National Gallery of Art · Open Data

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Explore only works whose published-image record is explicitly marked open access by the National Gallery of Art. Every result includes eligible imagery and connects back to the museum.

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63,858 open-access works

63,858 NGA-open-access works
Dataset refreshed September 26, 2026

The sculpture in the image shows a round medallion featuring two winged cherubs facing each other. One cherub has its head resting on its hand while the other holds an object. A skull is positioned between them. The sculpture is crafted in bronze with signs of aging like patina and wear. An inscription is present at the top, a beaded border marks the outer edge, and etched numbers or letters are at the bottom.

Sculpture1957.14.736.b

Boldù with the Genius of Death [reverse]

Attributed to Giovanni Boldù

1466 · bronze

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The image shows a dark green cape with gold and orange trimming on the edges and sleeves. The color palette includes deep green, bright orange, gold, and a hint of blue. The garment is centered on a light-colored background with the designer's signature below and to the right of it.

Index of American Design1943.8.14225

Bolero

Josephine C. Romano

c. 1936 · watercolor, graphite, and pen and ink on paper

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A pink cloak with decorative patterns is displayed in the center of the image. The color palette mainly consists of shades of pink with darker pink or reddish-brown outlines and patterns. The cloak is positioned centrally against a plain, light-colored background, allowing its intricate designs around the edges and neckline to be the main focus.

Index of American Design1943.8.1587

Bolero Jacket

Syrena Swanson

c. 1937 · watercolor, graphite, and gold ink on paper

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Index of American Design1943.8.14228

Bolero Jacket

Josephine C. Romano

c. 1940 · watercolor, graphite, and pen and ink on paper

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The image shows two full-length figures, positioned side by side, with partly turned bodies as if in movement. The figure on the left has a rounded face, prominent lips, and a wide nose, adorned with a leafy crown in their hair. This person is dressed in a layered garment with a visible purse hanging from their waist and chains draped around their upper body. The figure on the right has a pudgy face, a prominent nose, and facial stubble, with a bird perched on their head, which sits atop a tangled nest of branches in their hair. This person wears a belted tunic with various circular decorations and long pants that tuck into their shoes. Both figures have expressive postures; the figure on the left leans forward, while the figure on the right has an upward gesture with their hand. The background shows a simple ground with sparse grass and a solitary flower sprouting from the earth. The image's upper portion has text with the names "BOLIKANA" and "MARKOLFVS" separated by initials "D H," and the artist's monogram "SF" is in the lower-right corner.

Print1979.48.7

Bolikana and Markolfus

Daniel Hopfer

early 16th century; printed 1684 · etching and engraving

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The image shows Bolling's Dam in Petersburg, Virginia. The viewer is positioned slightly above the river, looking across the water cascading over the dam. Close to us, the river flows over rocks with subtle movements. To the right are rocks, vegetation, and trees. The horizon shows buildings, including a central industrial structure. The sky above is filled with clouds in soft strokes, conveying depth and atmosphere. The color palette consists of muted greens, earth tones, and grays.

Print2015.19.995

Bolling's Dam, Petersburgh, Virginia

John Hill, after Joshua Shaw

1821 · hand-colored engraving and aquatint on wove paper

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The image displays a street scene with tall, narrow buildings lining an alleyway. A tower rises prominently above the structures. The architecture is detailed, with intricate facades and rooflines. The color palette is primarily sepia and black, giving a monochromatic appearance resembling an etching. Figures walk along the cobbled street close by, set in a historical setting. In the distance, more buildings complete the urban vista under a sky with swirling cloud patterns.

Print1943.3.2075

Bologna

Richard Parkes Bonington

1826/1827 · etching

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This is a drawing of an architectural design featuring arches and columns. The drawing illustrates an architectural section with two arches supported by columns. The columns have detailed capitals, and the arches are decorated with molding. An ornamental arch is shown in the upper portion of the drawing, embellished with motifs and a keystone. The line work is precise, indicating it may be an architectural sketch or blueprint. Annotations are included in the drawing.

Drawing1939.2.11

Bologna Brick Wall

John Russell Pope

c. 1896 · graphite

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The image shows a large wooden mechanical device with a vertical structure and a central rack and pinion system. The handle is on the left side, extending outward with a wooden grip. The color palette is primarily brown wood, with metallic gray and green components in the mechanical parts. The device is set against a plain light beige background.

Index of American Design1943.8.13454

Bologna Stuffer

Richard Taylor

c. 1938 · watercolor, graphite, and pen and ink on paperboard

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Index of American Design1943.8.8724

Bolt

John Petrucci

c. 1939 · watercolor and gouache on paperboard

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The image shows a landscape with trees on the left leading to ancient ruins in the center against a hillside backdrop. Hills and fields extend into the distance. The scene is depicted with detailed brushstrokes and etching lines, with a color palette leaning towards sepia tones.

Print2015.143.136

Bolton Abbey

Percival Gaskell

1900-1930 · drypoint in black on laid paper

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This is a painting of a military scene. The scene includes a group of soldiers in blue uniforms engaged in an artillery operation. Smoke billows from the cannons. There are palm trees in the scene and an American flag displayed. In the background is a fortified city under a pastel-colored sky. The painting features detailed representations of artillery arrangements, soldiers, and military equipment.

Portfolio2015.19.3616.4

Bombardment of Vera Cruz

Adolphe-Jean-Baptiste Bayot, after Carl Nebel

1851 · hand-colored lithograph on wove paper

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This is a painting of a wooden chest of drawers. The chest has a rich, reddish-brown wood finish with a curved front. The drawer fronts have brass handles and escutcheons. The base has four cabriole legs with carved detailing and ball-and-claw feet. The style indicates a traditional design, possibly influenced by 18th-century craftsmanship. The background is a light color, and the style resembles Thomas Chippendale's work.

