National Gallery of Art · Open Data

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Explore only works whose published-image record is explicitly marked open access by the National Gallery of Art. Every result includes eligible imagery and connects back to the museum.

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63,836 open-access works

63,836 NGA-open-access works
Dataset refreshed September 12, 2026

The image shows a horse-drawn sleigh racing across a wintry landscape. The sleigh is pulled by three horses, with their legs in motion. The rider holds the reins, and there is a passenger inside the sleigh. In the background, there is a snow-covered village with wooden structures and church spires. Small birds are seen in the sky. The illustration features detailed line work and a monochromatic color palette creating a dramatic effect.

Print1980.3.4

A Hired Coachman in Winter

Aleksandr Osipovich Orlovskii

1820 · lithograph

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The image depicts a horse next to a wooden trough. A structure with stairs is visible to the left. In the background, a field extends to the horizon where small figures are seen. The illustration features fine linear etching with cross-hatching, showcasing textures and details. The monochrome color palette consists of black, gray, and off-white shades, creating depth. Wispy clouds are lightly sketched in the sky.

Print2014.56.11

A Horse Bound to a Feeding Trough

Dirck Stoop

1651 · etching

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The image displays a side view perspective of a horse in the foreground with detailed linework, cross-hatching for depth and texture. A second horse carrying a person and a man interacting with a dog are also visible. The background shows diminishing hills and sparse nature elements. The sky features lightly etched clouds. The color palette is monochromatic with black on off-white paper.

Print2014.56.4

A Horse Bound to a Post

Dirck Stoop

1651 · etching on laid paper

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The image shows a horse and a dog close to us on the left side. The horse is standing with its back turned, facing slightly to the right. Next to the horse, a dog is lying down. In the background, a figure is seated on another horse, facing right. The horizon line is low, with the sky taking up a large part of the picture. Delicately drawn clouds are visible in the sky. The image is monochrome, with black and gray ink used for shading. Detailed linework is used to create texture, particularly in the depiction of the animals' fur and the figure's clothing.

Print2014.56.9

A Horse Bound to a Post with a Reclining Dog

Dirck Stoop

1651 · etching

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This is a painting of a red horse standing on a patch of tan ground, tethered by a rope to a tall brown post. The horse's reddish-brown coat is rich and glossy, with white highlights. It faces the left, with its ears pricked up. One of its back legs is slightly raised. The ground behind the horse is flat, with patches of yellow ochre, brown, and dark green. The sky above is a mix of blue tones, with light blue near the horizon and darker blue-green at the top of the painting. The brushstrokes in the painting are thick and visible.

Painting1994.59.17

A Horse Hitched to a Post

Eugène Delacroix

c. 1820 · oil on canvas

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The image shows a side view of a horse pulling a large hay wagon. Both elements are positioned on the left side of the composition. The horizon is not clearly defined. The drawing style features light pencil strokes, giving the image a sense of movement and texture. The color palette is monochromatic with shades of gray on beige paper. In the distance, details fade, enhancing the focus on the horse and wagon.

Drawing1995.52.177

A Horse Pulling a Load of Hay

J. Frederick Tayler

Date not recorded · graphite on wove paper

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The image depicts a rural scene with farm animals gathered in a rocky setting. The horizon is high in the image, showing distant hills under a cloudy sky. The landscape is created with intricate lines and varying shading using a classic etching technique. The color scheme is monochromatic with shades of sepia or dark brown. Closest to the viewer are a horse, a cow, a goat, and several sheep in relaxing poses. In the background, there are large boulders and a leaning tree, creating a sheltered area for the animals. The composition conveys a sense of tranquility and harmony with nature.

Print1991.116.125

A Horse, Buffalo, Sheep, and Goat in an Italian Landscape

Johann Elias Ridinger after Johann Heinrich Roos

Date not recorded · etching and engraving on laid paper

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The sculpture depicts a human figure riding a rearing horse. The figure holds an object resembling a baton or short stick raised above their head. The horse appears dynamic, with its front legs lifted in the air, while the rider is seated in a poised position. Alongside the rider and horse, a tree with distinct branches is featured. The sculpture is crafted from a dark material, possibly metal, with a brownish hue highlighted by lighter accents. The entire scene is framed within a rectangular border with beveled corners.

Sculpture1957.14.376

A Horseman

Paduan 15th Century

15th century · bronze//Dark brown patina

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The sculpture depicted on the round object shows a mounted warrior and an infantry soldier. The central figure is a man riding a horse, wearing a helmet with a crest and holding a spear or staff. The horse is depicted mid-stride. In front of the horse, there is an infantry soldier wearing a helmet and holding a spear or staff. The engraving is on a raised, circular surface, made of a gold-colored metal. The texture appears rough and aged, with skillfully carved details.

Sculpture1957.14.202

A Horseman and Two Soldiers

Pseudo Melioli

late 15th - early 16th century · bronze//Yellow patina

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The sculpture is a relief on a square metal plaque. It features three lions and a mounted rider on a horse. The rider is in a dynamic pose riding through a landscape. The lions are positioned around the horse, two in the foreground with raised paws, and another lion beneath the horse. The background shows hills or mountains. The sculpture is a metallic tone, likely bronze, and appears intricately detailed.

Sculpture1957.14.186

A Horseman Attacked by Three Lions

Gianfrancesco Enzola

Date not recorded · bronze//Dark brown patina

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This image shows a battle scene with mounted figures engaged in combat. Horses are rearing and fighters are armed with various weapons. The central figure on horseback is wielding a gun with smoke around them. Other figures are also shown in battle, and there are fallen figures and weapons on the ground. The scene is detailed with a focus on action and posture.

