National Gallery of Art · Open Data

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Explore only works whose published-image record is explicitly marked open access by the National Gallery of Art. Every result includes eligible imagery and connects back to the museum.

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63,836 open-access works

63,836 NGA-open-access works
Dataset refreshed September 12, 2026

The image shows a landscape with a herd of bison on a slope. The horizon line is high, dividing the grassy field and sky. The bison are spread out, with those closer detailed, and those further away less defined. The brushstrokes are smooth, depicting fur and grass texture realistically. The color palette is serene, with earthy browns of the bison contrasting greens of the grass under a soft blue and grey sky.

Painting1965.16.178

A Buffalo Wallow

George Catlin

1861/1869 · oil on card mounted on paperboard

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The image shows a sketch with structures atop a hill, as seen from a lower point of view. The horizon is faint, at the level of the buildings, with trees and shrubs leading up to it. The main building is on the left, with a smaller dome-like structure behind it to the right. The sketchy pencil strokes depict textures and shadows, in a monochromatic palette of black, gray, and white. Natural elements in the foreground are drawn with bold lines and shading, giving depth, while in the background, elements blend into simplified lines suggesting trees near the buildings.

Drawing1983.49.179

A Building on a Hill with Saint Peter's in the Distance

Joseph-Marie Vien

1744/1750 · graphite on laid paper

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Drawing1983.45.1

A Bull on a Ledge

Giovanni Domenico Tiepolo

1770s · pen and brown ink with brown-gray wash over graphite on laid paper

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This is a drawing of a bull lying down with its legs tucked beneath its body and its head resting toward its side. The detailed depiction shows the texture of the bull's fur and musculature with fine lines. The bull takes up most of the composition against a plain background. Shading and cross-hatching techniques are used to add depth and dimension. The paper appears old and slightly worn.

Drawing2000.86.1

A Bull Sleeping

Johann Heinrich Roos

c. 1672 · pen and brown ink over black chalk on laid paper

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This print shows two women with their arms linked. The woman on the left is turned towards the right, facing with the other woman. Her facial features are partially visible; she has a sharp nose and an upturned mouth. Her light hair is styled up and covered by a wide-brimmed light blue hat. She wears a red, form-fitting dress. The woman on the right is turned towards the other woman, and more of her face is visible. She has wide, dark eyes and is smiling. Her dark hair is styled up with a yellow hat resting on top. She wears a dress with a high neckline and what appears to be a black-and-white plaid design. Around her waist, there's a dark belt that cinches the outfit. The background behind the women is dark, with light circular shapes resembling streetlamps glowing behind them.

Print1943.3.3740

A Bullier (To Bullier's)

Jean-Louis Forain

c. 1876 · color etching on wove paper

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Print1943.3.3741

A Bullier (To Bullier's)

Jean-Louis Forain

c. 1876 · etching on wove paper

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The image shows a cluster of five pansy flowers in various shades of black, gray, and white. The flowers are arranged centrally with two on the left, two overlapping at the center, and one on the right. Detailed textures and patterns on the petals create visual contrast. At the bottom of the image are a signature and date, "James D. Smillie" and "1890," as well as additional annotations.

Print2008.115.4466

A Bunch of Pansies

James David Smillie

1890 · drypoint in black

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Cast in bronze, this free-standing sculpture shows a man with a gaunt face wearing a robe that falls in long, vertical folds as he holds an oversized skeleton key down in front of his thighs. In this photograph, the man’s body faces us but he turns his head to our left to look in that direction, his chin sightly raised. He has close-cropped hair, sunken eyes, hollow cheeks, a wide, square chin, and his thin lips are downturned. The long-sleeved robe drops heavily to his feet, and the toes of one bare foot peek out. A hint of a raised, round halter like a yoke around his neck shows from under his robe near his left shoulder, on our right. Most of the surface has a dark green patina except for a few lighter places, as on his sleeve to our left and in the thick drapes of his robe. A few areas are rubbed gold, including the tip of his nose and the knuckles of his hands.

