National Gallery of Art · Open Data

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63,836 open-access works

63,836 NGA-open-access works
Dataset refreshed September 12, 2026

This is a drawing of two figures in dynamic poses on an architecturally elaborate structure. The composition features two figures, one prominently positioned in the foreground with the back turned towards the viewer, appearing to be in motion as if ascending or descending the large scroll-like, ornamental structure. The other figure is partially visible, looking over their shoulder from behind the structure. The drawing utilizes soft and fluid pencil lines to convey movement and energy, as well as to define the figures' musculature and draped cloth. The background appears faint and less defined, with swirling lines suggesting fabric or a flowing element, emphasizing the sense of upward or swirling motion. The architectural elements featured in the drawing contribute to a sense of grandeur and complexity. The sketch composition suggests an expressive and potentially classical narrative theme, evoking a dynamic interaction between the figures and their surrounding environment.

Drawing2019.78.1

A Female Figure Seated on an Entablature, Holding a Distaff

Lorenzo De Ferrari

c. 1700/1710 · black chalk on laid paper

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The image shows a sketch of a reclining male figure. Parts of the body are drawn, showing a muscular arm and torso, as the figure lies on his side facing upwards. Facial features are barely visible, and no clear hair details are shown. The sketch lacks detailed clothing, outlining only the body's form. A cross-shaped mark is present to the left of the figure. The background is a plain, slightly textured surface with a light gray tone and faint discolorations and marks.

Drawing1990.10.6.b

A Female Nude [verso]

Domenico Tintoretto

Date not recorded · black chalk on blue laid paper

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The image shows a full-body sketch of a seated person who is partially nude. They are positioned with one arm extended upwards, grasping a pole or structure, while their legs are bent at the knees. Their head is tilted slightly upward and to the side, with their eyes closed. The facial features are detailed, showing a strong jawline and full lips, with short, curly hair framing the face. The person is not wearing any clothing. The focus is on the contours and musculature of their body. The background is simple, with flowing lines suggesting drapery or fabric. There are no visible objects or jewelry in the image, and the background appears plain, with minimal shading and details.

Drawing2010.41.1

A Female Nude Seated on a Ledge

Charles-Louis-Lucien Müller

1863/1866 · red chalk with white heightening on blue paper

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The image depicts a woman and a man in an intimate domestic setting. The woman is standing slightly forward while the man is seated on a sofa, reaching out to embrace her. The woman's face is turned slightly to the side, showing delicate features and styled hair. She is wearing an elaborate dress, typical of 18th-century fashion. The man has a similar hairstyle and is dressed in a suit. The room is decorated with a carved wooden desk, framed artworks, a small dog, and scattered flowers.

Print1953.6.182

A femme avare galant escroc

Jacques Aliamet and Antoine-Jean Duclos after Jean-Honoré Fragonard

Date not recorded · etching

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The image shows a woman and a man indoors. The woman stands beside a desk holding a small object, while the man is seated on a sofa embracing her waist. The woman has curly hair and wears an elaborate dress, while the man has curly hair as well and is dressed in formal attire. The room has framed paintings and ornate wall decorations, with furniture and a small dog present. The background is richly decorated.

Print1953.6.183

A femme avare galant escroc

Jacques Aliamet and Antoine-Jean Duclos after Jean-Honoré Fragonard

Date not recorded · etching and engraving

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The image shows a gathering near a body of water. The horizon is in the lower part of the composition, with water extending to the left and plants lining the shore. People are boarding or leaving a small boat, while others are gathered near a rustic structure against rocky cliffs. The artist's style uses loose brushstrokes with muted sepia and brown tones, creating movement. Dark ink accents define figures and natural elements, blending into a background of distant mountains partly covered by clouds. The sepia-toned palette gives the image a warm, cohesive feel, highlighting the natural setting.

Drawing2007.111.92

A Ferry on the Königsee

Friedrich Gauermann

1827/1839 · pen and brown ink with brown wash, heightened with white chalk, over graphite on wove paper

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This is a painting of a small rodent lying on its back. The rodent is depicted with meticulous detail, capturing its soft brown fur with subtle gradations of light and shadow. Its limbs are splayed out to the sides, and its tail extends straight out behind it. The background is a plain, light tan.

