National Gallery of Art · Open Data

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Explore only works whose published-image record is explicitly marked open access by the National Gallery of Art. Every result includes eligible imagery and connects back to the museum.

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63,858 open-access works

63,858 NGA-open-access works
Dataset refreshed September 26, 2026

The sculpture has intricately carved swirling patterns and leaf-like elements. It is made of wood with a natural grain texture and varying shades of brown. The craftsmanship includes layers for depth and complexity. It could be an ornate architectural ornament.

Index of American Design1943.8.8077

Billethead from Ship "Favorite"

Hazel Hyde

c. 1938 · watercolor, colored pencil, and graphite on paperboard

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The sculpture depicts a figure dressed in historical attire. The figure is wearing a dark blue coat with gold buttons and trims, a brown vest, black knee-high boots, and black breeches. A light blue sash is draped across the shoulder and tied at the waist. The material of the sculpture appears to be wood, as suggested by the visible grain and texture. The sculpture is designed to stand on its own, with detailed facial features, including expressive eyes and styled hair. The stance suggests a sense of readiness or authority, with one arm bent and tucked beneath the coat and the other at its side. The year '1720' is inscribed on the belt buckle.

Index of American Design1943.8.16881

Billethead Soldier

American 20th Century

1935/1942 · watercolor and graphite on paper

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The image shows a wooden chair with a curved back and a green cushioned seat. The chair is centered in the frame against a neutral background. In the upper left corner, there is a sketch displaying the dimensions and design elements of the chair. The chair is facing towards the viewer, offering a detailed view of its structure and design.

Index of American Design1943.8.4504

Billiard Chair

Vincent P. Rosel and Gordon Saltar

c. 1937 · watercolor, colored pencil, pen and ink, gouache, and graphite on paper

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The image depicts a busy waterfront with sailboats docked, numerous masts rise into the sky, and a crowd moves along a stairway and promenade by a building. The scene is depicted using etching lines to create texture and depth. The color palette is monochromatic with sepia tones. In the distance, additional masts and figures can be seen across the water, with a faint skyline in the background.

Print1949.5.529

Billingsgate

James McNeill Whistler

1859 · etching and drypoint on laid paper

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The image shows a harbor scene with figures on a dock engaging in various activities. A building with a clock tower is to the left, and a fleet of sailing ships is moored along the water's edge. In the background, a bridge spans the view, and the sky is filled with fine, horizontal lines resembling clouds. The color palette is sepia and black, emphasizing detailed linework typical of etching, capturing a maritime environment with a sense of craftsmanship.

Print2006.125.17

Billingsgate

James McNeill Whistler

1859 · etching and drypoint in black on laid paper

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The image shows an etching of a riverside scene with a wooden barge in the foreground and sailboats docked in the background. People are gathered on the barge, and the riverbank is filled with buildings and crowds of people. The fine lines in the etching depict texture and movement in the water and sails. The color palette is sepia and black, creating a timeless quality. In the distance, arches of a bridge are visible.

Print2015.19.3254

Billingsgate

James McNeill Whistler

1859 · etching and drypoint in black on laid paper

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The image shows a bustling port scene with various sailboats docked, people on the quay and boats, and urban structures in the background. The detailed etching technique creates a monochromatic image using shades of sepia. The scene is framed with tall ship masts at the horizon. The composition includes a range of activities and structures, depicted with varying line density for contrast.

Print2015.19.406

Billingsgate

James McNeill Whistler

1859 · etching and drypoint in black on laid paper

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The image is an etching of a harbor scene showing various activities. Several sailboats are tightly lined up with their masts reaching up. A stairway on the left leads to buildings. People and animals are depicted with fine lines. The artwork has a monochromatic color scheme. In the distance, a bridge and skyline complete the harbor background.

Print2015.19.1531

Billingsgate

James McNeill Whistler

1859 · etching and drypoint in black on laid paper

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Print1973.26.3

Bimaculated Duck

British 19th Century

1855 · color lithograph with text plate

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The image is a sketch of a person in a sleeping position, with only the upper half of their body visible. The person's head is tilted to the side, resting on a pillow or cushion, and their hands are tucked under their chin. The sketch features delicate facial features with closed eyes, short tousled hair, and light clothing. The background is minimalistic with soft shading, and the sketch is centered on a light-colored sheet with the artist's name, G. Grandi, inscribed below.

Print2018.77.4

Bimbo che dorme (Sleeping Boy)

Giuseppe Grandi

1873/1874 · etching with monotype wiping on wove paper

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A young man with smooth, pale peachy skin and long blond hair looks over his right shoulder at us in this vertical portrait painting. He has light green eyes, a straight nose, full pink lips, and a narrow chin. His hair falls over his shoulders, and a long sideburn reaches to his jawline on the side facing us. Shown against a background of emerald green, he wears a black floppy cap and a blue garment that splits over his shoulder. A ruffle of white is visible at the wide neckline, and the sleeve of his right arm, which faces us, is black. He holds his left hand, farther away from us, to his chest, and he wears a gold ring with a green stone on his pointer finger.

Painting1943.4.33

Bindo Altoviti

Raphael

c. 1515 · oil on panel

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The image shows a stone building with ornate architectural details, climbing greenery on the walls, a group of people in period attire on a lawn with pink flowers, and a woman in a doorway. The sky has soft clouds. The color palette includes warm beiges and browns of the building, soft greens of the foliage, and occasional brighter hues of clothing and flowers.

