National Gallery of Art · Open Data

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Explore only works whose published-image record is explicitly marked open access by the National Gallery of Art. Every result includes eligible imagery and connects back to the museum.

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63,855 open-access works

63,855 NGA-open-access works
Dataset refreshed September 19, 2026

In this painting, a woman and a child are seated on the grass in a woodland setting, facing the left. The woman is shown from the side, her legs stretched out in front of her towards the bottom left corner of the painting. She has pale skin and red hair tied back under a white and black hat with a long while veil behind it. The child, seated beside her, is shown from the front, with pale skin and light-yellow hair peeking out from under a wide-brimmed white hat. The child has a round face and bright blue eyes. The woman is dressed in a long, white dress with pale gray stripes, and the child appears to be in a matching white outfit. The background is full of green foliage and gray tree trunks.

Drawing2014.18.33

At the Edge of the Forest (Edma and Jeanne)

Berthe Morisot

c. 1872 · watercolor and graphite on paper

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The image shows a rural scene with a horse-drawn cart as the central focus. The cart is slightly to the right, carrying four large milk containers. A driver is seated on the cart, partly obscured by mist. A figure is visible to the left, with their task partially hidden by fog. The horizon is unclear due to mist, enhancing depth. The photo uses a monochromatic color palette, with various shades of gray and black. The textures include grain in the photo and wooden details of the cart. A tree on the right adds texture through its foliage.

Photograph2013.55.1.5

At the Ferry–A Misty Morning

Peter Henry Emerson

1890-1891, printed 1893 · photogravure

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This is a drawing of a group gathering near a crucifix. Figures are depicted in a contemplative or mourning state. The drawing is executed in soft, muted tones with a significant use of brown. The crucifix stands prominently above them.

Drawing1946.4.3

At the Foot of the Cross

Alphonse Legros

Date not recorded · pen and brown ink with brown wash over graphite on laid paper

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The image shows a person kneeling on the ground with hands clasped together in front of their face. The person is wearing a hooded garment and a long dress, with a stick on the ground next to them. In the background, there is a large stone or pedestal structure and a faint outline of a hilly landscape. The image has a sketch-like quality with a textured appearance.

Print1954.15.47

At the Foot of the Cross (Au pied de la croix)

Alphonse Legros

Date not recorded · lithograph in green

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The image shows a landscape viewed from a slightly elevated angle, as if the observer was standing on a gentle slope. The horizon is positioned low in the composition, with faint outlines of hills or distant landscape elements helping define it, mostly visible on the left side of the piece. The illustration appears to be a drawing or painting using a monochromatic brown wash, especially focusing on loose, flowing brushstrokes and gentle hatching to convey texture and form. Trees dominate the scene, with the closest ones rendered in more solid, darker tones, creating a stark contrast against the lighter distant landforms. There is a textured earth area with rocks close to us, leading into a densely wooded area. The drawing style suggests a careful balance between fluidity and detail, imparting an impressionistic quality to the scene, with a sepia-toned palette giving it an earthy, tranquil character.

Drawing1943.3.5532

At the Foot of the Hill

Alphonse Legros

Date not recorded · pen and brown ink with brown wash on laid paper

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This is a painting of an auction scene featuring an auctioneer and an audience. The painting shows a group of people watching an auctioneer gesturing towards a framed artwork displayed on an easel. The individuals in the audience are wearing formal attire with top hats. The background consists of an indistinct crowd, emphasizing the interest and anticipation surrounding the auction event. The painting conveys expressions and body language that suggest various states of engagement with the scene. This is in the style of Honoré Daumier.

Painting2015.19.26

At the Gallery Drouot

Honoré Daumier

after 1863-before 1873 · oil on wood

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This is a drawing of an ornate gate with trees in the background. The scene features an elaborate wrought iron gate adorned with decorative motifs and topped with a lantern. Behind the gate, lush foliage is visible, casting shadows and creating a sense of depth. The gate is flanked by stone walls with iron railings continuing the intricate design. The setting suggests an entrance to a private garden or estate, with verdant trees visible in the distance. The entire scene is rendered in fine detail.

Print2001.132.18

At the Gate (Am Thor)

Max Klinger

1887 · etching

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Two figures are depicted near an ornate gate. One figure is bent over, peering through the gate, and the other figure stands next to them. The man has short hair and facial hair, and the woman has her hair styled upwards. She is dressed in a long, fitted dress with buttons and ruffles. The man and woman are surrounded by foliage, and there is a single shoe on the ground. The gate is intricately decorated, and there is a partially visible building in the background.

