National Gallery of Art · Open Data

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Explore only works whose published-image record is explicitly marked open access by the National Gallery of Art. Every result includes eligible imagery and connects back to the museum.

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63,836 open-access works

63,836 NGA-open-access works
Dataset refreshed September 12, 2026

The image depicts a scenic view with a cluster of architectural structures, including buildings with tile roofs and a round tower. The structures are placed centrally and extend towards the right. The horizon is elevated and populated by these buildings, suggesting they are on high ground. The sketch is detailed and shaded, with fine pencil strokes giving it a textured, monochromatic feel. Close-up areas include a pathway and a small fence with softer outlines, adding depth. The buildings are meticulously drawn, transitioning into sketchier illustrations of the environment, like trees. The overall color palette is graphite gray and white, emphasizing contrasts against a textured paper background.

Drawing1983.49.184

A Fortified Town in Italy

Joseph-Marie Vien

1744/1750 · graphite on laid paper

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The image shows a landscape with a river, a group of figures by the water's edge, and architectural elements in the distance. The river divides the scene, with buildings and a tall tower visible on the horizon. The artwork features detailed line work and cross-hatching, using a subdued color palette dominated by earthy tones.

Drawing1988.26.1

A Fortified Village along a River

Marco Ricci

1727/1729 · pen and brown ink over traces of graphite; Zanetti mount

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The image shows a landscape with rolling hills in the distance. In the foreground, there is a shepherd playing a flute under a tree, surrounded by sheep. Another tree is on the left, and there is a cluster of buildings, including a church, between the trees. The colors are predominantly blues, greens, and earth tones, creating a serene atmosphere. The sky is light blue with some clouds.

Drawing2011.34.2

A Fortress in a Mountain Landscape at Sunrise

Jakob Wilhelm Huber

1810 · gouache with pen and black ink on wove paper

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The image shows a scene with a building and a fountain, suggesting elements of a European town square. The view is slightly elevated, displaying architectural details from the side. On the left, there is a half-timbered house with wooden patterns and a blue-gray roof. A fountain on the right has a twisted central column topped with a figure. Figures near the fountain are depicted with loose strokes, wearing colorful attire. The painting style is light and suggestive, with incomplete areas. The color palette evokes a classic charm.

Drawing1995.52.138

A Fountain and a Facade in Austria

John Skinner Prout

Date not recorded · watercolor over graphite on wove paper

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This is a drawing of a classical fountain with sculptural figures. The image depicts a towering fountain with multiple basins. At the base of the fountain, there are intricate figurative sculptures of mythical or allegorical figures in fluid poses, entwined with elements resembling water or decorative motifs. The drawing outlines the contours and shadows with subtle lines and shading, giving the impression of depth and texture. The background includes sketchy representations of clouds or foliage.

Drawing2014.108.1

A Fountain with Three Nereids

Joseph Ignace François Parrocel

1740s(?) · black chalk heightened with white chalk on beige paper

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This is a drawing of a group of figures arranged around a central structure resembling a fountain. The composition includes several muscular figures with dynamic poses, with one figure playing a trumpet or horn. One figure is extending an arm upwards. The figures are seated on what appears to be a cloud or rock formation. The drawing is rendered in pencil or charcoal with shading to bring out the volume and form of the figures against a lightly toned background. Highlights and shadows give a three-dimensional effect.

Drawing2014.108.2

A Fountain with Three Tritons

Joseph Ignace François Parrocel

1740s(?) · black chalk heightened with white chalk on beige laid paper

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The image is an etching of dogs in a detailed landscape. The pack of dogs is engaged in various activities, with two dogs focused on something on the ground. The perspective is slightly elevated, showing the animals and the surrounding environment. The horizon is depicted higher up, where it meets a group of trees. The trees are intricately detailed, with branches and leaves etched realistically. The artwork uses monochromatic tones, mainly grays, to create depth and texture. Cross-hatching and stippling techniques are used to enhance the fur, foliage, and ground textures. The sky shows lightly etched clouds, directing attention to the dogs and the immediate landscape.

Print2012.71.6

A Fox Attacked by Dogs

Jean-Baptiste Oudry

1725 · etching on laid paper

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The sculpture depicts two wolves on an oval base. One wolf is lying down while the other stands behind it. The sculpture is made of a dark bronze material that gives it an aged look. The surface of the sculpture is highly detailed, capturing the texture of the wolves' fur with precision.

Sculpture1999.79.17

A Fox Holding a Dead Rooster

Pierre-Jules Mêne

19th century · wax

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This is a detailed line drawing of a tall plant with large, textured leaves and a flowering stalk at the top. The plant is centrally located in the drawing, with the leaves spreading outwards and the flowering stalk extending vertically from the middle of the plant. The dark lines of the drawing stand out against the paper, which is in shades of brown and appears to be aged and slightly discolored.

Drawing1996.44.1

A Foxglove in Bloom

Hendrik Goltzius

1592 · pen and brown ink on laid paper

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The image shows a leaf-like sculpture with curling edges and intricate texturing, placed in a square frame. The color palette includes earthy tones such as brown, beige, white highlights, and dark shadows. The object is centrally positioned, with its curling forms extending towards the top right, creating depth and dimension.

Drawing1995.52.14

A Fragment from an Antique Frieze

Sir Edward Coley Burne-Jones

Date not recorded · black chalk heightened with white gouache on brown wove paper

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The image shows three individuals in close-up, focusing on their upper torsos and heads. The person on the left wears a blue coat and red waistcoat, with curly white hair, a gold hoop earring, a hooked nose, and a wide grin. The middle individual has exaggerated facial features, rosy cheeks, and is wearing a white cap with a pink ribbon and a yellow garment, touching their own face. The person on the right holds either gold pince-nez glasses or a dental tool, wearing a pink coat with a green collar, a bulbous nose, and an oversized mouth. The background has a light blue patterned backdrop and handwritten text near the top right corner.

