National Gallery of Art · Open Data

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Explore only works whose published-image record is explicitly marked open access by the National Gallery of Art. Every result includes eligible imagery and connects back to the museum.

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63,858 open-access works

63,858 NGA-open-access works
Dataset refreshed September 26, 2026

A metal oil lamp with an elongated thin support structure above it, capped with a small hook at the top and an ornate, curved spout extending to the side. The color palette is primarily warm brown tones, emphasizing the metallic nature of the object. The lamp is centrally positioned against a plain, light background, which highlights its intricate design and details.

Index of American Design1943.8.16937

Betty Lamp

Albert Rudin

c. 1940 · watercolor and pen and ink on paper

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The image shows an antique metal oil lamp with a handle and a hook extending upwards. The lamp is suspended in mid-air and is set against a tan background.

Index of American Design1943.8.17319

Betty Lamp

American 20th Century

1935/1942 · graphite on paperboard

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The image depicts a metal stand with attachments and a base, alongside technical sketches. The color palette is grayscale. The stand has a vertical orientation with a circular base at the bottom. A curved attachment extends outwards and upwards on the right side. A spiraled, wire-like element is connected at the top of the stand. Technical side and top views are shown on the left and top-left corner, with measurements in inches. "Mildred Ford" is inscribed near the bottom left corner.

Index of American Design1943.8.12350

Betty Lamp and Stamp

Mildred Ford

c. 1936 · graphite on paper

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The image shows a metallic candle holder with a wide, shallow base and a tall, cylindrical stem that supports a rectangular box at the top. The object is primarily depicted in shades of gray. The wide base is centered in the lower part of the image, with the stem and rectangular box extending upwards, dominating the center of the composition. The handle extends from the stem outwards towards the right side.

Index of American Design1943.8.12347

Betty Lamp and Stand

Amelia Tuccio

c. 1940 · graphite on paper

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The image displays a metallic candle holder with a tall central column, a wide base, a small circular platform at the top with a handle and decorative metalwork. The color scheme is mainly grey and brown.

Index of American Design1943.8.17117

Betty Lamp and Stand

Claude Marshall

c. 1940 · watercolor and graphite on paperboard

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The image shows a man partly visible in a boxing ring corner, being attended to by two individuals. The man sits on a stool, leaning back on the ropes. His head is turned to the side and his face is not fully visible. He is shirtless with boxing shorts and shoes. One person is sponging him down, and another is holding a towel. There is a pipe in one person's hand. Another boxer is in the ring, also being attended to. A crowd of spectators fills the background. The setting appears to be indoors, with the ring well-lit and the crowd partly shadowed for contrast.

Print1956.6.1

Between Rounds, large, first stone

George Bellows

1916 · lithograph in black

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The image shows a boxing match in progress, focusing on a corner scene during a break. It depicts a boxer seated on a stool in one corner of the ring, surrounded by his support team. The boxer appears tired, with his head tilted back. One person is holding a bright light above, illuminating the scene. In the background, another boxer is resting in the opposite corner with their team. The audience below is dressed in period attire, including hats and trench coats, adding to the historical context of the scene.

Print1956.6.2

Between Rounds, small, second stone

George Bellows

1923 · lithograph in black

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The image showcases a coastal scene with a sky filled with intricate clouds, a vast sea, distant land on the horizon, a sandy beach with figures and boats, a coastal village with buildings, and additional figures and architectural elements in the background. The artwork features detailed line work in black and white.