Print2017.133.5

At the Gate (Am Thor)

Max Klinger

1887 · etching on Japan paper

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An illustration of a person seated at a table is shown. The individual is facing slightly to the right, with both arms resting on the table. The person's facial features are lightly sketched, with discernible eyes and a mouth, and the person is wearing an elaborate hat. The clothing appears layered and possibly ruffled. On the table are a bottle, a mug, and a small rectangular object. The background features a tufted booth and a curtain or wall partition. The sketching style is loose and impressionistic, with muted tones.

Print1947.7.150

At the Hanneton (Au Hanneton)

Henri de Toulouse-Lautrec

1898 · lithograph in black on velin paper

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The image depicts a scene with a high horizon, trees, thatched-roof structures, fallen logs, lush foliage, a figure, and a monochromatic color palette dominated by shades of sepia and brown. The etching technique highlights detailed textures and shapes, creating depth and complexity.

Print1943.3.5416

At the Home of the Woodcutters (Chez les bocherons)

Alphonse Legros

Date not recorded · etching and drypoint?

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The image shows a felled tree trunk with axes and a straw hat nearby. A figure is bending down near thatched-roof buildings. Hills are visible in the distance, creating depth. The artwork features detailed brushstrokes, emphasizing textures in the trees and foliage. The color palette is monochromatic, using shades of brown and black.

Print1955.12.34

At the Home of the Woodcutters (Chez les bucherons)

Alphonse Legros

Date not recorded · etching and drypoint

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Print1952.8.443

At The House of Gold (A la maison d'or)

Henri de Toulouse-Lautrec

1897 · lithograph in olive green

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The image shows three children outdoors. One boy is sitting on a rock, holding a stick. Another child is partially obscured behind him. A girl is leaning on the rocks, wearing a dress. A basket is on the grass beside the rock. The background is blurred with dark foliage or trees.

Photograph2007.29.24

At the Minnow Pool

David Octavius Hill and Robert Adamson

1843-1847 · salted paper print

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Print1952.8.312

At the Moulin Rouge, la Goulue and Her Sister (Au Moulin Rouge, la Goulue et sa soeur))

Henri de Toulouse-Lautrec

1892 · color lithograph

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From the flat top of striated, sheer rocks, we look down onto a person rowing a canoe toward us in a river in this horizontal black and white photograph. The rocky banks funnel the river, which comes toward us, like a canal. Evergreen trees are spiky silhouettes against a cloudy, pale sky. Printed text at the bottom left of the photograph reads, “At the Mouth of Cold Water Canyon, Dells of the Wisconsin. Copyright by Henry H. Bennett.”

Photograph2023.30.24

At the Mouth of Cold Water Canyon, Dells of the Wisconsin

Henry Hamilton Bennett

c. 1900 · gelatin silver print

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The image shows three figures in a theater or stage setting. The central figure is positioned facing forward with a stern expression and closed, thin lips. They have stylized hair and wear a dress with puffed sleeves. To their left, a second person wears a large brimmed hat and puffed shorts. They look towards the central figure with an open mouth. Behind them, a third person stands in a contrapposto stance with a hand on their hip. The background is textured and monochromatic with abstract shadowy forms suggesting depth or an interior location.

Print1952.8.349

At the Opera: Mme. Caron in "Faust" (A l'opéra: Mme. Caron dans "Faust")

Henri de Toulouse-Lautrec

1894 · lithograph in olive green on velin paper

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The image shows a sketched scene with two individuals depicted in a minimalistic and somewhat abstract style. One person is standing, slightly bent forward, while the other is seated and facing to the side. The standing figure has a long face with prominent cheekbones, almond-shaped eyes, a long nose, and a mouth turned downward. They wear a long, dark garment with a head covering. The seated figure is partially covered with a robe or cloak and also wears a head covering. The background is minimalistic, with bare lines suggesting a corner and providing a stark contrast to the detailed figures.

Drawing1943.3.9052

At the Peace Conference

Jean-Louis Forain

c. 1919 · brush and black ink and black crayon on laid paper

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Print1952.8.431

At the Picton Bar, rue Scribe (Au bar Picton, rue Scribe)

Henri de Toulouse-Lautrec

1896 · lithograph in black on velin paper

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The image shows three women in a full-body view, with the central figure prominently displayed. The women are standing, with the central figure positioned slightly facing the viewer. Their facial features are suggested with minimal details, giving them soft, indistinct appearances. The hair of the central woman is partially visible under a dark hood or head covering. All three women are dressed in long, dark garments that cover them completely. The central woman appears to be clutching a small bag with gloved hands. Around them are other figures and possibly a dog at their feet, sketched with minimal details. The background includes faint outlines of other individuals, shaded areas that suggest trees or bushes, and a textured sky. The overall tone is dark, with a warm monochromatic palette.

