National Gallery of Art · Open Data

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Explore only works whose published-image record is explicitly marked open access by the National Gallery of Art. Every result includes eligible imagery and connects back to the museum.

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63,858 open-access works

63,858 NGA-open-access works
Dataset refreshed September 26, 2026

The image displays two birds perched on a branch surrounded by green leaves and pink flowers. The birds are predominantly yellow with blue and black markings. There are pink berries and flowers in the background.

Print1945.8.123

Black and Yellow Warbler

Robert Havell after John James Audubon

1831 · hand-colored engraving and aquatint on Whatman wove paper

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The image depicts a rugged landscape with large rock formations dominating the right side. The horizon is situated in the upper third of the image, mostly obscured by towering cliffs. The rock surfaces rise steeply from the water, with varied tones. The water is still, mirroring the cliffs and enhancing the vertical lines. The color palette is monochromatic with sepia tones. In the distance, the cliffs continue, interspersed with shadows.

Photograph2023.30.117

Black Canyon, Colorado River, Looking Below from Big Horn Camp, #4

Timothy H. O'Sullivan

1871 · albumen silver print

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There are four individuals gathered around a lit candle. One person is holding the candle, and the others appear to be closely observing something outside the frame. The central figure wears a hat and a beard, while the others have different hairstyles. Their facial features are lightly defined. They wear casual clothing. Another individual is on the right, leaning against a door with a small animal on their shoulder. The background consists of cross-hatch lines.

Print1946.4.15

Black Cat (Le chat noir)

Alphonse Legros

c. 1861 · etching on laid paper

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This drawing shows a black cloak with an intricate teal and gold pattern along the edges and down the middle, with a fur accessory beside it. The cloak is to the left of center and appears to have a small tail hanging from the bottom. On the right, we appear to see a close up of this back decoration, which looks like a black-and-white fur with visible hind legs and a tail. The background of the drawing is beige paper.

Index of American Design1943.8.11604

Black Cotton Coat

Michael Trekur

c. 1935 · colored pencil and graphite on paper

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The image depicts an etching of a person from the waist up, situated slightly to the right, with their head turned towards the viewer. The person's facial features are intricately detailed, with a strong gaze and a neutral expression. They wear a headwrap that partially covers their hair, with some strands visible at the front and sides. The individual is clad in a sleeveless garment and draped with a fur over their shoulders. An earring is visible on their left ear. The horse next to them is shown with a detailed bridle, embellished with feathers on its head. The background is a simple oval-shaped field that frames the subjects with no additional details.

Print1994.72.12

Black Groom with an Arabian Horse

Stefano Della Bella

1649/1650 · etching on laid paper

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Print1945.8.219

Black Guillemot

Robert Havell after John James Audubon

1834 · hand-colored engraving and aquatint on Whatman wove paper

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Painting1965.16.95

Black Hawk and Five Other Saukie Prisoners

George Catlin

1861/1869 · oil on card mounted on paperboard

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The image shows five individuals, each depicted in full-length form. Two individuals are standing on the left side. One has crossed arms, and the other is holding a staff. In the center, a seated individual holds a staff with feathers, looking towards another individual who is gesturing with one hand extended. The individual on the far right stands with a shawl draped over one shoulder. All five have distinctive hair styles with orange and black feathered extensions. They wear garments with fringes, vibrant patterns, and beads or necklaces. The background features a softly colored sky and hints of earth tones, suggesting a natural landscape with no distinct landmarks visible.

Painting1965.16.314

Black Hawk and the Prophet - Saukie

George Catlin

1861/1869 · oil on card mounted on paperboard

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This is a painting of a silhouette of a horse on a light-colored background. The horse is depicted with one front leg raised and a swaying tail, along with a visible mane along the neck. The black silhouette contrasts with the background, highlighting the horse's form and movement. The style is reminiscent of Ellsworth Kelly, known for minimalist designs through shapes and colors.

Index of American Design1943.8.16246

Black Horse Weather Vane

Beatrice DeKalb

c. 1939 · watercolor and graphite on paperboard

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This is an image of an intricate lace pattern. The design includes elaborate floral and geometric patterns intertwined in a symmetrical arrangement. The lace features delicate and detailed threadwork with ornamental motifs. The drawing shows a dense array of floral patterns at the top, leading to a scalloped edge with larger oval and circular motifs surrounded by floral elements at the bottom. The overall appearance is elegant and complex, showcasing the art of lace-making.

Index of American Design1943.8.2603

Black Lace

Carl Buergerniss

c. 1941 · graphite and pen and ink on paperboard

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The image shows an intricate lace pattern with floral and leaf motifs. The lace has a dark, monochromatic texture against a light background, creating a striking effect. The lace fills the majority of the frame, with floral designs on the upper and left side, and circular patterns on the right and bottom edges.