Print2015.143.124

Beuzeval, Embouchure de la Dive (Calvados)

Maxime Lalanne

1868 · etching on laid paper

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Print1945.8.18

Bewick's Long-tailed Wren

Robert Havell after John James Audubon

1827 · hand-colored engraving and aquatint on Whatman wove paper

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Painting1942.9.53

Bianca Maria Sforza

Ambrogio de Predis

probably 1493 · oil on poplar panel

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Sculpture1957.14.942.a

Bianca Pansana Carcania [obverse]

Pier Paolo Galeotti

16th century · bronze

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Sculpture1957.14.1284.a

Bianca Riario [obverse]

Style of Niccolò Fiorentino

late 15th/early 16th century · bronze

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Print1943.3.8433

Bibi Lalouette

James McNeill Whistler

1859 · etching and drypoint on laid paper

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Print1951.13.21

Bibi Lalouette

James McNeill Whistler

1859 · etching and drypoint on laid paper

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Print1981.24.4

Bibi Lalouette

James McNeill Whistler

1859 · etching and drypoint in dark brown on blue-gray laid paper

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Print2015.19.405

Bibi Lalouette

James McNeill Whistler

1859 · etching and drypoint in black on laid paper

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The image shows a child reclining in a seated position with legs straight out. The child's head is turned slightly towards the viewer, revealing a round face with prominent eyes and tousled hair. They are dressed in a loose garment and resting one hand on the ground. In the lower area, there is a signature "Whistler 1859." The background has sketch-like lines with a textured surface.

Print1964.4.18

Bibi Valentin

James McNeill Whistler

1859 · etching and drypoint on laid paper

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The image shows a young child in a relaxed seated pose. The child has a slight lean, with their head tilted and gazing straight ahead. The facial features are depicted with large eyes, a small nose, and medium-length hair. The child wears a loose-fitting outfit with long sleeves and a high collar. They are barefoot, with one leg extended forward and the other bent at the knee. The background is minimalistic with faint horizontal lines.

Print2015.19.430

Bibi Valentin

James McNeill Whistler

1859 · etching and drypoint in black on laid paper

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The image shows a pink decorative ribbon embroidered with red roses and green leaves, with pink fringe on the ends. The ribbon is placed centrally in the image, with the upper part folded and the lower ends hanging down, displaying the floral designs at the bottom.

Index of American Design1943.8.162

Bible Book Marker

Carl Buergerniss

1941 · watercolor and graphite on paper

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The image shows a wooden cabinet with two drawers, each featuring a single round knob in the center. The cabinet's wood is a warm brown color with visible grain patterns. Positioned against a plain, light background, the cabinet sits in the center of the image. The top surface is slightly sloped, and the edges are smooth and rounded. The cabinet is viewed from a slightly elevated angle.

Index of American Design1943.8.5927

Bible Box

Alfred Koehn

c. 1938 · watercolor, colored pencil, and graphite on paperboard

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This is a painting of a rustic wooden box. The box has a rectangular shape with an extended lid. The front panel is intricately carved with decorative patterns, including semi-circular motifs along the top edge and a wavy line design at the bottom. Centrally carved into the panel are the initials "J P S" and the date "1681". The craftsmanship suggests an antique style with natural wood tones and traditional woodworking techniques. This is in the style of early American or colonial folk art.

Index of American Design1943.8.8868

Bible Box

Raymond McGough

c. 1940 · watercolor and graphite on paper

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The image shows a rectangular wooden box with intricate carvings on its sides as the main subject. The colors are mainly muted browns and grays, reflecting the texture and grain of the wood, against a light beige background. The box is positioned centrally, slightly tilted to reveal both the top and the side with detailed carvings. The background is plain and uniformly colored.

Index of American Design1943.8.8871

Bible Box

Francisco Alvarez

c. 1936 · graphite on paper

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This is a drawing of a rectangular wooden box with a lid. The front panel of the box features an intricately carved design with flowing patterns. Details such as hinges and a keyhole are visible. The wood grain is depicted with attention to detail, lending texture and depth. The outer frame of the drawing suggests a formal presentation.

Index of American Design1943.8.8874

Bible Box

Bernard Gussow

c. 1936 · watercolor and graphite on paperboard

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The image displays a wooden chest with a simple design on the front. The color palette is warm and natural, with subtle hints of darker detailing. The chest is centered in the image, resting on small, round feet. In the upper left corner, there is a smaller sketch of the same chest.

Index of American Design1943.8.8875

Bible Box

Samuel Fineman

c. 1937 · watercolor and graphite on paper

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