Sculpture1942.5.13

A Burgher of Calais (Jean d'Aire)

Auguste Rodin

model 1884-1889, reduction cast probably 1895 · bronze

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The image depicts the upper half of a woman's body facing slightly to the left with her head turned towards the viewer. Her facial features are detailed, showing a calm expression with slightly parted lips and full eyes, framed by soft waves of hair. A turban-like cloth adorns her hair, creating an intricate pattern with its folds. She wears a fitted garment with buttons down the front, featuring a square neckline and long sleeves that accentuate her shoulders and arms. Her hand holds a cone-shaped object with a looped handle. The background is plain with a textured surface.

Print1958.8.159

A Bust Figure of a Foolish Virgin Holding Her Inverted Lamp

Urs Graf I after Martin Schongauer

Date not recorded · engraving

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The image shows a low-angle view of a wooded area with dense foliage. The horizon is partially visible through the trees in the distance. The artwork features intricate and detailed lines, resembling an etching technique, depicting the textures of trees and leaves. The color palette consists of sepia and black tones. Large trees with wide trunks and branches are close to the viewer, casting shadows on the ground. Further back, the forest continues with a hint of openness, suggesting a clearing or less dense area.

Print1943.3.4751

A By-Road in Tipperary

Francis Seymour Haden

1860 · etching and drypoint

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There are three elongated botanical objects resembling plant buds or growths, arranged in separate horizontal panels. The color palette is monochromatic with various shades of grey against a neutral background. The top object extends horizontally from left to right with a pointed tip on the left. The middle object also stretches horizontally, with multiple elongated projections coming from a central structure on the left side. The bottom object is aligned horizontally as well, featuring a pointed tip on the left and several smaller projections along its length. Each object is centered within its respective panel.

Print2006.133.34.9

a Callicarpa dichotoma; b Fraxinus ornus; c Cornus pubescens

Karl Blossfeldt

1928 · photogravure

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The image displays a bird's-eye view of a landscape with an elongated, cylindrical tower positioned off-center to the right. The horizon sits about a third from the top of the painting, separating a sky with soft blue and light beige tones. Earthy brown and greenish streaks imply buildings and foliage closer to us. The loose brushstrokes convey movement and atmosphere. Further out, the landscape features muted cream and gray hues, suggesting distant towns or structures. Warm earthy tones and soft blues dominate the color palette, creating a tranquil and expansive visual effect.

Drawing2009.70.55

A Campanile among Ruins

Hercules Brabazon Brabazon

Date not recorded · gouache and watercolor with white heightening over graphite on wove paper

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Print1959.16.15

A Canon Table with a Lamentation (formerly known as the "Traveling Altar")

Lienhart Ysenhut

c. 1490 · woodcut printed on parchment in black with hand coloring; set between two panels of printed text to form a triptych; housed in a slipcase with an embroidered crucifixion scene on the front and backed in leather; in turn housed in a velvet, silk, and linen box, strengthened with layers of paper from an account book, with ornamental tassels at each corner

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This image is an architectural perspective drawing of a grand classical terrace. It depicts a balustrade leading towards an ornate bridge with multiple arches, shields, and statues. In the background are detailed buildings, a tower, and mountainous forms along the horizon. The drawing uses fine lines in a pen and ink technique with a monochromatic palette. The scene conveys regal architecture, openness, and grandeur.

Drawing1999.125.1

A Capriccio of Palaces and a Loggia Facing a Classical Bridge

Bernardo Bellotto

c. 1765 · pen and black ink over graphite on two joined sheets of laid paper

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This painting shows classical ruins illuminated by sunlight. A bright blue sky is visible beyond aged red and gray arches covered with green plants. On the right is a tall gray statue of a horse and rider surrounded by broken columns. In the center, people stand and sit among the ruins, gesturing to each other. On the left, water drips down the steps of a large carved fountain with a broken roof. More statues, stairs, and arches are visible in the distance.

Drawing1982.38.2

A Capriccio of Roman Ruins

Marco Ricci

1727/1729 · gouache on kidskin

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The image shows a vertical landscape seen from an elevated viewpoint. The horizon is suggested by a horizontal line just below the center, where the faint outline of water and possibly a sail can be seen. Close to us, there is a sketchy formation of lines and patches resembling natural and architectural elements, such as trees and ruins with arches, using loose and expressive brushstrokes typical of a quick ink and wash drawing. The color palette is subtle, mainly consisting of soft browns and muted creams, creating a gentle sepia tone throughout the piece. The overall composition is framed by a thin margin.

