National Gallery of Art · Open Data

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Explore only works whose published-image record is explicitly marked open access by the National Gallery of Art. Every result includes eligible imagery and connects back to the museum.

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63,858 open-access works

63,858 NGA-open-access works
Dataset refreshed September 26, 2026

The image shows a person in a three-quarter view, sitting on a chair with one leg crossed over the other. The person's head is slightly turned and looks in the direction of the viewer. The facial features are rendered with bold lines and shadows. The hair is of medium length and appears to be swept to one side. The person is holding a stringed musical instrument in their lap. The clothing is depicted with flowing lines, though specific details are minimal due to the sketch style. The background consists of vertical lines, hinting at a draped curtain or wall paneling.

Print1991.243.8

Bildnis Andreas Weissgaerber (Portrait of Andreas Weissgaerber)

Lovis Corinth

1919 · drypoint in black on laid paper

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The image is an artistic sketch depicting a person playing the violin. The person is shown from the waist up, has short, dark hair, and their facial features are suggested rather than detailed. The clothing is loosely sketched, illustrating a jacket with a notched lapel. The figure is holding a violin with one hand and a bow with the other. The background is plain, focusing entirely on the figure.

Print1991.243.9

Bildnis Andreas Weissgaerber (Portrait of Andreas Weissgaerber)

Lovis Corinth

1919 · drypoint in black on laid paper

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The image depicts a sketch of a seated person with their upper body visible. They have an expressive face with pronounced facial features, including a mustache. The person's hands are resting in their lap. They are wearing a dark suit with a collared shirt and tie. The background is simple and light with sketchy details. Signatures and inscriptions, including a date of 1919, are present on the sketch.

Print1991.243.6

Bildnis des Grafen Keyserling (Portrait of Count Keyserling)

Lovis Corinth

1919 · drypoint and roulette in black on wove paper

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The image depicts an abstract illustration of an upper body representation of a person. The person is shown in a distorted form, leaning forward with their head tilted slightly downwards and arms partially visible. The facial features are exaggerated and stylized, including prominent eyes, an elongated nose, and lips. The hair is depicted in a sweeping manner. The focus is on the form and contours of the body, with no emphasis on clothing, jewelry, or objects. The background is textured, monochrome, and abstract, enhancing the overall artistic expression.

Print2008.7.1

Bildnis Dr. Gr.

Walter Gramatté

1919 · lithograph on blue-green japan paper [proof]

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The image shows an upper-body portrait sketch of a person seated facing forward. Their head is slightly turned to the right with defined facial features, including deep-set eyes and closed lips. The individual has short, tousled hair styled off their face and wears a collared garment with buttons. The monochromatic sketch utilizes dark lines for contrast and form, with no visible jewelry or objects. The background is plain, emphasizing the subject in the foreground.

Print1991.243.3

Bildnis einer Jungen Dame—Anneliese Halbe (Portrait of a Young Woman—Anneliese Halbe)

Lovis Corinth

1918 · drypoint in black on laid paper

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The image depicts the upper body of a person sitting, with hands resting in front of them. The person is shown facing forward with a slightly turned head. They have distinct facial features including a strong jawline, full lips, and deep-set eyes. The hair is dark and depicted as thick and somewhat unkempt. The individual is wearing a suit jacket with lapels and a shirt with a dark tie or cravat. The sketch is monochromatic, predominantly black lines on an off-white background, with the artist's signature at the bottom. There is no detailed background in the image.

Print1951.10.18

Bildnis Joseph Schwarz (Portrait of Joseph Schwarz)

Lovis Corinth

1916 · lithograph in black

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The image features a sketchy etching of a person's upper body. The person is depicted as sitting with their head resting on their hand, facing slightly to the left. The individual has closed eyes, a prominent nose, short dark hair, and is wearing a jacket over a collared shirt. The background is plain, emphasizing the textured and shaded strokes of the etching.

Print1991.243.22

Bildnis K.S. (Portrait of K.S.)

Lovis Corinth

1920 · drypoint in black on wove paper

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Print1991.243.23

Bildnisstudie H. St. (Portrait Study of H. St.)

Lovis Corinth

1920 · drypoint in black on wove paper

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This is a painting of an ornately carved piece of wood, potentially from a ship. The depicted piece is old and weathered, with intricate designs including swirling patterns and foliage elements carved into its surface. There is a carved ornamental feature resembling a stylized bird's head on the right end. The background is neutral, emphasizing the texture and details of the wood. The colors and style suggest an appreciation for the object's age and craftsmanship. The artwork is in the style of Albrecht Dürer, showcasing attention to detail and texture.

Index of American Design1943.8.15915

Billet Head

Kurt Melzer

c. 1937 · watercolor and graphite on paper

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The sculpture depicts a decorative piece with an intricate design featuring a leaf motif. It is crafted from a material resembling plaster or stone, with a smooth texture. The sculpture is primarily white with a blackened base portion. At the center top of the design, there is a round, sunflower-like element in vibrant yellow. The sculpture seems to be a fragment or part of a larger piece, commonly seen as ornamental architecture or decorative art.

Index of American Design1943.8.16366

Billet Head

Joseph Goldberg

c. 1939 · watercolor, graphite, and pen and ink on paper

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This is a painting of a stylized eagle head. The artwork features a vibrant and abstract depiction of an eagle's head, painted with bold colors. The beak is black and curves prominently, leading into a red and orange open mouth. The head is primarily yellow, with a mix of red, black, and white geometric patterns on its neck. The eye of the eagle is painted with a shiny, reflective quality. The painting has a flat, two-dimensional appearance.

