National Gallery of Art · Open Data

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Explore only works whose published-image record is explicitly marked open access by the National Gallery of Art. Every result includes eligible imagery and connects back to the museum.

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63,836 open-access works

63,836 NGA-open-access works
Dataset refreshed September 12, 2026

This is a drawing of a scene featuring several figures in a landscape with a detailed cityscape in the background. The figures are engaged in conversation or preparation, some adorned in robes and holding objects like a scepter or shield. Hounds are resting nearby, while other figures stand holding spears or shepherd staffs, one of whom seems to be managing a group of dogs. The city in the background displays towers, bridges, and buildings, set against a backdrop of hills and forests. The artwork has detailed line work and complex compositions.

Print1943.3.3705

A King and Diana Receiving Huntsmen

Jean Duvet

probably c. 1547/1555 · engraving on laid paper

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This is a drawing of a medieval scene with angelic and human figures against a cityscape. The drawing features a dramatic arrangement of figures, both celestial and terrestrial. At the top, winged angelic beings are depicted. Below them, a detailed expanse of a medieval city sprawls across the horizon. In the foreground, armored figures appear to be in discussion, standing near elegantly dressed individuals gathered under a tree. The scene captures a blend of supernatural and earthly realms amidst the architectural backdrop. The artist paid significant attention to detail, giving the drawing a rich, textured appearance.

Drawing1983.101.1

A King and His Retinue Confronting Ladies under a Celestial Battle

French 17th Century

c. 1600 · pen and brown ink

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A long-haired, small white dog with tawny-brown ears and spots sits on a garnet-red cushion in this loosely painted vertical portrait. The dog looks just to our left with large, round, black eyes under perked eyebrows. Long, floppy ears hang to either side of its short muzzle. A snub black nose glistens over its downward curving mouth. The long fur on the dog’s body is painted with visible strokes in white and silvery gray. Its thin front legs are braced near a black and white ball, which rests at the edge of the cushion near the lower right corner of the composition. The background is coffee brown, and the artist signed the lower right corner with black paint, “ed. Manet.”

Painting1970.17.36

A King Charles Spaniel

Edouard Manet

c. 1866 · oil on linen

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The image depicts a group of five individuals. Four standing figures are on the left, and one seated figure is on the right. The seated person is wearing a crown and robes, sitting on an ornately carved chair. This person has a beard and long hair. The standing individuals are dressed in long robes with fur-trimmed hats. They appear to be in conversation with the seated figure. The background includes a large window with an arched design and columns, showing a view of a castle or large building. The floor is patterned, and there is a large draped curtain behind the seated person, indicating an interior with grand decor.

Print1943.3.930

A King on a Throne, before him Four Men

Leonhard Beck

1514/1516 · woodcut

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This is a drawing of a battle scene within a forest. The drawing shows several mounted and armored figures fighting amidst fallen opponents. The scene conveys a sense of chaos with rearing horses and struggling soldiers. The figures exhibit dramatic anatomy and expressions. In the background, there are architectural structures, including a fortified building and an arched entryway, providing depth to the composition. The environment is detailed with foliage above and fallen branches and bodies below, creating a richly textured setting for the confrontation.

Print1943.3.3707

A King Pursued by a Unicorn

Jean Duvet

c. 1555 · engraving on laid paper

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The image depicts the lower portion of a person's figure, primarily from the waist down to the knees, in a kneeling position. The figure is positioned slightly towards the right side of the image. The person's facial features are not distinctly detailed. The figure appears to have long hair and is wearing a flowing garment, possibly a robe or dress. There is a circular form near the figure. The background is a lightly textured, pale surface with variations in shade, but there are no distinguishable features or objects.

Drawing2003.119.1.b

A Kneeling Angel

Fra Bartolommeo

c. 1500 · pen and brown ink heightened with white over metalpoint on gray-blue prepared paper

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The image displays a sketch of a person viewed from behind, shown in a kneeling position with hands openly held together in front as if in prayer. The person is depicted wearing a long robe with wide sleeves and a hood, cinched at the waist with a belt. The figure's short, neatly kept hair is visible, but facial features are not shown. The sketch is done in charcoal or pencil on brown paper, creating a textured background emphasizing the fabric folds of the robe. No additional context is provided in the plain background.