Print2015.19.2421

Bingham-Melcomb, Dorsetshire

Joseph Nash

1849 · hand-colored lithograph on wove paper mounted to board

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The image displays a detailed drawing of a vintage wall-mounted lamp. The color palette consists of primarily browns and earthy tones, with hints of a metallic sheen. The lamp is centered in the image, with its base attached to the right side and extending to the left. A subtle shadow and highlights give the lamp a three-dimensional appearance against a plain, light beige background.

Index of American Design1943.8.12565

Binnacle Lamp

Herman O. Stroh

1938 · watercolor and graphite on paperboard

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The image depicts a waterfront scene with historic buildings lining the water's edge. The buildings display ornate architecture and extend across the mid to upper section of the image. Brushstrokes are used to detail the architectural features and reflections in the water. The color palette is primarily sepia-toned with variations of light and dark brown. Four swans are gliding on the water's surface below the buildings, with a sailboat and a paddle steamer visible further out. In the distance, city towers and spires enhance the skyline against a cloudy sky.

Portfolio1977.69.2

Binnenalster mit Jungfernstieg

Fritz Stoltenberg

1893 · watercolor

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The image depicts a textile or embroidered object with a symmetrical design. The object has two distinct protrusions at the bottom. The fabric features intricate patterns including geometric shapes and possibly floral motifs, in a muted color palette dominated by earthy tones. The artwork is set against a plain, neutral background, emphasizing the texture and details of the central object. The details show careful attention to line and shape, creating a sense of balance and symmetry.

Index of American Design1943.8.12078

Birch Bark Cape Collar

Charles Charon

1935/1942 · graphite and colored pencil on paper

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The image shows a textured wicker container with a large rectangular shape and a slightly sloping top. The surface is intricately designed with floral embroidery on its sides, displaying earthy tones of cream, tan, and brown, accented with soft greens and pinks in the flowers. The container is positioned centrally with its top facing slightly upwards to the left, exposing the decorative floral panels on the sides.

Index of American Design1943.8.13508

Birch Bark Sewing Basket

John Cooke

1938 · watercolor and graphite on paperboard

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The image features a single woven shoe. The shoe is predominantly brown with varying shades due to the weaving texture. Positioned centrally on a plain, light background, the shoe appears to be facing to the right.

Index of American Design1943.8.1964

Birch Bark Shoe

Eugene C. Miller

1938 · watercolor and graphite on paperboard

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The image is a pencil sketch of tree branches and leaves. The view is directed upwards, capturing the intricate network of branches and foliage with detailed pencil work. The brushstrokes are delicate and precise, emphasizing the texture and form of the leaves. The color palette is monochromatic, using variations of gray on a beige background to create depth and subtle shadowing. The absence of bold colors or strong contrasts allows the viewer to appreciate the detail and texture of the leaves.

Drawing2015.19.586

Birch Boughs, Catskill Mountains

John William Casilear

1856 · graphite on wove paper

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The image shows a forest path winding through dense trees, branches, and foliage. The perspective is slightly elevated to reveal the path extending into the distance, with the horizon obscured by the trees. The trees vary in height and create a sense of depth. The brushstrokes are fine, with thin lines suggesting texture and form. The color palette is primarily beige and off-white, creating a subdued visual effect. The path and trees fade in the distance, enhancing the depth of the image.

Print1956.14.9

Birch Trees along the Water (Les bouleaux: Bord de l'eau)

Alphonse Legros

Date not recorded · drypoint and (etching?)

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The image shows a landscape viewed from a ground level perspective, looking across a water body or river towards a row of trees lining the opposite bank. The horizon is subtly indicated by the line of trees, as the landscape appears to fade into an indistinct background, suggesting distant foliage. The artwork utilizes etching techniques, with fine and loose brushstrokes creating an impressionistic style. This effect is achieved through meticulous, wispy lines that suggest the leaves and branches, adding a sense of movement within the stillness. The color palette is monochromatic, with varying shades of grey produced through different densities of lines, which give depth to the landscape. Close to us, the lines are denser and darker, enhancing the texture of the ground and the reflective surface of the water, while in the distance, the lines become sparser and lighter, implying a gradual retreat into the soft depth of the background.

Print1947.19.11

Birch Trees: Water's Edge Seen in Morning Light (Les bouleaux: Bord de l'eau, effet du matin

Alphonse Legros

Date not recorded · etching and drypoint?

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The image shows a serene landscape from a slightly elevated viewpoint overlooking a riverbank. The horizon is high, formed by tall, slender trees. The brushstrokes are delicate with fine lines and hatching techniques. The color palette is monochromatic, using varying tones of black and grey. A figure is near the riverbank and the river reflects the sparse foliage and trees.

Print1950.4.26

Birch Trees: Water's Edge Seen in Morning Light (Les Bouleaux: Bord de l'eau, effet du matin)

Alphonse Legros

Date not recorded · etching and drypoint?

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The image features a large tree viewed from a lower angle, focusing on its sprawling branches. The background shows a row of smaller trees or shrubs below the main tree's silhouette. The artwork utilizes a textured style resembling charcoal or heavy graphite strokes, creating depth. The color scheme is predominantly black and gray with light highlights, emphasizing contrast and details. The sky above is depicted with a stippled technique, complementing the central tree's prominence in the scene.

Print2012.92.491

Birches

Lesser Ury

c. 1920 · lithograph on laid paper

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Index of American Design1943.8.8719

Bird

Roberta Spicer

c. 1938 · watercolor and graphite on paperboard

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Index of American Design1943.8.17275

Bird

Mina Lowry

c. 1937 · watercolor, graphite, and pen and ink on paperboard

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