Index of American Design1943.8.16383

Billet Head: Eagle

Dorothy Van Dunker

c. 1939 · watercolor and graphite on paperboard

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The sculpture depicts intricate carvings of ornamental acanthus leaves arranged in a swirling pattern. The leaves exhibit graceful curves and overlap each other, creating a sense of movement and fluidity. The sculpture is rendered in a brown hue, giving it an appearance of wood material. The swirling motif extends to form a conical shape, providing an organic yet symmetrical look. The overall design is detailed and ornate, resembling classical decorative elements found in architecture or furniture design. The sculpture seems carefully crafted and meant to be viewed from the side to appreciate the curvature and carvings.

Index of American Design1943.8.7945

Billethead

Hazel Hyde

1935/1942 · watercolor and graphite on paperboard

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The image shows a complex arrangement of swirling and circular shapes forming a spiral pattern. The design includes leaf-like motifs that wrap around the central spiral. The interplay of light and shadow across golden hues suggests depth and texture, resembling a carved wooden object.

Index of American Design1943.8.8090

Billethead

Betty Fuerst

c. 1939 · watercolor, graphite, and colored pencil on paperboard

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The image shows an intricately carved wooden object with a spiral motif on one end. The design features smooth and textured surfaces in rich browns, muted purples, and beige accents. Against a light background, the object is angled to display the depth and details of the carving.

Index of American Design1943.8.8692

Billethead

Lucille Chabot

c. 1936 · watercolor and graphite on paper

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This is a painting of an ornate violin scroll. The image shows a detailed rendering of a violin's scroll section with intricate golden decorative patterns running along the curvature. The focus is on the elegant embellishment against the deep tones of the violin's varnish. The style is traditional decorative art, emphasizing enhancing the beauty of musical instruments. The background is plain to draw attention to the craftsmanship of the violin piece.

Index of American Design1943.8.8693

Billethead

Henry Murphy

c. 1938 · watercolor and graphite on paperboard

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The image shows a decorative object with a black base and yellow ornamental designs, with swirling patterns and leaf-like shapes. The color palette is black and yellow against a light background. The object is positioned slightly to the right side of the frame, with the decorative patterns curving outward and upward from its base.

Index of American Design1943.8.8696

Billethead

Marian Page

c. 1939 · watercolor and graphite on paperboard

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The image displays a decorative architectural sculpture resembling an ornate scroll or corbel design. The predominantly white sculpture showcases intricate details such as scrolls and floral motifs. It is set against a muted gray background, emphasizing its features. The sculpture appears vertical, conveying a sense of grandeur and elegance typically found in classical architectural elements.

Index of American Design1943.8.8697

Billethead

Frances Cohen

c. 1939 · watercolor and graphite on paper

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This is a drawing of an ornamental architectural fragment. The drawing presents a piece of decorative architecture, possibly a segment of a frieze or molding, featuring scrollwork and leaf motifs. The object is illustrated with fine detail, highlighting the three-dimensional qualities and elaborate curves of the design. The composition places the focus on the object itself, absent of any background, drawing attention to the craftsmanship of the ornamental piece. The use of shading and contrast helps to convey the texture and depth of the carving, capturing the elegance and complexity typical of classical architectural elements.

Index of American Design1943.8.8698

Billethead

Frances Cohen and Joseph Goldberg

c. 1940 · watercolor and graphite on paperboard

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The image features an elaborate, three-dimensional ornament with an intricate swirling leaf design in soft, muted browns and beiges. It is centrally positioned on a plain background, angled slightly with the top section tilted away and the bottom section closer.

Index of American Design1943.8.8703

Billethead

Hazel Hyde

c. 1939 · watercolor and graphite on paperboard

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The sculpture is a fragment of a decorative element. It has an intricate design with swirling and curling motifs, resembling acanthus leaves, and circular forms carved into its structure. The sculpture is primarily composed of wood, evident from the texture and grain visible on the surface. It has a warm, brown color, with darker and lighter shades enhancing its three-dimensional appearance. The piece has an ornate design, suggesting it once formed part of a larger, elaborately decorated object. The carving of the leaves and the geometric patterns show meticulous craftsmanship.

Index of American Design1943.8.16365

Billethead

Marian Page

c. 1936 · watercolor and graphite on paperboard

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The image displays a wooden panel with a large scroll design featuring a floral motif in the center, surrounded by acanthus leaves, fruits, and other decorative elements. The color scheme includes warm tones like yellow, brown, with hints of green and red. The panel is positioned diagonally, with the scroll on the left and the fruits and leaves on the right, against a rustic background.

Index of American Design1943.8.17228

Billethead

Harriette Gale

c. 1942 · watercolor and graphite on paperboard

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This is a painting of an ornamental architectural fragment. The painting depicts a highly detailed and ornate wooden carving with intricate scrollwork and leaf-like designs. The colors used are warm tones of red and brown with hints of gray-blue tones. The fragment appears to belong to the capital or decorative ending of a column. The style is reminiscent of Albrecht Dürer, known for detailed depictions of natural and man-made objects. The background is simple to emphasize the elegance and craftsmanship of the carving.

Index of American Design1943.8.8704

Billethead from "Myrtie B. Crowley"

Jane Iverson

c. 1939 · watercolor and graphite on paperboard

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The image shows an intricately carved piece of ornamentation with a warm, golden-brown hue and subtle variations in its texture. It is positioned in the center of a plain, light-colored background and features a spiral design with floral and leaf motifs.

Index of American Design1943.8.8702

Billethead from a Rockport Schooner

Betty Fuerst

c. 1938 · watercolor and graphite on paperboard

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The image shows a wooden ornament with intricate carvings of scrolls and acanthus leaves. It is monochromatic in various shades of gray, leaning slightly to the left against a plain, off-white background.

Index of American Design1943.8.8700

Billethead from Frigate "Sabine"

American 20th Century

1935/1942 · watercolor and graphite on paper

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