Drawing2022.113.1

A Kneeling Friar in Prayer

Lazzaro Tavarone

c. 1620/1630 · black and white chalk on red prepared laid paper

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This is a sketch of a person in a crouched position, supported by one knee and one outstretched arm. The person's facial features are not detailed. The hair is curly or wavy, following the curve of the head. The clothing appears loose-fitting with visible folds and creases. The background is plain, with the focus on the charcoal figure on lightly-toned paper.

Drawing1990.10.6.a

A Kneeling Man Holding a Staff [recto]

Jacopo Tintoretto

mid 1550s · charcoal heightened with white on blue laid paper

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The image shows two individuals kneeling. The person on the left is leaning forward, their head slightly lowered and turned to the right. They wear a long robe with detailed hem and their arms are wrapped around it. The person on the right has curly hair and is holding a platter with a crown and keys hanging from it. Both wear draped garments. The background is simple, focusing on the figures.

Drawing1991.150.53

A Kneeling Woman with an Incense Burner and a Page Holding a Crown and Scepter

Anton Kern, after Giovanni Battista Pittoni the younger

c. 1726 · pen and brown ink with brown wash over black chalk, heightened with white on laid paper

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The sculpture is a bust of a bearded man with short, textured hair, dressed in a garment with detailed folds and a round medallion with an emblem hanging from his neck. The sculpture is predominantly brown, with variations that suggest a patina, indicating that it is made of a material that either resembles or is aged metal. The bust is supported by a dark, possibly black, round pedestal.

Sculpture1943.4.85

A Knight of Santiago

Attributed to Francesco Segala

c. 1570/1580 · painted terracotta

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This painting shows a man seen from the waist up, facing to the right with his hands resting on a cane. He has pale, yellow-toned skin, a straight nose, thin eyebrows, and thin, straight lips. His hair is dark brown and shoulder-length, and on top of his head is a black cap. He is dressed in dark clothing with a high neckline, a chain necklace across his chest, and a red garment over his shoulders. He wears rings on his fingers. The background is a yellow-brown color with visible brushstrokes.

Painting1964.16.1

A Knight of the Golden Fleece

Attributed to Jean Perréal

c. 1495 · oil on European walnut

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The image displays two boxers in a ring after a match. One boxer is on the ground while the other is crouched beside him. Both boxers' bodies are muscular, and their facial features are partially obscured. They have short, tousled hair and are wearing boxing shorts and gloves. Surrounding the ring are numerous animated spectators leaning over the ropes, some smoking cigars or talking excitedly. The background shows a blurred audience absorbed in the scene.

Print1956.6.11

A Knockout

George Bellows

1921 · lithograph in black

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The image shows a group of birds in a natural setting. The birds, likely grouse or a similar species, are gathered together. The viewpoint is at eye level with the birds, showcasing their arrangement. The scene features natural elements such as the ground, foliage, and branches. Two birds are resting on a snowy or frosty patch on the left, with more birds clustered together amidst tall grasses or branches on the right. The artwork displays intricate brushstrokes using a textured engraving technique. The color palette is monochromatic, consisting of various shades of black and white to depict the cold, wintry atmosphere.

Print1975.34.13

A l'abri du givre

Karl Bodmer

Date not recorded · lithograph

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This is a drawing of an interaction in a finely furnished room. The scene shows a figure leaning over a chair, draped in an ornate garment, while another figure gestures behind. The attire is detailed, with evident folds and textures. In the background, there's a grand fireplace with decorative items like small sculptures and a clock. The walls are adorned with framed portraits or decorations. The style is reminiscent of classical caricature or satire, with exaggerated expressions and postures.

Print1943.3.3184

A l'instar d'Henri IV

Honoré Daumier

1852 · lithograph

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This is a drawing of a helmeted figure holding a marionette-like creature in a barren landscape under a cloudy sky. The helmeted figure has a strong posture and is exerting control over the contorted creature. The landscape has a rugged texture and a faint moon is visible in the sky. Objects on the ground have inscriptions. The drawing conveys drama and intensity, with the creature's contorted form contrasting against the background.

