National Gallery of Art · Open Data

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Explore only works whose published-image record is explicitly marked open access by the National Gallery of Art. Every result includes eligible imagery and connects back to the museum.

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63,858 open-access works

63,858 NGA-open-access works
Dataset refreshed September 26, 2026

The image shows a large wooden chest with decorative carvings on its front panel. The color palette consists mainly of warm wood tones with shadows enhancing its three-dimensional appearance. The chest is positioned centrally, and is seen from an angle that showcases its front and right side. The background is a neutral off-white color that contrasts with the darker wood of the chest.

Index of American Design1943.8.8876

Bible Box

Bernard Gussow

c. 1936 · watercolor and graphite on paperboard

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This is a drawing of a group of figures interacting with books or texts. The scene contains lightly sketched figures gathered together, with some standing and others seated or kneeling. In the background are two large tablets with indistinct writing resembling the tablets of the Ten Commandments. The central figure holds a paper or scroll, while others are engaged in discussion or attentive listening. The fluid lines and subtle shading convey movement and interaction. The use of ink and wash gives the drawing a soft, flowing appearance, and the details suggest a scene of teaching or religious study.

Drawing1979.20.11.a

Bible Lesson [recto]

Mather Brown

1780/1790 · pen and brown ink over graphite on laid paper

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Volume2014.42.1

Biblia Ectypa (Pictorial Bible)

Johann Christoph Weigel (artist and publisher), Elias Christoph Heiss (printmaker), after Johann Jakob von Sandrart (artist, frontispiece)

1695 · bound volume with 2 full page mezzotint engravings and 834 etched and engraved illustrations

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The cover of this book is wrapped in a marbled paper. Dark brown abstract shapes flow horizontally and vertically across the tan paper surface, reminiscent of bleeding ink. The spine and top and bottom right corners are bound with aged dark brown leather.

Volume2005.5.1

Biblia Pauperum (Pauper's Bible)

Netherlandish 15th Century

1465-1470 · bound volume with 40 hand-colored pages printed from 20 woodblocks. The left side of each sheet (left page) was glued to the right side of the preceding sheet, and the right side of each sheet (right page) to the left side of the succeeding page.

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This is a drawing of a group of figures in various poses. The artist uses quick, gestural strokes to depict movement and interaction among the figures. The background consists of abstract lines and shapes.

Drawing1991.172.1.b

Biblical Scene [verso]

Sebastiano Ricci

1720/1730 · graphite on laid paper

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Volume2019.144.3

Bibliotheca Radcliffiana

George Vertue, after James Gibbs

1737 · bound volume in blue letterpress wrapper with five engravings on laid paper

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This image shows an ornate and classical architectural facade. It features a grand classical building with intricate detailing, grand columns, a large arched entranceway framed by textured columns, a richly detailed frieze, and statues of robed figures between arched windows. The facade is adorned with ornate sculptures and relief work, including a pediment with carved figures. At street level, a horse-drawn cart is visible.

Photograph1995.36.7

Bibliothèque Imperiale du Louvre

Édouard-Denis Baldus

1856-1857 · salted paper print

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The image shows a side view of a deer and a fawn standing in a wooded area. The larger deer appears to be lifting its head. The ground is textured with leaves and foliage, and there are large trees in the background with branches extending across the scene. The horizon is obscured by the dense forest. The artwork features highly detailed brushstroke-like patterns simulating fur and foliage, and it is rendered in a monochromatic color palette of various shades of grey to convey light and shadow effectively.

Print1975.34.21

Biche et Faon

Karl Bodmer

Date not recorded · lithograph

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The top sketch shows a deer standing amidst foliage. The bottom sketch depicts a bird in flight over a rugged landscape. Both sketches are monochrome with intricate detailing in the brushstrokes, showcasing the animals and their environments.

Print1975.34.53

Biche, Aigle

Karl Bodmer

Date not recorded · lithograph

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The image shows a group of deer in a dense wooded area. The deer are depicted in fine detail, with a stag lying on the ground and three does nearby - two lying down and one standing. The background consists of thick foliage and trees reaching into the sky. The color palette is monochromatic, using shades of gray and black. Light and shadow are used to add depth to the scene.

Print1975.34.40

Biches au repos

Karl Bodmer

Date not recorded · lithograph

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The image depicts a landscape with deer in a grassy area. The deer are shown resting and standing amidst the grass and ferns. One deer is standing among a few resting deer, while another is resting with its head turned slightly to the side. The horizon is set high with trees and foliage. The artist uses intricate brushstrokes or lithographic marks to show the textures of fur and leaves. The color scheme is monochromatic with shades of black, grey, and white. In the distance, more trees are visible blending into a cloudy sky.

