National Gallery of Art · Open Data

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Explore only works whose published-image record is explicitly marked open access by the National Gallery of Art. Every result includes eligible imagery and connects back to the museum.

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63,855 open-access works

63,855 NGA-open-access works
Dataset refreshed September 19, 2026

The image shows a person standing in a doorway holding a thread and leaning on a spinning wheel. The person has short, curly hair and is dressed in a long garment. The spinning wheel sits on a striped rug on a wooden floor. In the background, there is a view through the open doorway with some trees and figures, along with a building to the side.

Print2008.115.720

At the Spinning Wheel

Otto Henry Bacher

c. 1884 · etching

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Print1994.60.16

At the Square

Henri Jacques Edouard Evenepoel

1897 · color lithograph on wove paper

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Print1952.8.348

At the Theatre-Libre: Antoine in "L'inquiétude" (Au Théatre-Libre: Antoine dans "L'inquiétude")

Henri de Toulouse-Lautrec

1894 · lithograph in black on velin paper

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The image shows a sketch with two figures, one on the right and one on the left. On the right, part of one figure's upper torso and arm is visible, with the arm reaching upwards. The figure appears to be facing slightly to the left, with hair sketched in short strokes. The facial features are only outlined. On the left, another figure's head and shoulders are depicted, with faint facial features and lines suggesting a reclining position. The figures lack detailed clothing or accessories. The backdrop is sparse, with speckles and smudged areas creating a textured effect across the top of the image. Below the figures, handwritten French text is present in the lower portion of the image.

Print1952.8.341

At the Varieties: Mlle. Lender et Brasseur (Aux variétiés: Mlle. Lender et Brasseur)

Henri de Toulouse-Lautrec

1893 · lithograph in olive green

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We look across a body of water at two houses, some smaller outbuildings, and a houseboat along the far bank in this abstracted, horizontal landscape painting. Painted with thin, loose strokes of moss and pine green, pale topaz and denim blue, and black, many of the details are indistinct. The cream-white houses have dark roofs and are nearly engulfed by tall, lush trees that reach nearly to the top of the canvas. Fog-gray clouds float against a watery blue sky above. The green of the trees is reflected in the water below, where some of the canvas remains unpainted, especially in the lower left corner. A crimson-red blotch appears over the houses.

Painting1972.9.1

At the Water's Edge

Paul Cezanne

c. 1890 · oil on canvas

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This painting depicts a person seated at a wooden table. Their torso and arms are visible as they lean forward, with one arm resting on a piece of paper and the other dipping a feather quill into an inkwell. The person has pale skin, a long nose, arched eyebrows, small red lips, and short dark hair. They are wearing a blue coat over a light-colored shirt with thin, vertical red-and-black stripes. Also on the wooden table are a small knife and a large brown book with a black top hat resting on it. In front of the table, a small boy and a girl are playing on the patterned floor. They are each holding the ends of a long string that has a white bird perched on it. Both children have pale skin and brown hair, and the boy on the left wears a blue coat and trousers while the girl on the right wears a red dress. The background is a light blue wall with a window on the left side. The wall and floor seem to be slightly curved. Elaborate orange-and-pink decorative scrollwork frames the scene along the top and sides against a black background.

Painting1953.5.75

At the Writing Table

American 18th Century

c. 1790 · aqueous medium on canvas

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The image shows a body of water with a harbor in the distance. A large architectural building with columns and arches is on the left, with boats moored in front of it. The sky occupies the upper part of the image, and the water extends towards a vanishing point. Another boat and some structures can be seen in the background. The artwork is done with detailed etching, using fine lines to show textures and details. The color scheme is primarily black and white with subtle variations.

Print1989.21.1

At Venice

Adolphe Appian

1878 · etching on thin laid paper

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The image features a path next to an ivy-covered stone structure resembling a castle wall. The viewpoint is ground level, showing the textures of the path and surrounding foliage. Vegetation and the structure obscure the horizon, creating a secluded atmosphere. Trees with twisted branches grow around the path. The black-and-white presentation gives a timeless quality. The monochromatic color palette uses sepia tones for a vintage aesthetic. A figure in old-fashioned attire stands near the wall, providing scale and a human element in the natural and historical setting.