Print1945.5.1154

A French Dentist Shewing a Specimen of his Artificial Teeth and False Palates

Thomas Rowlandson

published 1811 · hand-colored etching

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This drawing shows a horse and a worker in a stable. The horse is in a stall with a collar and a partially fitted harness. A worker is crouched near the horse's hoof. The setting is rustic, with wooden plank walls and rough stonework. Another horse is also visible in the background. The shading and attention to detail highlight textures of the horse's coat and the stable surroundings.

Print1943.3.4617

A French Farrier

Théodore Gericault

1821 · lithograph

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Drawing1963.15.24

A French Gentleman Standing

Jacques André Portail

Date not recorded · black and red chalk on laid paper

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The image is a portrait drawing of a person. The subject is in a straight-on position, facing the viewer. The person's facial features include large, almond-shaped eyes, a straight nose, and full lips. Their hair is styled in a short, wavy fashion, neatly framing the face. They are wearing clothing with a light collar. There are no visible jewelry. The background is plain and textured, with no additional elements. There is a signature at the lower left of the drawing.

Print1943.3.7598

A French Girl

Théodore Roussel

1909 · drypoint on laid paper

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The image is a sketch of a person sitting. The person is sketched in a relaxed, upright seated position. The facial features are softly drawn, with a subtle expression. The person's hair is styled underneath a tall hat with a small emblem. They are wearing a detailed military-style jacket with cords or braiding, and a sash draped over the shoulder. The person is holding an object. The background is plain, with a simple sketch of another figure or object on the right side. There is an artist's signature at the bottom right corner of the image.

Drawing2004.166.28

A French Hussar

Jean-Louis-Ernest Meissonier

c. 1865 · graphite on wove paper, laid down

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The image shows a man standing next to a horse. The man wears military attire with a sash, buttons, and a feathered hat. He has a mustache, boots, gloves, and a saber. He appears focused. The horse has decorative bridles. Trees are sketched in the background.

Drawing2004.166.11

A French Hussar Leading a Horse

Jean-Baptiste-Edouard Detaille

Date not recorded · pen and brown ink over graphite on wove paper

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This is a drawing of three comical characters in animated poses. The scene depicts an interaction among three figures: one seated in an ornate chair wearing a green coat; a central character dressed in a blue and red coat with a large black hat, holding a horn and a whip; and the third figure on the right, dressed in brown, caught in a pose with arms raised and one leg lifted. Their expressions and movements suggest a humorous or chaotic scene. The line work is detailed, and the use of color adds to the animated feel of the composition. The style is reminiscent of 18th-century caricature art.

Print1945.5.569

A Frenchman in November

Thomas Rowlandson

1788 · hand-colored etching

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The etching shows a person standing in a grassy or bushy landscape near a body of water. The individual is standing with a large brimmed hat held to their head with both hands, leaning slightly forward. Facial features are obscured by the hat. They have a light complexion, and their hair is tucked under the hat. The person wears a long coat that reaches below the knees and possibly a skirt or dress underneath. No jewelry is visible. The background includes a body of water to the right, birds in the sky, and clouds indicated by sketch lines.

Print1974.9.3

A Fresh Breeze from the Sea

Walter Satterlee

1885 · etching

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Painting1943.1.2

A Friendly Call

William Merritt Chase

1895 · oil on canvas

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The image shows two sailing vessels docked side by side on the water. The horizon separates the sky and the sea, with a few distant sailboats visible. The etching has fine line work and cross-hatchings for texture on the sails and vessels. The color scheme is monochromatic in shades of gray and black. The boats and riggings are detailed, with soft clouds in the distance.

Print2016.89.22

A Friesland Ketch and a Gelderse Ketch

Reinier Nooms, called Zeeman

c. 1652/1654 · etching with drypoint on laid paper

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The object is circular, with a central hole. It is intricately decorated with various figures and symbols, including human-like mythological creatures. The upper portion shows centaurs holding a human figure, while the lower part features figures resembling mermaids or fish-tailed creatures. Surrounding them are swirling patterns. The sculpture appears to be made of a dark material, possibly oxidized metal, giving it a bronze or dark brown hue. The surface is textured with detailed relief work, emphasizing the figures' musculature and designs. The craftsmanship is evident in the intricate detailing. The object has mythological or symbolic significance and is set against a neutral, dark background.

Sculpture1957.14.448

A Frieze of Centaurs and Tritons

Attributed to Master IO.F.F.

Date not recorded · bronze//Dark brown patina

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The image shows a round sculpture with intricate design of mythical or fantastical figures. The sculpture features interwoven figures, possibly human or semi-human, along with serpent or dragon-like creatures. It appears to be made of a metallic substance with a golden color highlighting the detailed engravings and relief work. The sculpture is circular with a central hole, potentially for mounting, and seems to depict figures in motion. Raised and recessed areas create a tactile finish, enhancing the visual complexity.

Sculpture1957.14.447

A Frieze of Tritons and Nereids

North Italian 16th Century

16th century · gilded bronze//(gilding slightly rubbed)

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Sculpture1957.14.92

A Frog

Paduan 16th Century

early 16th century · bronze//Medium brown patina

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Sculpture1957.14.94

A Frog

Paduan 16th Century

early 16th century · bronze//Dark brown patina

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