Print1975.34.41

Biches au repos

Karl Bodmer

Date not recorded · lithograph

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This is an etched image of a harbor titled "Bickers Eylandt." The viewpoint is slightly elevated, showing numerous ships and boats along the docks and in the water. Several boats are moored close by, with dark sails depicted in delicate line work. In the middle distance, larger ships with multiple masts and flags are docked. A windmill is seen on the horizon. The etching technique includes fine cross-hatched lines depicting various textures. The color palette is monochrome. The sky has wispy clouds. A small structure with a figure on the porch is visible behind the pier.

Print2016.89.9

Bicker's Island, Amsterdam

Reinier Nooms, called Zeeman

c. 1652 /1654 · etching with drypoint on laid paper

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Index of American Design1943.8.8552

Bicycle

Alfred Koehn

c. 1938 · watercolor, graphite, pen and ink

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Index of American Design1943.8.8654

Bicycle

Marjorie Lee

c. 1937 · watercolor, graphite, and pen and ink on paper

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Index of American Design1943.8.8655

Bicycle

John Cutting

1935/1942 · watercolor, graphite, pen and ink, and gouache on paper

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The image shows the upper half of a man's body. He is seated, resting his right arm on the arm of a chair. The man has fair skin, dark curly hair, and a composed expression. He is dressed in formal attire, including a white shirt, vest with red, white, and green or blue stripes, and a dark jacket. The background is a blend of browns.

Painting1971.83.3

Biel Le Doyt

Erastus Salisbury Field

1827 · oil on canvas

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The image shows a person standing upright, facing away from the viewer. The person is leaning to one side with their left hand on the back of their head. They have a narrow face with an angular jawline, sideburns, and close-cropped hair. The person is wearing a dark overcoat and trousers, holding a top hat in their right hand. In the background, there are three wooden signposts pointing in different directions with inscriptions: "LE PEUPLE," "LA PRESSE," and "LA LIBERTÉ." The signs are surrounded by sketched, cloudy textures, and sparse lines suggest a landscape beyond the signposts.

Print1953.6.13

Bien embarassé

Honoré Daumier

1866 · lithograph

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Print2015.143.920

Bien venu qui apporte

Honoré Daumier

1840 · lithograph

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This is a drawing of three figures near a fireplace. Two figures are standing next to bottles, while the third figure is kneeling, wearing a sash reading "CAISSETTE DE FRANCE," and interacting with the fireplace. The style appears to be caricature, with exaggerated features and postures. Details in clothing and actions suggest potential social or political commentary. Lines are prominently used to create texture and expression in this monochromatic composition.

Print1979.49.217

Bien vexés de ne pas trouver... la couronne...

Honoré Daumier

1871 · gillotype on newsprint

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The image displays a wooden workbench on a plain backdrop. The color palette includes natural wood tones and shades of brown and beige against a light, creamy background. The workbench is centered and slightly angled, showing its top and one side to highlight its sturdy construction and simple design.

Index of American Design1943.8.7565

Bier

Randolph F. Miller

c. 1936 · watercolor, colored pencil, and graphite on paper

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The image shows a person standing with one leg crossed over the other. They have curly, shoulder-length hair and a calm facial expression. The person is wearing a tunic, a knee-length coat or dress with pants, and sturdy shoes. They are carrying a bundle of metal vessels. The background is plain. There is some text at the bottom of the image.

Print2015.16.16

Bierwirthsjung (Beer Hall Boy)

Catherine Brandinn and Sebastian Mansfeld, after Johann Christian Brand

1775 · engraving with etching on laid paper

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This painting depicts a street or bridge viewed from an elevated perspective. In the distance are the blurred outlines of pale gray buildings, including a prominent clock tower, fading into a misty gray sky. Above the walls of the bridge, lamps create glowing orange and yellow dots that reflect off of the pavement below. The dark silhouettes of people and vehicles travel across reflective surface of the bridge. The brushstrokes are loose and fluid, giving the scene a hazy appearance.

Drawing2015.19.504

Big Ben

Childe Hassam

1897 and 1907 · gouache and watercolor over charcoal on wove paper mounted on board

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The image depicts a view from street level looking at a row of large buildings surrounded by tall trees. The horizon is not visible due to the close-up perspective. The buildings extend upwards, with some sections reaching the top edge of the image, emphasizing verticality. The etching technique is used with precise linework, cross-hatching, and fine strokes to depict texture and detail. The color palette is monochromatic, featuring shades of black and gray on a light background. Further outlines of trees and distant elements are suggested with faint strokes to create depth in the scene.

Print1946.9.187

Big Tree, Cheyne Walk

Joseph Pennell

1906 · etching

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This is a drawing of a figure holding up a large globe labeled "Europe" and "Asie". The globe is detailed with outlines of continents, specifically Europe and part of Asia, and includes some terrestrial markings. The character appears to be taken aback or surprised, with dramatic motion lines indicating effort or instability. The features and attire of the character are exaggerated for comedic effect, typical of political or satirical cartoons. There is a caption at the bottom. The style of the drawing is reminiscent of political cartoons by artists such as Honoré Daumier.

Print2015.143.613

Bigre! ... j'ai eu tort de me mettre ...

Honoré Daumier

1854 · lithograph

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