National Gallery of Art · Open Data

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Explore only works whose published-image record is explicitly marked open access by the National Gallery of Art. Every result includes eligible imagery and connects back to the museum.

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63,858 open-access works

63,858 NGA-open-access works
Dataset refreshed September 26, 2026

The image depicts a decorative metal bit with intricate engravings and shaped elements. The color palette includes shades of grey, light blue, and hints of copper or bronze. In the center of the image, the metal bit's ornate details are visible. Below, there is a faint text inscription on the right side reading "RAYMOND E NOBLE and HARRY N. WADDELL."

Index of American Design1943.8.14629

Bit

Raymond E. Noble and Harry Mann Waddell

c. 1939 · watercolor, graphite, and pen and ink on paper

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This is a drawing of a decorative metal lock mechanism. The drawing depicts an intricately designed metal lock with ornate engravings, a circular handle, a floral motif, and geometric patterns. The lock mechanism is detailed on the left side, with a pencil outline sketch of the same lock on the right. The drawing showcases the artistic craftsmanship involved in creating such a functional yet decorative object.

Index of American Design1943.8.14632

Bit

Eva Fox and Harry Mann Waddell

c. 1936 · watercolor and graphite on paper

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The image shows an intricately decorated, metallic horse bit. The color palette consists of brown, black, and metallic silver tones, with engraved patterns. The horse bit is centrally positioned in the image, with decorative elements extending horizontally across the top and midway down the sides. The background is plain, light beige.

Index of American Design1943.8.14633

Bit

William Herbert

c. 1936 · watercolor, pen and ink, and gouache on paper

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The image shows a large, ornate bit with intricate metalwork and twisted embellishments. The color palette consists of deep browns, silver, and black against a light beige background. The bit's components extend diagonally with rings on either end.

Index of American Design1943.8.14636

Bit

Gerald Transpota

c. 1940 · watercolor, graphite, and pen and ink on paper

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The image shows two ornate metallic objects with linked chains attached to them. The color palette consists of silver-gray, rust-colored, and wooden brown tones. The objects are positioned vertically against a cream-colored background with a signature below them.

Index of American Design1943.8.14638

Bit

Arthur P. Reynolds

c. 1940 · watercolor, graphite, and colored pencil on paper

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The image shows a detailed illustration of an ornate, metallic object resembling a pair of firearm triggers with intricate designs and patterns. The color palette consists of metallic grays and browns, with hints of rust orange and a slight texture suggesting aged metal. The object is centered within the image on a plain, light-colored background. The triggers project downward, with pointed metallic edges at the bottom, and the chains extend further downward in a slightly spiraled pattern, giving it a vertical and symmetrical appearance.

Index of American Design1943.8.14639

Bit

Arthur P. Reynolds

c. 1940 · watercolor, graphite, and pen and ink on paper

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The image features a detailed illustration of a metal mechanism with gears and chain links, displayed in the center. The objects are rendered in silver, bronze, and copper colors against a neutral background. The canvas is labeled "Arthur B Reynolds" at the bottom right.

Index of American Design1943.8.14640

Bit

Arthur P. Reynolds

c. 1940 · watercolor, graphite, and pen and ink on paper

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The image shows a detailed illustration of a metallic horse bit. It is the largest object in the image, featuring an intricate design with engraved patterns, chains, and hooks. The color palette includes metallic gray, brown, and wood-toned hues. Positioned in the center of the page, the horse bit is depicted prominently and oriented vertically.

Index of American Design1943.8.14641

Bit

Edward Jewett

c. 1939 · watercolor, graphite, and colored pencil on paper

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The image displays a metal object with multiple interconnected parts, including loops, chains, and gears. The color scheme consists of grays, browns, rusted orange, and dark metal tones. In the center, slightly off to the left, there is a gear-like structure, with looped elements extending upwards near the top center. Chains hang from the bottom ends of the assembly against a plain, light beige background.

Index of American Design1943.8.14642

Bit

Arthur P. Reynolds

c. 1940 · watercolor, graphite, and colored pencil on paper

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The image shows a metallic object with an intricate symmetrical design. The object appears to be a piece of harness hardware or a decorative fitting. It has a bronze or copper color with some areas showing a greenish tint from oxidation. The object is placed on a light-beige background and has a narrow upper section, widening towards the bottom, connected by ornate brackets and loops. Detailed carvings and patterns are evenly distributed on both sides of the object.

Index of American Design1943.8.17398

Bit

William Kieckhofel

1935/1942 · watercolor, graphite, and pen and ink on paper

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The image features two ornate harness-like objects with large, looped handles at the top and decorative elements. The front object has a light metallic appearance with a central emblem resembling a floral pattern, while the one behind it has a darker metallic finish. The color palette includes shades of silver, gray, and hints of gold and bronze. The main objects are centrally located with the light-colored object overlapping slightly to the left and in front of the darker one, both positioned against a plain, neutral background.

Index of American Design1943.8.17399

Bit

Dana Bartlett

1935/1942 · watercolor and pen and ink on paper

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Two large, carved wooden implements are positioned vertically against a plain background. The objects are dark brown with a light, creamy beige backdrop. The object on the left is longer and both are positioned towards the center of the image, with one on the left and the other slightly to the right. The name "FRED HULSEBOSCH" is inscribed near the bottom right corner.

Index of American Design1943.8.8902

Bit and Countersink

Fred Hassebrock

c. 1940 · watercolor, graphite, and pen and ink on paper

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The image shows a large, old-fashioned brace or manual drill against a plain, beige background. The drill has a dark brown wooden handle, deep green and dark brown metal sections, and subtle brass accents. The handle is curved at the bottom, with a domed, circular hand grip at the top. The tool is centrally positioned with clear outlines and details.