Print1943.3.5759

At the Prado (Au Prado)

Edouard Manet

1865/1868 · etching and aquatint on machine-made laid paper

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The image shows a person standing in the foreground. The person is facing slightly to the side but looking directly at the viewer with a calm expression. They have straight hair that is partially covered by a large shawl draped over the head and shoulders. The individual is wearing a long, dark, textured gown that covers the body completely, with the arms crossed in front holding a folded fan. The background reveals a bustling scene with several other people, some wearing hats, appearing to be in conversation. The backdrop consists of indistinct outlines of trees, suggesting an outdoor setting, and there are small dogs at the feet of the central figure.

Print1952.8.261

At the Prado (Au Prado)

Edouard Manet

1865/1868 · etching and aquatint

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The image shows multiple figures, primarily focusing on one person in the foreground. This person is depicted from head to toe, standing upright with a slight turn of the body to their right. Their facial features are gently sketched with a soft expression, and their hair is mostly covered by a large, dark headscarf or hood. Their clothing is a long, dark, full-skirted garment that covers them entirely down to the ground. One of their hands is visible and holds a dark object, possibly a bag or a muff, and the other hand holds what appears to be a light-colored handkerchief or similar item. Surrounding the central figure, there are other individuals in the background wearing hats and dark clothing, seemingly forming a gathering or procession. The background is textured with dark, abstract shapes, set against a light sky. Two small poodle-like dogs are at the feet of the central figure.

Print1983.88.1

At the Prado (Au Prado)

Edouard Manet

1865/1868 · etching and aquatint on japanese paper

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We find ourselves on an emerald-green, grassy racetrack as a dusty cluster of horses and their jockeys bear directly down on us in this loosely painted horizontal landscape. Closest to us, three horses run with their legs widely splayed and a fourth brings up the close rear to our left. Only closer inspection reveals a fifth horse nearby, seen over the shoulder of the jockey to our left of center. All the horses are chestnut brown except the second from our right, which is black. The faces of the jockeys are indistinct but they seem to have light skin. The jockey on the left-most horse wears celery and lemon-lime green. The jockey on the nearly hidden horse wears a sky-blue vest with shell-pink sleeves and a pink hat. The jockey to our left in the closest pair, on the black horse, wears silvery-white and his neighbor wears steel blue. Slate-gray fences line the racetrack to either side and beyond both, speckles, flicks, and dots of brown, black, and cream suggest spectators. Pine-green and olive-colored trees touched with specks of yellow and peach fill the background to the right of the track. The trees reach beyond the top edge of the panel, and the sliver of sky above is marine blue. The artist signed the work with blue paint in the lower right corner: “Manet.”

Painting1942.9.41

At the Races

Edouard Manet

c. 1875 · oil on wood

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The image shows two figures from the waist up in a closely connected pose. The upper figure is facing slightly to the left, with their face slightly turned and eyes looking upward. Their hair is covered with a veiling drapery, and they are wearing a garment adorned with circular motifs. The lower figure is positioned below the upper one, with more pronounced facial features and deep-set eyes. They are wearing a wrap or garment that drapes around their head and shoulders. One of their hands is visible, appearing to be holding the upper figure's hand. The background is minimally detailed, shaded with arcs suggesting a shadowy environment.

Print1952.8.347

At the Renaissance: Sarah Bernhardt in "Phedre" (A la Renaissance: Sarah Bernhardt dans "Phèdre")

Henri de Toulouse-Lautrec

1893 · lithograph in black on velin paper

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The image features two figures from the waist up. The person on the left is slightly turned upwards, partially looking sideways. They wear a shawl or veil and a dress with a circular pattern around their waist. The figure on the right is seated or crouched, looking up at the other person. They have a dark robe and their hands rest on the other person's arm. The background has light and dark areas, hinting at an indoor setting, with a shadowed section on the right side.

Print1964.8.1894

At the Renaissance: Sarah Bernhardt in "Phedre" (A la Renaissance: Sarah Bernhardt dans "Phèdre")

Henri de Toulouse-Lautrec

1893 · lithograph in black on velin paper

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