Index of American Design1943.8.4701

Bombe Front Chest of Drawers

Alfred H. Smith

c. 1938 · watercolor, colored pencil, gouache, and graphite on paper

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Painting1970.17.38

Bon Bock Café

Style of Edouard Manet

1881 · oil on wood

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The image shows a drawing of a cut glass bowl and a top-down view of its intricate pattern. The bowl is the larger object and features detailed, symmetrical designs with a scalloped edge. The color palette of the image is primarily shades of gray on a beige or light tan background. The drawing of the bowl is positioned near the top center of the image, while the view of the intricate pattern occupies the central lower part of the image.

Index of American Design1943.8.11289

Bon Bon Dish

Eva Wilson

c. 1936 · watercolor, gouache, and graphite on paper

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The image shows a portrait of a man. He is facing forward with his upper torso slightly angled to the left. His face is round with pronounced cheekbones, a slightly furrowed brow, a defined nose, and thin lips. The man has short, receding hair and wears a high-collared garment under a dark outer coat that has light-colored fabric in the sleeves. The portrait is set within an oval frame with Latin text around it. In the background, there is a detailed pattern. A coat of arms is in the top right corner and there is additional text below the oval frame.

Print2011.139.2

Bon de Broé

Thomas de Leu

1588 · engraving on laid paper

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This is a drawing of a bearded figure carrying a bag and a lantern among robed figures. The scene depicts a bearded figure walking barefoot and clad in a simple, tattered garment, carrying a large sack over their back with a walking stick. They also carry a lantern in one hand. Surrounding the figure are ghostly, robed figures, some of whom appear to be observing. The setting has a classical feel, with columns faintly visible in the background. The artwork includes textual elements at the top and bottom.

Print2015.143.291

Bon mot du temps

Honoré Daumier

1842 · lithograph

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This is a painting of a small bird perched on a branch with large green leaves and a cluster of pink flowers. The bird has a blue-grey head, yellow chest, and olive-grey wings. The branch shows some spots of natural wear and extends to a cluster of pinkish-red tubular flowers.

Print1945.8.5

Bonaparte Fly Catcher

William Home Lizars after John James Audubon

1827 · etching and engraving with hand coloring on on Whatman paper

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The image displays a portrait of a man in a red coat with a white high-necked shirt, and a scene below. The portrait depicts a man with short, dark hair, distinct facial features, and a firm expression, positioned slightly to the side. Below the portrait is an intricate illustration of a military review or parade outside a grand building with classical architecture, showcasing soldiers in formation, horsemen, and a watching crowd.

Print1954.16.3

Bonaparte Premier Consul de la Republique Française

Charles Francois Gabriel Levachez and Jean Duplessis-Bertaux after Louis-Léopold Boilly

1802 · color etching and wash manner on wove paper

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The image shows a group of riders on horseback parading down a street. At the front is a figure on a white horse wearing a light blue coat and a bicorne hat. Beside them is a person in a dark blue coat with gold trim and a feathered hat. Other riders, including individuals in military attire and a person in a colorful ensemble with a turban, are also present. The horses are ornately dressed, and the background features a grand architectural structure with spectators in the windows. The sky is clear blue.

Print1954.16.4

Bonaparte Reviewing the Consular Guard (La Revue du Quintidi)

Charles Turner after John James Masquerier

Date not recorded · color aquatint, mezzotint, and etching

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The image shows three gulls by the sea with a cloudy backdrop. Two gulls are on a rocky shore, one with a dark head and the other with a light head, while a third gull is flying above them. The birds are depicted realistically, showcasing the detailed patterns and colors of their feathers, as well as their natural poses. In the background, the sea meets distant cliffs under a sky with dynamic cloud formations. It is in the style of John James Audubon.

Print1945.8.324

Bonapartian Gull

Robert Havell after John James Audubon

1836 · hand-colored engraving and aquatint on Whatman wove paper

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The image displays a portrait of a man from his chest upwards, facing forward with his head turned slightly to his left. He has a curling mustache, small beard, curly hair styled back, and is dressed in a historical military outfit with decorative armor, a draped sash, and a textured ruff around his neck. He holds a baton in his right hand. The portrait is framed with ornate scrolling designs and text around and beneath the figure, likely denoting his titles and achievements. The background is filled with fine lines for depth and texture.

Print1951.11.385

Bonaventura, Comte de Buquoy

Unknown Artist

Date not recorded · engraving

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The image shows a drawing of a woven object with two elongated, curved pieces and an intricately braided or knotted section at the top. The woven portion contains a colorful pattern with blue and red shades. It is centered on a light brown background that darkens towards the edges.

Index of American Design1943.8.12065

Bone and Beadwork

Melita Hofmann

1935/1942 · graphite and colored pencil on paper

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This is a drawing of a courtroom scene. The image depicts various figures dressed in historical attire in a trial setting. A prominent figure is standing and addressing the court with a raised hand. Dignified individuals are observing from behind a barrier. A large panel with detailed writing is on the right side of the image, next to a figure seated next to a menacing character. The scene is satirical, showing expressions of indignation, curiosity, and judgment on the faces of the onlookers and participants in a richly decorated courtroom setting.

Print1945.5.1280

Boney's Trial, Sentence, and Dying Speech

Thomas Rowlandson

published 1815 · hand-colored etching

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