National Gallery of Art · Open Data

Search the collection.

Explore only works whose published-image record is explicitly marked open access by the National Gallery of Art. Every result includes eligible imagery and connects back to the museum.

Collection results

63,858 open-access works

63,858 NGA-open-access works
Dataset refreshed September 26, 2026

The image shows a seascape with sailboats in the distance. The viewpoint is slightly elevated, emphasizing the sky. The boats are silhouetted against the water and sky. The artwork has a soft style with gentle brushstrokes. The color palette consists of muted greys and beiges, creating a tranquil atmosphere.

Print2015.190.1

Boats in a Morning Fog

Henri-Charles Guérard

c. 1887 · etching, aquatint, and roulette on simili Japan

Open full record

Four boats with low masts sit on a sandy beach next to rocky cliffs under a cloud-filled sky in this horizontal landscape painting. Three of the boats are clustered together near the center of the composition. The fourth is a short distance away to our left. The beach is painted with visible dabs and strokes of tan and cream white with gray shadows. The vertical cliffs are not much taller than the boats' masts and are painted in with smears and smudges of warm brown and black. The beach is dark with shoals where it meets the water beyond the boats. Two sailboats with white sails are on the water in the distance. Bands of parchment white, gray, and smoky lavender purple gather in the icy blue sky above the horizon, which comes about a quarter of the way up the composition. The artist signed the work in rust-red letters in the lower right corner, “G. Courbet.”

Painting1972.9.7

Boats on a Beach, Etretat

Gustave Courbet

c. 1872/1875 · oil on canvas

Open full record

The image depicts a pencil sketch of a waterfront scene. Boats are shown at different distances from the viewer, with the horizon high on the page. Faint outlines of structures hint at buildings on the horizon. The boats are intricately detailed with precise lines, while the overall style is subtle and precise, using fine pencil strokes. The color palette is monochromatic, using shades of gray.

Drawing1943.3.6200

Boats on River with Masts

Charles Meryon

Date not recorded · graphite on laid paper

Open full record

Print2014.140.2

Boats on the Beach

Bernard Gaillot

1824 · lithograph on wove paper

Open full record

The image depicts a coastal scene with a low horizon and a vast sky. A castle or fortress is seen on a rocky hill in the background. The style of the brushstrokes is fine and detailed, resembling an etching. The color palette is monochromatic in black and white. Trees, vegetation, ships with tall masts, and figures are discernible in the scene, with small animals moving along a path towards the hill and castle.

Print1973.34.14

Boats on the Seashore

Stefano Della Bella

in or before 1647 · etching

Open full record

The image shows sailboats on a body of water. The viewpoint is slightly elevated, showing a wide scene with an implied horizon. The lines are delicate and sketch-like, depicting water and sails with minimal detail. The color palette is monochromatic with shades of black on a light sepia background. Faint architectural elements are suggested in the distance.

Print1943.3.8568

Boats, Dordrecht

James McNeill Whistler

1884 · etching on laid paper

Open full record

This is a painting depicting a lion, a deer, and a serpent together. The lion is standing on the left side of the image, the deer is in the middle, and the serpent is on the right. The background of the painting is dark.

Print1951.10.46

Bobalicon (Simpleton)

Francisco Goya

in or after 1816 · etching, burnished aquatint, burin and (drypoint?) [trial proof printed posthumously circa 1854-1863]

Open full record

The sculpture is a wooden carving of a feline face. It is rendered in shades of brown wood with visible grain patterns and textures. The eyes and features of the face are intricately carved. The wood appears weathered with knots and imperfections. The carving includes detailed ears and a mane that fans out from the sides of the face. The artwork is mounted on a plain light-colored background.

Index of American Design1943.8.17226

Bobcat

Harry King

1935/1942 · watercolor and graphite on paper

Open full record

This is a painting of an orangutan enclosed behind bars in the upper part of the composition, while a crowd in colorful clothing stands below, looking up with various expressions. Among the crowd are individuals in vivid attire, including a figure dressed in a colorful robe, another in striped pants holding a hat, and others wearing formal hats. The expressions on their faces range from wide-eyed amazement to comedic dismay. This is in style of Honoré Daumier.

Print1943.3.9365

Bobonne... ne le regarde pas tant!

Honoré Daumier

1836 · hand-colored lithograph

Open full record

This is a drawing of a corset design on a mannequin. The main corset is depicted with a cream-colored base adorned with small decorative dots and colorful floral patterns in shades of blue and pink. The drawing also includes a simplified sketch of the back view, illustrating the lace-up closure typical of corset styles. The design combines function and aesthetic, emphasizing shape and ornamentation. The use of light pastels and a soft illustration style suggests delicacy and refinement.

Index of American Design1943.8.1259

Bodice

Margaret Knapp

c. 1935/1942 · watercolor, graphite, and gouache on paperboard

Open full record

Index of American Design1943.8.1305

Bodice

Nancy Crimi

c. 1937 · watercolor and graphite on paper

Open full record

Index of American Design1943.8.1308

Bodice

Edna C. Rex

c. 1937 · watercolor, gouache, and graphite on paper

Open full record

Index of American Design1943.8.2943

Bodice

Gladys Cook

c. 1936 · watercolor, graphite, and gouache on paperboard

Open full record

The image displays a large brown wooden clog with a strap across it in the upper portion. Below it, there are two brown metal-like components. The color palette includes various shades of brown, beige, and muted greens on a light cream background, emphasizing the natural and handcrafted appearance of these items. The wooden clog is positioned at the top center with dimensions noted on either side, while the two metal-like components are below it, spread out slightly to the left and right of center.

