National Gallery of Art · Open Data

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Explore only works whose published-image record is explicitly marked open access by the National Gallery of Art. Every result includes eligible imagery and connects back to the museum.

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63,855 open-access works

63,855 NGA-open-access works
Dataset refreshed September 19, 2026

The image shows a man standing with one foot forward and one hand on a table. He has a full beard and shoulder-length wavy hair, and wears a knee-length tunic with a draped blue garment over one shoulder. The man has red sandals. Next to him is a table covered with a purple cloth, holding golden vessels, fruits, and an ornate pitcher with a lion design. In the background are mountains and a large column. The name "Aser" is displayed at the top of the image.

Portfolio2005.128.8.a

Aser

Jan Sadeler I after Crispen van den Broecke

c. 1585; published 1643 · hand-colored engraving on laid paper

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The image shows an elderly man from the chest up. He is slightly turned to his left, with his shoulders in view. His head is facing forward with a calm expression. He has piercing eyes, a long, full beard, and medium-length wavy hair. The man is dressed in a dark coat with no visible detailing, against a light background. The background is a plain, textured surface.

Print2015.19.2408

Asher B. Durand

Frederick Halpin, after Charles Loring Elliott

1865 · engraving in black with chine collé on wove paper

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The image depicts a landscape from an elevated viewpoint. A balustrade and tiled floor are in the foreground. A figure leans on the railing, overlooking a body of water that leads into rolling hills and mountains. The horizon is high, suggesting a vast view. The hills and water are created with dense, textured brushstrokes. The color palette is shades of grey and black. The scene has a tranquil yet somber atmosphere. The limited palette emphasizes contrasts in texture and form, and light and shadow.

Print2008.115.5094

Ashokan Reservoir

Arnold Wiltz

1931 · lithograph

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Print2015.19.1584.29.11

Ashton Alexander

Charles B. J. Févret de Saint-Mémin

1804 · mezzotint and engraving in black on wove paper mounted to brown wove paper

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The image shows a person seated on the ground with their legs extended, holding a mirror. The person has long hair, is draped in a cloth, and is wearing a necklace. Surrounding them are a camel, a lion, and another large animal. Trees and dense foliage are in the background.

Print1964.8.604

Asia

Etienne Delaune

1575 · engraving

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The sculpture depicts a mammoth with long, curved tusks, textured wrinkled skin, a hump on its back, and a bronze hue. It is shown in a walking stance on an oval base, with detailed musculature and proportions.

Sculpture1999.79.19

Asian Elephant Walking

Antoine-Louis Barye

model c. 1830s · bronze

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There are two teapots in the image. The larger teapot has a decorative pattern of red leaves and blue curve on an olive-green background, with a white handle. The smaller teapot has a dark brown glossy finish. The color palette consists of earthy tones like browns, olive green, red, and blue. The larger teapot is positioned slightly to the right, behind the smaller one, which is in the foreground on a reflective green surface. The background has a light beige appearance.

Drawing2004.165.5

Asian Tea Pots

Henry Farrer

n.d. · watercolor on paper mounted to paperboard

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Two women are shown standing in a hallway lined with shelves filled with papers. Both women wear traditional nun habits and appear engaged in their surroundings. The hallway is well-lit with sunlight streaming in from windows, casting shadows.

Photograph1995.36.108

Asile Impérial de Vincennes: la Lingerie

Charles Nègre

1859 · albumen silver print

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This is a photograph of a ceremonial gathering in front of a grand building entrance. The image shows a group of individuals arranged in a semi-circle facing towards the camera. Some are standing on the steps leading to a large arched doorway. The building's facade is detailed with brickwork and decorative elements around the doorway. Many individuals are holding or waving hats in the air. The crowd includes people in various attires such as dark suits and lighter clothing. The photograph captures a historical moment and the architecture and clothing styles indicate the time period. A gravel path is visible leading up to the steps, and the overall tone of the image is sepia.

Photograph1995.36.107

Asile Impérial de Vincennes: le 15 Août, le Salut à l'Empereur

Charles Nègre

1859 · albumen silver print

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The image depicts an abstract design with a central circular shape outlined in blue. The design includes intricate curved lines and leaf-like motifs in brown and cream colors. The pattern appears symmetrical, with a central arrow-shaped element suggesting a sense of direction or movement. The overall design could be interpreted as resembling an elaborate emblem, crest, shield, or ornate depiction of flora like petals or leaves surrounding a central stem.

Index of American Design1943.8.18205

Asistencia of San Antonio de Pala Wall Design from the portfolio "Decorative Art of Spanish California"

American 20th Century

1935/1942 · screenprint on paperboard

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The image displays an abstract composition of symmetrical shapes and lines. There is a large blue circle in the center, containing a cream-colored stylized form with pointed extensions, flanked by elongated leaf-like shapes. Below the circle are sweeping arcs and curved lines in blue that extend outward. Surrounding these are maroon shapes resembling leaves or flames. The overall arrangement creates a sense of balance and symmetry, drawing on forms suggesting elements from nature.

Index of American Design1943.8.18136

Asistencia of San Antonio de Pala Wall Design from the portfolio of "Decorative Art of Spanish California"

American 20th Century

1935/1942 · screenprint on paperboard

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This image shows an interior scene with three figures lying down, a lantern hanging above them casting shadows on the rough walls. Shelves on the right hold various items, and a small barred window is partially obscured by tall grass or plants. The setting suggests a temporary or makeshift shelter, conveying intimacy. The artwork features detailed linework, creating texture and depth in the space.