Index of American Design1943.8.8774

Bit Brace

Oscar Bluhme

c. 1940 · watercolor, gouache, and graphite on paper

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The image shows a single metallic instrument resembling a hook with a textured handle at the top. The color palette consists of shades of brown and metallic grey. Positioned centrally, the top portion of the object curves downward before extending vertically towards the bottom of the image.

Index of American Design1943.8.8898

Bit Brace

Alfonso Moreno

1938 · watercolor and graphite on paperboard

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The image shows a view from an elevated perspective looking across a body of water towards a line of trees. In the distance, a building with triangular gables rises above the trees. The horizon is at the upper part of the image, where the tree tops meet the sky. The artwork depicts detailed foliage and architecture using fine brushstrokes, creating a textured effect. The color palette is monochromatic with shades of gray to black. Near the water's edge, there are gentle slopes and sparse vegetation. A few ducks are swimming on the water's surface.

Print1946.9.147

Bit of Central Park

Charles Frederick William Mielatz

probably 1918 · etching and aquatint

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The image shows a metal and wood structure that resembles a decorative bridle or harness. It consists of two large vertical metal pieces with intricate design details, two loops on top, and a row of wooden cylindrical beads. The color palette is predominantly brown tones from the wood and metallic sheen of the metal. Positioned centrally against a plain, light background, the object's details are highlighted.

Index of American Design1943.8.14628

Bit with Curb

Frank C. Barks

c. 1940 · watercolor, graphite, and pen and ink on paper

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The image shows a tall, rectangular, amber-colored glass bottle with a ribbed design along its sides and a narrow neck at the top. The color palette is warm amber tones with variations in light and shadow that highlight the texture of the bottle. The bottle is positioned centrally, slightly turned to the right, with a minimalistic background.

Index of American Design1943.8.11218

Bitters Bottle

Dorothy Brennan

c. 1939 · watercolor, graphite, and colored pencil on paper

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The image displays a line drawing of a standing figure sculpture viewed from the back. The sculpture is tall, depicting a robed figure with a head covering or crown-like hair. The material and color of the sculpture cannot be identified from the drawing as it is in black lines on a white background. The base of the sculpture is inscribed with text that reads "PATENTED FEBRUARY 1868." The figure has a long, flowing robe that cascades down to the base, suggesting a classical or historical style.

Index of American Design1943.8.11020

Bitters Bottle (Indian)

G.A. Spangenberg

1935/1942 · pen and ink on paper

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This photograph shows a group of individuals working together on a dirt path under dappled sunlight. Three figures are posing in different positions while engaged in manual labor. The scene is outdoors among trees, with shadows cast on the ground. The background is softly blurred, emphasizing the foreground activity. The image is in sepia tone, giving it a nostalgic and historical feel. The atmosphere conveys a sense of industriousness and teamwork.

Photograph2002.73.2

Bitumiers

Eugène Atget

1899/1900 · albumen silver print

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The image shows a forest scene from a slightly elevated viewpoint. The horizon is low in the composition, blocked by tall trees and dense foliage. To the left, a dark body of water can be seen. Fine brushstrokes capture intricate details of the trees and landscape with precision. The color palette is dark, with deep blues and greens, and a warm glow coming from a light source among the trees to the right. Figures are gathered around the light source, creating a focal point. The scene conveys a serene and mysterious forest setting, possibly at night or during twilight.

Painting1965.16.16

Bivouac of a Sioux War Party

George Catlin

1861/1869 · oil on card mounted on paperboard

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This painting depicts a wide, elevated view of a landscape with figures and animals in the foreground, leading toward a horizon with hills and trees. The sky above shows dynamic, swirling clouds. The brushstrokes are soft yet detailed, creating movement in the scene. The color palette includes warm earth tones like brown, green, and gold, giving the impression of evening or late afternoon. The figures and animals blend naturally with their surroundings.

Painting1965.16.18

Bivouac of a Sioux War Party at Sunrise

George Catlin

1861/1869 · oil on card mounted on paperboard

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This painting depicts a woman from the waist up, seated sideways on a wooden chair. She is turned to the right, with her hands on the back of the chair, and looks over her shoulder towards us. She has pale skin and short reddish-brown hair visible beneath a green cap. Her red lips are slightly turned up at the edges, and her eyes are dark. She is wearing a brightly colored top with abstract shapes in orange, yellow, gray, and green against a cream background, and a green skirt that is the same shade as her hat. A bracelet adorns her wrist with vertical stripes of white, dark blue, and dark red. The chair she sits on is light yellow wood, and the background is made of vertical lines of white, cream, and gray, with hints of pastel pink, minty green, and pale blue. The brushstrokes in the painting are visible.

Painting1971.13.1

Bizarre

Allen Tucker

1928 · oil on canvas

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This is a painting of a bird perched on a branch with pine cones. The bird has black and white patterns on its feathers and is on a coniferous tree branch with green pine needles and brown pine cones at different stages of development. The bird is positioned diagonally, giving a sense of movement. The illustration style is detailed and accurate, reminiscent of John James Audubon's work.

Print1945.8.90

Black and White Creeper

Robert Havell after John James Audubon

1830 · hand-colored engraving and aquatint on Whatman wove paper

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This is a drawing of a bird holding a fish in its beak. The bird is portrayed on a patch of green grass, with its body slightly turned and head lifted up. Its plumage consists of alternating black and white feathers, transitioning into a blue neck. The bird's feathers are detailed, and the surroundings include small clusters of leaves. The composition highlights the bird's success in catching the fish.

Print1983.105.8

Black and White Water-Fowl with Blue Throat

George Edwards

Date not recorded · hand-colored etching on laid paper

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