Index of American Design1943.8.11510

Bog Shoe for Horse

James Vail

c. 1936 · watercolor, gouache, pen and ink, and graphite on paper

Open full record

The image shows a landscape view from a slightly elevated position facing a river. In the scene, there are trees and a church with a pointed steeple on the horizon. The etching uses fine lines and cross-hatching for texture and shading. The color scheme is monochrome with varying densities of black lines on an off-white background. Two figures with a dog are walking on a path near the river. The path curves, leading to a bridge in the middle ground. In the distance, there is more vegetation and small structures on the banks.

Print2012.92.748

Bogenhausen

Wilhelm von Kobell

1818 · etching on laid paper

Open full record

This is a painting of two birds perched on a branch with clusters of orange berries and green leaves. The scene depicts two Bohemian Waxwings, showcasing the intricate details of their plumage, including patterns of yellow-tipped tails and red markings on their wings. One bird leans towards the other, suggesting interaction. The foliage around them has a few sprigs bearing clusters of orange berries. The composition is vividly colored, capturing the beauty of avian life in their habitat. The style is reminiscent of John James Audubon.

Print1945.8.363

Bohemian Chatterer

Robert Havell after John James Audubon

1837 · hand-colored engraving and aquatint on Whatman wove paper

Open full record

Three individuals are shown in full length. The person on the left is sitting, with a large, rounded hat and long, flowing hair. They are reaching out with one hand to the middle person. This seated individual is clothed in a long, draped garment. The middle person is standing and appears to be performing some form of gesture with their hands towards the seated person, wearing a hood and a long cloak, with long hair visible. The third person is on the right, standing, holding a child and wearing a cap, with facial features partially visible, dressed in a long, striped garment. The background consists of a few simplistic buildings and trees.

Print1969.15.248

Bohemians

French 17th Century

17th century · etching

Open full record

In this image, we see the upper bodies of two figures seated closely together, each facing the other. The person on the left is resting their chin on their hand, although details of their facial features are not distinctively visible due to the sketch's shading. This individual has roughly styled hair. They are wearing a loose garment that blends into the large rock or mound they sit on. The person on the right has their back to the viewer and is fully covered by a flowing draped cloak, concealing their face and features. The background consists of textured, organic shapes and foliage, which give a sense of an outdoor setting. The sketch is simple, with fine lines and shading adding depth to the scene.

Print1952.10.80

Bohemien Encampment (Campement de bohemiens)

Alphonse Legros

Date not recorded · etching

Open full record

The image shows a landscape with a body of water reflecting trees along its banks. Two trees stand near the water's edge, with sparse branches. The horizon sits low, with an expansive sky blending into distant foliage. A small bridge crosses the water. The image has a sepia tone with a color palette of browns and grays. The sky has a gentle gradient, contrasting with the defined silhouettes of trees and landscape.

Photograph1995.36.103

Bois de Boulogne

Charles Marville

1858 · albumen silver print

Open full record

The image depicts a landscape with an upward perspective, showing trees reaching towards the sky. The horizon is visible at the top of the image where the trees blend with the sky. There is no specific element on the horizon. The focus is on the details of the trees, depicted with fine brushstrokes showing intricate branches and leaf patterns. The color palette is monochromatic with shades of black and grey. The ground is uneven with shadows, adding depth. In the background, there are more trees fading slightly to suggest distance.

Print2020.149.8

Bois de la charbonnière

Louis Hector François Allemand

1877 · etching and drypoint on tan laid paper

Open full record

This is a painting of a crowded hall or theater filled with motion and tension. Various people are depicted in dramatic poses within a grand, dimly-lit interior space with draped ceilings. Some figures hold weapons or point, adding to the chaos. The scene suggests an upheaval inside what appears to be an assembly hall, with galleries above filled with onlookers. The detailed figures convey a sense of energy and intensity within the crowded space.

Print2004.166.6

Boissy d'Anglas présidant la Convention le 1er Prairial An III

Félix Bracquemond after Eugène Delacroix

1882 · etching and drypoint on laid paper

Open full record

Portfolio2023.90.1.7

Boite à thé porcelaine

Félix-Hilaire Buhot

1883 · etching on Japanese paper

Open full record

The image shows a relief on a circular medallion featuring three human figures. The central figure is seated, while the two flanking figures are standing and interacting with the central figure. The sculpture is crafted from a darkened material, likely bronze or copper, and has intricate details on the figures and edges. There is text on the edges of the medallion and a small hole at the top. The craftsmanship suggests a historical or classical theme.

Sculpture1957.14.734.b

Boldù between Faith and Penitence [reverse]

Giovanni Boldù

1458 · bronze

Open full record

The sculpture is a round bronze relief depicting two cherubic figures seated on the ground. One figure covers their face with one hand, while the other holds a human skull. Both figures have youthful features and subtle musculature. The background contains ornate lines, and the sculpture is bordered with a Latin inscription. The material is polished bronze, giving the sculpture a rich brown color with lighter highlights. The viewer sees details of the figures' expressions and the crafting of the skull, highlighting the skillful work in small-scale bronze artistry.

Sculpture1957.14.735.b

Boldù with the Genius of Death [reverse]

Giovanni Boldù

1458 · bronze

Open full record