National Gallery of Art · Open Data

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Explore only works whose published-image record is explicitly marked open access by the National Gallery of Art. Every result includes eligible imagery and connects back to the museum.

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63,855 open-access works

63,855 NGA-open-access works
Dataset refreshed September 19, 2026

The image shows a seated woman facing forward with her right arm raised and pointing upwards. She has long, wavy hair and wears classical attire. Beside her stands a cherub holding an armillary sphere, with a celestial globe on the woman's left hand. The word "ASTROLOGIA" appears above them with star symbols. Dividers are seen beside the woman. The room's interior is suggested by partial decorative elements.

Print1946.11.126

Astrology

Georg Pencz

Date not recorded · engraving

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The sculpture depicts two nude female figures standing closely together. One figure leans slightly, with her arm wrapped around the shoulder of the other, who holds a pair of dividers. The figures showcase detailed features such as elaborate curly hairstyles. Beside them on a pedestal rests a globe-like object integrated into the piece. The bronze sculpture has a dark, metallic sheen with areas of patina adding age and character. It appears to be a small-scale artwork intended for close examination of its intricate craftsmanship.

Sculpture2022.181.17

Astronomy

Nicolò Roccatagliata

1590/1595 · bronze

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The image shows an engraving featuring two figures in a half-length view. The central figure is a young person seated, gazing upward with a serene expression. She has wavy hair and is dressed in a loose-fitting garment with a chain around her neck. The other figure to the right is an elderly person leaning closer, holding a scientific instrument up to the sky. This person has a lined face and wears a cap. In their other hand, they hold a spherical armillary. The scene is set against a detailed background with a stone building, windows, and a starry night sky. There is also a portion of a celestial chart or globe visible.

Print2011.139.75

Astronomy

Cornelis Jacobsz Drebbel, after Hendrik Goltzius

c. 1597 · engraving on laid paper

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The image depicts a sketch of a group of people, including two women and four men. The women are in the center, shown from the waist up, wearing elegant dresses with off-shoulder designs. The men are positioned around them, also shown from the waist up, wearing tuxedos or formal jackets. One man has a mustache. The sketch shows basic outlines of the figures and their clothing, with no visible details of jewelry or objects. The background is plain, emphasizing the figures.

Drawing1943.3.3913

At an Evening Party

Jean-Louis Forain

Date not recorded · pen and brown ink on wove paper

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The image shows a landscape with a river flowing through the center. The horizon is a densely wooded hillside. The photograph has a sepia tone. Two rustic log cabin-style buildings are near the riverbank. Trees cast shadows on the ground. The color palette includes shades of brown and muted greens. In the distance, the wooded hillside continues.

Photograph2013.187.1.a

At Bedford Springs

John Moran

c. 1866 · albumen silver print

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The image shows a landscape with a distant horizon under a sky painted in soft tones of beige and grey. Smooth brushstrokes create transitions between elements. In the foreground, a man stands next to a child on rocky terrain, flanked by trees with autumnal leaves. A clearing leads to a line of trees in the background, blending into misty surroundings. The color palette is earthy and muted, with browns, greens, and grey-blues.

Drawing2015.19.823

At Catskill, Greene County, New York

B. F. Edmonds

19th century · watercolor and gouache with pen and black ink over graphite on wove paper mounted to wove paper

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The image shows a ground-level view of a pastoral scene with a tree-lined pathway. A man with a hat and staff stands near a dog drinking from a stream on the left, while another figure with sheep is seen walking on the path in the distance. The trees are detailed with soft brushstrokes, and the color palette is earthy and muted. Natural light casts soft shadows over the landscape.

Drawing1988.20.3

At Donderen, in the Woods of Drenthe

Egbert van Drielst

1799 · watercolor over black chalk on wove paper

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The image shows a waterfront scene with architectural elements like docks and boats in the background. Tree branches on the left are depicted with dotted brushstrokes, and buildings along the water's edge are textured. The color palette includes greens, blues, oranges, and browns. Thin masts or flagpoles with small flags are visible in the distance, leading to the sky, which has a soft, diffused light.

Print1950.16.232

At Flushing (A Flessingue)

Paul Signac

1895 · 5-color lithograph

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The image shows a woman standing upright, holding a fan in each hand. She is wearing a traditional Japanese kimono with a checkered pattern and a colorful belt. The woman's hair is styled in an updo. She has a calm and focused expression. There is a bowl on the floor and a small section of a mat underneath her feet. In the background, there is a decorated box with a teapot-like object.

Photograph2012.137.80

At Her Toilet

Felice Beato

1868 · albumen silver print with applied color

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The image shows the upper body of a person who is facing forward, with their hands possibly resting in the pockets of their dark garment. The person is standing upright. They have distinctive facial features, with a prominent elongated nose and a slight smile. The hair is styled in an unusual way, with a high bun or curl on top. They are wearing a high-collared, dark outfit that contrasts with the pale background. In the background, there are sketch-like, vertical lines and an arch-like structure to the left, done in a soft, blurred manner.

Print1947.7.147

At La Gaiete Rochechouart: Nicolle (A La Gaieté Rochechouart: Nicolle)

Henri de Toulouse-Lautrec

1893 · lithograph in black on velin paper

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The image depicts figures near a structure with poles, potentially on a ship deck. The drawing uses minimalistic and loose lines to outline the forms of a group of figures leaning towards a railing or edge. The structure may be a building or part of a ship. The lines are sparse, focusing on movement and form rather than detail, creating a sense of simplicity and fluidity in the scene.