Photograph2018.7.12

At Winterdyne on the Severn

Major Francis Gresley

1860s · albumen silver print

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The image is captured from a ground-level point of view, looking down a winding path surrounded by dense trees and foliage. The path disappears into the distance, with no clear end in sight. The photograph is monochromatic, akin to early photography, creating a sepia-toned effect. Greenery and tall trees line the path, casting shadows, while three figures in light clothing sit at the edge of the path. The composition and color palette of the image give a serene, timeless nature scene.

Photograph2018.16.3

At Winterdyne on the Severn

Major Francis Gresley

1860s · albumen silver print

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The image shows a low vantage point looking into a wooded or natural area. The horizon is not clearly seen, as there are dense trees and foliage filling much of the scene and extending into the distance. The artwork features soft brushstrokes creating a misty and textured effect blending various elements. The color palette is monochromatic with rich brown tones, enhancing the sepia-like atmosphere. This gives the image a vintage feel and timeless quality. In the distance, details become obscured blending into the shadowy background, adding depth to the artwork.

Print2013.31.11

At Zelata (Alla Zelata)

Pompeo Mariani

c. 1898 · monotype in brown on wove paper

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This is a drawing of a mythological ship scene. The drawing depicts a large, ornate ship with intricate carvings and decorations, adorned with figures in classical attire along its deck. The ship is set on a body of water, its oars aligned in neat rows. At the rear, a figure labeled "Diana" is prominently positioned, seated on a cloud-like form. Another figure labeled "Atalanta" stands on the ship, gripping a shield, with others in various heroic poses, holding weapons and insignia. The waves below give an impression of movement. The detailed line work and shading enhance the grandeur and sophistication of the composition.

Print2002.135.14

Atalata condoti da Diana

Balthasar Moncornet after Remigio Cantagallina

Date not recorded · etching on laid paper

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This is a drawing of an industrial scene at night. The image depicts a dimly lit, crowded industrial interior or factory setting, filled with intricate details rendered in fine dark lines. The scene is enshrouded in shadows with wisps of smoke rising. The structure appears to be multi-leveled, with large, arched windows lining the visible walls. There is a stack of large barrels or vats to the side, with a suggestion of complex machinery or pipes. The textures are heavily emphasized, adding depth to the environment.

Print1975.34.76

Atelier de magisserie aux Gobelins

Auguste Lepère

published 1901 · wood engraving

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The image shows a cartoonish figure standing upright. The person has their hands clasped together in front of their body. They have exaggerated facial features, including a large forehead, prominent eyebrows, sideburns, and round glasses. The figure has short, dark hair and is wearing a formal suit with a dark jacket, white shirt or cravat, and dark trousers. The illustration uses shading to show depth and texture in the clothing. The background is a simple, shaded area with no additional objects or details.

Print1958.8.6

Ath. L. Charles Coquerel

Honoré Daumier

1849 · lithograph

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The image is a caricature of a man standing with his hands clasped in front of him. He has a large forehead, exaggerated facial features, round spectacles, dark shoulder-length hair with sideburns, and is wearing a dark suit. The background is simple with sketchy lines and small dots.

Print1958.8.7

Ath. L. Charles Coquerel

Honoré Daumier

1849 · lithograph

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The image shows three individuals standing close together. The person on the left has a beard and curly hair, looking surprised. The middle individual has a hood and short dark hair, looking dramatic with raised hands. The person on the right has a bald head, long facial hair, and a surprised expression. All three wear loose, robe-like garments. The background is dark and neutral.

Print2015.143.540

Athalie

Honoré Daumier

1851 · lithograph

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The image shows three individuals standing in full length facing the viewer. On the left stands a woman with dark hair, wearing a brown fringed dress with red leggings. The middle figure, likely a man, wears a beaded garment and a headpiece with feathers. He holds a stick or staff. The figure on the right, also likely a man, wears a feathered headdress, a beaded necklace, and an arm band. He is bare-chested with a blue cloth covering his lower body, grey leggings, and holds a painted shield and a ceremonial club. The background features a softly painted horizon within an oval border.