Print1979.49.190

A l'instar de Pantin

Honoré Daumier

1869 · lithograph

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This painting shows a woman sitting at a round table. She has fair skin, sharp cheekbones, thick eyebrows, and pale lips with one side of her mouth raised in a partial smile. She has short brown hair with bangs across her forehead. She is wearing a black dress with a high collar, a pale yellow bow around her neck, and a white apron over her lap. In her hand, she holds a small, translucent glass that rests on the table. The background is a blurred blend of earthy tones, including brown, gray, and dark green, which suggest a wall behind her. The brushstrokes in the painting are thick and visible.

Painting1985.64.39

A la Bastille (Jeanne Wenz)

Henri de Toulouse-Lautrec

1888 · oil on canvas

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This is a drawing of a dimly lit interior scene depicting two seated and two standing individuals. The two seated individuals are relaxed, smoking cigars, and appear to be in conversation, with a table set between them holding a carafe and two glasses. The setting suggests an informal or casual atmosphere, possibly a bar or lounge, with muted patterns decorating the background. The drawing is executed in monochrome, emphasizing the contrast between light and shadow to create a sense of depth and texture.

Print1943.3.3111

A la buvette

Honoré Daumier

1847 · lithograph

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This is a drawing of a horse-drawn cart. The cart is being pulled by a small horse and is carrying four figures. Each figure has distinct facial characteristics. The drawing emphasizes contrast between the heads and the body of the horse. The scene takes place in a minimalistic landscape with simple lines and shading in the background. The title at the top indicates a festive theme associated with a neighboring village.

Print2015.143.788

A la campagne, pas de grèves de cochers ... (recto); Villageois économes se contentant ... (verso)

Honoré Daumier

1865 · lithograph

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The image shows two individuals depicted in a sketch style. The first person is standing, with hands resting on their knees. They have short, dark hair, a head covering, and wear a dark robe. The second person is seated on a bench, wearing a light-colored cloak and a helmet. The background is minimalistic, with a blank wall and a partial door outline. Beside the seated person is a table with various items.

Print1943.3.4144

A la Conference de la Paix

Jean-Louis Forain

1914/1919 · collotype on wove paper

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This is a photograph of a vintage storefront. The image captures an entrance of a building with a door framed by vertical bars, part of a wrought iron design. Above the door, there is a metal emblem featuring a cluster of grapes, with the name "A La Grappe D'Or" inscribed on the sign. The photograph shows old-world charm and historic architectural style with weathered textures on the walls and door. The glass panes on the door reflect the street scene outside. The overall tone of the image is sepia, enhancing its vintage atmosphere.

Photograph2002.73.11

A la Grappe d'Or, 4 place d'Aligre

Eugène Atget

1911 · albumen silver print

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Three people are depicted in a room. From left to right: a man with curly hair and hands behind his back, a woman with a headscarf and hands on a counter, and a man holding a document and facing left. The background shows indistinct faces and plain walls with paneling.

Print2015.143.1150

A la mairie ...

Honoré Daumier

1854 · lithograph

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The image shows two men seated at the top of horse-drawn carriages. The first man is on the left, looking towards the viewer with a slight smile, while the second man faces him with a serious expression. Both are wearing top hats and long overcoats, holding the reins of their respective carriages. In each carriage window, another man is visible from the shoulders up, with different expressions. The background features the carriages, horses, and some light text visible in the background.

Print2015.143.731

A la minute

Honoré Daumier

1857 · lithograph

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This is a drawing of a theater or performance setting inside a crowded venue. The scene shows an individual holding a spoon and a bowl, leaning in with astonishment towards the stage. A large backdrop filled with an audience is visible. The detailed expressions and intricate cross-hatching lend drama and tension. The composition captures the person's reaction and the engaged audience. The use of line work and shading creates depth and movement, enhancing the lively atmosphere of the scene.

Print1979.49.97

A la porte Saint-Martin

Honoré Daumier

1846 · lithograph on newsprint

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Print1998.118.5

A la recherche d'une forêt en Champagne (In Search of a Forest in Champagne)

Honoré Daumier

1847 · lithograph on wove paper

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