Drawing1943.3.8818

At Sea

James McNeill Whistler

probably 1901 · pen and brown ink on wove paper

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The image displays an ocean view with rolling waves under a cloudy sky. A ship with billowing sails and trailing smoke is visible on the right side of the horizon. The brushstrokes depict detailed lines resembling etching to portray the waves and sky's movement and texture. The color palette is monochromatic in charcoal and sepia tones, creating a timeless and solemn atmosphere. The contrast between the dark ocean and sky with the lighter shapes highlights the ship's solitary presence.

Print2008.115.2883

At Sea

Elbridge Kingsley

c. 1883 · wood engraving

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The image shows a shoreline with a small ship near a stone building by the water. There are subtle brushstrokes in the background leading to a faint structure on a hill. The painting style features delicate brushwork and a soft color palette of browns, beiges, and grays. A figure stands near a small boat and fishing nets on the shore, with the ship in calm waters near a stone wall. The scene appears peaceful and nostalgic, with a balance between land and sea.

Drawing2009.70.30

At Tenby

Heneage Finch 4th Earl of Aylesford

1790s? · pen and gray and brown ink with gray and brown wash and touches of red chalk over traces of graphite on laid paper

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Print1985.64.176

At the Ambassadeurs (Aux Ambassadeurs)

Henri de Toulouse-Lautrec

1894 · color lithograph on wove paper

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The image shows a series of fluid lines and shapes creating an abstract composition within a rectangle. In the center, the abstract forms suggest the shape of a figure sitting with their head in their hands. To the left, swirling lines resemble waves. On the right, there are more vertical curved lines akin to wood grain patterns. The overall arrangement is abstract.

Print1952.8.232

At the Black Rocks (Aux roches noires)

Paul Gauguin

in or after 1895 · woodcut [working proof?]

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The image shows an arrangement of flowing lines and curves outlining three human figure shapes in different positions. The central figure is seated with hands to their head, while the others are in relaxed postures. The image has a blend of solid and textured areas that resemble waves or fabric surrounding the figures.

Print1952.8.233

At the Black Rocks (Aux roches noires)

Paul Gauguin

in or after 1895 · woodcut on wove paper

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This is a drawing of a large industrial shipyard or construction site. The scene features towering structures such as ship hulls or steel frameworks, creating a narrow passage. Railway tracks extend into the distance, indicating activity. Strong vertical and horizontal lines convey scale and perspective. Small sketchy figures occupy various levels of the construction. Dark shadows contrast with the lighter central passage, emphasizing vertical space. The style emphasizes industrial power and architectural grandeur.

Print1943.3.7292

At the Bottom of Gatun Lock

Joseph Pennell

1912 · lithograph

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This is a painting of a dimly lit interior scene with figures. The artwork depicts several figures gathered intimately in a shadowy room. The use of chiaroscuro enhances the sense of depth, creating a mysterious atmosphere. Dark tones dominate the image as the figures blend into the shadows.

Print1953.6.61

At the Cafe des Ambassadeurs (Aux Ambassadeurs)

Edgar Degas

1879/1880 · etching, aquatint, and drypoint on wove paper

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This is a print of a café interior. Men are engaged in various activities at tables. On the left, some men are seated at a long table, while on the right a man in a suit and apron, likely a server, stands with his hands on his hips, holding a towel. An overcoat and hat are hanging up in the background, and most of the seated men are wearing dark coats. All of the men in the drawing appear to have light skin and dark hair, and many of them have mustaches or beards. More tables continue in a line into the distance on the left. The background of the print is beige paper, and the lines are black.

Print1953.6.82

At the Café (Au café)

Edouard Manet

1869 · lithograph printed in black

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The image shows a group of miners outside the entrance of a mine. The men's full bodies are visible, with some standing and others crouching or leaning. They wear work attire typical of miners, including dark, heavy clothing suitable for labor in the mine, with some having soot on their faces, indicating their profession. Their heads are adorned with hats, some with lamps attached. Several of the men are holding metal lunch pails. The background of the image consists of a wooden structure, presumably the entrance to the mine, with a metal rail track leading into the depths. Steam or smoke is visible in the background. On the sides, there are wooden barriers that partially obstruct the view inside the mine.

Photograph2018.145.9

At the Close of the Day, Pennsylvania

Lewis Hine

January 7, 1911 · gelatin silver print

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The image shows the upper bodies of two people seated, possibly in a theater setting. The woman is on the left, facing away with a composed expression. She wears a dark hat with feathers, a textured wrap, and light-colored hair. The man on the right has sharp facial features, a top hat, suit, bow tie, and floral lapel decoration. The background is a warm, textured red, with a diagonal line hinting at a theater box.

Print1947.7.149

At the Concert (Au concert)

Henri de Toulouse-Lautrec

1896 · 4-color lithograph [poster]

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Print1959.12.16

At the Concert (Au concert)

Henri de Toulouse-Lautrec

1896 · 4-color lithograph [poster]

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Print2004.55.5

At the Concert (Au concert)

Henri de Toulouse-Lautrec

1898 · color lithograph (restrike)

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The image shows a landscape with a high horizon featuring a distant cityscape, a rocky hill with two small figures on top, two figures near a well or apparatus in the foreground, and various trees scattered across the undulating terrain. The painting displays loose and expressive brushstrokes with lines defining forms and volume. The monochromatic sepia palette creates a warm atmosphere, while the sky is filled with billowing clouds.

Drawing1943.3.1452

At the Dram Well

French 17th Century

17th century · pen and brown ink with brown wash

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