Index of American Design1943.8.2776

Black Lace

Helen Balfour

c. 1940 · pen and ink on paperboard

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This is a drawing of a patterned jacket. The jacket has an intricate and repeating geometric design that covers the entire surface. The pattern consists of small, interlocking diamond shapes composed of lines and dots, giving the fabric a textured appearance. The jacket has a tailored fit, long sleeves, a deep neckline, and an elegantly curved hem.

Index of American Design1943.8.1271

Black Lace Jacket

Joseph L. Boyd

c. 1938 · watercolor on paperboard

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This is a photograph of a piece of lace fabric with floral patterns. The fabric displays repetitive floral motifs including flowers and foliage. The larger motifs are arranged in a pattern along one edge of the fabric with a scalloped trim. The interior of the fabric features smaller floral elements. The detailing is delicate, highlighting the craftsmanship in creating the lacework. The photograph captures the texture and design of the lace, showcasing its decorative and ornamental qualities.

Index of American Design1943.8.2602

Black Lace Shawl

Raymond Manupelli

c. 1939 · pen and ink on paperboard

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A detailed drawing of a ballet flat shoe is centred on the page. A sketched outline of the shoe's sole is in the top right corner. The main shoe drawing is primarily in dark gray and black shades with lighter hues for the inner lining, portraying texture and depth. The shoe is slightly left of center, and the outline is directly above it on the right side. The background is light cream.

Index of American Design1943.8.2622

Black Leather Slipper

Melita Hofmann

c. 1940 · graphite and colored pencil on paper

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The image depicts a harbor scene with a variety of maritime activities. In the foreground, a figure in a mariner's outfit leans on a wooden rail. To the right, two individuals are rowing a small boat. Larger ships are docked in the background, with ropes and sails visible. Buildings and signs populate the horizon, suggesting a commercial area. The artwork uses a detailed etching technique with a warm monochromatic color palette, evoking history and classicism. The scene is intricate and detailed, capturing the essence of the bustling harbor.

Print1943.3.9104

Black Lion Wharf

James McNeill Whistler

1859 · etching on laid paper

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The image depicts a riverside scene with buildings in the background. The foreground shows a man leaning against a railing, with figures working near boats to the right. The artwork features detailed linework reminiscent of etching, creating a textured view of the riverside. The color palette is monochromatic, with shading achieved through line density. The scene captures a slice of 19th-century life, blending human and industrial elements seamlessly.

Print2015.19.3252

Black Lion Wharf

James McNeill Whistler

1859 · etching in black on laid paper

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Two large ducks are depicted in a coastal setting. One duck is standing on a rock, while the other is on the sandy ground next to seashells. The ducks are primarily black and brown in color, with the background showing peach and blue tones. The duck on the left is on a rock, while the duck on the right is on the sandy shore.

Print1945.8.317

Black or Surf Duck

Robert Havell after John James Audubon

1836 · hand-colored engraving and aquatint on Whatman wove paper

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The image depicts a black sofa adorned with floral decorations in various colors such as soft pinks, greens, and subtle yellow. The sofa is centrally positioned, viewed from the front, with sleeper-style armrests and a backrest featuring intricate floral designs.

Index of American Design1943.8.5597

Black Painted Settee

Ella Josephine Sterling

c. 1936 · watercolor, colored pencil, graphite and heightening on paper

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The image shows three black bonnets with ribbons, each displayed from different angles against a plain background. The color palette is primarily black, dark gray, with some beige tones inside the bonnets. One bonnet is centered at the top, facing forward, while two others are below it, showing their side profiles. The bonnets are arranged with their ribbons extending to the right.

Index of American Design1943.8.1043

Black Satin Bonnet

B. Berndt

c. 1936 · watercolor, graphite, and gouache on paper

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The image shows a long coat with puffed shoulders, a row of buttons down the front, and a flared lower section. The coat has a striped pattern with alternating dark and colorful hues, predominantly blacks and browns with hints of red and teal. In the center of the image, the coat is displayed upright with the bottom section flared open, showing a red lining.

Index of American Design1943.8.9532

Black Satin Jacket

Joseph L. Boyd

c. 1938 · watercolor, gouache, and pen and ink on paper

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The image showcases two black leather bonnets with ribbon ties against a neutral beige background. The color palette is primarily muted, with shades of black, grey, and beige, and hints of blue outlining the bonnets. They are arranged vertically, with one positioned slightly above and to the right of the other. The ribbons extend outward from each bonnet, with the upper bonnet's ribbons reaching further to the sides. The bonnets are depicted from the side, accentuating their dome-like shape and the texture of the material.

Index of American Design1943.8.1042

Black Silk Bonnet

B. Berndt

c. 1936 · watercolor, graphite, and heightening on paper

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Print1945.8.323

Black Skimmer

Robert Havell after John James Audubon

1836 · hand-colored engraving and aquatint on Whatman wove paperr

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Print1945.8.280

Black Tern

Robert Havell after John James Audubon

1835 · hand-colored engraving and aquatint on Whatman wove paper

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Print1945.8.106

Black Vulture

Robert Havell after John James Audubon

1831 · hand-colored engraving and aquatint on Whatman wove paper

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