Portfolio1981.58.16

Asleep Aboard the Bottin (Coucher a bord du Bottin)

Charles-François Daubigny

1862 · etching

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The image depicts a wooden wall-mounted object with two curved arms, resembling a twin horseshoe design. The color palette consists mainly of warm brown tones, with different shades highlighting the wood grain and the aged texture of the material. In the foreground, the object is positioned slightly to the right, with the larger upper curved arm overlapping the smaller lower curved arm. The flat back panel is mounted vertically, providing structural support to the entire assembly.

Index of American Design1943.8.8348

Asparagus Buncher

Charles Garjian

c. 1940 · watercolor, pen and ink, and graphite on paper

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This painting shows a bundle of asparagus tied with a brown string, with two red tomatoes in front of it and a green melon in the background. The asparagus bundle is in the center, the dark green spears pointing to the upper right corner and the lighter, jagged ends pointing towards the bottom left. The shiny red tomatoes are in front, on the lower right, and the melon is behind the asparagus on the left, with vertical stripes of light and dark green and a short vine curling from the top. To the right of the vegetables is a thin curling vine with wide leaves. The objects are placed on a gray surface, and the wall behind them is a gradient of brown, lighter on the right and darker on the left.

Painting2018.44.14

Asparagus, Tomatoes, and a Squash

Paul Lacroix

1865 · oil on canvas

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The image shows a busy scene outside a train station. Many people are crowded together, some trying to board or exit. They are depicted in motion, with exaggerated facial features and various body positions. Men are wearing suits and top hats, women are in dresses with bonnets. One man is shown sitting above the chaos on a ledge, holding a long stick or whip. There is no jewelry visible, but hats, walking canes, and packages can be seen. A clock on the wall indicates a busy moment. The station has grand architecture.

Print1977.81.4

Aspect d'une gare de chemin de fer...

Honoré Daumier

1852 · lithograph

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This is a drawing of three figures moving through a street. The scene shows three individuals in 19th-century attire, each holding a weapon. The figures appear engaged in a hunt or chase. Their faces express determination and a touch of comedic exaggeration. The background includes an audience of curious faces peering over a balcony, and an inset illustration in the upper right shows two additional figures with surprised expressions. The composition emphasizes movement and intent through bold, energetic lines typical of caricature art.

Print2015.143.1261

Aspect de la rue Lacépède ...

Honoré Daumier

1858 · lithograph

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The image shows a large orchestral concert with an audience and conductor. Attendees are wearing top hats and coats. The conductor is standing on a podium with arms raised, appearing to lead an orchestra. Rows of figures are visible in the background, filling a vast space that suggests an auditorium or grand hall. The style features strong lines and hatching, possibly lithographic, giving the image a textured, slightly animated quality.

Print2015.143.747

Aspect de la salle

Honoré Daumier

1859 · lithograph

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Print2015.143.411

Aspect de la Seine de Paris a chatou

Honoré Daumier

1951 · lithograph

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This is a drawing of a street scene with floating hats that have labels related to financial markets. The scene shows a street in Paris with balconies. On one balcony, a person is looking at the street below where many hats are floating in the air. Each hat is labeled with terms such as "cotton," "café," and "blé." The sketch style suggests a satirical approach to the scene. The words "Actualités" and "Aspect de Paris, depuis qu'on a joué la fameuse comédie morale intitulée LA BOURSE" hint at a critique or reflection on societal behaviors linked to the stock exchange or trading practices.

Print2015.143.663

Aspect de Paris, depuis qu'on a joue...

Honoré Daumier

1856 · lithograph

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This is a drawing of a group of people in a gallery looking at paintings. The individuals are dressed in top hats and seem engaged in examining the artwork on the wall. Their facial expressions are expressive, and the background shows more hanging paintings.

Print2015.143.727

Aspect de salon le jour de l'ouverture ...

Honoré Daumier

1857 · lithograph

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The image portrays a crowd scene with individuals shown from the waist up. The group is tightly positioned, suggesting a busy environment. Most individuals are men, with at least one woman visible in the center. The men wear dark, high-collared coats and tall top hats. The woman has wide eyes and a small mouth, wearing a bonnet and cloak, with hair peeking out in curls. All individuals have exaggerated, expressive features. The background is filled with market goods like vases and lanterns, indicating a marketplace setting. The scene is captured in black and white, highlighting the lively setting of the street fair.

Print2015.143.644

Aspect des boulevards pendant la foire aux bibelots

Honoré Daumier

1856 · lithograph

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This is a drawing of children and dogs playing in a city street observed by an elderly figure from a window. The image depicts a lively street scene with humorous elements. Several children and dogs are engaged in various playful activities. An elderly figure leans out of a window, seemingly watching the scene below. The style is characterized by fluid lines and exaggerated expressions, enhancing the humorous and satirical tone of the scene. The caption suggests a theme related to property owners in Paris and their stance on admitting dogs and children, adding a layer of social commentary to the drawing.

Print2015.143.681

Aspect des rues de Paris depuis ...

Honoré Daumier

1856 · lithograph

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The image shows a group of stylized individuals leaning out of windows on an urban building. They have exaggerated facial features, varied hairstyles, and wear simple clothing. They face upwards with a crowded, anticipatory expression. Other individuals watch from more windows in the background. The scene suggests nighttime in an urban environment.

Print2015.143.710

Aspect que commencent dèja a avoir ...

Honoré Daumier

1857 · lithograph

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The image shows people leaning out of windows on a street. It depicts a building with multiple windows where individuals and anthropomorphic figures are looking out. The style features strong line work, giving the scene a sense of urgency. The gray monochromatic palette highlights the nighttime setting. The surrounding buildings are minimally detailed, emphasizing the interaction between the building's inhabitants and something outside.

Print2015.143.711

Aspect que commencent déja a avoir ...

Honoré Daumier

1857 · lithograph

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