Drawing2003.48.2

A Field Mouse, from Above

Johann Rudolph Schellenberg

c. 1775 · watercolor with graphite and black pen and ink on wove paper

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The image shows a rodent with a plump body, small limbs, and a long tail. The fur is a combination of brown and grey tones. The front teeth are prominently displayed. There is a separate sketch of the rodent's head on the right side. The background is plain.

Drawing2003.48.3

A Field Mouse, from Below

Johann Rudolph Schellenberg

c. 1775 · watercolor with graphite and black pen and ink on wove paper

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The image shows a forest scene with dense greenery, trees, and wild boars moving across a glade. The painting features realistic details like leaves and tree trunks, with a color palette of greens, earth tones, and soft browns and reds. Two figures in different attire observe the scene, while another figure stands on a fallen trunk holding a spear.

Painting1965.16.260

A Fight with Peccaries - Caribbe

George Catlin

1854/1869 · oil on canvas

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The image displays swirling lines and curvilinear shapes overlapping and intertwining. The composition has an abstract quality, with lines resembling loops and spirals. Some loops form circular figures resembling coiled springs or abstract floral motifs.

Drawing1943.3.9010

A Figure Ascending in a Glory of Clouds (?)

William Blake

probably c. 1805 · graphite

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The image shows a rustic scene with a house, trees, and a figure washing near a stream. Two children stand in the middle distance next to a ladder. In the background are two thatched houses among trees. The drawing style is detailed with fine lines and cross-hatching, creating texture. The color palette is monochromatic in shades of black and gray, emphasizing light and shadow.

Print1996.12.2

A Fisherman and Two Children in a Landscape with Thatched Cottages

Salomon Gessner

1764 · etching on laid paper

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The sculpture depicts a muscular male figure in a dynamic pose, raising a weapon. The figure is minimally clothed with a cloth around the waist, highlighting the muscular anatomy. It is made of a reflective silvery metal, possibly silver, giving it a shiny appearance. The figure's hair is styled in a windblown manner, adding to the dynamic pose. It is mounted on a round, solid black base contrasting with the metallic figure. The portrayal captures intricate details in expression and form, making the figure appear animated.

Sculpture1991.124.1

A Flagellator of Christ

Alessandro Algardi

c. 1630s · silver

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The image shows a group of Indigenous people outdoors near a tent-like structure. One person stands at the center wearing a shawl, necklace, and feathered headpiece. Others are sitting or standing nearby, with a child holding a small stick. In front of them are fish, and in the background, fish are drying on a line near the tent. The setting is a forest with tall trees under a sky.

Painting1965.16.151

A Flathead Chief with His Family

George Catlin

1855/1869 · oil on card mounted on paperboard

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The painting depicts a seascape from an elevated perspective, showing a low horizon line with large ships sailing on the water. In the center is the largest ship, with four sails and several colorful flags, including one with horizontal stripes of red, white, and blue, and one large golden flag with a red animal that looks like a lion. Countless small people are on the deck of this boat, with some climbing ropes to get to the different sails. In the background are other ships, with a few smaller sailboats and one rowboat. On the horizon are the indistinct blue outlines of buildings on a far-off coastline. The ocean is rough, with large, dark blue waves topped with white surf. The sky is dark and stormy, with dark gray clouds at the top fading to a lighter gray near the horizon.

Painting2021.97.1

A Fleet at Sea

Hendrick Cornelisz Vroom

1614 · oil on canvas

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The image shows an intricate engraving of a maritime scene. A large ship with billowing sails is in the center, with smaller boats around it. The horizon is high, with clouds partially covering the sun. The engraving is detailed with fine lines depicting the textures of clouds, waves, and the ships. The color scheme is sepia, giving the scene a vintage look.

Print1964.8.396

A Fleet of Galleys Escorted by a Caravel

Frans Huys after Pieter Bruegel the Elder

1565 · engraving on laid paper

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The image shows a sketch of a scene from an elevated viewpoint, capturing activity below. The composition includes figures, trees, and a building with expressive, sketchy brushstrokes suggesting movement. In the foreground, a figure walks with sheep and a dog, while people gather near a building in the background. The monochrome palette of grey and black adds a dynamic appearance to the image.