Drawing1986.64.1

A Capriccio of Ruins by the Lagoon

Francesco Guardi

Date not recorded · pen and brown ink with brown and gray wash on laid paper; laid down

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The image shows a landscape with architectural ruins, likely of classical origin, visible from an elevated point of view. The horizon is positioned higher in the frame, revealing distant buildings and a faint mountainous outline against the sky. Close to us, figures and animals traverse a path leading up to a large structure reminiscent of an ancient Roman triumphal arch on the right side. The brushstrokes in the image are loose and fluid. The color palette consists of sepia tones, highlighted with shades of brown and beige.

Drawing1987.7.2

A Capriccio View of Roman Ruins along the Tiber

Jacob van der Ulft

Date not recorded · pen and brush and iron gall ink on laid paper; laid down

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This is a drawing of a knight being directed by a figure in elaborate costume. The scene shows a person in elaborate clothing gesturing toward the horizon while another figure in armor and carrying a sword appears to take action. The two figures are in a rocky landscape with a cloudy sky overhead. The detailed line work shows intricate patterns on their clothing. The composition emphasizes a moment of decision or command. In the background, there is a fence and trees, suggesting an outdoor setting. The cross-hatching technique adds depth and texture to the scene.

Print2017.53.71

A Captain of Banditti

John Hamilton Mortimer

1778 · etching on wove paper

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This is a drawing of a group preparing for action. The drawing shows a figure in elaborate, historical attire with a hat, plume, and a belt with weapons giving directions to another figure clad in armor, who is captured mid-motion. Another figure wearing a turban is leaning on a fence between them. Detailed line work adds depth to the sky and ground, suggesting an outdoor atmosphere with plants and a clear horizon. The composition focuses on the interaction and tension among the figures, emphasizing a possible narrative of organization and movement.

Print1978.51.13

A Captn of Banditti Sending Out a Party

John Hamilton Mortimer

1778 · etching

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This is a drawing of a scene in an ornately decorated hallway. The image shows several elaborately dressed figures engaging in social interaction. One figure on the right is gesturing towards a well-dressed pair on the left, who stand near a stone pillar. In the background, more figures are depicted in motion. The scene is framed by decorative arches and doorways, adding depth to the central interactions. The artwork uses detailed line work to convey texture and detail in the figures and architectural elements, suggesting a historical or theatrical setting.

Print1969.15.853

A Capucin bringing thanks of the King of Bavaria

Jacques Callot

1612 · etching on laid paper

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The image shows a drawing of individuals in historical attire in an architectural setting. The scene includes a grand hall or room with an arched opening and ornate detailing above the doors. Several figures are present, with a focus on two individuals in the foreground in elaborate clothing, appearing to be in conversation. To the right, a robed figure gestures, seemingly presenting or addressing the individuals. Behind them, more figures are visible, standing or walking. The drawing uses fine lines and cross-hatching to create texture and depth, typical of detailed engraving or etching work.

Print1986.50.132

A Capucin Bringing Thanks of the King of Bavaria

Jacques Callot

1612 · etching on laid paper [restrike]

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The image shows a group of figures in a historical setting, with interactions suggesting intrigue or a narrative scene. The figures are adorned in elaborate, period-specific attire. A central figure on the left wears clothing indicative of high status, with ornate details and a sword, interacting with a similarly dressed figure. To the right, a figure clad in robes gestures as if in conversation or negotiation. The background includes architectural elements like arches and detailed walls, creating a sense of depth and environment. The composition evokes themes of historical drama and social interaction, capturing a moment for viewers to contemplate its meaning and context.

Print1969.15.290.a

A Capucin bringing thanks of the King of Bavaria [recto]

Jacques Callot

1612 · etching on laid paper

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The image shows a tropical setting with lush foliage, trees, and hut-like structures. The perspective is slightly elevated, offering a comprehensive view. The painting features detailed textures and fine brushstrokes, primarily in green tones with hints of brown. In the distance, structures and figures are visible, suggesting a small community. A body of water runs parallel to the viewer, bordered by more vegetation.

Painting1965.16.265

A Caribbe Village in Dutch Guiana

George Catlin

1854/1869 · oil on card mounted on paperboard

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Drawing1991.217.51.b

A Caricature and Five Forms; A Man in Profile, a Winged Creature and a Boy [verso]

Paul Gauguin

1884-1888 · graphite on wove paper

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