the sash. In the background, sketched foliage and a lightly clouded sky are visible.

Print1985.61.589

Arlequin pleurant

François Joullain after Claude Gillot

c. 1730 · etching on laid paper

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This is a photograph of a historic cloister. The image captures a long, narrow corridor with an arched stone ceiling and rows of intricately carved columns lining either side. The columns on the left are adorned with elaborate capitals and supporting a series of arches that open up to an inner courtyard. The corridor is cast in a soft, sepia tone, lending an antique quality to the scene. Light enters from the left, highlighting the textures of the stone floor and the carvings on the columns. The end of the corridor fades into shadow, adding depth to the photograph.

Photograph2023.83.3

Arles, Cloître Saint-Trophîme (Arles, Saint-Trophime Cloister)

Édouard-Denis Baldus

c. 1861 · albumen silver print

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The image shows two women in full-length, dressed in period clothing. One woman is standing, leaning against a carved stone structure with her one arm holding up a portion of her long dark dress. Her other arm is bent, resting on her hips. She wears a white bonnet, white apron, and a scarf-like accessory around her shoulders. The other woman is seated, turned slightly to the side with her hands folded in her lap. She wears a dark dress, white apron, and a bonnet. The background consists of architectural elements that appear ancient or in a classical design, featuring columns and arches, with intricate carvings and textures on the stone. The scene is set in an exterior location, possibly an ancient ruin, with shadows suggesting an afternoon light.

Photograph2018.173.2

Arlesiennes dans le Cloître de Saint-Trophime (Women from Arles in the Cloisters of Saint Trophime)

Charles Nègre

1852/1854 · salted paper print

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The image depicts a soldier standing near an engraved stone that reads "DIED FOR THE UNION." The scene includes trees, a low horizon with a setting or rising sun casting a glow on calm waters, and the soldier holding a rifle. The color palette is gray, with shades to create depth and emphasize the moonlit background. Engravings of "ARLINGTON HEIGHTS" and "DIE WACHT AM POTOMAC" frame the composition.

Print2013.3.5

Arlington Heights. Die Wacht. Am Potomac.

Thomas Nast

1871 · wood engraving in black on newsprint

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The image portrays a natural landscape with a river flowing over rocks. Dense foliage and a stone wall line the riverbanks. A person sits on a big rock near the water. The photograph uses a long exposure technique, creating a smooth appearance on the flowing water. The color scheme is composed mainly of sepia tones, creating a timeless and serene mood.

Photograph2022.103.5

Arlington Mills

Andrew Joseph Russell

1863 · albumen silver print

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The image shows a single wooden chair with a high back and ornate carvings at the top, along with a red cushioned seat. The chair is positioned centrally facing slightly to the right, displaying its armrests and legs. The color palette includes brown for the wood and muted red for the cushion against a pale background.

Index of American Design1943.8.4086

Arm Chair

M. Rosenshield-von-Paulin

1935/1942 · watercolor, gouache, colored pencil, and graphite on paperboard

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Index of American Design1943.8.4090

Arm Chair

Simon Weiss

c. 1936 · pen and ink on paper

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The image shows a wooden chair with an intricate design. It has a high backrest with cut-out ornamental patterns, scrolled armrests, and cabriole legs. The chair is primarily colored in rich browns with a natural wood finish.

Index of American Design1943.8.4224

Arm Chair

M. Rosenshield-von-Paulin

1937 · watercolor, gouache, colored pencil and graphite on paperboard

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The image shows a wooden chair with a leather seat and backrest. The leather is fastened to the frame with large brass studs evenly spaced apart. The chair is against a light-colored background, emphasizing its features.

Index of American Design1943.8.7551

Arm Chair

Hal Blakeley

1941 · watercolor, colored pencil, and graphite on paper

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Index of American Design1943.8.10383

Arm Chair

Alfred Nason

c. 1937 · pen and ink and gouache on paper

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Index of American Design1943.8.10397

Arm Chair

Elizabeth Curtis

1935/1942 · pen and ink and graphite on paper

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The image features a detailed drawing of an ornate red chair with a high back and sculpted wooden framework. The color palette includes rich red for the chair's upholstery and dark brown for the wooden parts on a light cream background. There is a smaller, faintly sketched architectural element with a decorative floral and curvilinear pattern near the top right of the image. The chair is positioned in the center of the composition with ample negative space around it.

Index of American Design1943.8.10415

Arm Chair

Herbert Marsh

1935/1942 · watercolor, graphite, and colored pencil on paper

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This image shows a wooden chair with a reddish-pink cushioned seat. The chair has ornate wooden designs on its backrest and is positioned in the center. A small sketch of the chair's backrest is in the lower left corner of the image.