Print1976.79.8

A Horseman Shooting a Turk from His Horse

Jan van Huchtenburgh

Date not recorded · mezzotint

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The sketch depicts the back view of a person from head to mid-thigh level. The person is standing upright, facing forward with a slightly downward tilted head. They are wearing a large, wide-brimmed hat and a long, voluminous coat with visible folds and a high collar. There are no visible facial features, jewelry, or objects being held. The sketch is simple with minimal background details, focusing on the figure against a plain backdrop.

Drawing1991.215.1.b

A Horseman Wearing a Grande Cockade [verso]

Vivant Denon

c. 1790 · graphite on gray-blue paper

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This is an illustration of a hunting scene featuring a dog chasing a hare.

Drawing2006.11.61

A Hound Chasing a Hare

Benozzo Gozzoli

c. 1456/1459 · pen and brown ink with traces of red chalk, heightened with white on pink prepared paper

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The image shows a drawing of a horse rearing. The sketch depicts the horse in mid-rear, with its body curved and front legs raised. It is drawn in a light pencil style against a plain background, emphasizing the outlines of the animal. The focus is on the horse's posture and anatomy, capturing a sense of fluidity and movement. The drawing aims to showcase the elegance and strength of the horse through a minimalist approach.

Drawing1995.52.160

A Hound Jumping

James Seymour

c. 1743 · graphite on wove paper

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The image shows a serene rural scene with a water feature, a thatched cottage, trees, and foliage. The composition features detailed brushstrokes showcasing textures. The color palette is monochrome with gray and sepia tones. The sky is clear in the background.

Print1994.44.6

A House and a Shaded Cottage on the Banks of a River

Nicolas Pérignon

c. 1770 · etching on laid paper

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The image shows a brick building with a cobblestone street in the foreground. The building's brick texture and several poster advertisements on a wall to the left are visible. The image has a sepia tone and is framed in gold. A man in period clothing stands in the doorway to the right. In the distance, other building roofs can be seen. The color palette is limited to brown and grey tones.

Photograph2023.146.6

A House in Old Town, Corner of High and Low Streets, Baltimore, Maryland

American 19th Century

1863 · ambrotype with applied color

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The image shows a rustic cottage with a chimney, set slightly off-center to the right. The sky is faint and undefined. The painting has delicate brushstrokes, likely created with a watercolor technique. The color palette includes earthy tones of brown, gray, and hints of green from foliage. A wooden fence frames the left side, with blurred trees and bushes in the background.

Drawing2022.40.40

A House, West Humble Lane, Norbury, Surrey

Cornelius Varley

1806 · watercolor and graphite on wove paper

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The image shows a man standing from the waist up with hands folded in front of him. He has a beard, mustache and wears a turban, robe with embroidery, and holds a cloth. Background includes furniture and a lamp on a table, indicating a dimly lit interior with arches and depth.

Print1980.45.1773

A Jewish Rabbi

William P. Sherlock after Rembrandt van Rijn

Date not recorded · lithograph on papier colle

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Drawing1991.150.43

A Judge and Two Gentlemen Lawyers

Attributed to Eustache Le Sueur

Date not recorded · black chalk heightened with white on tan laid paper

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The sculpture depicts a male figure with detailed facial features and a long, curly beard wearing a Renaissance-style garment featuring puffed sleeves and a buttoned front. The sculpture has a dark hue, appearing to be made of a bronze or dark patinated material. The figure has a strong, dignified expression and is presented on a decorative pedestal that is also dark. The sculpture captures intricate details like the beard texture and clothing folds, giving it a realistic and imposing presence.

Sculpture1942.9.145

A Jurist

Paduan 16th Century

c. 1550 · bronze

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Print1944.5.111

A Just View of the British Stage

William Hogarth

1724 · etching

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The image shows three individuals in a full-body portrait outdoors. The person in the center stands upright, holding a long, decorated staff. His hair is long, dark, and adorned with colorful feathers and beads. He wears a richly decorated garment with fringes and vibrant patterns, as well as a pair of moccasins. To his right stands a young male child, who is also upright and carries a small bow and arrows. The child's hair is long and unadorned. The child appears to be wearing minimal clothing. To the left of the central figure is a female, wearing a long dress with intricate beadwork and fringe. Her long hair is dark and straight, and she stands with her hands lightly resting by her sides. They are situated on a grassy plain, and in the background, there are two tipis with figures seated near them. The sky is open and light, suggesting a cloudy day.

Painting1965.16.124

A K'nisteneux Warrior and Family

George Catlin

1861/1869 · oil on card mounted on paperboard

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The image shows an intense scenario at a gambling table. The scene features numerous animated figures in a room gathered around a table, some engaged in a brawl. The figures are drawn in an exaggerated style, depicting one holding a chair above their head and another pointing a pistol. Objects on the table include candles, coins, cards, and a fallen top hat. The room is crowded with figures dressed in 18th-century attire, such as tricorne hats and waistcoats. The background is simple, offering minimal detail. This painting captures the frenzy and disorder often associated with gambling disputes. The style is reminiscent of Thomas Rowlandson.

Print1945.5.116

A Kick-up at a Hazard Table

Thomas Rowlandson

published 1787 · hand-colored etching and aquatint

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This is a drawing depicting multiple figures in classical attire surrounded by dogs, with a detailed cityscape in the background. The composition includes figures in various poses, adorned with flowing robes and carrying items. The cityscape features layered buildings, bridges, and towers, with natural elements like trees and flowing water. The drawing is rich in narrative detail and intricate linework.

Print1941.1.155

A King and Diana Receiving Huntsmen

Jean Duvet

probably c. 1547/1555 · engraving on laid paper

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