Painting1965.16.164

Athapasca Chief, His Wife, and a Warrior

George Catlin

1855/1869 · oil on card mounted on paperboard

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The sculpture is a relief depicting a classical scene with various figures in an outdoor setting. The central figures are gathered around a table or altar, with two women in the foreground, one holding a mirror and the other seated. Other figures are engaged in different activities behind them, including sitting and standing. Animals, such as a flying bird, are depicted above. The background includes architectural elements like columns, along with a landscape featuring trees and distant buildings. The circular sculpture is made of a material resembling bronze, giving it a metallic brown appearance. The relief is highly detailed with intricate carvings, reflecting inspiration from classical art.

Sculpture1992.55.18

Athena Introducing the Personification of Painting into the Circle of the Liberal Arts

Circle of Hans Jakob Bayr

c. 1600 · cast bronze

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This is a drawing of two figures interacting in an ancient or classical style. The image depicts two individuals, one standing on the left holding a cup and the other on the right pouring liquid from a jug into the cup. The figure on the left is dressed in a simple garment, tied around the waist, and appears barefoot, leaning slightly with interest toward the pouring jug. The figure on the right wears a more elaborate, patterned robe with ornate detailing and holds a long staff. The drawing is executed in fine lines on a textured paper.

Drawing1998.105.1.vvv

Athena Pouring a Drink for Hercules

Jacques-Louis David

1775/80 · transfer tracing on oiled laid paper

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This is a drawing of a hunting scene involving a boar. The image depicts a scene set in a forest with tall trees. At the center is a large boar being attacked by a group of hunters armed with bows and spears. Horses are also shown in dynamic poses. To the side, there is a small water feature where a figure reclines, pouring water from a jug. The scene is filled with action and movement, capturing the intensity of the hunt. The texture and line work suggest an emphasis on the dramatic energy of the scene, characteristic of classical-style hunting imagery.

Print1975.32.8

Atlanta and Meleager Hunting the Boar of Calydon

Jean Lepautre

Date not recorded · etching with engraving

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The image shows a wooden bridge stretching into the distance. The horizon is marked by a low hill. The scene is monochromatic with shades of black and gray. The bridge, a small structure, and a river flowing beneath are visible.

Photograph2006.133.116

Atlantic & Great Western Railway

James F. Ryder

1862 · albumen silver print

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The image shows a view along railroad tracks curving through a forested area. The tracks lead into the distance where they disappear with a slight bend to the right. To the left, there is a sharply angled bank of earth with rough texture and sparse vegetation at the top. The bank displays various earthy tones from dark browns to blacks. In the distance, there is a dense line of tall, slender trees flanking the right side of the tracks, with their trunks creating a natural wall of dark greens and browns. The horizon is obscured by the thick tree line, with the sky appearing pale and fading into a soft, muted cream color. The overall color palette is subdued, consisting of earthy tones and natural hues, typical of a black-and-white or sepia-toned photograph.

Photograph2006.133.117

Atlantic & Great Western Railway

James F. Ryder

1862 · albumen silver print

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The image shows a high-angle view of a railway track running diagonally across the left side, with a mound of earth beside it. A small building with a gabled roof is located near the tracks, along with other structures in the background. A body of water with a narrow wooden bridge is visible in the middle distance. Trees, some without leaves, and evergreens are spread throughout the scene. Hills in the distance merge with the horizon, lined with trees. The color scheme is primarily sepia, resembling early photographs. The sky displays scattered clouds.

Photograph2006.133.118

Atlantic & Great Western Railway

James F. Ryder

1862 · albumen silver print

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The image shows a river spanning from right to left, with a low horizon featuring rolling hills in the distance. On the left side, a rocky slope descends toward the river, with a railway track beside it. A pole is in the foreground, along with a bridge or trestle structure. The scene has a sepia tone, creating a historical feel. Trees on the right lean towards the water, blending into the sky. The photograph's tones play between the darker land and trees and the lighter sky and water.

Photograph2022.103.7

Atlantic & Great Western Railway

James F. Ryder

1862 · albumen silver print

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The image shows railway tracks extending into the distance. Along the tracks are trees, structures, and a river. A small wooden structure is near the river. The photo has a monochromatic color palette and detailed elements, giving it a timeless and deep appearance.

Photograph2022.103.8

Atlantic & Great Western Railway

James F. Ryder

1862 · albumen silver print

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