Index of American Design1943.8.10417

Arm Chair

American 20th Century

1935/1942 · watercolor, graphite, colored pencil, and gouache on paper

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Index of American Design1943.8.10428

Arm Chair

Edna C. Rex

1935/1942 · watercolor, graphite, and gouache on paper

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The image shows a wooden chair with a red cushioned seat. The color palette includes natural wood tones and muted red. The chair is positioned centrally on a plain, light-colored background.

Index of American Design1943.8.17421

Arm Chair

Florence Choate

c. 1940 · watercolor, graphite, and pen and ink on paperboard

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The image showcases a wooden armchair with riveted brown leather upholstery. The chair is centrally positioned on a light background and viewed directly from the front at a slight angle.

Index of American Design1943.8.6986

Arm Chair (Ecclesiastical)

Gerald Transpota and Harry Mann Waddell

1937/1940 · watercolor, colored pencil, graphite and heightening on paper

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Print1949.5.53

Arm. Jacques Lherbette

Honoré Daumier

1849 · lithograph

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The image is a portrait displaying the upper body of an individual, shown from the chest upwards. The person is facing slightly to the left with their head turned towards the viewer. They have distinct facial features including a pronounced nose, full lips, and clear eyes. The individual's long, curly hair falls past their shoulders. They are wearing a richly decorated garment with a high collar, fastened with a decorative tie at the neck. In the background, there are two heraldic symbols placed in the corners around the oval frame of the portrait. The artwork has a textured, engraved appearance with cross-hatching providing shade and depth. Below the portrait, there is text containing the individual's name and titles, surrounded by an ornate, decorative border.

Print1991.208.68

Armand de Bourbon

Balthasar Moncornet after Luggert van Anse

Date not recorded · engraving on laid paper

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The image depicts a portrait of a person's upper body. The individual is shown in a three-quarter view facing left, with a focus on their face. They have wavy shoulder-length hair, a composed expression, a straight nose, and full lips. The person is dressed in a formal garment with a high collar and buttons, adorned with a detailed brooch or ribbon near the neck. The background features an oval pattern surrounding the subject with textured lines for depth, but no specific setting is visible.

Print1991.208.74

Armand de Bourbon

Balthasar Moncornet after Luggert van Anse

Date not recorded · engraving on laid paper

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The image shows the upper half of a young male figure seated or angled slightly, facing forward with his head turned to his left. He has a youthful face with prominent eyes, a subtle mouth, and curly hair reaching his collar. He is dressed in a garment with a voluminous collar and a decorative element, possibly a brooch. There is no visible jewelry or objects held. The background includes an oval frame with linear texture shading around the figure, and inscription details on the outer border.

Print1991.164.51

Armand de Bourbon, Prince de Condi

Claude Mellan

Date not recorded · engraving on laid paper

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The image shows an engraved portrait of a young person from the waist up. The individual is positioned slightly turned to the left but looking directly at the viewer. They have defined features, soft eyes, and curly hair that frames the face, reaching almost to the shoulders. The person is wearing a period-style outfit with a large white collar over a dark garment, fastened with a neck brooch. The clothing appears to be formal and is detailed with textures akin to rich fabric, such as velvet or silk. The portrait is set within an oval frame, accompanied by a coat of arms and initials "AD" below. The background features lined etching work that fills the space within the oval and extends onto the rest of the page.

Print1991.164.52

Armand de Bourbon, Prince de Condi

Claude Mellan

Date not recorded · engraving on laid paper

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The image shows a portrait of a person's upper body, from the chest up. The individual is positioned slightly turned to the right, with their head facing forward and their gaze directed towards the left. They have wavy hair falling to their shoulders, along with refined features including eyebrows, a long nose, and slightly pursed lips. The person is dressed in formal clothing with a prominent collar, silky fabric, and a long chain with a large cross pendant around their neck. The portrait is framed in an oval frame with decorative elements including an ornamental crest with initials. The artwork is monochromatic with fine lines and shading typical of engraved portraiture.

Print1984.25.8

Armand de Bourbon-Conti

Jean Morin after Justus van Verus

Date not recorded · etching, engraving, and stippling on laid paper

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The image shows a man's bust, with the upper half of his body visible in a formal pose. He has a full beard and mustache, with curly or wavy, receding hair. The man is wearing a suit with a high collared shirt and a bow tie. Around him are books and scrolls with various titles visible, such as "CODE" and "LOIS." The background features a library or study with shelves full of books and writing implements.

Print1977.35.2

Armand Guéraud

Charles Meryon

1862 · etching and engraving in black and red on laid paper [printed from 2 plates]

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