Drawing1991.150.60

A Flock of Sheep before a Farmhouse

Théodore Rousseau

Date not recorded · graphite on wove paper

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This is a drawing of a stone bust on a pedestal with an engraving dedicated to 'A Flourens'. On either side of the pedestal, two figures are reacting to the bust. The figure on the left is wearing a bowler hat and extending one hand toward the bust while holding a cane. The figure on the right is raising a hat toward the bust, with various articles scattered around their feet. The scene appears to convey a humorous encounter, possibly a cultural or political commentary. The drawing has strong lines and shading, typical of 19th-century caricatures.

Print2015.143.1170

A Flourens, la jeunesse reconnaissante!

Honoré Daumier

1855 · lithograph

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The image shows a human figure with wings positioned as though in flight. The figure is captured from a slightly frontal perspective, with the head turned downwards and the right arm outstretched. The facial features are undefined, focusing more on the body's muscular structure. The figure wears a cloth or drapery around the waist and has well-defined muscles on the chest, arms, and legs. Large wings extend out behind the figure, adding to the sense of flight. The background is plain with a light texture.

Drawing1978.26.1

A Flying Angel

Jacopo Palma il Giovane

1580/1590 · pen and brown ink, heightened with white, over black chalk on laid paper

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The image shows a figure feeding pigs. The individual has animal ears and is pouring apples into a trough, while three pigs are eating. The figure is dressed in period-style clothing with a hood, and the pigs are of varying sizes. The pigs are engaged with the food, and the scene is drawn with detailed and delicate style, highlighting the features of both the figure and the pigs. The artwork portrays a pastoral moment, depicting agrarian life and the interaction between humans and animals.

Drawing2006.11.41

A Fool Feeding Flowers to Swine [fol. 42 recto]

French early 16th Century

c. 1512/1515 · pen and brown ink with watercolor on laid paper

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This image shows the upper half of a woman's body in a frontal pose. Her facial features include large eyes, a nose, and full lips. Her hair is styled with loose curls and an intricate headpiece. She is dressed in an intricately designed garment with a low neckline. In her hands, she holds a conical object. There is no visible jewelry on her. The background is plain.

Print1958.8.158

A Foolish Virgin

Martin Schongauer

1475/1491 · engraving

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The painting depicts a scene of a group of Native American men sitting in a circle. They are gathered around a central point, likely a small fire. The background shows rolling hills and trees under a sky with clouds. The brushstrokes are smooth and the color palette includes earthy tones with touches of blue. Various objects such as shields and spears are placed around the group.

Painting1965.16.84

A Foot War Party in Council - Mandan

George Catlin

1861/1869 · oil on card mounted on paperboard

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The image shows a forest scene with tall trees and dense foliage forming a canopy. The etching style depicts detailed textures of tree bark and leaves in varying shades of gray. The ground is depicted with fine strokes, suggesting lush undergrowth, while trees in the distance fade into a densely packed composition, creating an expansive forest setting.

Print2014.95.2

A Forest Clearing

Karl Bodmer

Date not recorded · etching and drypoint on wove paper

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The image is a detailed landscape showing a serene water body. There is a large tree with gnarled roots and a twisted trunk leaning slightly to the left, casting shadows on the water. In the background, there is a horizon of distant trees, and the sky has wispy clouds. The artwork is rendered in fine, precise brushstrokes or etching technique, creating a rich texture. The color palette is monochrome, using shades of black and gray.

Print1943.3.7604

A Forest Marsh with Travelers on a Bank (The Travelers)

Jacob van Ruisdael

Date not recorded · etching and drypoint

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The image depicts four figures in a room. On the left, a man stands with one foot forward, holding a long weapon or stick, wearing 19th-century clothing. Beside him, a bald man is holding onto a woman. The woman has long hair and is dressed in a long dress. On the right, another man with a plumed headdress holds a shield and a bow. The room has wood slat walls, a table with pitchers and a cup, and a hanging item, with a suggestion of an open door or window on the right.

Print2015.19.3576

A Form Has Rushed amidst Them from the Dark

Ferdinand Joubert, after George Elgar Hicks

1846 · engraving in black on wove paper

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